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Hearken to the Witches Rune

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435:, describing the latter album's raw interpretations of supernatural ballads as imaginary versions of what they would be like as parts of magic rituals. He paralleled Wicca's "patchwork invention" and untrustworthy claims of authenticity with folk music, writing that their elements of transmission and adaptation do not make them invalid as modern religion and music. In 2015, the magazine 331:" tells the story of a young mother who kills her secret baby with a penknife and buries it, after which the dead child appears on a church porch and curses her. The song has been collected in many versions from all over Britain. "Alice Brand" is about a runaway couple in conflict with an Elfin King. Like "Broomfield Hill", it features Jones on fiddle. 31: 375:
was released by Leader's label Trailer Records. The release year is uncertain: the album sleeve says "First released 1970" but the vinyl names 1971 as the copyright year, and neither Dave, Toni nor Leader remembered when it was released when asked in 2021. The cover art features Dave and Toni Arthur
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is the most notable of Dave and Toni Arthur's albums, and that their interest in paganism and witchcraft gets a "sinister edge" from Toni's vocal range. Writing in 2011, the music journalist Rob Young called the album "one of English folk's great lost recordings", due to its unavailability. He
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in 1971. Palmer wrote: "There are many good things here, of which the title, the most pretentious I have seen for a long time, is not one." He described the Arthurs' singing style as "clear, clean and musical" and complimented how they vary between solo and duo and between harmonies and unison
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duo who recorded albums in the late 1960s and early 1970s. They married in 1963, released their first 7" record in 1965 and their first album in 1967. Their musical approach was minimalist and they gradually came to focus on obscure songs with uncanny, magical and potentially
463:, it is significant that "The Witches' Chant" and the phrase "hearken to the witches rune" appear on the cover but not on any album track. Partridge says this communicates that the album is meant as something beyond entertainment and turns it into a "sacred artifact". 410:
singing. He said the accompaniments are varied but the tone and mood lack in variation. Overall, he said the album is "very worthwhile", although "Tam Lin" uses "illegitimate dynamic variations" and "The Fairy Child" suffers from overuse of
213:. They concluded that Wicca was not based on folk tradition but came up with ways to combine the two. Dave later stressed that the interest was from an academic viewpoint and that he is non-religious. Toni is a 376:
in red robes against a dark background. The photograph was taken in the Leader family garden and was lit using Leader's car lights. The album title is taken from "The Witches' Chant", a poem by the Wiccan
140:, recorded in 1970 and released by Trailer Records. It features English folk music with a focus on uncanny and magical elements. Ahead of making the album, the Arthurs held discussions with the 380:. The chant was not recorded for the album but a version of it, adapted by Sanders, is printed on the back cover. The album includes a four-page booklet titled "Magic in Ballads". 459:
among listeners interested in folklore and occultism. Its unavailability in other formats than vinyl has contributed to its lore. According to the religious studies scholar
327:. The Arthurs thought the way the Findlaters interpreted it was perfect and made no changes to it. It was one of the album's most obscure song selections. " 272:
and enlists help from a woman, Fair Margaret, leading to a power struggle that involves Tam Lin being transformed into a wolf and an adder. The version on
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meetings and studied the ritual books of contemporary witches. They wanted to see if there were connections between contemporary
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on fiddle. "The Standing Stones" is a ballad performed in the version of John and Ethel Findlater, a couple from
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and tells the story of a mother whose child has been abducted by fairies. It features Packie Byrne on
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as one of the "greatest lost albums", writing that the album's ballads appear "as though performed
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in a forest clearing", and called "The Cruel Mother" the "most chilling version ever recorded".
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elements. They did extensive research by interviewing farmers and folklorists. When they made
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contrasted the sunny mood of the artists' 1967 debut album with the nocturnal aesthetics of
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has not been released in any other format. The rights were bought by Dave Bulmer of
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narrated by Dave Arthur. "The Fairy Child" is based on a 19th-century poem by
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is an amalgamation of several sources, including the lyrics collected by
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along with the rest of Trailer Record's catalogue in the early 1980s.
