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stating that Oscar
Niemeyer's interior of the Boavista Bank in Rio of 1946 (which Seidler would have seen in 1948) with its interacting curves must have influenced Seidler's use of interacting curves in exterior playground and retainer walls from the mid 1960s and throughout the 1970s. Upon celebrating 50 years of architectural practice in Australia, Seidler noted that developments in building technology allowed for more richness of form in his then soon-to-be completed Horizon apartment tower: "I could not have built Horizon twenty years ago...in earlier building technology (the way one could) span distances, it was very limited. (But Horizon) is made (possible) by devices such as pre-stressed concrete which is ...economic and quick. And that also gives you greater freedom of the shapes that you can use. Nowadays we can span huge distances and to do so (by) not just putting steel mesh or something into the concrete but to put steel, high tensile steel wire into it and pull it tight and that makes it easy to span distances and give this kind of change of shape of a building which would have been very difficult to achieve any other way."
550:(1923) in which there is an interpenetration of space and spatial flow between hovering planes which creates "an openness which is so much more subtle than it is when it's totally open and which is so often done" "Architecture in recent times has been immensely concerned about this idiom of the exploitation of the interior space which involves this simultaneous viewing of things, the channeling of vistas between its elements. ... As Le Corbusier has said, 'Instead of the eye and the mind being abruptly halted by edges and containing surfaces, as had been the case in the past, they are now laid continuously on an exploration, never quite comprehending the mystery of layered and veiled space'." Seidler says of the design for his Gissing House: "in three dimensions, the fact that the eye is always tempted to look beyond and never quite experiencing it all. There is a temptation with the seeing of things that are not entirely apparent, the tantalising sense of the beyond which you in fact are denied and which entices a person to move through and try and explore an interior."
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it fought against stylism, ... to call it a style ... is an utter misunderstanding of what it set out to do. To demonstrate that one can still say that we may like or still love buildings Le
Corbusier built in the 1920s, but they could not be reasonably built today (ed 1986) because technology has taken giant steps – I mean, you have office buildings that have columns at six metre centres. In other words, to span long distances was not feasible, not technically applicable to that time, it just wasn't known how to do that, economically or efficiently. Therefore those buildings by today's standards are outmoded." (Page 4) "pre-stressed concrete was ... not normally used in building (in early twentieth century). Whereas today, you can build buildings that have giant spans. We just built a building in Hong Kong that has 34 meter spans ... from one side to the other ... (hence no need for) columns everywhere"; Harry Seidler essay "Planning and architecture at the end of our century" sub-heading 'Opposition to Modern architecture' in
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built to four walls around a room and spaces that were finite. But rather our eyes seek transparency, lightness... being able to look through things". He said of his first work, the Rose
Seidler House. "This house explodes the surfaces that enclose a normal house or space, and turns it into a continuum of free standing planes, through which the eye can never see an end, you are always intrigued what's beyond, you can always see something floating into the distance, there is never an obstruction to your vision, it is a continuum (of space), that I believe 20th century man's eye and senses responds positively to that, we crave this". Again referring to Rose Seidler House plan, "(there are) planes of interacting solid walls and glass walls – solids and voids follow each other around, generating flows of space between them". Seidler also explains same principle for three-dimensional spatial arrangement as highly influenced by
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Corbusier?". Page 384 notes that
Seidler's essay is based on the 1984 lecture "A methodology" at RIBA London on 10 January 1984, and the 1987 Habitat Lecture at the Centre for Human Settlements, University of British Columbia, Vancouver, Canada. Previously, in 1985, Seidler said "Brutalism is a pathethic thing too, and it is a sort of an English term applied to buildings done there – bad imitations of Corbusier's good concrete – ... The fact is remains that i think what we see really is a totally unskilled world in the field of architecture and design" in "Harry Seidler interviewed by Constance Breuer", January 2, 1985. Harry Seidler and Constance Breuer (cassette recording later digitised). Marcel Breuer papers, 1920–1986. Archives of American Art, Smithsonian Institution, Washington D.C. USA. Transcript (copy held by Breuer scholar Isabelle Hyman) p. 5
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school. Albers stated that designs which visually had a high centre of gravity were more dynamic than solid earth bound designs – which is why
Seidler used (for non-tower designs) "cantilevered slabs hovering in mid-air which seem to 'negate' the fact that mass is something solid and heavy". Seidler would claim "aesthetically we want dematerialisation". Seidler, following Albers, also shunned traditional symmetry or grid-like modern designs as static (and thus dull), instead Seidler "offset" opposing elements to create "scintillation" and "visual tension" to be more visually dynamic and thus interesting to the eye. which is seen in the window pattern of Seidler's Blues Point Tower (1958–62) and three-dimensionally in the syncopated balcony arrangement of this Horizon Tower (1995–98).
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Columbia, Vancouver, Canada; Harry
Seidler, "Movement Against Style" Keynote address at Royal Australian Institute of Architects' International Convention 'Challenge of Excellence', Melbourne, 9 March 1992 (video at Deakin University) or online ""You know there's a great misconception about that modernism is a style. It isn't. It is a methodology of approach, that is in constant flux, constant change. It was a conviction that what man's eye seeks in our era, in our time, is not the ponderous solidity of traditional architecture where everything was built to four walls around a room and spaces that were finite. But rather our eyes seek transparency, lightness... being able to look through things." at
2232:(Tokyo) 1981 (81/02) pp. 75–90 includes photo of the Niemeyer's Boavista bank interior with this observation. The same photo of Niemeyer's bank interior is in photo archives section of Seidler office on back shows Harry Seidler's own hand-written note "Seidler must have been influenced by the INTERACTIVE CURVES of this interior, especially in his later work". Given the photo appears in Philip Drew's article published in issue 2 of 1981, Seidler's handwritten note probably dates to 1980. The first use of interacting curves is seen in the free forms and part ellipses of the children's playground walls of the NSW Housing Commission Apartments, Rosebery, NSW 1964–67 (see Peter Blake,
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is a style. It isn't. It is a methodology of approach, that is in constant flux, constant change." Seidler's designs upheld a
Modernist design methodology, which he considered to be an amalgam of three elements: social use, efficient building construction methods and visual aesthetics. As these three elements were in constantly changing, Seidler always insisted that he had no fixed 'style', and so as building technology and social use changed, the visual expression of his designs constantly evolved throughout his 57 years of designing in Australia.
