323:. Throughout the 1950s, her works tended to be centered compositions. In 1957, Frankenthaler began to experiment with linear shapes and more organic, sun-like, rounded forms. In the 1960s, her style shifted towards the exploration of symmetrical paintings, as she began to place strips of colors near the edges of her paintings. Her style grew to be more simplified. She began to make use of single stains and blots of solid color against white backgrounds, often in the form of geometric shapes. Beginning in 1963, Frankenthaler began to use acrylic paints rather than oil paints because they allowed for both opacity and sharpness when put on the canvas. By the 1970s, she had done away with the soak stain technique entirely, preferring thicker paint that allowed her to employ bright colors almost reminiscent of
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327:. Throughout the 1970s, Frankenthaler explored the joining of areas of the canvas through the use of modulated hues, and experimented with large, abstract forms. Her work in the 1980s was characterized as much calmer, with its use of muted colors and relaxed brushwork. "Once one's true talent begins to emerge, one is freer in a way but less free in another way, since one is a captive of this necessity and deep urge".
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watercolors or for the lightness of their work, but, more importantly, because both of them had liberated their oil paintings by treating them like watercolors, which was what
Frankenthaler began to do... In CĂ©zanneâs case this transposition of techniques also encouraged him to leave uncovered areas of white canvas between patches of thinned-down oil. This was especially interesting to Frankenthaler too.
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530:(1961) depicts a large area of blue paint on the canvas, with breaks in the color that are left white. A rectilinear brown square encompasses the blue, balancing both the cool tones of the blue with the warmth of the brown, and the gestural handling of the paint with the strong linearity of the square.
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also said to be the ultimate fusing of image and canvas, drawing attention to the flatness of the painting itself. The major disadvantage of this method, however, is that the oil in the paints will eventually cause the canvas to discolor and rot away. The technique was adopted by other artists, notably
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A really good picture looks as if it's happened at once. It's an immediate image. For my own work, when a picture looks labored and overworked, and you can read in itâwell, she did this and then she did that, and then she did thatâthere is something in it that has not got to do with beautiful art to
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Frankenthaler often painted onto unprimed canvas with oil paints that she heavily diluted with turpentine, a technique that she named "soak stain." This allowed for the colors to soak directly into the canvas, creating a liquefied, translucent effect that strongly resembled watercolor. Soak stain was
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was used to describe the work of
Frankenthaler. In general, this term refers to the application of large areas, or fields, of color to the canvas. This style was characterized by the use of hues that were similar in tone or intensity, as well as large formats and simplified compositions, all of which
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in 1958; the couple divorced in 1971. Both born of wealthy parents, they were known as "the golden couple" and for their lavish entertaining. She gained two stepdaughters from him, Jeannie
Motherwell and Lise Motherwell. Jeannie Motherwell studied painting at Bard College and the Art Students League
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painter. She was a major contributor to the history of postwar
American painting. Having exhibited her work for over six decades (early 1950s until 2011), she spanned several generations of abstract painters while continuing to produce vital and ever-changing new work. Frankenthaler began exhibiting
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tells the story of an abstract, interior world, idealized in ways that a landscape never could be. The work is almost entirely gestural, save for the incorporation of the number "100" two times in the center of the image. When asked about the process of creating this work, Frankenthaler stated that
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Watercolor... expands the brightness and flatness of plein-air painting because it visibly reveals these qualities in the whiteness of its support, which always makes its presence felt due to the insubstantiality of its covering. Marin and CĂ©zanne were important to
Frankenthaler not only for their
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because of her focus on forms latent in nature, Frankenthaler is identified with the use of fluid shapes, abstract masses, and lyrical gestures. She made use of large formats on which she painted, generally, simplified abstract compositions. Her style is notable in its emphasis on spontaneity, as
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Critics have not unanimously praised Ms. Frankenthaler's art. Some have seen it as thin in substance, uncontrolled in method, too sweet in color and too "poetic." But it has been far more apt to garner admirers like the critic
Barbara Rose, who wrote in 1972 of Ms. Frankenthaler's gift for "the
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Frankenthaler recognized a need to continually challenge herself to develop as an artist. For this reason, in 1961, she began to experiment with printmaking at the
Universal Limited Art Editions (ULAE), a lithographic workshop in West Islip, Long Island. Frankenthaler collaborated with
760:). Miles McEnery Gallery, a New York-based contemporary art gallery which exhibited Color-Field and Abstract Expressionist paintings, showcased a range of her work in 2009 "Helen Frankenthaler," December 10, 2009 â January 23, 2010). In 2016 her work was included in the exhibition
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me. And I usually throw these out, though I think very often it takes ten of those over-labored efforts to produce one really beautiful wrist motion that is synchronized with your head and heart, and you have it, and therefore it looks as if it were born in a minute.