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The Lyre of Orpheus: Popular Music, the Sacred, and the Profane
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tunes. The instrumental music functions as illustration to a
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and witchcraft with Sanders, were invited to Wiccan
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Electric Eden: Unearthing Britain's Visionary Music
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The title comes from 1044:Albums produced by Bill Leader 1039:Folk albums by English artists 978:"Uncut's greatest lost albums" 552: 478: 1: 423:Encyclopedia of Popular Music 1049:Wicca in the United Kingdom 453:Hearken to the Witches Rune 443:Hearken to the Witches Rune 433:Hearken to the Witches Rune 428:Hearken to the Witches Rune 401:Hearken to the Witches Rune 382:Hearken to the Witches Rune 373:Hearken to the Witches Rune 355:Hearken to the Witches Rune 346:Harken to the Witches' Rune 274:Hearken to the Witches Rune 226:Hearken to the Witches Rune 183:Hearken to the Witches Rune 148:and were invited to Wiccan 129:Hearken to the Witches Rune 24:Hearken to the Witches Rune 1075: 353:East South West then North 197:in London. They discussed 185:, they were interested in 605: 590: 579: 564: 556: 531: 520: 505: 490: 482: 28: 883:English Dance & Song 406:English Dance & Song 348:Diana, Lilith, Melusine! 960:Oxford University Press 932:Oxford University Press 950:Partridge, Christopher 360: 583:"The Standing Stones" 461:Christopher Partridge 999:Young, Rob (2011). 863:, pp. 147–148. 806:, pp. 445–446. 667:, pp. 262–263. 548: 474: 278:Francis James Child 546: 472: 189:and contacted the 1054:Alexandrian Wicca 1016:978-0-86547-856-5 969:978-0-19-975140-2 941:978-0-19-531373-4 636:Alexandrian Wicca 626: 625: 542: 541: 535:"The Fairy Child" 288:, who performs a 125: 124: 1066: 1020: 995: 993: 991: 973: 945: 917: 915: 913: 891: 864: 858: 852: 846: 840: 834: 823: 813: 807: 801: 795: 785: 779: 773: 756: 750: 737: 731: 725: 715: 709: 703: 668: 662: 619: 596:The Cruel Mother 554: 549: 480: 475: 368: 329:The Cruel Mother 282:Hamish Henderson 248:Music and lyrics 228:was produced by 91: 90: 86: 33: 21: 1074: 1073: 1069: 1068: 1067: 1065: 1064: 1063: 1024: 1023: 1017: 1007:Faber and Faber 998: 989: 987: 986:. 17 April 2015 976: 970: 948: 942: 920: 911: 909: 894: 876: 873: 868: 867: 859: 855: 847: 843: 835: 826: 814: 810: 802: 798: 786: 782: 774: 759: 751: 740: 732: 728: 716: 712: 704: 671: 663: 659: 654: 649: 632: 627: 617: 570:Broomfield Hill 543: 469: 403:in the journal 394: 378:Doreen Valiente 370: 365:Doreen Valiente 362: 359: 356: 354: 352: 350: 349: 347: 345: 343: 337: 317:Broomfield Hill 292:of three Irish 250: 236:, London, on a 223: 166: 154:Doreen Valiente 109:Trailer Records 88: 84: 83: 47: 17: 12: 11: 5: 1072: 1070: 1062: 1061: 1056: 1051: 1046: 1041: 1036: 1026: 1025: 1022: 1021: 1015: 996: 974: 968: 946: 940: 918: 898:(March 2021). 892: 872: 869: 866: 865: 861:Partridge 2014 853: 851:, p. 263. 841: 839:, p. 445. 824: 822:, p. 445. 808: 796: 794:, p. 118. 780: 778:, p. 118. 757: 738: 736:, p. 147. 734:Partridge 2014 726: 724:, p. 147. 722:Partridge 2014 710: 669: 656: 655: 653: 650: 648: 645: 644: 643: 641:Neopagan music 638: 631: 628: 624: 623: 620: 614: 613: 610: 607: 603: 602: 599: 592: 588: 587: 584: 581: 577: 576: 573: 566: 562: 561: 558: 555: 544: 540: 539: 536: 533: 529: 528: 525: 524:"A Fairy Tale" 522: 518: 517: 514: 507: 503: 502: 499: 492: 488: 487: 484: 481: 470: 468: 465: 457:cult following 393: 390: 340: 338: 336: 333: 249: 246: 222: 219: 165: 162: 158:cult following 123: 122: 117: 111: 110: 107: 101: 100: 97: 93: 92: 81: 77: 76: 71: 65: 64: 61: 57: 56: 53: 49: 48: 42: 35: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 1071: 1060: 1057: 1055: 1052: 1050: 1047: 1045: 1042: 1040: 1037: 1035: 