Knowledge (XXG)

Harold Shapero

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filled with surprising asymmetries. There is a youthful challenge in Mr. Shapero's tribute, as if he were saying, "Take that, Beethoven!" It's the same quality that you hear in early Beethoven: "I'll show you, my revered teacher Haydn, how to write a piano sonata." Or that you see in early Picasso: "Take that, CĂ©zanne!"
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Mr. Shapero, however, fractures the Classical models while paying homage. The piece is essentially tonal, with the outer movements hewing to B flat; but the harmonic language contains elements of polytonality, and the music is spiky with dissonance, rhythmically shifty and utterly fresh. Phrases are
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As in the Beethoven, the first of its four movements opens with an Adagio that shimmers with flickering colors and sustained harmonies, leading to a long, bustling, contrapuntal Allegro. The second movement is a wistfully lyrical yet rhythmically restless Adagietto; then comes a misbehaving Scherzo,
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His output fell off by the 1960s as his neo-classical style met increasing resistance, especially in academic music circles. He told an interviewer in 1986 that "Comfortable university life is a disaster, especially if you have a university that doesn’t pressure you to produce or perish. And I had a
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wrote of a 1986 performance of the Symphony that "Shapero reveals himself here as a superb craftsman, an artist totally in control of the grandiose variables at hand." He called the writing "clever, subtle, elegant" and added that the symphony "isn't affecting in spite of the inherent anachronisms,
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interviewer that he was unaware while composing it of how lengthy it had become, that he "had wildly miscalculated my materials. When I measured out the slow movement, I was shocked. It was 15 minutes. I stopped working for a month. Then I tried to cut the thing. But it fought me and won. Slowly I
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Aaron Copland thought highly of Shapero's technical skill and the spontaneity of musical inspiration. Once, after being impressed with Shapero's Woodwind Quintet, he teased Leonard Bernstein, who was two years ahead of Shapero at Harvard with a note: "Look to your laurels! There may be another
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The models for Mr. Shapero, in this work and in general, were Stravinsky, who was then in his prolonged Neo-Classical period, and Beethoven, who remains Mr. Shapero's hero. Indeed, the Symphony for Classical Orchestra is in some ways a soul mate of Beethoven's Seventh Symphony, which it slyly
375:. The instrumentation is largely classical with a few modern additions: woodwinds in pairs, plus piccolo and contrabassoon, pairs of horns and trumpets, three trombones, three timpani, and the standard complement of strings. 349:
When awarded his second Fulbright Fellowship in 1961, Shapero took the opportunity to travel to Europe with his family for a year. In 1971 he returned to Europe to be composer-in-residence at the American Academy in Rome.
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wrote: "The new Shapero work is in one movement, lasts about eight and a half minutes, ... a quiet and sensitive mood piece, harmonically rather conservative (a Copland type of conservatism, with strong echoes of
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hired Shapero and he later became chairman of the department and founder of its electronic music studio with the day's most advanced synthesizers. He taught at Brandeis for 37 years. His notable students include
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article, he wrote: "Stylistically, Shapero seems to feel a compulsion to fashion his music after some great model. Thus, his ... Serenade ... is founded upon neoclassical Stravinskian principles, his three
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Kim, Ye-Ree. 2006. "The Impact of Stravinsky's Serial Conversion on Composers of the 'American Stravinsky School': An Examination of Selected Works for Piano". DMA diss. New York: City University of New
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While Shapero uses some modern notation in his scores, he employs only procedures that have already been established by other modern composers or that are derived from traditional notation.
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In 1988, Shapero was forced to retire from Brandeis University. Encouraged by André Previn's interest in his work in the late 1980s, Shapero returned to composition. His late works included
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Shapero's output was prolific in the 1940s and included three piano sonatas, the Sonata for Violin and Piano, and a variety of songs and works for chamber ensembles. His major work was the
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young child. I like home handicrafts and hobbies. I like gardening. I like photography. So it was only too easy to put off some of those hard operations like writing music".