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331:, in remote bushland of a suburb on Sydney's Upper North Shore. This project was the first completely modern domestic residence to fully express the philosophy and visual language of the Bauhaus in Australia and won the Sulman Award of 1951. From the huge publicity of this house, others approached Seidler to design their homes. With so many clients and his enjoyment of the Sydney climate and harbour views, Seidler decided to stay in Australia. The Rose Seidler House became a house-museum in 1991.
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having Walter
Gropius address the RAIA Convention in Sydney in 1954. Seidler collaborated with Marcel Breuer for the Australian Embassy in Paris (as Breuer had a Paris office) and Seidler was Breuer's project architect for the Torin Factory in Penrith NSW in the 1970s. Seidler commissioned Josef Albers artworks for MLC Centre in the mid-1970s. Seidler also maintained a close friendship with Oscar Niemeyer through letters and visits to Rio de Janeiro.
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is why
Kenneth Frampton labelled Seidler's non-house designs "isostatic architecture". In the 1970s and 1980s, Seidler used the geometry of the quadrant which connects the straight line to the curve and allowed for structural beams of the same size spanning across the radius of the quadrant. This is seen in Seidler's design for the Australian Embassy in Paris and Karralyka (previously called Ringwood Cultural) Centre.
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thermally stable materials like reinforced concrete and to respond to the
Australian climate by the extensive use of sunshades and flamboyantly-shaped rain protecting canopies on his skyscrapers, (such as Grosvenor Place, Riverside Centre, and QV1), large covered balconies in his houses, as well as shaping his designs to maximize views and enjoyment of the outdoors from inside.
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1973:"Ancestry.com flight records show Seidler left Honolulu for Sydney on 18 June 1948 on a Pan Am clipper flight And flight schedules show it took 2 days to reach Sydney. So mistake in statements referring to arriving in July 1948 in Harry Seidler interview (oral history)" with Janis Wilton 1982, audio recording online at State Library of New South Wales
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Gropius' teachings had a big influence on Seidler. Gropius taught that Modernism was not a style but a methodology of approach which will vary according to different regions and climates. Seidler too insisted that Modernism was not a style ""You know there's a great misconception about that modernism
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Seidler said the term "International Style" was a misnomer and so he objected to the term being used to describe modern architecture or his own architectural designs – as both changed over time as social use and building technology developed. Seidler insisted that Modernism was not a style but was in
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Harry Seidler, "Planning and Architecture at the end of our century", pp. 378–84 of "Harry Seidler: Four Decades of Architecture" by Kenneth Frampton and Philip Drew (1992: Thames & Hudson) at Page 382 has this comment "who remembers the Brutalists in England with their pathetic imitations of Le
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and many others, by far the most important of the collaborators was his mentor Albers. Seidler included works by Albers – perhaps the single person most influential on his design philosophy – in a number of projects (notably the MLC Centre with 'Homage to the Square' (later repurchased by the Albers
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In 1991, Seidler acknowledged that his first house (Rose Seidler House) which was built of timber, despite the north facing sunshades "is generally too vulnerable to temperature changes...I didn't fully appreciate the intensity of the Australian sun". Thus, later in his career, he sought to use more
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Seidler learnt from Gropius (as one of the 3 required elements of good architecture) to devise efficient "systems" for constructing buildings – other than for individual houses, this involved "making things easy to build in accordance with a system that allows repetition of identical elements". This
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Harry Seidler became a Canadian citizen when he was studying in the USA in late 1945. He travelled to Australia in 1948 on his Canadian passport (which he collected in mid-1946). By 1958, he had lived in Australia for ten years, and then sought to renew his Canadian passport but was unable to do so
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Harry Seidler Project Report: 1975–1977; 'Paris Art', being correspondence with textile artists concerning proposed purchase of artworks for the Australian Embassy Paris. Harry Seidler Collection, Mitchell Library, State Library of New South Wales, Call No.: MLMSS 7078/15); ABC TV news footage from
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Harry Seidler filmed illustrated lecture "Principles in the Mainstream of Modern Architecture" University of New South Wales (UNSW), 26 June 1980 (online); Harry Seidler filmed illustrated lecture "Consequence of Design and Detail "University of New South Wales (UNSW), 24 April 1980 (online); Peter
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by Kenneth Frampton and Philip Drew (Thames & Hudson, London & New York, 1992) p. 381; page 384 notes that this essay was based on the lecture entitled "A methodology" at the RIBA in London (10 January 1984) and 1987 Habitat Lecture at the Centre for Human Settlements, University of British
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Harry Seidler oral history with Ken Henderson, 21 April and 21 May 1986, National Library of Australia oral history collection, cassette TRC 2173 transcript page 3 notes "modern architecture set out to solve problems of the time and it must, by definition remain in constant flux, it is not a style,
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Seidler's visual approach to two-dimensional and three-dimensional spatial arrangement was consistent throughout his whole career and reflected what Seidler learnt from his visual aesthetics teacher Josef Albers. Seidler stated he learnt more about design from Albers than he did at any architecture
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for the design of the Australia Square and MLC Centre office towers, in Sydney, the Edmund Barton Building (formerly called Trade Group Offices) in Canberra, and the Australian Embassy in Paris in the 1970s. the same Nervi- designed T beams were used by Seidler in his own Seidler Office building in
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Seidler's work shows a mix of influences from four great modern masters under whom he studied or worked with: Walter Gropius, Marcel Breuer, (artist) Josef Albers and Oscar Niemeyer. Seidler maintained relationships with his four mentors even after he came to Australia. Seidler was instrumental in
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houses and buildings in the 1960–1980s, and the development of curves (in plan shapes) with advances in concrete technology in the 1980s and later, as well as developments in steel technology that allowed for curved roofs in the 1990s onwards (e.g. Berman House). Seidler is on record (in 1980) as
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Harry Seidler illustrated filmed lecture: "Form Relations in Baroque and Modern Architecture (Part 1)" University of New South Wales (UNSW) 17 April 1980 (online); Harry Seidler illustrated filmed lecture: "Form Relations in Baroque and Modern Architecture (Part 2)" University of New South Wales
