242:
78:
142:" (degenerate). In 1938, several of his paintings were confiscated and destroyed. In consideration of his students, he remained at the school until 1939, but the outbreak of war forced him to return to Switzerland. His last work in Germany was a monumental religious mural for the Friedenskirche in
362:
241:
441:
204:
116:, where he had been appointed a Professor. He married Wilhelmine Fauser in 1917. From 1919 to 1921 he served as its director. He was one of the founders of the
131:
and he remained there until 1939. He was an active campaigner against superficial fashions in the fine arts and opposed the official styles promoted by
426:
411:
66:
at his private school there. A trip to Italy confirmed his preference for dark, northern colors over the bright
Mediterranean palette. French
20:
421:
406:
340:
113:
146:, depicting Jesus flanked by unbelievers on one side and the faithful on the other. It was destroyed during a bombing raid in 1944. The
298:
280:
266:
90:
257:
201:
273:
Heinrich
Altherr, 1878–1947: Gemälde, Zeichnungen. Carl Hofer, 1878–1950: Gemälde, Zeichnungen, Radierungen, Lithographien
416:
59:
373:
152:
51:
147:
86:
378:
161:
366:
117:
166:
172:
436:
431:
122:
177:
50:
His father, Alfred, was a pastor. He had his first art lessons from a family friend, the sculptor
348:
132:
294:
276:
262:
199:
Ordentliche
Mitglieder des Deutschen Künstlerbundes seit der Gründung 1903 / Altherr, Heinrich
128:
208:
139:
385:
157:
are in possession of sketches and models for the mural, so some record of it remains.
63:
261:. Die Bildenden Künstler aller Zeiten und Völker (AKL). Vol.2, Seemann, Leipzig 1986,
220:
400:
391:
71:
67:
55:
19:
333:
327:
321:
138:
Eventually, he ran afoul of those policies and his works were declared to be "
106:
143:
102:
98:
77:
35:
382:(in German), vol. 1, Berlin: Duncker & Humblot, pp. 221–222
353:
94:
127:
in 1923 and served as its first
Chairman. His primary subject was
76:
39:
31:
70:
also had little appeal for him, as he found himself attracted to
160:
From 1941 to 1946, he created several major mural cycles at the
109:, who was instrumental in obtaining several large commissions.
221:"Altherr, Heinrich - SIKART Lexikon zur Kunst in der Schweiz"
74:
instead. He initially focused on portraits and landscapes.
105:
and Zürich. He also made the acquaintance of the architect
442:
Academic staff of State
Academy of Fine Arts Stuttgart
275:. Exhibition catalog, Galerie Schlichtenmaier (1990)
334:
328:
322:
38:) was a Swiss painter. He is best known for his
305:Der Maler Heinrich Altherr. Sein Weg und Werk
58:and, after failing the entrance exam for the
8:
245:The Last Judgment, in the Friedhof am Hörnli
363:Publications by and about Heinrich Altherr
97:and stained glass windows for churches in
42:in churches and various public buildings.
240:
18:
392:"Die Freundschaft mit Heinrich Altherr"
191:
85:He was one of the first members of the
89:. In 1906, he became a teacher at the
255:H. Höfchen: "Altherr, Heinrich". In:
7:
341:Historical Dictionary of Switzerland
307:, Orell Füssli Verlag, Zürich (1938)
114:State Academy of Fine Arts Stuttgart
365:in the catalogue Helveticat of the
303:Walter Überwasser, Wilhelm Braun;
14:
93:. During this period, he created
427:20th-century Swiss male artists
412:19th-century Swiss male artists
291:Kindlers Malerei Lexikon im dtv
91:Academy of Fine Arts, Karlsruhe
1:
356:Lexicon on art in Switzerland
60:Academy of Fine Arts, Munich
422:20th-century Swiss painters
407:19th-century Swiss painters
258:Allgemeines Künstlerlexikon
148:Städtische Museen Heilbronn
458:
112:In 1913, he moved to the
54:. Later, he studied with
379:Neue Deutsche Biographie
372:Pierre Gauchat (1953),
293:, Vol.1, München 1982,
162:State Archives of Basel
367:Swiss National Library
246:
87:Deutscher Künstlerbund
82:
24:
244:
80:
22:
118:Stuttgart Succession
101:, Basel, Karlsruhe,
34:– 27 April 1947, in
23:Self-portrait (1915)
417:Swiss male painters
374:"Altherr, Heinrich"
30:(11 April 1878, in
349:"Heinrich Altherr"
247:
207:2013-11-10 at the
173:Friedhof am Hörnli
133:National Socialist
83:
25:
287:Altherr, Heinrich
81:Tragic Still-Life
449:
386:full text online
383:
359:
336:
330:
324:
318:Heinrich Altherr
235:
234:
232:
231:
217:
211:
196:
181:
170:
156:
126:
28:Heinrich Altherr
457:
456:
452:
451:
450:
448:
447:
446:
397:
396:
371:
347:
314:
252:
250:Further reading
239:
238:
229:
227:
219:
218:
214:
209:Wayback Machine
197:
193:
188:
175:
164:
150:
140:Entartete Kunst
120:
52:Carl Burckhardt
48:
17:
12:
11:
5:
455:
453:
445:
444:
439:
434:
429:
424:
419:
414:
409:
399:
398:
395:
394:
389:
369:
360:
345:
338:in the online
313:
312:External links
310:
309:
308:
301:
285:Herbert Read:
283:
270:
251:
248:
237:
236:
212:
190:
189:
187:
184:
64:Heinrich Knirr
47:
44:
15:
13:
10:
9:
6:
4:
3:
2:
454:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
418:
415:
413:
410:
408:
405:
404:
402:
393:
390:
387:
381:
380:
375:
370:
368:
364:
361:
357:
355:
350:
346:
343:
342:
337:
331:
325:
319:
316:
315:
311:
306:
302:
300:
299:3-423-05995-8
296:
292:
288:
284:
282:
281:3-89298-058-6
278:
274:
271:
268:
267:3-363-00115-0
264:
260:
259:
254:
253:
249:
243:
226:
225:www.sikart.ch
222:
216:
213:
210:
206:
203:
200:
195:
192:
185:
183:
179:
174:
168:
163:
158:
154:
149:
145:
141:
136:
134:
130:
124:
119:
115:
110:
108:
104:
100:
96:
92:
88:
79:
75:
73:
72:Expressionism
69:
68:Impressionism
65:
61:
57:
56:Fritz Schider
53:
45:
43:
41:
37:
33:
29:
21:
16:Swiss painter
384:; (
377:
352:
339:
317:
304:
290:
286:
272:
269:, pgs.696 f.
256:
228:. Retrieved
224:
215:
198:
194:
159:
137:
111:
84:
49:
27:
26:
437:1947 deaths
432:1878 births
176: [
165: [
151: [
129:composition
121: [
401:Categories
230:2016-10-25
186:References
107:Karl Moser
144:Heilbronn
135:policy.
103:Elberfeld
99:Darmstadt
46:Biography
205:Archived
171:and the
95:frescoes
335:Italian
62:, with
354:SIKART
329:French
323:German
297:
289:. In:
279:
265:
202:Online
40:murals
36:Zürich
180:]
169:]
155:]
125:]
32:Basel
332:and
320:in
295:ISBN
277:ISBN
263:ISBN
403::
376:,
351:.
326:,
223:.
182:.
178:de
167:de
153:de
123:de
388:)
358:.
344:.
233:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
