Knowledge (XXG)

The New Moon

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The republic flourishes under Robert's guidance, but Marianne, her pride hurt, at first refuses to marry Robert. French ships arrive, apparently to reclaim the island. Vicomte Ribaud expects them to conquer the island for the King of France. But the French Commander reveals that there has been a
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in 1792. Because the Paris police are looking everywhere for him, Robert cannot tell Beaunoir or Beaunoir's beautiful daughter Marianne, with whom he has fallen in love, that he is of noble blood. Eventually he is tracked down by
332:, so that he can be returned to France. Robert thinks he has been betrayed by Marianne, who has gained her father's consent to travel on the same ship, pretending that she is in love with the ship's captain, Duval. A 174:
in 1929. Although the piece received international productions and stock revivals lasting into the 1950s, it subsequently disappeared from the repertoire for a few decades. One commentator wrote, "What has kept
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inclinations force him to flee his country. Under an assumed name, he sells himself as a bond-servant to planter and ship-owner Monsieur Beaunoir and his family in
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and part of the audience responded with loud applause and cheers to the line "One can be loyal to one's country and yet forswear its leader".
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made an album in 1953 with Lee Sweetland and Jane Wilson covering six selections from the score, which has been reissued on CD paired with
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occurs, and Robert and the bond-servants come into power. Everyone goes ashore on the Isle of Pines, and a new republic is founded.
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on the reverse, also with Lucille Norman (Capitol T-219). That release was reissued on CD in 2011 by Vintage Music.
995: 112:, and it remains popular with light opera companies. The piece turned out to be "Broadway's last hit operetta", as 171: 20: 1090: 1083: 988: 203: 199: 234: 729: 539: 414: 33: 764: 348:, heads for execution, but republican Robert renounces his title. All ends happily for him and Marianne. 1118: 1024: 967: 920: 906: 892: 1159: 1104: 609: 482: 448: 442: 213: 58: 526:
No original Broadway cast recording was made, but the 1928 London cast recorded some selections for
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is perhaps its chronological place at the end of operetta's reign over the musical stage.
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in France, and that all aristocrats must die unless they renounce their titles. Ribaud, a
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The Encores! cast recorded the score in 2004, using the original orchestrations, for
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Information about the 1940 film at the Jeanette MacDonald and Nelson Eddy site
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in March 2003. The Encores production was presented during the run-up to the
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record three studio cast albums in 1962 and 1963. Their selections from
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at The Guide to Light Opera & Operetta, accessed December 1, 2012
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An Interrupted Love Song (Captain Georges Duval, Marianne and Robert)
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Ladies of the Jury (Alexander, Julie, Clotilde Lombaste and Girls)
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Love Is Quite a Simple Thing (Robert, Besac, Alexander and Julie)
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Funny Little Sailor Man (Clotilde Lombaste, Besac and Ensemble)
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Softly, as in a Morning Sunrise (reprise) (Phillippe and Men)
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Ribaud, the detective villain, and put aboard a ship, the
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on December 14, 1929. The production used set designs by
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approached, heralding a change in musical theatre genres.
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1927 operetta by Sigmund Romberg and Oscar Hammerstein II
