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224:(1990), Belting argued for the necessity of understanding the ways images give meaning to their contexts, rather than gaining meaning from their contexts, to understand images as actors with their own agency. Belting argued that art history as a disciplinary formation was outmoded and potentially obsolete, and that a
212:
sought to develop an anthropological theory of the image to examine its universal functions that span cultural distinctions, and considered the relationship between the image and the body. Belting examined images used in religious contexts to identify the original non-artistic functions of images
241:. The project, which ran until 2016, took a look at new museum practices and the worldwide development of art biennials that have emerged beyond "Euramerica" (John Clark) since the end of the 1980s. The project included the exhibition and publication
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capable of apprehending all kinds of images, the exact scope and methods of which remain uncertain, should be sought. Pioneering the development of a global perspective on art studies and museum practice was the research project
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191:) and later authored more than thirty books, some of them translated into various languages. His essay "The End of Art History?" attracted considerable attention and Belting expanded it in successive editions.
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Rampley, Matthew (2012). "Bildwissenschaft: Theories of the Image in German-Language
Scholarship". In Rampley, Matthew; Lenain, Thierry; Locher, Hubert; Pinotti, Andrea; Schoell-Glass, Charlotte;
465:——; Buddensieg, Andrea; AraĂşjo, Emanoel; Global Art and the Museum; Internationales Forschungszentrum Kulturwissenschaften; Zentrum fĂĽr Kunst und Medientechnologie Karlsruhe (2009).
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1052:"Die Akademie trauert um ihre Mitglieder Hans Belting, Wolfhard Wimmenauer und Ernst G. Jung Heidelberger Akademie der Wissenschaften"
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From 1992 until his retirement in 2002, Belting was professor at the
Institute for Art History and Media Theory at the
275:, and honorary member of the Leibniz-Zentrum fĂĽr Literatur- und Kulturforschung, Berlin. He was a member of the Order
1338:
303:
923:
Craven, David (2014). "The New German Art
History: From Ideological Critique and the Warburg Renaissance to the
302:
In 2016 Belting donated his private library in three parts to the libraries of the institutes of art history at
830:(1983) was first read at a conference held at the Munich University in 1980, and ten years later as revised as
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The image and its public in the Middle Ages: form and function of early paintings of the
Passion
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Looking through
Duchamp's door: art and perspective in the work of Duchamp, Sugimoto, Jeff Wall
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492:——; Birken, Jacob; Buddensieg, Andrea; Weibel, Peter; Binter, Julia T. S. (2011).
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and a member of the Board of
Trustees of the Museum of Modern Art Ludwig Foundation Vienna (
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1027:"The Global Contemporary | 17 September 2011 (All day) to 19 February 2012 (All day) | ZKM"
1001:
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Art
History and Visual Studies in Europe: Transnational Discourses and National Frameworks
127:
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Hans
Belting, "The Migration of Images. An Encounter with Figuration in Islamic Art", in
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173:. From October 2004 until the end of September 2007, Belting served as Director of the
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Belting was a member of scientific academies in
Germany and the U.S., including the
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Knights
Commander of the Order of Merit of the Federal Republic of Germany
1247:"NÄ›meckĂ©ho historika oslnili brnÄ›nštĂ studenti, dá jim celoĹľivotnĂ sbĂrku"
810:
1323:
577:. Translated by Atkins, Helen. Chicago: University of Chicago Press.
75:
1318:"Why the Museum? New Markets, Colonial Memories, and Local Politics"
142:, Rhine Province, on 7 July 1935. He studied at the universities of
1294:"Faculty of Arts receives thousands of books from an art historian"
793:"The Chicago School of Media Theory > Members > Hans Belting"
629:
Likeness and presence: a history of the image before the era of art
832:
Das Ende der Kunstgeschichte : eine Revision nach zehn Jahren
280:
254:
143:
1272:"Faculty of Arts MU: Slavnostnà otevřenà Knihovny Hanse Beltinga"
184:(International Research Centre for Cultural Studies) in Vienna.
147:
388:. Cambridge, Mass.: Belknap Press of Harvard University Press.
1369:
Academic staff of the Ludwig Maximilian University of Munich
310:(Austria) as well as the Department of Art History of the
1379:
Corresponding Fellows of the Medieval Academy of America
1320:, Keynote Lecture at the ZKM conference, 19 October 2007
247:(2011–2012) at ZKM | Center or Art and Media Karlsruhe.
202:
Belting was known for his contributions to the field of
1074:"Wissenschaftskolleg zu Berlin: Hans Belting, Dr. phil"
1002:"GAM – Global Art and the Museum | 2006 to 2016 | ZKM"
811:"Beirat des Internationalen Kollegs in Weimar besetzt"
386:
Florence and Baghdad: Renaissance art and Arab science
194:
Belting died in Berlin on 10 January 2023, at age 87.
175:
Internationales Forschungszentrum Kulturwissenschaften
154:. Belting taught as a professor of art history at the
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Dynamis of the Image. Moving Images in a Global World
602:
The Germans and their art: a troublesome relationship
467:
The global art world: audiences, markets, and museums
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Fellows of the American Academy of Arts and Sciences
494:
Global studies: mapping contemporary art and culture
972:
Estetika: The Central European Journal of Aesthetic
283:). He was elected a Foreign Honorary Member of the
93:
83:
64:
42:
23:
683:Max Beckmann: tradition as a problem in modern art
314:. Hence the last named the new library after him.
