284:
186:
163:, Charlotte Poehlmann and Amalie Schroer in the following year. Due to the objections of women students to the spartan dormitory conditions, in 1909 the school moved to a former hospital building to which it was given free occupation, opening it in May, 1911. Enrolments from both genders were subject to quotas, so that only ten female students were allowed to be admitted per semester, increasing to a 1:3 ratio. During the war years it rose to a 3:2 majority of female students, settling to a more balanced ratio in the 1920s; in 1925 when
105:"not mechanically learned soulless technique that left the stamp of artistic insignificance on the earlier products of professional photography, but rather expressing the individual capture of characteristic moments and one's own feelings in photographic works, recognising these principles that are indispensable for artistic creation in every single student: that is the task that the management primarily strives to carry out.”
77:
929:
917:
781:
W. Urban, 'Die Praxis der
Kornautotypie' in Küster, F. W. (April 11, 1901). Jahrbuch für Photographie und Reproduktionstechnik für das Jahr 1900. Unter Mitwirkung hervorragender Fachmänner herausgegeben von Hofrat Dr. JOSEF MARIA EDER, Direktor der k. k. Graphischen Lehr- und Versuchsanstalt in Wien,
500:
Matzer, U. (2015). "Le modèle tout complet" – Vienna's
Graphische Lehr- und Versuchsanstalt as a Study Center for Visual Communication. Maren Gröning (Ed.) in Cooperation with Ulrike Matzer, Frame and Focus. Photography as a Schooling Issue (Contributions to A History of Photography in Austria), 11,
174:'s lack of a school certificate was overlooked), and men had to be at least 15, and women at least 17 years old, and all had to meet the annual school fee of about 200 Reichsmarks (value $ US2,000 in 2020) which middle-class parents might afford while even the well-off blue-collar family might not.
109:
The curriculum was broad, and included not only “practical photography with negative and positive processes”, retouching and reproduction technology, but also drawing, compositional theory, vignette painting, physics, art and photography history, alongside commercial bookkeeping.
98:, Emmerich in his article 'Photographische Lehranstalten' ('Photographic Schools') he deplored the state of existing training for German professional photographers and agitated for the establishment of a photographic educational institution in Munich.
144:("Society for the Promotion of the Intellectual Interests of Women"), women struggled for access to creditable art and photography education, with the exception of private ladies 'academies of the arts', such as the Debschitz School. The
263:
attended the
Bayerische Staatslehranstalt für Lichtbildwesen over 1935 to 1937, then from 1947 to 1948 he attended its master class taught by Adolf Lazi, and that year assisted Lazi with the first post-war photography exhibition
247:
were no longer being financially supported by photoengravers and lithographers of Munich and discontinued, the rooms being taken over by the motion picture department. In 1928 the institution was nationalised as the
23:(The State Academy for Photo Design, Munich) was an independent training facility for photography and photo design in Munich with several predecessor institutions dating back to 1900. It was incorporated into the
519:
Emmerich, G. H. (1904). Werkstatt des
Photographen: Ein Handbuch für Photographen und Reproduktionstechniker. Wiesbaden. (Workshop of the photographer. 'A handbook for photographers and reproduction technicians')
510:
Allgemeine
Photographen-Zeitung: Zeitschrift für künstlerische Fach-Photographie, mit den Beiblättern 'Photographisches Vereinsblatt' und 'Technische Rundschau'. (1896). München: Georg D.W. Callwey
177:
Professor Hans Spörl, an author of photography books for amateurs as well as on advanced technique and materials, succeeded
Emmerich in 1919 and Professor W. Urban taught photochemistry.
155:
At its establishment only male candidates were initially admitted to study at the photography
Institute. In a progressive policy, by 1905 Emmerich was accepting women into its courses.
65:) oversaw a flowering of artistic and cultural activity in Bavaria which prospered under a liberal government and which attracted creative artists in all fields from across Europe.