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The operetta was restaged faithfully in 1986 by the
655:is vibrant, full-bodied and – yes – stouthearted." 368:
The Girl on The Prow (Marianne, Besac and Ensemble)
423:Try Her Out at Dances (Alexander, Julie and Girls) 963:IBDB listing for the original Broadway production 692:"Operetta Review: Much Silliness In a Gilt Frame" 432:Lover, Come Back to Me (reprise) (Robert and Men) 143:in August 1928 and then moving to New York City. 108:in 1928. It spawned a number of revivals and two 925:, 1963 on StudioCast.org, accessed July 14, 2014 651:that the recording "is eminently enjoyable. ... 377:Tavern Song (Flower Girl, a Dancer and Ensemble) 371:Gorgeous Alexander (Julie, Alexander and Girls) 911:, 1950, StudioCast.org, accessed July 14, 2014 897:, 1949, StudioCast.org, accessed July 14, 2014 809:, November 28, 2004, accessed December 1, 2012 624:(Capitol SW-1966) are available on the EMI CD 600:included the operetta in the 1963 collection, 158:, ran for 519 performances, and closed at the 996: 853:, October 19, 1984, accessed December 1, 2012 147:conducted in both Philadelphia and New York. 8: 832:, August 28, 1986, accessed December 1, 2012 386:Stout-hearted Men (Robert, Philippe and Men) 206:staged the work several times in the 1980s. 698:, March 29, 2003, accessed December 1, 2012 280:Clotilde Lombaste (soprano) — Esther Howard 277:Philippe L'Entendu (tenor) — William O'Neal 1003: 989: 981: 760: 758: 752:Liner notes from the 1951 RCA Victor album 686: 684: 315:Robert is a young French aristocrat whose 958:International Music Score Library Project 938:, Musicals101.com, accessed July 14, 2014 496:A television version of a performance at 976:review of the 1986 City Opera production 789: 787: 785: 69:. The show was the third in a string of 680: 510:in 1989 and was subsequently issued on 362:Dainty Wisp of a Thistledown (Ensemble) 260:Captain Georges Duval — Edward Nell Jr. 150:The operetta opened on Broadway at the 865:, Archive.org, accessed June 10, 2014 767:, Allmusic, accessed December 1, 2012 7: 863:"Perry Askam Collection (completed)" 306:Emile, Brunet, Admiral de Jean, etc. 166:. The work was produced in London's 453:Two film versions were produced by 389:Fair Rosita (Girls and The Dancers) 212:presented a semi-staged revival at 109: 89:. Set in 1792, shortly before the 61:and book by Oscar Hammerstein II, 14: 1025:Blossom Time (Das Dreimäderlhaus) 880:Top Adult Contemporary: 1961–2001 398:Wanting You (Marianne and Robert) 224:Roles and original Broadway cast 85:(1926)) written in the style of 882:. Record Research. p. 234. 381:Softly, as in a Morning Sunrise 726:Encyclopedia of American Opera 712:Operetta: A Theatrical History 1: 628:, along with selections from 602:A Treasury of Great Operettas 578:(Capitol H-219) in 1950 with 392:One Kiss (Marianne and Girls) 473:. It added two new songs by 135:on December 22, 1927 at the 1170:Musicals by Sigmund Romberg 297:Vicomte Ribaud — Max Figman 285:boatswain of the 'New Moon' 137:Chestnut Street Opera House 1186: 1155:English-language operettas 574:recorded a 10-inch LP for 538:, peaking at No. 2 on the 446: 440: 429:Never (for You) (Marianne) 179:from being as familiar as 18: 1019: 300:Flower Girl — Olga Albani 21:New Moon (disambiguation) 1091:The Passing Show of 1918 1084:The Passing Show of 1916 626:Music of Sigmund Romberg 408:A Chanty (Besac and Men) 204:Light Opera of Manhattan 73:hits for Romberg (after 730:McFarland & Company 634:(Capitol SW-1841), and 383:(Philippe and Ensemble) 303:Fouchette — Thomas Dale 287:(baritone) — Lyle Evans 32:Sheet music cover for " 765:The New Moon, operetta 724:Wlaschin, Ken (2006). 647:. A reviewer wrote in 415:Lover, Come Back to Me 118:Golden Age of musicals 104:in 1927 and played on 41: 34:Lover, Come Back to Me 820:"Operetta: Romberg's 31: 1105:Robinson Crusoe, Jr. 469:, with a setting in 449:New Moon (1940 film) 443:New Moon (1930 film) 214:New York City Center 210:City Center Encores! 198:and was telecast by 59:Oscar Hammerstein II 19:For other uses, see 936:"CD Reviews – 2005" 640:(Capitol SW-1842). 498:New York City Opera 267:) — Robert Halliday 239:Monsieur Beaunoir, 229:Marianne Beaunoir ( 196:New York City Opera 124:Performance history 1133:Up in Central Park 1126:The Student Prince 851:The New York Times 829:The New York Times 696:The New York Times 669:Brandon Jovanovich 645:Ghostlight Records 631:The Student Prince 507:Great Performances 487:Jeanette MacDonald 257:) — Marie Callahan 188:The Student Prince 172:Drury Lane Theatre 76:The Student Prince 42: 1142: 1141: 1035:The Blue Paradise 1030: 799:and the Encores! 