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Seidler articulated the visual-spatial design principle of modern architecture being "dissolution of conventional solidity" and inter-connecting spatial vistas. Seidler said the visual essence of modern architecture was "not the ponderous solidity of traditional architecture where everything was
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by Sigfried Gidieon which Seidler read as an architecture student). Seidler's designs from 1969 onwards often displayed opposing negative and positive quarter-circle curves (e.g. retaining garden walls of Pettit & Sevitt exhibition house, Westleigh, 1969, and Condominium Apartments, Acapulco
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Harry Seidler filmed illustrated lecture "Interactions - Architecture and the Visual Arts" University of New South Wales (UNSW) 10 April 1980 online at 29:23-31:51 min); Harry Seidler filmed illustrated lecture "Principles in the Mainstream of Modern Architecture" University of New South Wales
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Seidler's parents migrated to Sydney in 1946, and (while he was working for Breuer in New York) in late 1947 or early 1948, his mother wrote to him to commission him to come to Sydney to design their home. Seidler arrived in Sydney on (likely) 20 June 1948 (which was a few days before his 25th
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While some commentators label Seidler's use of (unpainted) off-form concrete in the 1960s and 1970s as "brutalist" (from the French 'beton brut'), Seidler disowned the term as he was critical of British Brutalists as "pathetic imitations of Le Corbusier. The heavy monolithic structures of the
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constant flux. Seidler would explain that Le Corbusier's 1920s modern architecture had columns placed 6 metres apart, whereas by mid-1980s pre-stressed concrete technology allowed 34 metre column-free space, resulting in different visual expression and openness in architecture.
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In England, he studied building and construction at Cambridgeshire Technical School. Even though he was categorised by British wartime tribunal as a "Category C – no risk" refugee fleeing the Nazis, because he was born in Austria, on 12 May 1940, he was
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on a scholarship in 1945/46, and during the university winter (Christmas) inter-semester approximate four weeks break Seidler worked with Alvar Aalto in Boston drawing up plans for the Baker dormitory at MIT. He then studied visual aesthetics at
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Seidler then worked as the first ever assistant to Marcel Breuer in New York from late 1946 until March 1948. For almost 2 months from shortly after 20 April to early June 1948, Seidler also worked in Rio de Janeiro with the architect
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because he had been a naturalised Canadian who had not lived in Canada for more than three years). He became an Australian citizen in late 1958 so he would have a passport to travel for work and his honeymoon. Harry Seidler married
599:'; they were really planned to be integrated with and complementary to the buildings into which they were placed: "In many of his projects, Seidler worked with artists whose works became an intrinsic component of his designs."
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Seidler designed about 119 buildings (96 of which were in his home state of New South Wales) but some have since been demolished or altered in a non-Seidler manner, and he received much recognition for his contribution to the
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Seidler saw parallels of good modern architecture with the underlying structural geometry of baroque architecture, especially the designs of Italian architect Francesco Borromini (which was illustrated in the book
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For 50 years Harry Seidler has played a vital role in international architecture. His work is widely recognised as an original and intensely creative contribution to the architecture of the second half of the 20th
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Foundation, and Albers' last commissioned-design 'Wrestling' on the eastern side of MLC Plaza). Seidler also arranged in 1966 for the Australia Square tower ground lobby to display tapestries by Le Corbusier and
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Harry Seidler and Penelope Seidler interviewed by Craig McGregor on 11 February 1990. Craig McGregor MS7949 collection – Oral History and Folklore collection, National Library of Australia, Canberra. Bib id
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and joined Seidler and Associates in 1964 as architect and financial manager. She co-designed the Harry & Penelope Seidler House in Killara (suburb of Sydney) which won the NSW Wilkinson award of 1967.
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Harry Seidler filmed illustrated lecture "interaction of architecture and the visual arts" University of New South Wales (UNSW), 10 April 1980 (online); Harry Seidler "Our Heritage of Modern Building" in
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1969–70). From the 1980s, Seidler often incorporated plans with flamboyant curves (e.g. Hannes House, Hong Kong Club) and some commentators have labelled this as the start of Seidler's "baroque" period.
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Although he was ten years old when the Bauhaus was closed, Seidler's analysts invariably associate him with the Bauhaus because he later studied under emigrant Bauhaus teachers in the USA. He attended
501:'brutalists', were the opposite of Seidler's visual aesthetic of transparency and lightness and being able to look through the architecture through the voids through the various architectural spaces.
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Seidler was a frequent and enthusiastic collaborator with visual artists in the creation of his buildings. While his artist collaborators include famous or notable figures such as
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https://primo-slnsw.hosted.exlibrisgroup.com/primo-explore/fulldisplay?docid=ADLIB110316338&context=L&vid=SLNSW&search_scope=EEA&tab=default_tab&lang=en_US
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Penelope Seidler filmed interview at the house for Monocle magazine, February 2016 entitled "Sydney Residence: Harry and Penelope Seidler House. February 2016" online at
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Harry Seidler, "Interactions – architecture and the visual arts" filmed illustrated lecture University of New South Wales, 10 April 1980 online film at 30:48–33:26min
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2374:(1954: Sydney, Associated General Publications. Reprint: 1959, Horwitz) Pages x-xi of ix-xi. Same essay later reprinted in ""Harry Seidler: Houses & Interiors 1
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Harry Seidler filmed lecture online "Josef Albers – Teaching of Visual Perception” (2002) National Gallery of Australia, Canberra at 17:55-18:33min
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Blake "Architecture for the New World. The Work of Harry Seidler" (Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 12–20
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by Kenneth Frampton and Philip Drew (1992, Thames & Hudson, London & New York) at page 95. Later followed by Vladimir Belogolovsky,
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Milsons Point (Sydney) completed in 1973. Seidler later worked with Nervi's successor Mario Desideri for the Riverside Centre in Brisbane.