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The New York-based Helen
Frankenthaler Foundation, established and endowed by the artist during her lifetime, is dedicated to promoting greater public interest in and understanding of the visual arts. In 2021 the foundation created
508:, her first professionally exhibited work, Frankenthaler made use of the soak stain technique. The work itself was painted after a trip to Nova Scotia, which partly questions the extent of its non-representational status. Although
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and other family members on the board exploited the Helen
Frankenthaler Foundation âto advance their own personal interests and careersâ and were committed to completely shutting down the foundation in the near future.
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is not a direct depiction of the Nova Scotia coastline, elements of the work suggest a kind of seascape or landscape, like the strokes of blue that join with areas of green. Much like
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391:(1924â2010), and launched the second generation of the color field school of painting. Frankenthaler often worked by laying her canvas out on the floor, a technique inspired by
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of New York 1945-1965", Phyllis
Harriman Gallery, Art Students League of NY; curated by Will Corwin.; 2020: "9th Street Club", Gazelli Art House, London; curated by Will Corwin
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Frankenthaler did not consider herself a feminist: "For me, being a 'lady painter' was never an issue. I don't resent being a female painter. I don't exploit it. I paint."
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freedom, spontaneity, openness and complexity of an image, not exclusively of the studio or the mind, but explicitly and intimately tied to nature and human emotions.
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exhibition that he curated in 1964. Through Greenberg she was introduced to the New York art scene. Under his guidance she spent the summer of 1950 studying with
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in 1989, she argued government funding for the arts was "not part of the democratic process" and was "beginning to spawn an art monster". According to the
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her large-scale abstract expressionist paintings in contemporary museums and galleries in the early 1950s. She was included in the 1964
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Active as a painter for nearly six decades, Frankenthaler passed through many phases and stylistic shifts. Initially associated with
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mounted an exhibition of her works on paper from the final stages of her opus titled "Helen Frankenthaler; Late Works 1990 - 2003".
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Frankenthaler preferred to paint in privacy. If assistants were present, she preferred them to be inconspicuous when not needed.
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Dorofeyeva, L. V. (November 1975). "Obtaining of measles virus haemagglutinin from strain L-16 grown in primary cell cultures".
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was inspired by two sources: the first was an exhibition of fifteenth century woodcuts that Frankenthaler saw on display at the
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768:. On October 6, 2019, Frankenthaler was included in Sparkling Amazons: Abstract Expressionist Women of the 9th St. Show at the
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Bitter Family Feud Revealed in Lawsuit Against the Helen Frankenthaler Foundation, Accuses Board of âGrabstract Expressionismâ
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Frankenthaler died on December 27, 2011, at the age of 83 in Darien, Connecticut, following a long and undisclosed illness.
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195:'s paintings. Her work has been the subject of several retrospective exhibitions, including a 1989 retrospective at the
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and what was possible." On the other hand, some critics called her work "merely beautiful." Grace Glueck's obituary in
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520:(1958) seems to refer to a very specific, external environment, but it is also abstract. The same can be said for
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are qualities descriptive of Frankenthaler's work from the 1960s onward. The color field artists differed from
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in 1950. She met Clement Greenberg in 1950 and had a five-year relationship with him. She married the painter
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Helen Frankenthaler "Contemporary Experience Lecture" The Baltimore Museum of Art: Baltimore, Maryland, 1970
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The Party's Over Now: Reminiscences of the fiftiesâNew York's artists, writers, musicians, and their friends
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410:(1909â1994), an art and literary critic with whom she had a personal friendship and who included her in the
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She was a presidential appointee to the National Council on the Arts, which advises the NEA's chairman. In
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from 1985 to 1992. Her other awards include First Prize for Painting at the first Paris Biennial (1959);
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Video: Helen Frankenthaler at Turner Contemporary, Margate by Laura Bushell on Artinfo 4 March 2014
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in Westchester County, NY. which ran until January 26, 2020; *2019: "Postwar Women: alumnae of the
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she began by painting the numbers, and that a sort of symbolic, idealized garden grew out of that.
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30:"Frankenthaler" redirects here. For the French wine grape that is also known as Frankenthaler, see
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Elderfield, John (1989). "After a "Breakthrough": On the 1950s Paintings of Helen Frankenthaler".
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It was all there. I wanted to live in this land. I had to live there, and master the language.
