Knowledge (XXG)

Heinrich Grimm

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156:. From November 1631 to November 1632, he worked as a freelance composer and musician at the churches of St. Michaelis, St. Martini, and St. Katharinen. Grimm finally found permanent employment as organist at St. Andreas church in November 1632, where he was employed until briefly before his death. Grimm became ill in the spring of 1637, and resigned his post at St. Andreas. He died on 10 July that year, and was buried in the cemetery at St. Petri church in Braunschweig on 12 July. 203:
Carter, Joanna. "A Study of Two Seventeenth-Century Teaching Manuals in Hamburg: Critical Editions and Translations of Thomas Selle's Kurze doch gründtliche Anleitung zur Singekunst (c. 1642) and Heinrich Grimm's Instrumentum Instrumentorum, hoc est, Monochordum vel potius Decachordum (1634)." Ph.D.
184:
Dobbs, Benjamin. "Gewesener Magdeburgische Musicus: Examinations into the Stylistic Characteristics of Heinrich Grimm's Eight-Voice Motet, Unser Leben wehret siebenzig Jahr'." MM thesis, University of North Texas,
194:
Lorenzen, Hermann. "Der Cantor Heinrich Grimm (1593-1637): sein Leben und seine Werke mit Beiträge zur Musikgeschichte Magdeburgs und Braunschweigs." Ph.D. dissertation, Universität Hamburg, 1940.
231:
Synofzik, Thomas. "Heinrich Grimm (1592/93-1637): "Cantilena est loquela canens." Studien zu Überlieferung und Kompositionstechnik." Ph.D. dissertation, Universität Köln, 1998.
213:
Synofzik, Thomas. "Heinrich Grimm (1592/93-1637): "Cantilena est loquela canens." Studien zu Überlieferung und Kompositionstechnik." Ph.D. dissertation, Universität Köln, 1998.
153: 72: 262: 257: 142: 282: 277: 108:, was music director at the churches of St. Johannes and St. Jacobi, and led a choir of his students once per month at the 145:
church. However, he was unable to find satisfactory long-term employment, and left Hamburg in search of better work.
222:
Reipsch, Ralph-Jürgen. Heinrich Grimm (1593-1637): Kantor—Komponist— Theoretiker. Magdeburg: Stadt Holzminden, 1993.
272: 56: 83: 113: 164:
Heinrich Grimm's works are cataloged using HGWV (Heinrich-Grimm-Werke-Verzeichnis) numbers assigned by
252: 247: 109: 104: 64: 129: 267: 165: 60: 123:
In May 1631, Grimm and his family were forced to flee Magdeburg, which was attacked by
241: 68: 40: 149: 117: 36: 124: 20: 87: 52: 95: 91: 76: 28: 138: 82:
Grimm studied under Praetorius until 1609, when he matriculated at the
24: 134: 32: 112:. Grimm is credited with being one of the first to bring the new 79:
at the ducal court, this cannot be verified with extant sources.
152:, where he was cordially greeted as an accomplished musician by 116:
of music to northern Germany, and he was the first to introduce
59:. Little is known of his life before 1607, when he went to 133:. He escaped the Catholic forces only with the help of a 75:. While some scholars have suggested that Grimm was a 94:. In approximately 1617, Grimm became a cantor in 204:dissertation, Florida State University, 2002. 8: 141:, where he briefly found employment at the 177: 102:. In this position, he taught at the 7: 137:priest. From Magdeburg, he fled to 100:Musicus Magdeburgiensis Ordinarius 14: 148:Late in 1631, Grimm arrived in 1: 263:17th-century German composers 258:17th-century German musicians 19:(1592/1593-1637) was a late- 299: 120:practice to Magdeburg. 84:University of Helmstedt 283:People from Holzminden 98:, where his title was 278:German male organists 168:in his dissertation. 154:Duke Friedrich Ulrich 57:Braunschweig-Lüneburg 130:Magdeburger Hochzeit 73:Duke Heinrich Julius 110:Magdeburg Cathedral 86:, where he studied 65:Michael Praetorius 51:Grimm was born in 290: 273:German organists 232: 229: 223: 220: 214: 211: 205: 201: 195: 192: 186: 182: 69:Hofkapellmeister 55:in the Duchy of 298: 297: 293: 292: 291: 289: 288: 287: 238: 237: 236: 235: 230: 226: 221: 217: 212: 208: 202: 198: 193: 189: 183: 179: 174: 166:Thomas Synofzik 162: 49: 12: 11: 5: 296: 294: 286: 285: 280: 275: 270: 265: 260: 255: 250: 240: 239: 234: 233: 224: 215: 206: 196: 187: 176: 175: 173: 170: 161: 158: 143:St. Catharinen 67:, who was the 63:to study with 48: 45: 37:music theorist 17:Heinrich Grimm 13: 10: 9: 6: 4: 3: 2: 295: 284: 281: 279: 276: 274: 271: 269: 266: 264: 261: 259: 256: 254: 251: 249: 246: 245: 243: 228: 225: 219: 216: 210: 207: 200: 197: 191: 188: 181: 178: 171: 169: 167: 159: 157: 155: 151: 146: 144: 140: 136: 132: 131: 126: 121: 119: 115: 114:Italian style 111: 107: 106: 101: 97: 93: 89: 85: 80: 78: 74: 70: 66: 62: 58: 54: 46: 44: 42: 38: 34: 30: 26: 22: 18: 227: 218: 209: 199: 190: 180: 163: 150:Braunschweig 147: 128: 122: 118:figured bass 103: 99: 81: 61:Wolfenbüttel 50: 16: 15: 253:1637 deaths 248:1592 births 125:Count Tilly 21:Renaissance 242:Categories 172:References 88:philosophy 53:Holzminden 105:Gymnasium 96:Magdeburg 92:theology 77:choirboy 41:organist 29:composer 268:Cantors 139:Hamburg 127:in the 27:German 25:Baroque 23:/early- 135:Jesuit 47:Career 39:, and 33:cantor 185:2010. 160:Works 90:and 71:to 244:: 43:. 35:, 31:,

Index

Renaissance
Baroque
composer
cantor
music theorist
organist
Holzminden
Braunschweig-Lüneburg
Wolfenbüttel
Michael Praetorius
Hofkapellmeister
Duke Heinrich Julius
choirboy
University of Helmstedt
philosophy
theology
Magdeburg
Gymnasium
Magdeburg Cathedral
Italian style
figured bass
Count Tilly
Magdeburger Hochzeit
Jesuit
Hamburg
St. Catharinen
Braunschweig
Duke Friedrich Ulrich
Thomas Synofzik
Categories

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