39:
the training facility was founded as an initiative of the South German
Photographers Association ('Süddeutschen Photographen-Vereins') on October 15, 1900 in Rennbahnstrasse, near
239:
the government took over the school on 1 July 1921 and a department was added for the teaching of motion picture technique under
Professor Konrad Wolter. By 1924, facilities for
964:
655:
G. H. Emmerich: Lexikon für
Photographie und Reproduktionstechnik (Lexicon for Photography and Reproduction Technology), A. Hartleben publisher, Vienna, Leipzig 1910, p. 169
320:"Photo design" is now a course of study in the Faculty of Design at Munich University of Applied Sciences, which since 2019 has been based in the historic aristocratic armory at
36:
465:
Jahrbuch der Lehr- und Versuchsanstalt für Photographie, Chemigraphie, Lichtdruck und Gravüre zu München., 1907–1916 / RHK 04394; BSBM Sign. 4 Bav. 1010u (je 900 Aufl.)
567:
959:
280:
in 1951 with an accompanying photo book. Wolfgang Reisewitz, also a founding member, studied at the institution contemporaneously with Keetman, during 1947-8.
152:
from Poland defied the ban by disguising herself as her brother to study for a year before her deception was revealed and she was expelled from the Academy.
604:'s position on photo education in Klaus Hentschel, '(Scientific) photography as a research-enabling technology – not a discipline'. In Maren Gröning (ed.)
631:
949:
94:('German Photography Magazine: Journal for Artistic Photography) from 1892, and author of photography books from 1904. In the May 1899 edition of the
846:
Wolter, K. (1932). Photographier' mit Drei-Vier und Vier-Vier!: Ein Führer durch d. Gebiet d. Kleinfilm-Photographie f. Anfänger u. Fortgeschrittene.
772:
W. Urban (1912) Beiträge zur Praxis der gerichtlichen Photographie. (Contributions to the practice of judicial photography.) Eders Jahrbuch, p.276.
974:
793:
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723:
674:
478:
310:
24:
969:
259:, an avant-garde movement that promoted formalism in the service of a subjective and purely artistic, non-applied intent, is apparent.
837:
Kraszna-Krausz, A., Emmermann, C., Seeber, G., & Wolter, K. (1929). Kurble!: Ein Lehrbuch des Filmsports. Halle (Saale): W. Knapp.
54:
543:
283:
86:
The founder was photographic supplies dealer Georg Heinrich Emmerich (1870–1923), a keen advocate for, and amateur exhibitor of,
954:
185:
907:
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156:
145:
689:
418:
252:('Bavarian Government Institute for Photographic Procedure'), a title that foregrounds 'scientific' photography.
828:, ('The animated film: a handbook for filmmakers and those who want to become one'). Halle (Saale): W. Knapp.
46:, as the "Lehr- und Versuchsanstalt für Photographie” (“Teaching and Research Institute for Photography”), a
309:
In 2002, the specialist academy was incorporated as a "Photo Design" course into Faculty 12 "Design" at the
195:
Though it incorporated physics and chemistry classes in teaching photography as a science as espoused by
167:
enrolled, half of the 51 students enrolling were women, and 80% were from non-German speaking countries.
621:, (exhibition catalogue München, Fotomuseum im Münchner Stadtmuseum 1995/1996), München 1996, S. 17-195
617:
Pohlmann, Ulrich (1995) 'Schönheit ist Seele. Leben und Werk des Photographen Frank Eugene Smith', in:
224:
140:
Despite Munich's more enlightened attitudes to women as intellectual beings in organisations like the
859:
Globalisierung, Vernetzung und Erwerbsarbeit : theoretische Zugänge und empirische Entwicklungen
343:
53:
Munich became a cultural centre of Europe over the period of its establishment under the regency of
744:. Beckers, Marion., Moortgat, Elisabeth., Verborgene Museum., Berlinische Galerie. Berlin: Hirmer.