708:Traubner, Richard 612:and conducted by 606:Jeanette Scovotti 589:The Vagabond King 556:'s recording for 481:. The second, in 365:Marianne (Robert) 154:on September 19, 91:French Revolution 87:Viennese operetta 1177: 1028: 1005: 998: 991: 982: 956:: Scores at the 939: 932: 926: 918: 912: 904: 898: 890: 884: 883: 872: 866: 860: 854: 839: 833: 816: 810: 797:Finian's Rainbow 793:Suskin, Steven. 791: 780: 774: 768: 762: 753: 750: 744: 743: 721: 715: 705: 699: 690:Midgette, Anne. 688: 536:Barbra Streisand 475:Herbert Stothart 467:Lawrence Tibbett 457:. The first, in 294:— Earle Mitchell 292:ship's carpenter 182:Naughty Marietta 164:Donald Oenslager 152:Imperial Theatre 110:film adaptations 100:It premiered in 1185: 1184: 1180: 1179: 1178: 1176: 1175: 1174: 1145: 1144: 1143: 1138: 1098:Princess Flavia 1049:The Desert Song 1015: 1013:Sigmund Romberg 1009: 948: 943: 942: 934:Kenrick, John. 933: 929: 919: 915: 905: 901: 891: 887: 874: 873: 869: 861: 857: 841:Hughes, Allen. 840: 836: 818:Hughes, Allen. 817: 813: 792: 783: 775: 771: 763: 756: 751: 747: 740: 732:. p. 268. 723: 722: 718: 706: 702: 689: 682: 677: 665:Christiane Noll 637:The Desert Song 618:Dorothy Kirsten 597:Reader's Digest 576:Capitol Records 567:The Desert Song 534:and in 1967 by 524: 451: 445: 439: 354: 352:Musical numbers 313: 263:Robert Misson ( 226: 126: 82:The Desert Song 67:Laurence Schwab 55:Sigmund Romberg 24: 17: 12: 11: 5: 1183: 1181: 1173: 1172: 1167: 1162: 1157: 1147: 1146: 1140: 1139: 1137: 1136: 1129: 1122: 1115: 1108: 1101: 1094: 1087: 1080: 1073: 1066: 1059: 1052: 1045: 1038: 1031: 1020: 1017: 1016: 1010: 1008: 1007: 1000: 993: 985: 979: 978: 970: 965: 960: 947: 946:External links 944: 941: 940: 927: 913: 899: 885: 876:Whitburn, Joel 867: 855: 834: 824:by City Opera" 811: 781: 769: 754: 745: 738: 716: 700: 679: 678: 676: 673: 580:Lucille Norman 546:Earl Wrightson 540:Easy Listening 523: 520: 447:Main article: 441:Main article: 438: 435: 434: 433: 430: 427: 424: 421: 418: 412: 409: 405: 404: 400: 399: 396: 393: 390: 387: 384: 378: 375: 372: 369: 366: 363: 359: 358: 353: 350: 312: 309: 308: 307: 304: 301: 298: 295: 288: 281: 278: 275: 268: 261: 258: 247: 237: 235:Evelyn Herbert 225: 222: 160:Casino Theatre 125: 122: 53:with music by 15: 13: 10: 9: 6: 4: 3: 2: 1182: 1171: 1168: 1166: 1163: 1161: 1158: 1156: 1153: 1152: 1150: 1135: 1134: 1130: 1128: 1127: 1123: 1121: 1120: 1116: 1114: 1113: 1109: 1107: 1106: 1102: 1100: 1099: 1095: 1093: 1092: 1088: 1086: 1085: 1081: 1079: 1078: 1074: 1072: 1071: 1067: 1065: 1064: 1060: 1058: 1057: 1053: 1051: 1050: 1046: 1044: 1043: 1039: 1037: 1036: 1032: 1027: 1026: 1022: 1021: 1018: 1014: 1006: 1001: 999: 994: 992: 987: 986: 983: 977: 975: 971: 969: 966: 964: 961: 959: 955: 954: 950: 949: 945: 937: 931: 928: 924: 923: 917: 914: 910: 909: 903: 900: 896: 895: 889: 886: 881: 877: 871: 868: 864: 859: 856: 852: 848: 846: 838: 835: 831: 830: 825: 823: 815: 812: 808: 804: 802: 798: 795:"A Two-Piano 790: 788: 786: 782: 778: 773: 770: 766: 761: 759: 755: 749: 746: 741: 739:9780786421091 735: 731: 727: 720: 717: 713: 709: 704: 701: 697: 693: 687: 685: 681: 674: 672: 670: 666: 662: 661:Rodney Gilfry 658: 654: 650: 646: 641: 639: 638: 633: 632: 627: 623: 619: 615: 611: 607: 603: 599: 598: 593: 591: 590: 585: 581: 577: 573: 572:Gordon MacRae 569: 568: 563: 559: 555: 551: 550:Frances Greer 547: 543: 541: 537: 533: 529: 521: 519: 517: 513: 509: 508: 503: 499: 494: 492: 488: 484: 480: 479:Clifford Grey 476: 472: 468: 464: 460: 456: 450: 444: 437:Film versions 436: 431: 428: 425: 422: 419: 416: 413: 410: 407: 406: 402: 401: 397: 394: 391: 388: 385: 382: 379: 376: 373: 370: 367: 364: 361: 360: 356: 355: 351: 349: 347: 343: 337: 335: 331: 327: 322: 318: 317:revolutionist 310: 305: 302: 299: 296: 293: 289: 286: 282: 279: 276: 273: 269: 266: 262: 259: 256: 252: 248: 246: 242: 238: 236: 232: 228: 227: 223: 221: 219: 215: 211: 207: 205: 202:in 1989. 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Index

New Moon (disambiguation)

Lover, Come Back to Me
operetta
Sigmund Romberg
Oscar Hammerstein II
Frank Mandel
Laurence Schwab
Broadway
The Student Prince
The Desert Song
Viennese operetta
French Revolution
New Orleans
Philadelphia
Broadway
film adaptations
World War II
Golden Age of musicals
Philadelphia
Chestnut Street Opera House
Cleveland
Al Goodman
Imperial Theatre
1928
Casino Theatre
Donald Oenslager
West End
Drury Lane Theatre
Naughty Marietta

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