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1996:, ABC (Australian Broadcaasting Corporation) Radio National, 18 July 1998; Harry Seidler "In Search of an Australian Style" article in
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Harry Seidler filmed illustrated lecture "Habitat, Its Detail and Totality "University of New South Wales (UNSW), 8 May 1980 (online)
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project (first designs 1961, plaza building 1962–64, tower 1964–67). At the time, the Australia Square tower was the world's tallest
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birthday), with no intention to remain in Australia, but to stay only until the house was finished. The house became known as the
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building. The design introduced the concept of a large public open plaza and prominent artworks to office towers in Australia.
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Harry Seidler, "In Search of an Australian Style" in the "Why Australia is the best place in the world to live" issue of
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2172:; "In the Mind of the Architect", Australian Broadcasting Corporation TV series episode 1 (2000) see full transcript at
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After working briefly for an architectural firm in Toronto, Seidler (at the age of 21) became a registered architect in
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Harry Seidler illustrated lecture film "Architecture responding to Nature" (1993) – on Hong Kong Club and Capita Centre
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Seidler was born in Vienna, the son of a Jewish clothing manufacturer. While a teenager he fled to England soon after
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Seidler enjoyed photographing architecture around the world and some of these are documented in his photography book
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2376:" (Images Publishing, Musgrave VIC, 2003) Pages 10-15 at page 11. Harry Seidler, "Painting Toward Architecture" in
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Australian Broadcasting Corporation TV "in the mind of the architect" series episode 1 “Keeping the Faith”(2000)
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magazine Sydney issue entitled "Why Australia is the Best Place in the World to Live", pp. 60–64 at 60–61
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Harry Seidler ; Neue Donau Housing Estate, Vienna ; Social housing, innovative architecture
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2322:"Harry Seidler: A Dialogue with editor Yoshio Futagawa" GA HOUSES 69 (January 2002) pp. 42–47 at 43.
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Harry Seidler : Wohnpark Neue Donau, Wien ; Sozialer Wohnungsbau, Innovative Architektur
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Harry Seidler, RIBA Gold Medal Lecture, London 25 June 1996 footage on internet at 28:36–29:31min
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1949–54 Julian Rose House, Wahroonga – early publications call Rose House, Turramurra (Sydney)
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On 24 April 2005, Seidler suffered a stroke from which he never fully recovered, and died from
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2404:"In the Mind of the Architect", Australian Broadcasting Corporation TV series episode 1 (2000)
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by Kenneth Frampton and Philip Drew (1992, Thames & Hudson, London & New York) at 206.
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Text is licensed by State of New South Wales (Department of Planning and Environment) under
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Conversations Regarding the Future of Architecture. 1956. SIDE 2. 9:56-10:18min of audio at
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by Kenneith Frampton and Philip Drew (Thames & Hudson, London & New York, 1992).
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2004–09: Alliance Française Building, Sydney – (his last commercial and public design)
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http://www.bbc.co.uk/history/ww2peopleswar/timeline/factfiles/nonflash/a6651858.shtml
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Penelope Seidler, herself an architect, gained her Bachelor of Architecture from the
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https://monocle.com/film/design/sydney-residence-harry-and-penelope-seidler-house/
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2616:
website – "Deconstructing Harry" documentary broadcast 11 October 1998 transcript
2356:(Images Publishing, Musgrave, Victoria, 2003) pp. 10–15 at page 11. Peter Blake,
1874:
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667:
454:
432:
236:
43:
The references used may be made clearer with a different or consistent style of
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2360:(Horwitz, Sydney; Wittenborn, New York; Karl Kraemer Stuttgart, 1973) pp. 21–23
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houses in the 1950s (many of which echoed Breuer's bi-nuclear house form), to
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2010:
1953:
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1630:
182:(25 June 1923 – 9 March 2006) was an Austrian-born Australian
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The form of Seidler's work changed as building technology changed: from his
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1494:
Dennis Sharp (introduction): "Harry Seidler: Selected and Current Works",
1574:
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596:
504:
In the 1960s and 70s Seidler worked with the Italian structural engineer
248:
1682:
1423:
1394:
2671:
Jewish emigrants from Austria after the Anschluss to the United Kingdom
2547:
1119:
1968 Pan Pacific Citation of the American Institute of Architects (AIA)
367:. In 1984 he became the first Australian to be elected a member of the
255:
191:
2721:
Recipients of the Royal Australian Institute of Architects’ Gold Medal
2305:
Kenneith Frampton, "1965–1991 Isostatic Architecture", pp. 86–111 in
1347:, in co-operation with Janis Wilton, Judith Winternitz (out of print)
639:, Wahroonga (earlier publications list suburb as Turramurra) (Sydney)
489:
240:
211:
1873:. The Australian Institute of Architects. 6 May 2005. Archived from
1083:
2004–09: Waves on Hamilton, townhouses, Hamilton Island, Queensland.
649:, Wahroonga (early publications list suburb as Turramurra) (Sydney)
341:
In the 1960s Seidler again broke new ground with his design for the
1139:
1984 Honorary Member of the Society of Graphic Artists of Austria (
2278:
Kenneith Frampton "Isostatic Architecture 1965–91", pp. 85–111 in
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578:, Charles O. Perry (the last two were fellow but later student of
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2249:
Express TV, Australian Broadcasting Corporation, 7 October 1998.
1396:
Harry Seidler, Australian embassy = Ambassade d'Australie, Paris
1337:
Internment: The Diaries of Harry Seidler May 1940 – October 1941
1272:
720:, Penrith (Sydney) – since mostly demolished and greatly altered
982:(originally published as ABC Apartments), Darlinghurst (Sydney)
338:
refusal to approve his design of a 'glass house' at Roseville.