149:
921:
561:
101:
He became its first director until 1919. He announced his intention that the school should offer;
805:
741:
Eva Besnyö : 1910-2003, Fotografin = woman photographer : Budapest, Berlin, Amsterdam
170:
Admission required an elementary school certificate (though during the war that was flexible;
113:
Emmerich's son Walter E. Lautenbacher studied at the college from 1947 to 1949 and founded the
873:
863:
755:
745:
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670:
549:
539:
474:
349:
160:
297:("Bavarian State Institute for Photography") before, in 1990, the name was again changed, to
272:. In 1949 Keetman was a founding member of fotoform and his were key works in the exhibition
801:
445:
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220:
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department and renamed the "Teaching and Research Institute for Photography, Chemography,
826:
Der gezeichnete Film : ein Handbuch für Filmzeichner un solche, die es werden wollen
76:
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207:, Berlin. In 1907 Emmerich appointed another Pictorialist, the renowned American-born
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260:
219:, as a lecturer in 'Artistic Photography' until 1913, who during his tenure and with
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Elfriede Reichelt: 1883-1953 ; Atelierfotografie zwischen Tradition und Moderne
370:
355:
208:
204:
164:
121:
87:
203:, the institution promoted art photography over the practical orientation of the
236:
92:
Allgemeine Photographen-Zeitung. Zeitschrift für Künstlerische Fach-Photographie
66:
782:
k. k. Professor an der k. k. Zeitschrift Für Anorganische Chemie, 27, 1, 79-80.
877:
759:
714:
Pohlmann, Ulrich; Scheutle, Rudolf; Münchner Stadtmuseum. Fotomuseum (2000),
469:
Pohlmann, Ulrich; Scheutle, Rudolf; Münchner Stadtmuseum. Fotomuseum (2000),
324:
17. It continues to provide media education with an emphasis on creativity.
269:
244:
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125:
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The connection between the institution's post-WW2 design emphasis and
40:
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Barbara Stenzel: Münchner Fotoschule 1900-2000. In: arthistoricum.
282:
184:
75:
305:
Subsumption as a course in Munich University of Applied Sciences
73:
exclaimed that "München leuchtete" (literally; "Munich shone").
90:, and frequent contributor to photography magazines, including
716:
Lehrjahre, Lichtjahre : die Münchner Fotoschule 1900-2000
591: ; with a list of works. München, Univ., PhD Dissertation
471:
Lehrjahre, Lichtjahre : die Münchner Fotoschule 1900-2000
313:(FHM) and two years later the last 30 graduates emerged from
142:
Gesellschaft zur Förderung der geistigen Interessen der Frau
117:(BFF) ('Association of Freelance Photo Designers') in 1969.
159:
and Sophie Reynier were among the intake of 1905/1906, and
890:
Deutsches Museum: Deutsches Museum: Biographie Frank Eugen
862:. Wiesbaden: Deutscher Universitäts-Verlag. p. 255.
690:"kultur-online - Ab nach München! Künstlerinnen um 1900"
905:
50:
State Government Subsidised Educational Institution.
669:, Münchner Stadtmuseum : Süddeutsche Zeitung,
223:who visited him in 1907, experimented with colour
37:Höhere Graphische Bundes-Lehr- und Versuchsanstalt
606:Frame and Focus. Photography as a Schooling Issue
430:William D. Sutherland (1982-1983) Meisterklasse -
334:G. H. Emmerich (1900–1917), founder and director
250:Bayerische Staatslehranstalt für Lichtbildwesen
103:
21:Staatliche Fachakademie für Fotodesign München
667:Ab nach München! : Künstlerinnen um 1900
295:Bayerische Staatslehranstalt für Photographie
8:
965:Educational institutions established in 1900
856:Krömmelbein, Silvia; Schmid, Alfons (2000).
665:Voit, Antonia; Münchner Stadtmuseum (2014),
120:In 1904 the institution was expanded with a
566:: CS1 maint: numeric names: authors list (
806:10.1093/gao/9781884446054.article.t027035
288:Fachakademie für Fotodesign entrance sign
16:German state tertiary photography academy
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493:
559:
299:Staatliche Fachakademie für Fotodesign
960:Munich University of Applied Sciences
532:Eder, 1855-1944, Josef Maria (1978).
