419:, Essen, Germany, a division of the Museum of Modern Art, is one of Germany's most important collections of photographs, begun after its first exhibition of photographs from Gernsheim's collection surveying over 100 years of photography, and following which Otto Steinert purchased works by portrait photographer Hugo Erfurth and the Neue Sachlichkeit (New Objectivity) photographs of Albert Renger-Patzsch augmenting images from pioneers of photography David Octavius Hill and Robert Adamson he had acquired in 1961. Ten years later, the Museum contained nearly 4,000 photographs.
404:(ultimately a National Museum did not happen until 1983). In the end, after many fruitless discussions with authorities and potential sponsors in several countries, he sold everything to the University of Texas at Austin in 1963 where it formed the basis of a new Department of Photography at the Humanities Research Center. His collection of modern photography was retained by him and ultimately passed to the Forum Internationale Photographie (FIP) at the Reiss-Engelhorn-Museen, Mannheim.
33:
281:
403:
Ultimately, Gernsheim needed to find a home for his vast collection of over 33,000 photographs, 4,000 books, research notes, his own correspondence, and collected correspondence including letters by
Daguerre and Fox Talbot. He sought unsuccessfully to found a national museum of photography in the UK
341:
in 1955 it became an instant classic and the definitive reference work for historians of photography for decades afterwards, being described by
Beaumont Newhall as "a milestone in the history of photography" and by other reviewers as "the photographer's bible" and "an encyclopaedic work".
271:
He met his future wife, Alison, in 1938 and, after she and her first husband, Blen
Williams, divorced, they set up home together in 1942 and married at the end of the war. Gernsheim was granted British citizenship in 1946 and continued to live in London for most of his life.
379:
Alison
Gernsheim died on 27 March 1969 and Helmut Gernsheim remarried in 1971 to IrÚne Guénin. He continued a positive interest in photography, vigorously supporting the establishment of photographic galleries and museums in the USA and Britain, including
1045:(4), April 1967, p. 130-140 (appeared in French in 1972 under the title : "Ă propos de la plus ancienne photographie du monde", op. cit.) ; cf. H. Gernsheim, The origins of Photography, London, New York, Thames and Hudson, 1982, p. 34.
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In 1945, at
Beaumont Newhall's prompting, Helmut and Alison Gernsheim started collecting the works of historic photographers, especially British ones, which were disappearing. They amassed a huge collection containing work by
345:
The
Gernsheims continued to publish numerous articles and books on various aspects of photography and a variety of photographers (see Publications below) and often in collaboration, for instance, in 1966, working with
248:, returning to London in 1942 to photograph important monuments with a view to revealing their artistic merits. These photographs became the basis of two more books. They were praised by critics including
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and Ernst
Roedeck, and Erwin Fabian (sculptor). While interned, he lectured other internees on the aesthetics of photography and wrote his critique on photography,
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Incunabula of
British Photographic Literature: A Bibliography of British Photographic Literature 1839â75 and British Books Illustrated with Original Photographs
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Though having studied art history, Gernsheim's inclination toward a specialisation in photography history came from having been a photographer himself.
154:, who thought it a more practical profession for someone from a partially Jewish background who intended to leave Nazi Germany. He graduated from the
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674:, with Alison Gernsheim, London: Weidenfeld & Nicolson, 1952. (text: Quentin Bell; photographs selected by Helmut and Alison Gernsheim).
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602:, with Alison Gernsheim, London: Secker & Warburg, 1956. (With âBibliography of Daguerre's Instruction Manualsâ by Beaumont Newhall.)
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Encyclopaedia of twentieth-century photography. Volume 1. A-F. Volume 2. G-N. Volume 3. O-Z. Volume 1. A-F. Volume 2. G-N. Volume 3. O-Z
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Ultimately this collection, along with an estimated 3â4 million words of notes on the subject, led to his writing the 180,000-word book
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The
History of Photography. From the earliest use of the camera obscura in the eleventh century up to 1914. [With plates]
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Berkowitz, Michael, chapter 6 "Lost in the
Transnational: Photographic Initiatives of Walter and Helmut Gernsheim in Britain" in
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Along the way, in 1952 Gernsheim rediscovered the long-lost world's first surviving permanent photograph from nature, created by
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Encyclopédie internationale des photographes de 1839 à nos jours = Photographers encyclopaedia international 1839 to the present
1035:"Gernsheim reviendra en 1982 sur cette datation, et admettra la date de 1827, proposée en 1967 par P.-G. Harmant et P. Marillier
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in 1982, Gernsheim goes back on his dating, and validate the date of 1827, proposed by P.-G. Harmant and P. Marillier in 1967
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also incorporating Professor Helmer BÀckström's historical collection acquired in 1964, became the foundation of Sweden's
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as "nothing short of a rediscovery of the Baroque monuments". Around this time, he won a coveted position with the
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whose archive, primarily of architectural images, is being digitised under the wider Courtauld connects project.