1668:
Frozen Music: Rose Seidler House and the Work of Harry Seidler
958:
20:
2420:
Review, Australian Broadcasting Corporation TV, 14 April 1991
2162:
1796:
1425:
Two towers : Harry Seidler, Australia Square, MLC Centre
975:(with non-Seidler additions), Wheelers Hill (outer Melbourne)
2596:
1351:
The Grand Tour, Travelling the World with an Architect's Eye
2193:
https://soundcloud.com/mattgoad/conversations-regarding-the
2075:"The man who fixed the 'plain illegal' Sydney Opera House"
1930:"New World: Harry Seidler, Brazil and the Australian City"
1516:
Almost full circle : Harry Seidler : a biography
1148:
1985, 1987, 1989, 1991, 1992, 2001 various honours of the
1017:, Surry Hills (Sydney) – occupied by the Australia Council
902:(formerly 'Yarralumla Group Houses') Yarralumla (Canberra)
863:, Broadbeach (Gold Coast) – (now called Broadbeach Waters)
768:, Canberra – (since repainted alternating black and white)
2716:
Recipients of the Austrian Decoration for Science and Art
2358:
Architecture for the New World. The Work of Harry Seidler
2234:
Architecture for the New World: The Work of Harry Seidler
1380:
Architecture for the New World: The Work of Harry Seidler
2077:. Australian Broadcasting Corporation. 31 January 2016.
226:
Harry Seidler (right) with Walter Gropius in Sydney 1954
186:
who is considered to be one of the leading exponents of
1190:
2004 Honour for International Highrises of the city of
824:
1971–72: Offices, 41 McClaren St, North Sydney (Sydney)
251:, where he graduated with first class honours in 1944.
2736:
Australian Officers of the Order of the British Empire
856:) (many non-Seidler alterations), Ringwood (Melbourne)
2498:"Modernist architect Harry Seidler dies in Australia"
1741:"Modernist architect Harry Seidler dies in Australia"
670:, also known as the Williamson House, Mosman (Sydney)
2568:"Ageing luxury: Brisbane's Hilton reaches milestone"
1399:(in English and French). Sydney: Horwitz Australia.
1373:
Harry Seidler 1955/63: Houses Buildings and Projects
1339:, Allen & Unwin, Sydney 1986; Unwin Hyman 1987,
352:
In 1966, he helped lead the protests to try to keep
2174:
http://www.abc.net.au/arts/architecture/ep_trn1.htm
381:
Royal Australian Institute of Architects Gold Medal
160:
152:
144:
136:
116:
97:
81:
1361:(English, 704 pages). editions in other languages.
740:(later called "Aquarius", Rushcutters Bay (Sydney)
630:Ian Thorpe Aquatic Centre, Ultimo, Sydney, 2001–07
2340:Harry Seidler, "Painting Toward Architecture" in
1187:2002 Golden Badge of Honour for Merits for Vienna
1767:"Harry Seidler collection: Seidler's internment"
1314:Hochhaus Neue Donau, Vienna, Austria (1999–2002)
1302:Hochhaus Neue Donau, Vienna, Austria (1999–2002)
371:, Paris and in 1987 was made a Companion of the
2621:Harry Seidler Collection – State Library of NSW
2418:Rose Seidler House – the House that Harry built
1903:"Harry Seidler: Innovative modernist architect"
393:
334:In 1952, Seidler successfully appealed against
1519:. Rose Bay, N.S.W.: Brandl & Schlesinger.
745:Rosebery Apartments NSW Department of Housing
706:, Pennant Hills (Sydney) – (since demolished)
529:Seidler Offices and Apartments, as seen from
401:Dennis Sharp in his introduction to the book
8:
2661:Australian people of Austrian-Jewish descent
1992:Harry Seidler interview with Alan Saunders,
435:on 15 December 1958; they had two children.
2307:Harry Seidler: Four Decades of Architecture
2280:Harry Seidler: Four Decades of Architecture
2238:Harry Seidler: Four Decades of Architecture
2158:Harry Seidler: Four Decades of Architecture
1481:Harry Seidler: Four Decades of Architecture
690:, Griffith (Canberra) – (since demolished)
2500:. World Socialist Web Site. 20 June 2006.
2431:"National Gallery - Search the Collection"
2011:"Architect Wins Dispute Over House Design"
1825:information on internment of civilians at
1260:(formerly Capita Centre), Sydney (1984–89)
1170:Officer of the Order of the British Empire
673:1952–54 Thurlow House, Blakehurst (Sydney)
622:Wohnpark-Neue-Donau, Vienna, Austria, 1993
89:
78:
2228:Philip Drew, "Ethic and Form" article in
870:, Augusta Village, Kooralbyn, Queensland.
733:1963: Muller House, Port Hacking (Sydney)
67:Learn how and when to remove this message
2701:Harvard Graduate School of Design alumni
2534:Department of Planning & Environment
1963:– via Taylor & Francis Online.
1896:
1894:
1892:
1867:"Biography: Harry Seidler AC OBE LFRAIA"
1844:first in Camp L in Cove Field Barracks,
1150:Royal Australian Institute of Architects
1128:Royal Australian Institute of Architects
377:Royal Australian Institute of Architects
2529:New South Wales State Heritage Register
2354:Harry Seidler: Houses & Interiors 1
1732:
1202:
1183:Austrian Decoration for Science and Art
2731:Members of the Académie d'architecture
2437:from the original on 22 September 2015
2412:
2410:
1861:
1859:
1857:
1777:from the original on 27 September 2022
1612:A singular vision : Harry Seidler
1543:Harry Seidler – Houses & Interiors
1498:, Series III, Images Publishing 1997,
681:1957: Glass House, Chatswood (Sydney)
2504:from the original on 16 February 2007
2296:" (Rizzoli, New York, 2014) pp. 31–41
1457:. Cammeray, N.S.W.: Horwitz Grahame.
1176:Royal Institute of British Architects
676:1954 Bowden House, Deakin (Canberra)
457:in Sydney on 9 March 2006 at age 82.