413:An Anthropology of Images: Picture, Medium, Body
442:. Köln: Verlag der Buchhandlung Walther König.
187:Belting published his first monograph in 1962 (
150:, and took his doctorate in art history at the
1439:Recipients of the Pour le MĂ©rite (civil class)
244:The Global Contemporary: Art Worlds after 1989
1424:Members of the American Philosophical Society
708:——; Wood, Christopher S. (1987).
269:Heidelberg Academy of Sciences and Humanities
106:(7 July 1935 – 10 January 2023) was a German
8:
1152:"Academy of the Third Millennium – Speakers"
521:Hieronymus Bosch, Garden of earthly delights
1374:Academic staff of the University of Hamburg
1324:Dictionary of Art Historians: Belting, Hans
627:——; Jephcott, E. F. N. (1994).
1414:Johannes Gutenberg University Mainz alumni
842:); an English translation was produced as
519:——; Bosch, Hieronymus (2012).
375:: CS1 maint: location missing publisher (
259:Belting opening library with his books in
31:
20:
415:. Princeton: Princeton University Press.
328:. Princeton: Princeton University Press.
712:. Chicago: University of Chicago Press.
631:. Chicago: University of Chicago Press.
550:. Chicago: University of Chicago Press.
189:Die Basilica dei Ss. Martiri in Cimitile
1364:Academic staff of Heidelberg University
1175:. American Academy of Arts and Sciences
1170:"Book of Members, 1780–2010: Chapter B"
910:
754:
411:——; Dunlap, Thomas (2011).
233:, which Belting initiated in 2006 with
988:
368:
239:ZKM Center for Art and Media Karlsruhe
658:. New Rochelle, N.Y.: A.D. Caratzas.
312:Faculty of Arts of Masaryk University
285:American Academy of Arts and Sciences
7:
604:. New Haven: Yale University Press.
496:. Ostfildern, Germany: Hatje Cantz.
277:Pour le MĂ©rite for Sciences and Arts
171:State College of Design in Karlsruhe
273:Berlin Institute for Advanced Study
345:Faces eine Geschichte des Gesichts
208:("image-science"). His account of
14:
1334:Northwestern University – Faculty
1296:. Masaryk university. 12 May 2016
291:in 2005. He held a fellowship at
59:, Gau Koblenz-Trier, German Reich
941:10.2752/175613114X13998876655059
900:. Brill Publishers. p. 126.
16:German art historian (1935–2023)
1399:German male non-fiction writers
685:. New York: Timken Publishers.
326:Face and Mask: A Double History
231:GAM – Global Art and the Museum
162:, and from 1980 to 1992 at the
1434:People from the Rhine Province
1245:Živný, Filip (20 April 2016).
870:Frankfurter Allgemeine Zeitung
710:The end of the history of art?
289:American Philosophical Society
164:Ludwig-Maximilians-Universität
122:and to the Italian art of the
1:
828:Das Ende der Kunstgeschichte?
287:in 1992, and a member of the
237:and Andrea Buddensieg at the
1409:Historians of Byzantine art
1394:German contemporary artists
844:Art History after Modernism
548:Art history after modernism
469:. Ostfildern: Hatje Cantz.
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1100:"Prof. em. Hans Belting †"
118:, and this with regard to
1404:Harvard University people
964:"The Idea of a Universal
575:The invisible masterpiece
304:Free University of Berlin
30:
160:University of Heidelberg
1329:Chicago School of Media
1078:Hans Belting, Dr. phil.
681:—— (1989).
654:—— (1990).
600:—— (1998).
573:—— (2001).
546:—— (2003).
438:—— (2009).
384:—— (2011).
343:—— (2013).
308:Danube University Krems
251:Fellowships and honours
1339:Complete list of works
962:Gaiger, Jason (2014).
865:"Kunst kommt von Kult"
347:(in German). MĂĽnchen.
324:Belting, Hans (2017).
264:
1429:People from Andernach
1389:German art historians
258:
222:Likeness and Presence
158:in 1966, then at the
156:University of Hamburg
1274:. Masaryk university
1199:search.amphilsoc.org
1195:"APS Member History"
1130:ORDEN POUR LE MÉRITE
299:in Washington, D.C.
138:Belting was born in
523:. Munich: Prestel.
152:University of Mainz
88:University of Mainz
929:Art in Translation
927:of the Three Bs".
297:Harvard University
271:, a fellow of the
265:
261:Masaryk University
1251:Mladá fronta DNES
913:, pp. 126–7.
873:. 12 January 2023
846:, Chicago, 2003 (
797:csmt.uchicago.edu
530:978-3-7913-3320-5
503:978-3-7757-3202-4
476:978-3-7757-2407-4
449:978-3-86560-605-1
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395:978-0-674-05004-4
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1220:"Hans Belting"
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1298:. Retrieved
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104:Hans Belting
103:
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70:(2023-01-10)
25:Hans Belting
18:
1359:2023 deaths
1354:1935 births
1132:(in German)
1080:(in German)
1054:(in German)
989:Gaiger 2014
215:art objects
178: [
166:at Munich.
128:Renaissance
124:Middle Ages
53:7 July 1935
1348:Categories
1104:ZfL Berlin
935:(2): 143.
877:12 January
750:References
94:Occupation
49:1935-07-07
1126:"Belting"
978:(2): 214.
949:192985575
539:829228470
512:767534541
485:427296651
458:499093764
431:691205559
404:701493612
371:cite book
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