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142:, Germany, he was the third son of the academic librarian Karl Gernsheim and his wife Hermine Scholz. He studied
162:
process, before going to Paris for an exhibition of his work and then to London to work on commissions from the
158:, after two years' study. Beginning in the late 1930s, he made commercial work, some in colour using the German
1067:. Ostfildern-Ruit; New York: Hatje Cantz ; Distributed in the US D.A.P./Distributed Art Publishers. 2003.
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Focus on Architecture and Sculpture, an original approach to the photography of architecture and sculpture
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Helmut and Alison Gernsheim: An Inventory of Their Papers at the Harry Ransom Center, University of Texas
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Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.
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The History of Photography From the Earliest Use of the Camera Obscura in the Eleventh Century up to 1914
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with Alison Gernsheim, London: Oxford University Press 1955; revised edition Thames & Hudson. 1969
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614:, Helmut Gernsheim, ed. London: Fountain Press 1948 (foreword by Rathbone Holme). (With chapters on
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590:, London and Berkeley: Scolar Press in association with Derbyshire College of Higher Education 1984.
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237:, which was published in 1942 and led to his becoming a friend of the fellow critic and historian
217:(film and stage designer), George Teltscher (graphic artist), Klaus Friedeberger (painter), tenor
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Victoria R. A Biography with Four Hundred Illustrations based on her Personal Photograph Albums
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Roger Fenton, Photographer of the Crimean War. His Photographs and his Letters from The Crimea
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538:, Helmut Gernsheim and Randolph S. Churchill, eds., London, Weidenfeld and Nicolson 1955.
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when, in 1947, Gernsheim stumbled across an album of Carroll's portraits in a junk shop.
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The Recording Eye. A Hundred Years of Great Events as Seen by the Camera, 1839â1939
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Wigh, Leif. ââHelmut Gernsheim and His Photographic Collection in Sweden.ââ In
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Gernsheim earned his release from internment by volunteering to work for the
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The history men: Helmut Gernsheim and Nicéphore Niépce on Photo Histories
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Popular Photography, January 1979, Volume 84, p.145, CBS Magazines, 1979
280:
221:, the composer Ray Martin, the artist Johannes Koelz, the photographers
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The Cultural Award of the Deutsche Gesellschaft fĂŒr Photographie (DGPh)
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Helmut Gernsheim: Pionier der Fotogeschichte = pioneer of photo history
56:
1125:". Deutsche Gesellschaft fĂŒr Photographie e.V.. Accessed 7 March 2017.
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1975: elected to the Committee, Fondation pour la Photographie Suisse
139:
52:
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Coburn, Alvin Langdon; Gernsheim, Helmut; Gernsheim, Alison (1978).
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1980: Academician and Gold Medal of the Academia Italia delle Arti,
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L. J. M. Daguerre. The History of the Diorama and the Daguerreotype
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Honorary Fellow of the Photographic Historical Society of New York
279:
578:, with Alison Gernsheim, London: Longmans, Green & Co., 1960.
558:
Edward VII and Queen Alexandra: A Biography in Word and Picture
150:. He took up photography in 1934 at the urging of his brother,
338:
680:, with Alison Gernsheim, New York: G. P. Putnam's Sons, 1959.
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as the chief photographer for the London area. He joined The
668:, with Alison Gernsheim, London: Secker & Warburg, 1954.
532:, New York: Phaidon, 1950. (photographs by Helmut Gernsheim)
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to complete an autobiography, and in 1983 with Bill Jay on
205:, along with other German nationals including the artist
560:, with Alison Gernsheim, London: Frederick Muller, 1962.
873:
Encyclopedia of Nineteenth-Century Photography Volume 1
455:
1976: elected to the advisory committee of the journal
409:
Helmut Gernsheim's Duplicate Collection Classic Camera,
229:, the author Ulrich Boschwitz, the furniture designers
197:
and interned as a "friendly enemy alien" for a year at
756:
Three-way street: Jews, Germans, and the transnational
594:
Julia Margaret Cameron; her life and photographic work
507:
The history men: Helmut Gernsheim and Nicéphore Niépce
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1980: Honorary Member of the Daguerre Club, Frankfurt.
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In 2002 Gernsheim was posthumously inducted into the
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and Hans Axel, the art historians Franz Phillipp and
1037:, " Some Thoughts on the World's First Photograph",
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Photographs attributed to Gernsheim are held in the
759:. Ann Arbor (Mich.): University of Michigan Press.
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390:National Museum of Photography Film and Television
824:London, Los Angeles: Thames & Hudson, p. 138.
788:Barlow, Helen. "Gernsheim, Helmut Erich Robert".
570:Fotografia Artistica: Tendinte Estetice 1839â1960
526:, with Alison Gernsheim, New York: Praeger, 1966.
493:International Photography Hall of Fame and Museum
126:(1 March 1913 â 20 July 1995) was a historian of
733:"Helmut Gernsheim, 82, Historian of Photography"
662:, with Alison Gernsheim, New York: Putnam, 1960.
552:Creative Photography: Aesthetic Trends 1839â1960
439:1959: The Kulturpreis (Cultural Award) from the
461:1979: Distinguished Visiting Professor at the
337:. When the first edition was published by the
908:Gernsheim, Helmut; Gernsheim, Alison (1955).