389:Royal Institute of British Architects
7:
2711:Companions of the Order of Australia
2081:from the original on 11 October 2018
1155:1985 Honorary Citizenship of Austria
1076:(formerly "Ultimo Aquatic Centre"),
926:1984–89: 9 Castlereagh St (formerly
843:Harry Seidler Offices and Apartments
2686:Modernist architecture in Australia
1711:Australian Architecture Association
1160:Companion of the Order of Australia
704:Grimson & Rose Exhibition House
365:Australian Architecture Association
2751:21st-century Australian architects
2746:20th-century Australian architects
2726:Recipients of the Royal Gold Medal
2477:(Sydney) 24 October 1989, pp. 60–4
1109:1966 Honorary Fellowship from the
461:Modernism and principles of design
356:as the principal architect of the
214:Germany occupied Austria in 1938.
14:
2776:Naturalised citizens of Australia
2756:Internments by the United Kingdom
2602:solo arquitectura – Harry Seidler
2113:. Specifier. 2007. Archived from
2055:from the original on 15 June 2024
2023:from the original on 15 June 2024
1747:from the original on 12 June 2013
1428:. Sydney: Horwitz Grahame Books.
1162:(AC) (Australia's highest honour)
1096:1951, 1967, 1981, 1983, 1991 Sir
558:Collaboration with visual artists
318:Australia Square, Sydney, 1961–67
263:Harvard Graduate School of Design
235:by the British authorities as an
2546:
2313:(2015: Rizzoli, New York), p. 39
1771:State Library of New South Wales
1695:
1681:
1638:Belogolovskiĭ, Vladimir (2014).
1307:
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1111:American Institute of Architects
787:Harry and Penelope Seidler House
403:Master architects: Harry Seidler
363:He was a founding member of the
25:
1848:in Quebec City, then Camp N in
1716:Australian architectural styles
1479:Kenneth Frampton, Philip Drew:
1454:Riverside Centre, Harry Seidler
1194:for "Cove Apartments" in Sydney
935:Garden Island Dockyard Workshop
754:, Canberra – (since demolished)
747:, Maloney St Eastlakes (Sydney)
472:, Darlinghurst, Sydney, 1990–98
282:in mid 1946 for the US summer.
2761:Naturalized citizens of Canada
2597:Harry Seidler official website
2372:Houses, Interiors and Projects
2350:Houses, Interiors and Projects
2043:"Council agrees to new design"
1928:Goad, Philip (2 August 2021).
1901:Dennis Sharp (14 March 2006).
1371:Rayner Banham (Introduction):
1165:1990 Gold Medal City of Vienna
519:Space, Time & Architecture
286:Early career outside Australia
156:modern tower and plane designs
1:
2706:University of Manitoba alumni
2696:Black Mountain College alumni
2395:(UNSW), 27 June 1980 (online)
1946:10.1080/10331867.2021.1925490
1641:Harry Seidler : lifework
1483:, Thames & Hudson, 1992,
16:Austrian-Australian architect
2666:Austrian emigrants to Canada
2380:(RAIA journal forerunner to
2344:(RAIA journal forerunner to
2146:. Film duration 6:51 minutes
895:), Glen Waverley (Melbourne)
310:, Wahroonga, Sydney, 1948–50
2051:. 4 March 1952. p. 7.
2019:. 4 March 1952. p. 3.
1541:Chris Abel (introduction):
1331:Houses, Interiors, Projects
836:Embassy of Australia, Paris
688:Canberra South Bowling Club
2792:
2741:New South Wales architects
2163:https://vimeo.com/16877925
1797:http://sfi.usc.edu/locator
1573:Förster, Wolfgang (2002).
1451:Frampton, Kenneth (1988).
953:Elizabeth Street, Brisbane
738:Rushcutters Bay Apartments
548:Space-time construction #3
442:. He also enjoyed skiing.
2626:Harry Seidler In Memoriam
2416:Harry Seidler quote from
1615:. Sydney: HarperCollins.
1074:Ian Thorpe Aquatic Centre
1010:, Melbourne (never built)
713:, McMahons Point (Sydney)
200:architecture of Australia
88:
2573:25 February 2017 at the
2142:31 December 2019 at the
2048:Daily Telegraph (Sydney)
1980:5 September 2017 at the
1832:31 December 2017 at the
1583:]. Munich: Prestel.
1015:Elizabeth Street Offices
937:, Garden Island (Sydney)
854:Ringwood Cultural Centre
845:, Milsons Point (Sydney)
796:, Elizabeth Bay (Sydney)
730:1962: Ski Lodge, Thredbo
699:, Elizabeth Bay (Sydney)
420:Killara, New South Wales
2294:Harry Seidler: Lifework
1228:Hong Kong Club Building
1174:1996 Gold Medal of the
1134:Académie d'architecture
1116:1967 Civic Design Award
1103:1965, 1966, 1967, 1999
1026:Joadja, New South Wales
1003:, Hunters Hill (Sydney)
875:Hong Kong Club Building
761:, 85 Elizabeth Bay Road
369:Académie d'architecture
2771:Architects from Vienna
2382:Architecture Australia
2346:Architecture Australia
2311:Harry Seidler Lifework
1290:, Brisbane (1999–2005)
808:Edmund Barton Building
801:Condominium Apartments
766:Campbell Group Housing
725:Australia Square Tower
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276:Black Mountain College
245:University of Manitoba
227:
2016:Sydney Morning Herald
1802:13 March 2017 at the
1644:. New York: Rizzoli.
1422:Drew, Philip (1980).
1393:Blake, Peter (1979).
1258:9 Castlereagh St
996:, Birchgrove (Sydney)
973:Monash Gallery of Art
893:Waverley Civic Centre
884:, Palm Beach (Sydney)
773:Links View Apartments
656:, Castlecrag (Sydney)
629:
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528:
468:
417:
347:light weight concrete
336:Ku-ring-gai council's
317:
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258:, in February 1945.
225:
2766:Housing in Australia
2691:Modernist architects
2198:25 June 2020 at the
2179:4 March 2016 at the
2168:4 March 2016 at the
1909:on 21 September 2007
1496:The Master Architect
1245:, Brisbane (1983–86)
1008:Grollo Tower project
951:1987: Hilton Hotel,
821:, Wahroonga (Sydney)
782:, Edgecliff (Sydney)
780:Arlington Apartments
752:Garran Group Housing
647:Marcus Seidler House
447:University of Sydney
2607:Harry Seidler Works
2117:on 28 November 2007
1871:architecture.com.au
1813:28 May 2020 at the
1773:. 28 January 2016.
