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Hans Spialek

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249:, which, in Ferencz's words, "earned the adulation of a new generation of theatre scholars and enthusiasts." McGlinn wrote of him, "Spialek genuinely loved this music and loved getting the most out of it. His orchestrations are uniquely transparent and kind to singers – never covering, always supporting, and full of sly humour (he was, beyond doubt, the funniest man I've ever met)." 76:. He studied composing and conducting at the Vienna Conservatory, before fighting in the First World War. He was taken prisoner by Russian forces, but was allowed to continue his musical studies, and he conducted a prisoners’ orchestra. After the war he studied in Moscow with 30:(April 17, 1894 – November 20, 1983) was an Austrian-born American composer and orchestrator. Raised in Vienna and given an early musical education, he continued his studies in Moscow, at first as a prisoner of war during World War I, before settling in the US in 1924. 107:, with whom he collaborated on dozens of shows. Over the next 22 years, Spialek arranged the music for more than 100 Broadway musicals, and by the time of his retirement in 1957 he had worked on a total of 147. 456: 444: 432: 229:, and over the next years he composed and conducted for radio and entertainment events at trade expositions and civic pageants. His last new theatre work was on a 1967 musical, 217:, George J. Ferencz writes of Spialek, "His theatre orchestrations are distinguished by their wittiness, frequent text-painting and masterful use of minimum resources." 484: 494: 45:
and others, as well as ballet music, and radio broadcasts. He orchestrated 147 musicals from 1926 to 1967, many in collaboration with other arrangers such as
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Music historian Thomas Hischak has written of Spialek that perhaps his greatest contribution "was the modern ballet orchestrations he made of
49:. In his retirement in the 1980s, he helped reconstruct the original orchestrations for recordings of some of his 1930s Broadway shows. 252:
In addition to his work as an arranger, Spialek wrote and published some original works of his own. They include the orchestral suite
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In 1924, Spialek and his wife, the singer Dora Boshoer, moved to America, where he joined the music staff of publisher
190: 413: 368: 96: 211:, the "Big Brother" ballet in The Boys From Syracuse, and "Peter's Journey" ballet in Babes in Arms." In the 124: 62:
Spialek was born in Vienna, where he received a musical education. He sang in the children's chorus of the
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McGlinn, John. "The Original 'Anything Goes' – A Classic Restored", notes to EMI CD 7-49848,
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From the 1940s, Spialek worked less for Broadway; he had written music for the
207:' music for "Slaughter on Tenth Avenue" and the "Princess Zenobia" ballet in 19: 66:
and played small roles, including the little boy in the second act of
233:. In retirement, Spialek accepted invitations from the conductors 18: 459:, British Library Integrated Catalogue, accessed 23 October 2011 447:, British Library Integrated Catalogue, accessed 23 October 2011 435:, British Library Integrated Catalogue, accessed 23 October 2011 241:
to reconstruct his original 1930s scoring for recordings of
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Among the shows from the 1920s on which Spialek worked are