311:Munich University of Applied Sciences
25:Munich University of Applied Sciences
7:
583:
581:
579:
577:
527:
525:
424:Christoph von Wangenheim (1962–1964)
301:(“State Academy for Photo Design”).
824:Wolter, K., & Lutz, EG (1927).
538:. New York: Dover. pp. 692–3.
148:would not enrol women until 1917;
427:Etienne C.I. van Sloun (1964–1966)
415:Walter E. Lautenbacher (1947–1949)
61:("The Prince Regent Years" or the
14:
619:Frank Eugene. The dream of beauty
115:Bund Freischaffender Fotodesigner
69:in his novella about this period
950:German photography organisations
927:
915:
379:Johannes Felbermeyer (1926–1928)
328:Notable graduates and associates
293:From 1954 the school became the
136:Education of women photographers
794:"Eugene [Smith], Frank"
632:"Münchner Fotoschule 1900-2000"
96:Allgemeine Photographen-Zeitung
975:1900 establishments in Germany
406:Wolfgang Reisewitz (1948–1949)
1:
367:Wilhelm Castelli (1921-1923)
338:Wanda von Debschitz-Kunowski
268:in the Landesgewerbemuseum,
157:Wanda von Debschitz-Kunowski
970:Art education organizations
433:Petra Gerschner (1982–1984)
146:Munich Academy of Fine Arts
991:
397:Otti Zacharias (1930–1931)
442:Martin Fengel (1986–1988)
412:(1935–1937 & 1947 -?)
391:Dieter Hinrichs (teacher)
792:Pitts, Terence (2003).
696:(in German). 2015-02-09
388:Willy Zielke (lecturer)
81:Georg Heinrich Emmerich
955:Photography in Germany
608:, Vienna 2015: 98-122.
587:Faber, Verena (2011),
535:History of photography
419:Floris Michael Neusüss
290:
274:Subjective Photography
192:
107:
83:
738:Besnyö, Eva. (2011).
636:www.arthistoricum.net
394:Use Schneider-Lengyel
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35:Modelled on Vienna's
215:and founder of the
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600:see discussion of
473:, Schirmer/Mosel,
376:Huss Flöter, 1928.
291:
193:
84:
59:Prinzregentenjahre
869:978-3-663-08045-9
751:978-3-7774-4141-2
725:978-3-88814-943-6
676:978-3-86497-193-8
480:978-3-88814-943-6
350:Elfriede Reichelt
344:František Drtikol
161:Elfriede Reichelt
63:Prinzregentenzeit
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276:put together by
266:Die Photographie
221:Alfred Stieglitz
201:Josef Maria Eder
150:Zofia Stryjeńska
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213:The Linked Ring
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57:who during the
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460:Bibliography
371:Lotte Jacobi
358:(1907–1913)
356:Frank Eugene
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231:Photo Design
211:, member of
209:Frank Eugene
205:Lette-Verein
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181:Pictorialism
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165:Lotte Jacobi
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122:graphic arts
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71:Gladius Dei,
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922:Visual Arts
638:(in German)
454:(1994-1999)
448:(1990–1993)
439:(1984–1986)
421:(1958–1960)
403:(1934–1936)
385:(1929-1990)
373:(1925-1927)
364:(1915-1917)
346:(1901–1903)
340:(1900–1902)
322:Lothstrasse
225:autochromes
67:Thomas Mann
944:Categories
811:2020-10-30
700:2020-10-31
642:2020-10-30
488:References
878:714820444
760:733723894
562:cite book
270:Stuttgart
245:collotype
130:engraving
126:collotype
27:in 2002.
257:fotoform
55:Luitpold
48:Bavarian
41:Munich's
934:Germany
908:Portals
554:4005270
31:History
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235:After
874:OCLC
864:ISBN
756:OCLC
746:ISBN
720:ISBN
671:ISBN
568:link
550:OCLC
540:ISBN
475:ISBN
317:33.
243:and
199:and
128:and
19:The
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501:29.
237:WW1
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