1689:Architecture portal
1366:about Harry Seidler
1275:, Perth (1988–1991)
1132:1984 Member of the
1032:Hochhaus Neue Donau
987:Wohnpark Neue Donau
968:, Vaucluse (Sydney)
916:, Cammeray (Sydney)
900:Lakeview Townhouses
877:, Hong Kong Central
812:Trade Group Offices
794:International Lodge
775:, Earlwood (Sydney)
584:Helen Frankenthaler
494:reinforced concrete
2524:"Igloo House, The"
2111:"Penelope Seidler"
1215:, Sydney (1961–67)
980:Horizon Apartments
803:, Acapulco, Mexico
789:, Killara (Sydney)
637:Rose Seidler House
632:
624:
616:
535:
474:
470:Horizon Apartments
424:
418:Seidler's home in
373:Order of Australia
358:Sydney Opera House
325:Rose Seidler House
320:
312:
308:Rose Seidler House
278:under the painter
228:
2681:Jewish architects
1846:Plains of Abraham
1651:978-0-8478-4228-5
1622:978-1-4607-5202-9
1359:978-3-8228-2555-6
1230:, Hong Kong, 1980
1034:, Vienna, Austria
989:, Vienna, Austria
711:Blues Point Tower
614:, Sydney, 1972–75
603:List of buildings
544:Theo van Doesburg
383:in 1976, and the
379:, as well as the
299:Life in Australia
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1067:North Apartments
921:Riverside Centre
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1070:
1063:
1056:
1049:
1046:Riparian Plaza
1042:
1035:
1028:
1018:
1011:
1004:
1001:Gilhotra House
997:
990:
983:
976:
969:
966:Hamilton House
962:
955:
949:
938:
931:
924:
917:
910:
903:
896:
889:City of Monash
885:
878:
871:
864:
857:
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839:
832:
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815:
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776:
769:
762:
755:
748:
741:
734:
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721:
714:
707:
700:
697:Ithaca Gardens
693:
684:
679:
674:
671:
664:
657:
650:
643:
640:
604:
601:
559:
556:
462:
459:
440:The Grand Tour
431:, daughter of
429:Penelope Evatt
411:
408:
398:
300:
297:
293:Oscar Niemeyer
287:
284:
267:Walter Gropius
219:
216:
207:
204:
194:in Australia.
166:
165:
162:
158:
157:
154:
153:Known for
150:
149:
146:
142:
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138:
134:
133:
126:
124:(aged 82)
118:
114:
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99:
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75:
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38:citation style
33:
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2583:(7 June 2012)
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2018:
2017:
2012:
2006:
2003:
1999:
1995:
1989:
1986:
1983:
1979:
1976:
1975:sl.nsw.gov.au
1970:
1967:
1955:
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1947:
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1590:3-7913-2703-8
1586:
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1567:1-920744-16-9
1564:
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1559:1-86470-105-6
1556:
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1551:1-86470-104-8
1548:
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1528:
1526:1-876040-15-7
1522:
1518:
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1504:1-875498-75-3
1501:
1497:
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1489:0-500-97838-7
1486:
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1464:0-7255-2056-6
1460:
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1435:0-7255-0815-9
1431:
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1408:
1406:0-7255-0551-6
1402:
1398:
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1388:3-7828-1459-2
1385:
1381:
1378:Peter Blake:
1377:
1374:
1370:
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1356:
1352:
1349:
1346:
1345:0-86861-915-9
1342:
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1082:
1079:
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1071:
1068:
1064:
1061:
1060:Meriton Tower
1057:
1054:
1053:ARCA Showroom
1050:
1047:
1043:
1040:
1036:
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1023:
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947:
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928:Capita Centre
925:
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904:
901:
897:
894:
890:
886:
883:
879:
876:
872:
869:
865:
862:
861:72 Apartments
858:
855:
851:
847:
844:
840:
837:
833:
830:
826:
823:
820:
819:Gissing House
816:
813:
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802:
798:
795:
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478:
471:
467:
460:
458:
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451:
448:
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441:
436:
434:
430:
421:
416:
410:Personal life
409:
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397:
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378:
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316:
309:
305:
298:
296:
294:
285:
283:
281:
277:
272:
271:Marcel Breuer
268:
264:
259:
257:
252:
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234:
224:
217:
215:
213:
205:
203:
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195:
193:
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185:
180:
176:
172:
171:Harry Seidler
163:
159:
155:
151:
147:
143:
139:
135:
130:
119:
115:
100:
96:
92:
87:
83:Harry Seidler
80:
71:
68:
60:
50:
46:
40:
39:
34:This article
32:
23:
22:
19:
2613:
2578:
2563:
2538:. Retrieved
2527:
2518:
2506:. Retrieved
2492:
2482:
2475:The Bulletin
2474:
2469:
2460:
2451:
2439:. Retrieved
2425:
2417:
2400:
2390:
2383:
2379:
2378:Architecture
2375:
2371:
2365:
2357:
2353:
2349:
2345:
2342:Architecture
2341:
2336:
2327:
2318:
2310:
2306:
2301:
2293:
2287:
2279:
2274:
2264:
2254:
2245:
2237:
2233:
2230:Space Design
2229:
2224:
2215:
2206:
2187:
2157:
2151:
2131:
2119:. Retrieved
2115:the original
2105:
2095:
2083:. Retrieved
2069:
2057:. Retrieved
2046:
2037:
2025:. Retrieved
2014:
2005:
1997:
1993:
1988:
1969:
1957:. Retrieved
1940:(1): 54–84.