296: 286: 350:, Oxford Music Online, accessed 23 October 2011 33:Spialek is best known for scoring the music for 16:Austrian-born American composer and orchestrator 128:(1929). His many shows from the 1930s include 103:(1926). At Chappell, he shared an office with 367:Bordman, Gerald and Thomas S. Hischak (eds.) 8: 267:Spialek died in New York at the age of 89. 283: 274: 91:debut was in 1926, orchestrating some of 418:Oxford Companion to the American Musical 485:Austrian emigrants to the United States 339: 337: 335: 333: 331: 329: 327: 325: 321: 277: 264:("An Orchestral Entertainment", 1937). 214:Grove Dictionary of Music and Musicians 408: 406: 404: 363: 361: 359: 7: 495:20th-century American male musicians 388: 386: 384: 373:Oxford Companion to American Theatre 14: 170:(1938). His 1940s shows include 490:20th-century American composers 302:Hans Spialek papers, 1926-1967 1: 314:How to use archival material 521: 58:Early life and peak years 475:American male composers 457:"Manhattan Watercolors" 422:(subscription required) 377:(subscription required) 352:(subscription required) 125:Fifty Million Frenchmen 256:(1933); an orchestral 185:Something for the Boys 167:The Boys from Syracuse 105:Robert Russell Bennett 47:Robert Russell Bennett 24: 480:Musicians from Vienna 262:Manhattan Watercolors 22: 343:Ferencz, George J. 23:Hans Spialek in 1983 291:Library of Congress 72:under the baton of 348:Grove Music Online 161:I Married an Angel 64:Vienna State Opera 25: 412:Hischak, Thomas. 319: 318: 308: 307: 227:1939 World's Fair 512: 460: 454: 448: 442: 436: 430: 424: 423: 410: 399: 390: 379: 378: 365: 354: 353: 345:"Spialek, Hans," 341: 304: 284: 275: 197:Where's Charley? 191:Are You with It? 93:Walter Donaldson 43:Rodgers and Hart 520: 519: 515: 514: 513: 511: 510: 509: 465: 464: 463: 455: 451: 443: 439: 433:"The Tall City" 431: 427: 421: 414:"Spialek, Hans" 411: 402: 391: 382: 376: 369:"Spialek, Hans" 366: 357: 351: 342: 323: 300: 273: 223: 205:Richard Rodgers 131:The New Yorkers 101:Sweetheart Time 78:Reinhold Glière 60: 55: 53:Life and career 17: 12: 11: 5: 518: 516: 508: 507: 502: 497: 492: 487: 482: 477: 467: 466: 462: 461: 449: 437: 425: 400: 380: 355: 320: 317: 316: 310: 309: 306: 305: 298: 294: 293: 288: 280: 279: 272: 269: 222: 219: 85:Chappell Music 59: 56: 54: 51: 15: 13: 10: 9: 6: 4: 3: 2: 517: 506: 503: 501: 498: 496: 493: 491: 488: 486: 483: 481: 478: 476: 473: 472: 470: 458: 453: 450: 446: 445:"Sinfonietta" 441: 438: 434: 429: 426: 419: 415: 409: 407: 405: 401: 397: 396: 395:Anything Goes 389: 387: 385: 381: 374: 370: 364: 362: 360: 356: 349: 346: 340: 338: 336: 334: 332: 330: 328: 326: 322: 315: 312: 311: 303: 299: 295: 292: 289: 285: 282: 281: 276: 270: 268: 265: 263: 259: 255: 254:The Tall City 250: 248: 247:Anything Goes 244: 240: 236: 232: 228: 220: 218: 216: 215: 210: 206: 201: 199: 198: 193: 192: 187: 186: 181: 180: 179:Panama Hattie 175: 174: 169: 168: 163: 162: 157: 156: 155:Babes in Arms 151: 150: 145: 144: 143:Anything Goes 139: 138: 133: 132: 127: 126: 121: 120: 115: 114: 108: 106: 102: 99:'s music for 98: 94: 90: 86: 81: 79: 75: 74:Gustav Mahler 71: 70: 65: 57: 52: 50: 48: 44: 40: 36: 31: 29: 21: 452: 440: 428: 417: 393: 372: 347: 266: 261: 260:(1936); and 257: 253: 251: 246: 243:On Your Toes 242: 239:John McGlinn 235:John Mauceri 230: 224: 212: 209:On Your Toes 208: 202: 195: 194:(1945), and 189: 183: 177: 171: 165: 159: 153: 149:On Your Toes 147: 141: 135: 129: 123: 119:The New Moon 117: 111: 109: 100: 97:Joseph Meyer 82: 67: 61: 37:musicals by 32: 28:Hans Spialek 27: 26: 505:1983 deaths 500:1894 births 278:Archives at 258:Sinfonietta 221:Later years 164:(1938) and 137:Gay Divorce 122:(1928) and 39:Cole Porter 469:Categories 231:Mata Hari 69:La bohème 287:Location 200:(1948). 188:(1943), 182:(1940), 176:(1940), 173:Pal Joey 158:(1937), 152:(1936), 146:(1934), 140:(1932), 134:(1930), 116:(1928), 89:Broadway 35:Broadway 113:Rosalie 398:(1989) 297:Source 87:. His 271:Notes 245:and 237:and 95:and 416:, 471:: 403:^ 383:^ 371:, 358:^ 324:^ 80:. 41:,

Index


Broadway
Cole Porter
Rodgers and Hart
Robert Russell Bennett
Vienna State Opera
La bohème
Gustav Mahler
Reinhold Glière
Chappell Music
Broadway
Walter Donaldson
Joseph Meyer
Robert Russell Bennett
Rosalie
The New Moon
Fifty Million Frenchmen
The New Yorkers
Gay Divorce
Anything Goes
On Your Toes
Babes in Arms
I Married an Angel
The Boys from Syracuse
Pal Joey
Panama Hattie
Something for the Boys
Are You with It?
Where's Charley?
Richard Rodgers

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