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109:) the protagonist is reunited with his love and discovers that he is the son of a rich industrialist. While the protagonist and his love settle down and raise a family, the villain is cornered by the angry fathers of five women with whom he has fathered children, ultimately driven into a life of unhappiness.
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appears generally standard, but Gross employs several creative framing techniques. Characters occasionally venture beyond the edges of a panel, and some pages feature action sequences in motion within the page, guiding the reader's eye along a determined path. The narrative elements of the book are
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follows Milt Gross's earlier comic strip style illustration. The characters are generally cartoonish, and the male characters in particular often have large protruding noses, emblematic of Gross's comical approach to drawing. Gross's characteristic artwork precedes other similar cartoonish styles,
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did not become a major hit when it was published, it is now considered a significant early work in long-form comics. Gross wrote it partially as a response to the wordless woodcut novels of the time, (such as those of
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can be viewed along with Gross's other works as a valuable contribution to Jewish popular literature. Though lacking the
Yiddish-inflected dialogue that made Gross famous in his comic strips, his self-described
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centers on a young country man who falls in love with a barroom singer. A jealous villain tricks the couple and takes the singer to New York. After a chain of humorous occurrences (presented primarily as
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has been reprinted in recent years and is now recognized as a comic parody of other similar wordless novels of the early 20th century, as well as an important precursor to the modern
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somewhat unusual as well. Gross often utilizes picture balloons to advance the plot in a more specific fashion than illustrations alone could. He also occasionally makes use of
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Royal, Derek (2011). "Jewish Comics; Or, Visualizing
Current Jewish Narrative".
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style of comics storytelling, especially in the frequent use of silent panels.
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Olson, Ray (December 2009). "Is Diss a System? A Milt Gross Comic Reader".
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who is considered to be Japan's "God of Comics", was highly influenced by
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still contains hints of the tense drama present in Ward's novels.
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