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labor unions, having Annie launch a successful one-girl strike against a boss who mistreats her. Gray's political opinions would take on a more partisan salience in the 1930s when the presidency of
Franklin Roosevelt polarized American politics into those who saw the New Deal as the salvation for the working class and those who saw it as the end of American liberty. Gray fell into the anti-FDR camp and Annie became much more explicitly right-wing ... There might be aspects of Gray's life that didn't make it into his strip. There are rumors that he was a skirt-chaser, and that's something that doesn't show up much in
261:, although you can catch hints of it here and there ... Newspaper cartooning is like keeping a daily diary: even if you're writing only about the weather and shopping, bits of your personality will seep into the work. In Gray's case, the strip reflected his flinty world view, his love of hard work, his populist spirit, and also his fear of those he thought were undermining society by their laziness and meanness. You get a very strong sense of the man in his work, which is one reason it's one of the major comic strips ...
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indeed loved while Smith has been forgotten. I suspect the answer to the question has something to do with Gray's skill at characterization. Like
Charles Dickens, Gray had a natural gift for creating characters that are vivid and lifelike. Annie and Warbucks are the best example of this: both of them are so strong and forceful and memorable. Once you read their adventures, it's hard to forget them as people.
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apart from earlier strips was that, although it had a comic element, Smith also often embraced wholehearted melodrama. It was the first real soap opera strip, with the fate of characters unfolding in month-long narratives ... It's an interesting question why Gray's work continues to be remembered and
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Gray wasn't really a conservative in the 1920s: he was more of a general populist, hostile to loan sharks and speculators while celebrating hard working ordinary people whether they're successful ("Daddy" Warbucks) or not (the poor struggling farmers, the Silos). In the 1920s, Gray even defended
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Library. The Gray collection includes artwork, printed material, correspondence, manuscripts and photographs. The collection contains a scrapbook, a short story by Gray titled "Annie", letters, postcards and telegrams from 1937 to 1967, including correspondence with
143:, where the family had moved. In 1913, he got his first newspaper job at a Lafayette daily. He could trace his American ancestry back to 17th-century settlers. He grew up on farms in Illinois and Indiana, and worked in construction to pay his college tuition at
344:. Gray's appointment books with comic strip dialogue and plots are dated 1929, 1931, 1933–1935, 1937, 1944, 1946, 1949, 1950–1959 and 1961. Photographs show Gray drawing and Gray as a U.S. Army officer.
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had evolved from a crudely drawn melodrama to a crisply rendered atmospheric story with novelistic plot threads. The dialogue consisted mainly of meditations on Gray's own deeply
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for advice on breaking into the cartooning field. He could not immediately get cartooning work, but McCutcheon's influence got him work as a reporter for the
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Films, radio and merchandising made Gray a multi-millionaire. He died of cancer at the
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Gray's first wife, Doris C. Platt, died in late 1925. He married
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and stayed until 1919 when he left to freelance in commercial art. In 1923, while residing in
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and other things he saw as impediments to the hard-working
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This article is about the
American cartoonist. For other people, see
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Harold Gray's work is in the
Special Collections Department at the
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was one of the top strips in
America, loved by millions. What set
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political philosophy. Gray made no secret of his dislike for the
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516:"CR Holiday Interview #2: Jeet Heer On Little Orphan Annie"
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Comic Strip
Artists in American Newspapers, 1945-1980
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132:on January 20, 1894, to Estella Mary (
617:. Simon and Schuster, New York, 1959.
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514:Spurgeon, Tom (December 23, 2008).
683:Little Orphan Annie: The War Years
667:"Dear Orphan Annie" by Jeet Heer,
317:on May 9, 1968, at the age of 74.
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526:from the original on July 3, 2009
436:from the original on June 5, 2010
1030:Deaths from cancer in California
1015:American comic strip cartoonists
975:The Complete Little Orphan Annie
698:Lombard Lodge No. 1098 AF&AM
636:Reynolds, Moira Davison (2003).
630:Musée des Arts Décoratifs, Paris
545:McLeod, Susanna (May 30, 2010).
485:"Little Orphan Annie Home Page"
16:American cartoonist (1894–1968)
1045:People from Kankakee, Illinois
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644:. McFarland. pp. 50–52.
626:A History of the Comic Strip
21:Harold Gray (disambiguation)
210:, launched August 5, 1924.
198:, the title was altered by
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926:It's the Hard Knock Life
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284:Gray sometimes ghosted
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217:, spending winters in
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426:"Harold Lincoln Gray"
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298:, was published as a
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983:Little Orphant Annie
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671:(September 15, 2002)
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495:on February 21, 2010
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219:La Jolla, California
76:La Jolla, California
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1020:American Freemasons
864:Life After Tomorrow
832:Little Orphan Annie
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778:Little Orphan Annie
751:Little Orphan Annie
613:Becker, Stephen H.
590:on October 21, 2012
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208:Little Orphan Annie
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112:Harold Lincoln Gray
103:Little Orphan Annie
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410:. March 23, 2015.
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236:ways of President
196:Little Orphan Otto
152:John T. McCutcheon
130:Kankakee, Illinois
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70:(1968-05-09)
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969:Harold Gray
880:Annie Live!
754:(1924–2010)
743:Comic strip
689:Harold Gray
607:Works cited
489:Stuart Liss
342:Mort Walker
162:World War I
68:May 9, 1968
29:Harold Gray
999:Categories
759:Dick Tracy
348:References
287:Little Joe
124:Early life
90:Cartoonist
51:1894-01-20
333:Collier's
292:Maw Green
277:The Gumps
273:The Gumps
268:The Gumps
246:Jeet Heer
191:The Gumps
174:Freemason
933:Tomorrow
789:Musicals
594:July 22,
561:July 22,
555:Archived
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434:Archived
412:Archived
388:July 22,
321:Archives
315:La Jolla
234:New Deal
957:Related
338:Al Capp
202:editor
85:Area(s)
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902:(1999)
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300:topper
242:unions
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60:, U.S.
918:Songs
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856:Annie
840:Annie
816:Films
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770:Radio
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308:Annie
296:Annie
259:Annie
646:ISBN
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461:Time
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390:2010
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