1032: 1031: 1029: 1018: 1012: 1008: 1004: 1003: 997: 985: 984: 979: 975: 971: 965: 961: 957: 956: 951: 947: 943: 937: 933: 929: 928: 923: 922:Larkin, Colin 919: 907: 906: 905:Fortean Times 901: 897: 893: 889: 885: 884: 879: 875: 874: 870: 862: 857: 854: 850: 845: 842: 838: 833: 831: 829: 825: 821: 817: 812: 809: 805: 800: 797: 793: 789: 784: 781: 777: 772: 770: 768: 766: 764: 762: 758: 754: 749: 747: 745: 743: 739: 735: 730: 727: 723: 719: 714: 711: 707: 702: 700: 698: 696: 694: 692: 690: 688: 686: 684: 682: 680: 678: 676: 674: 670: 666: 661: 658: 651: 646: 642: 639: 637: 634: 633: 629: 621: 618:Total length: 611: 609:"Alice Brand" 608: 604: 600: 597: 593: 589: 585: 582: 578: 574: 571: 567: 563: 550: 537: 534: 530: 526: 523: 519: 515: 512: 508: 504: 500: 497: 493: 489: 476: 467:Track listing 466: 464: 462: 458: 454: 450: 448: 444: 440: 439: 434: 429: 425: 424: 419: 415: 413: 408: 407: 402: 398: 391: 389: 387: 383: 379: 374: 369: 366: 358: 334: 332: 330: 326: 322: 318: 313: 311: 307: 303: 299: 295: 291: 287: 283: 279: 275: 271: 267: 263: 259: 256:" includes a 255: 247: 245: 243: 239: 235: 231: 227: 220: 218: 216: 212: 208: 204: 200: 196: 192: 188: 184: 180: 175: 171: 163: 161: 159: 155: 151: 147: 143: 139: 136:duo Dave and 135: 131: 130: 121: 118: 116: 112: 108: 106: 102: 98: 94: 82: 78: 75: 72: 70: 66: 62: 58: 54: 50: 46: 40: 36: 32: 27: 22: 19: 1005:. New York: 1001: 988:. Retrieved 981: 958:. New York: 954: 925: 910:. Retrieved 903: 896:Fischer, Bob 887: 881: 856: 844: 816:Fischer 2021 811: 799: 788:Fischer 2021 783: 729: 718:Fischer 2021 713: 706:Fischer 2021 660: 496:Alison Gross 455:developed a 452: 451: 442: 436: 432: 427: 426:(2006) says 421: 418:Colin Larkin 416: 404: 400: 395: 386:Celtic Music 381: 372: 371: 361: 341: 314: 306:Samuel Lover 273: 254:Alison Gross 251: 225: 224: 195:Alex Sanders 182: 167: 146:Alex Sanders 128: 127: 126: 55:1970 or 1971 39:Studio album 18: 1034:1971 albums 878:Palmer, Roy 849:Larkin 2006 792:Palmer 1971 776:Palmer 1971 665:Larkin 2006 286:Kevin Burke 270:Elfin Queen 260:, an Irish 234:Camden Town 230:Bill Leader 170:Toni Arthur 138:Toni Arthur 120:Bill Leader 45:Toni Arthur 1028:Categories 930:. Oxford: 837:Young 2011 820:Young 2011 804:Young 2011 753:Uncut 2015 647:References 397:Roy Palmer 302:fairy tale 262:frame drum 187:witchcraft 174:folk music 164:Background 134:folk music 74:Folk music 652:Citations 441:selected 399:reviewed 392:Reception 321:Nic Jones 221:Recording 168:Dave and 43:Dave and 952:(2014). 924:(2006). 630:See also 547:Side two 473:Side one 215:Buddhist 115:Producer 96:Language 60:Recorded 52:Released 41: by 871:Sources 511:Tam Lin 447:skyclad 335:Release 310:whistle 266:Tam Lin 258:bodhrán 211:ballads 193:leader 144:leader 99:English 1013:  990:5 July 966:  938:  912:2 July 560:Length 486:Length 412:slides 325:Orkney 290:medley 207:occult 191:Wiccan 142:Wiccan 80:Length 983:Uncut 908:(403) 622:37:47 557:Title 483:Title 438:Uncut 238:Revox 203:coven 199:magic 179:pagan 150:coven 105:Label 69:Genre 1011:ISBN 992:2022 964:ISBN 936:ISBN 914:2022 612:4:24 601:6:38 586:3:52 575:4:07 538:4:26 527:7:14 516:4:22 501:2:44 298:reel 296:and 240:A77 63:1970 553:No. 479:No. 420:'s 294:jig 1030:: 1009:. 980:. 962:. 934:. 902:. 888:33 886:. 827:^ 818:; 790:; 760:^ 741:^ 720:; 672:^ 606:4. 591:3. 580:2. 565:1. 532:4. 521:3. 506:2. 491:1. 414:. 312:. 244:. 217:. 160:. 89:47 85:37 1019:. 994:. 972:. 944:. 916:. 890:. 755:. 708:. 598:" 594:" 572:" 568:" 513:" 509:" 498:" 494:" 315:" 252:" 87::

Index


Studio album
Toni Arthur
Genre
Folk music
Label
Producer
Bill Leader
folk music
Toni Arthur
Wiccan
Alex Sanders
coven
Doreen Valiente
cult following
Toni Arthur
folk music
pagan
witchcraft
Wiccan
Alex Sanders
magic
coven
occult
ballads
Buddhist
Bill Leader
Camden Town
Revox
reel-to-reel audio tape recorder

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