8:
794:(online ed.). Oxford University Press.
708:: CS1 maint: multiple names: authors list (
1194:, New York: Thames and Hudson, 1982. p. 274
753:Geller, Jay Howard; Morris, Leslie (2016).
319:. They rediscovered the long-lost hobby of
554:, London: Faber & Faber Limited, 1962.
548:series. London: Thames & Hudson, 1965.
476:1981: Distinguished Visiting Professor at
31:
20:
1014:. Salt Lake City: Peregrine Smith Books.
731:Robert McG. Thomas Jr. (12 August 1995).
690:. Salt Lake City: Peregrine Smith Books.
1207:. International Photography Hall of Fame
268:in 1940 became a Fellow (FRPS) in 1942.
791:Oxford Dictionary of National Biography
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395:Helmut Gernsheim died on 20 July 1995.
16:Photographer and historian (1913 â1995)
1303:German emigrants to the United Kingdom
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656:, New York: Thames & Hudson, 1982.
485:Honorary Fellow of the Club Daguerre,
148:Ludwig Maximilian University of Munich
82:Ludwig Maximilian University of Munich
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1008:Jay, Bill; Gernsheim, Helmut (1983).
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684:Jay, Bill, Gernsheim, Helmut (1983).
642:Masterpieces of Victorian Photography
84:, State School of Photography, Munich
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1144:Auer, MichĂšle; Auer, Michel (1985),
866:
864:
572:, Bucuresti: Editura Meridiane 1970.
914:. London: Oxford University Press.
156:State School of Photography, Munich
40:(1945) Portrait of Helmut Gernsheim
976:Alvin Langdon Coburn: photographer
536:Churchill: His Life in Photographs
524:Alvin Langdon Coburn: Photographer
130:, a collector and a photographer.
124:Helmut Erich Robert Kuno Gernsheim
14:
979:. New York: Dover Publications.
858:, publ. Thames & Hudson 1979
542:A Concise History of Photography
92:photographer and photo historian
1298:World War II civilian prisoners
1293:20th-century English historians
875:. Routledge. pp. 586â587.
650:, London: Fountain Press, 1942.
596:, London: Fountain Press, 1948.
566:, London: Fountain Press, 1949.
368:View from the Window at Le Gras
286:View from the window at Le Gras
1097:"Who made the Conway Library?"
644:, London: Phaidon Press, 1951.
446:1968: appointed consultant to
441:German Society for Photography
428:The Courtauld Institute of Art
415:formally established in 1971.
256:and in 1943 were described by
1:
854:Paul Hill and Thomas Cooper,
276:Photo collector and historian
808:UK public library membership
608:, London: Max Parrish, 1949.
186:, Gernsheim was deported to
1148:, Editions Camera obscura,
606:Lewis Carroll, photographer
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1192:The Origins of Photography
1011:Photographers photographed
896:Royal Photographic Society
687:Photographers photographed
654:The Origins of Photography
443:(DGPh), with Robert Janker
392:under Colin Ford in 1983.
382:The Photographers' Gallery
352:Photographers Photographed
335:The History of Photography
328:The History of Photography
266:Royal Photographic Society
1288:Historians of photography
1283:Photographers from London
1278:Photographers from Munich
856:Dialogue With Photography
820:PĂ©nichon, Sylvie (2013),
612:The Man Behind the Camera
576:Historic Events 1839â1939
544:, with Alison Gernsheim,
246:National Buildings Record
30:
1039:The Photographic Journal
672:Those Impossible English
546:The World of Art Library
407:In 1965 the exhibition,
313:William Henry Fox Talbot
284:Nicéphore Niépce (1827)
258:The Architectural Review
134:Early life and education
1241:20 January 2023 at the
1232:. Accessed 6 June 2011.
1230:New York Times obituary
944:. Abingdon: Routledge.
840:. Accessed 6 June 2011.
517:20 January 2023 at the
448:EncyclopĂŠdia Britannica
363:Joseph Nicéphore Niépce
871:John, Hannavy (2008).
800:10.1093/ref:odnb/58543
457:History of Photography
297:Julia Margaret Cameron
288:
207:Ludwig Hirschfeld Mack
170:and the shipping line
100:photography collection
67:20 July 1995 (aged 82)
1268:Photography academics
938:Warren, Lynn (2006).
630:, Mrs. K.M. Parsons,
509:2013 Graham Harrison
478:University of Arizona
283:
182:At the outset of the
648:The New Photo Vision
634:, Harold White, and
357:The first photograph
348:Alvin Langdon Coburn
301:Alvin Langdon Coburn
1273:Photography critics
898:membership records.
463:University of Texas
413:Fotografiska Museet
152:de:Walter Gernsheim
1205:"Helmut Gernsheim"
1190:Helmut Gernsheim,
738:The New York Times
289:
1155:978-2-903671-06-8
1074:978-3-7757-1380-1
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986:978-0-486-23685-8
951:978-0-415-97665-7
882:978-0-415-97235-2
806:(Subscription or
766:978-0-472-13012-2
434:Honors and awards
375:Later life, death
262:Warburg Institute
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