49:. He learned to play the piano as a child, and for some years was a pianist in dance orchestras. With a friend, he founded the Hal Kenny Orchestra, a swing-era jazz band. 1056:
Follingstad, Karen Joy. 1989. "The Three Sonatas of Harold Shapero: Historical, Stylistic, and Performance Analysis". DMA diss. Austin: The University of Texas at Austin.
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at the Longy School of Music in 1942–43. While studying with her, Shapero was also in contact with Stravinsky, who was helpful in his critiques of Shapero's music.
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of US$ 1200 for a Symphony for String Orchestra. Leonard Bernstein "fell in love" with the Symphony for Classical Orchestra and led its premiere with the
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on February 13, 1946. The prize also included publication of the score with royalties and US$ 1000. It was the first time Shapero had a score published.
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became aware, with horror, of what I was writing: a long and difficult symphony. I thought I'd never get it performed". In 1946 Shapero won the
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is modeled after Beethoven.... e seems to be suffering from a hero-worship complex—or perhaps it is a freakish attack of false modesty".
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hastily put together an orchestra to play student compositions, including Shapero's Overture. Shapero was awarded the
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Shapero died in a nursing home in Cambridge, Massachusetts, on May 17, 2013, following complications from pneumonia.
1066:. 1992. "A Midcentury Masterwork, Harold Shapero's Symphony for Classical Orchestra". Chapter 8 in Howard Pollack, 1049: 150: 1163: 969: 905: 278: 261: 211: 498:
for Mixed Chorus, Soprano, Alto, Tenor and Baritone Soloists and Flute, Trumpet, Viola, Harp and Organ (1965?)
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in a "Stravinsky school" of American composers—a phrase first coined by Copland. He was also grouped in the "
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His daughter, Hannah Shapero, was born in 1953. She became a commercial artist and electronic musician.
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to positive reviews. Previn recorded the work and played it several times with other orchestras.
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Serenade in D for String Quintet, arrangement of Serenade in D for String Orchestra (1998)
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and Paine Fellowships. After graduating in 1941, Shapero undertook further studies with
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He was more interested in classical music. In his teens some of his teachers included
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When Bernstein and the New York Philharmonic played the local premiere of Shapero's
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This article is about the American composer. For the mathematics professor, see
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In the 1940s Shapero was closely associated with fellow Piston students
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was Norton Professor at Harvard in 1940, Shapero showed Stravinsky his
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which hurtles toward the imposingly structured but spirited Finale.
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Defining Russia Musically: Historical and Hermeneutical Essays
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in March. Reviews were mixed. It received an award from the
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in 1958, a work commissioned by the Louisville Orchestra,
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Three Hebrew Songs for Tenor, Piano & Strings (1988)
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Three Hebrew Songs for Tenor, Piano and String Orchestra
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prevented him from taking advantage of the residency in
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for soprano, tenor, flute, cello & piano (2005–07)