1937:
1934:Fabrications
1933:
1923:
1911:. Retrieved
1907:the original
1879:. Retrieved
1875:the original
1870:
1840:
1821:
1791:
1779:. Retrieved
1770:
1761:
1749:. Retrieved
1735:
1667:
1640:
1611:
1580:
1575:
1561:, Boxed Set
1542:
1515:
1495:
1480:
1453:
1424:
1395:
1379:
1372:
1350:
1336:
1330:
1142:Künstlerhaus
1140:
1022:Berman House
994:Meares House
948:), Melbourne
945:
914:Hannes House
892:
882:Merson House
853:
811:
661:Hutter House
654:Meller House
580:Josef Albers
568:Frank Stella
561:
552:
547:
546:'s painting
540:
536:
518:
515:
511:
503:
499:
487:
483:
479:
475:
452:
444:
439:
437:
425:
402:
394:
362:
351:
340:
333:
321:
289:
280:Josef Albers
260:
253:
229:
209:
196:
170:
169:
122:(2006-03-09)
120:9 March 2006
108:25 June 1923
63:
54:
35:
18:
2651:2006 deaths
2646:1923 births
1553:, (Vol. 2)
1098:John Sulman
946:Shell House
814:), Canberra
668:Igloo House
455:septicaemia
433:Clive Evatt
237:enemy alien
137:Citizenship
131:, Australia
2640:Categories
2085:31 January
1850:Sherbrooke
1727:References
1320:Literature
1048:, Brisbane
944:(formerly
923:, Brisbane
891:(formerly
852:(formerly
829:MLC Centre
810:(formerly
759:Ercildoune
718:Wood House
612:MLC Centre
588:Sol LeWitt
354:Jørn Utzon
206:Early life
145:Occupation
140:Australian
104:1923-06-25
49:footnoting
2553:CC-BY 4.0
2508:7 January
2121:7 January
2059:21 August
2027:21 August
1994:By Design
1954:2164-4756
1913:7 January
1660:856977327
1631:965513492
1192:Frankfurt
1126:from the
1072:2001–07:
1065:2001–03:
1058:2001–06:
1051:1999–00:
1044:1999–05:
1030:1996–02:
1020:1996–99:
1013:1996–98:
1006:1995–00:
999:1995–96:
992:1994–95:
985:1993–98:
978:1990–98:
964:1989–91:
957:1987–91:
940:1985–89:
930:), Sydney
919:1983–86:
912:1983–84:
905:1982–88:
898:1982–84:
887:1982–84:
880:1981–83:
873:1980–84:
866:1979–82:
859:1978–82:
848:1978–80:
841:1973–94:
834:1973–77:
827:1972–75:
817:1971–72:
806:1970–74:
799:1969–70:
785:1966–67:
778:1965–66:
771:1965–66:
764:1965–68:
750:1964–68:
743:1964–67:
736:1963–65:
723:1961–67:
709:1958–61:
666:1952–54:
659:1952–54:
645:1951–53:
635:1948–50:
572:Lin Utzon
391:in 1996.
329:Wahroonga
218:Education
188:Modernism
184:architect
148:Architect
57:June 2024
2571:Archived
2536:. H01652
2502:Archived
2435:Archived
2196:Archived
2177:Archived
2166:Archived
2140:Archived
2079:Archived
2053:Archived
2021:Archived
1998:Bulletin
1978:Archived
1830:Archived
1811:Archived
1800:Archived
1775:Archived
1745:Archived
1675:See also
1609:(2016).
1599:49594724
1535:47212894
1513:(2001).
1473:27528267
1080:, Sydney
1069:, Sydney
1062:, Sydney
1041:, Sydney
1037:1999–04
909:, Sydney
838:, France
831:, Sydney
727:, Sydney
597:plop art
399:—
396:century.
249:Winnipeg
233:interned
161:Children
127:Sydney,
45:citation
2676:Bauhaus
2556:licence
2441:25 July
2100:6416295
1959:15 June
1781:15 June
1751:14 June
1666:(film)
1444:8467144
1415:5791549
1199:Gallery
1136:, Paris
1091:Honours
1055:, Perth
961:, Perth
387:by the
256:Ontario
192:Bauhaus
2614:Sunday
2540:2 June
1952:
1658:
1648:
1629:
1619:
1597:
1587:
1565:
1557:
1549:
1533:
1523:
1502:
1487:
1471:
1461:
1442:
1432:
1413:
1403:
1386:
1357:
1343:
1178:(RIBA)
1152:(RAIA)
1078:Ultimo
971:1990:
933:1985:
792:1968:
757:1965:
716:1961:
702:1961:
695:1960:
686:1959:
652:1950:
490:timber
265:under
241:Quebec
1881:2 May
1579:[
1181:1996
1168:1992
1158:1987
1122:1976
1113:(AIA)
1100:Medal
177:
2542:2018
2510:2008
2443:2017
2123:2008
2087:2016
2061:2023
2029:2023
1961:2024
1950:ISSN
1915:2008
1883:2008
1783:2024
1753:2013
1656:OCLC
1646:ISBN
1627:OCLC
1617:ISBN
1595:OCLC
1585:ISBN
1563:ISBN
1555:ISBN
1547:ISBN
1531:OCLC
1521:ISBN
1500:ISBN
1485:ISBN
1469:OCLC
1459:ISBN
1440:OCLC
1430:ISBN
1411:OCLC
1401:ISBN
1384:ISBN
1355:ISBN
1341:ISBN
1273:QV.1
269:and
212:Nazi
117:Died
98:Born
47:and
1942:doi
959:QV1
582:),
247:in
179:OBE
2642::
2577:,
2532:.
2526:.
2433:.
2409:^
2045:.
2013:.
1948:.
1938:31
1936:.
1932:.
1891:^
1869:.
1856:^
1769:.
1654:.
1625:.
1593:.
1529:.
1467:.
1438:.
1409:.
586:,
574:,
570:,
566:,
360:.
295:.
175:AC
2558:.
2544:.
2512:.
2445:.
2125:.
2089:.
2063:.
2031:.
1944::
1917:.
1885:.
1785:.
1755:.
1662:.
1633:.
1601:.
1537:.
1475:.
1446:.
1417:.
1145:)
422:.
164:2
106:)
102:(
70:)
64:(
59:)
55:(
51:.
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