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When 80:at the Berkshire Music Center in 1940–41. 462:Serenade in D for String Orchestra (1945) 83:Shapero was one of the first students at 1070:. Metuchen, New Jersey: Scarecrow Press. 758: 756: 1226: 626:(2001). "Shapero, Harold (Samuel)". In 530: 357:(1989) and, not long before his death, 1354:Deaths from pneumonia in Massachusetts 1314:Classical musicians from Massachusetts 937:"Philharmonic Plays Shapero's 'Credo'" 507:"Six for Five" for Wind Quintet (1995) 465:Variations in C minor for Piano (1947) 733:"A Work Twice Lost, Now Twice Found?" 245:in 1946. He won the first of his two 172:In 1945, Shapero married the painter 7: 1329:Musicians from Newton, Massachusetts 1299:21st-century American male musicians 1284:20th-century American male musicians 58:Biographical Dictionary of Musicians 1324:Jewish American classical composers 450:Sonata for Piano, Four Hands (1941) 23:. For the economics professor, see 1334:Musicians from Lynn, Massachusetts 640:(2nd ed.). London: Macmillan. 14: 1309:American male classical composers 1081:The Creative Process: A Symposium 107:, which included a $ 1000 award. 1289:21st-century classical composers 1274:20th-century classical composers 1241: 1229: 469:Symphony for Classical Orchestra 373:Symphony for Classical Orchestra 316: 137:Symphony for Classical Orchestra 1294:21st-century American composers 1279:20th-century American composers 435:for baritone & piano (1938) 68:, where he became friends with 995:Bowles, Jerry (May 18, 2013). 543:The Oxford Dictionary of Music 477:Piano Sonata in F Minor (1948) 76:in 1938. He also studied with 1: 1116:Interview with Harold Shapero 72:and studied composition with 1304:American classical composers 1053:51, no. 2 (Summer): 242–244. 997:"Harold Shapero, Dead at 93" 222:" along with Arthur Berger, 820:The New York Times Magazine 182:Peterborough, New Hampshire 1370: 1349:21st-century American Jews 763:Ng, David (May 23, 2013). 64:in 1937. At 18 he entered 18: 1319:Harvard University alumni 1159: 1050:Perspectives of New Music 151:Boston Symphony Orchestra 1339:Pupils of Paul Hindemith 970:American Academy in Rome 906:American Academy in Rome 262:American Academy in Rome 1344:Pupils of Walter Piston 1079:23:31–35. Reprinted in 510:Trumpet Concerto (1995) 359:24 Bagatelles for Piano 163:Koussevitsky Foundation 118:At Harvard he held the 413:but because of them". 400: 147:Joseph H. Bearns Prize 730:(February 21, 1999). 457:Three Amateur Sonatas 447:String Quartet (1941) 438:Trumpet Sonata (1940) 247:Fulbright Fellowships 243:Guggenheim Fellowship 201:Amateur Piano Sonatas 31:Harold Samuel Shapero 25:Harold Tafler Shapiro 934:(January 27, 1958). 932:Schonberg, Harold C. 797:. February 13, 1946. 483:for Orchestra (1955) 453:Violin Sonata (1942) 442:Nine-Minute Overture 115:the prize provided. 105:Nine-Minute Overture 93:Nine-Minute Overture 41:Shapero was born in 976:on January 18, 2017 266:Brandeis University 159:Cleveland Orchestra 56:(editor of Baker's 43:Lynn, Massachusetts 1022:Bernheimer, Martin 943:The New York Times 811:(March 14, 1948). 794:The New York Times 739:The New York Times 728:Tommasini, Anthony 696:The New York Times 662:The New York Times 597:The New York Times 586:Tommasini, Anthony 426:String Trio (1937) 383:has described it: 264:. That same year, 1217: 1216: 1194:Leonard Bernstein 1118:, August 31, 1988 1085:Brewster Ghiselin 1027:Los Angeles Times 848:Taruskin, Richard 770:Los Angeles Times 410:Martin Bernheimer 405:Los Angeles Times 381:Anthony Tommasini 347: 346: 256:In 1951 he was a 153:in January 1948. 70:Leonard Bernstein 54:Nicolas Slonimsky 21:Harold S. Shapiro 16:American composer 1361: 1246: 1245: 1244: 1234: 1233: 1232: 1225: 1146: 1139: 1132: 1123: 1111:Family statement 1045:Boretz, Benjamin 1032: 1031: 1018: 1012: 1011: 1009: 1007: 992: 986: 985: 983: 981: 972:. Archived from 962: 956: 955: 953: 951: 939: 928: 922: 921: 919: 917: 912:on April 2, 2015 908:. 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Index

Harold S. Shapiro
Harold Tafler Shapiro
Lynn, Massachusetts
Newton
Nicolas Slonimsky
Ernst Krenek
Harvard
Leonard Bernstein
Walter Piston
Paul Hindemith
Tanglewood
Igor Stravinsky
Aaron Copland
Rome Prize
World War II
Italy
Naumberg
Nadia Boulanger
Symphony for Classical Orchestra
Joseph H. Bearns Prize
Boston Symphony Orchestra
George Szell
Cleveland Orchestra
Koussevitsky Foundation
André Previn
Esther Geller
MacDowell Colony
Peterborough, New Hampshire
Carnegie Hall
New York Times

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