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in New York City, and been exhibited worldwide since the 1950s. In 2001, she was awarded the
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2129:"Every Sound Is a Shape of Time: Selections from PAMM's Collection âą PĂ©rez Art Museum Miami"
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2252:"Helen Frankenthaler, Abstract Painter Who Shaped a Movement, Dies at 83" by GRACE GLUECK,
1877:"Helen Frankenthaler Foundation Awards $ 5.1 Million in Climate Grants to Art Institutions"
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In 1994, Frankenthaler married Stephen M. DuBrul, Jr., an investment banker who served the
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In 1976, Frankenthaler began to work within the medium of woodcuts. She collaborated with
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Frankenthaler herself stated, "A really good picture looks as if it's happened at once."
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and a ban on grants to individual artists that still persists. In a 1989 commentary for
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Babington, Jacklyn (2005). "Against the grain: the woodcuts of Helen Frankenthaler".
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Frankenthaler's official artistic career was launched in 1952 with the exhibition of
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2009:"Abstract Expressionist Women Of The 9th St Show Comes To The Katonah Museum Of Art"
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Helen Frankenthaler in the National Gallery of Australia's Kenneth Tyler Collection
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2178:"Helen Frankenthaler: Innovative painter who took abstract art in a new direction"
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2315:, and Helen Frankenthaler: five painters and the movement that changed modern art
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that introduced a newer generation of abstract painting that came to be known as
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1041:, at the "Connecticut Women's Hall of Fame" website, retrieved January 30, 2010
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in Vermont. While at Bennington, Frankenthaler studied under the direction of
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judge. Her mother, Martha (Lowenstein), had emigrated with her family from
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For the German/Italian wine grape that is also known as Frankenthaler, see
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1987:. Denver New Haven: Denver Art Museum Yale University Press. p. 175.
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took nearly three years to complete. Frankenthaler then went on to create
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Archives of American Art, Smithsonian Institution: Oral History Interview
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1081:"Helen Frankenthaler, Abstract Painter Who Shaped a Movement, Dies at 83"
238:, were six and five years older, respectively. Growing up on Manhattan's
1834:"Elizabeth A. T. Smith Named Director of Helen Frankenthaler Foundation"
1732:. Washington, D.C.: National Museum of Women in the Arts. Archived from
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in their attempted erasure of emotional, mythic, and religious content.
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524:(1956), a work based on a boat ride Frankenthaler took down the Rhine.
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1922:"Painted on 21st Street - March 8 - April 13, 2013 - Gagosian Gallery"
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Carmean, E.A. Jr. (1978). "On Five Paintings by Helen Frankenthaler".
1208:. Encyclopedia of the Sixties: A Decade of Culture and Counterculture.
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Action, Gesture, Paint: Women Artists and Global Abstraction 1940-1970
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to the United States as an infant. Helen's two sisters, Marjorie and
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The Governor Nelson A. Rockefeller Empire State Plaza Art Collection
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in 1960. Subsequent solo exhibitions include "Helen Frankenthaler,"
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New York School Abstract Expressionists Artists Choice by Artists,
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613:(1986); and Distinguished Artist Award for Lifetime Achievement,
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1314:(Fourth ed.). New York: Thames & Hudson. p. 328.
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as an Associate member, and became a full Academician in 1994.
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in 2001. She served on the National Council on the Arts of the
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Helen Frankenthaler in the Utah Museum of Fine Arts Collection
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in 1950. She had this to say about seeing Pollock's paintings
1647:. The Solomon R. Guggenheim Foundation (SRGF). Archived from
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Kennedy, Mark for The Associated Press (December 27, 2011).
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The first Jackson Pollock show Frankenthaler saw was at the
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Helen Frankenthaler in Interview with Henry Geldzahler, in
1852:"Grants For Clean, Efficient Energy in Visual Arts Museums"
1641:"Collection Online Helen Frankenthaler - Guggenheim Museum"
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in conjunction with The Museum of Modern Art, Fort Worth,
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New York City Mayor's Award of Honor for Arts and Culture
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Frankenthaler's first solo exhibition took place at the
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164:(December 12, 1928 â December 27, 2011) was an American
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Helen Frankenthaler: Painting History, Writing painting
2379:. p. 16; p. 37; pp. 142â145, York 1986.
1810:"Mission - Foundation - Helen Frankenthaler Foundation"
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Helen Frankenthaler: Painting History, Writing Painting
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Helen Frankenthaler was born on December 12, 1928, in
2066:"20 London art events in 2020 to leave the house for"
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Heresies: A Feminist Publication on Art and Politics
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Fierce Poise: Helen Frankenthaler and 1950s New York
1784:"Abstract Artist Helen Frankenthaler Dies At Age 83"
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Grace Glueck says in the NYT this quote comes from:
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Members of the American Academy of Arts and Letters
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2489:Roberta Smith, "Two Artists Who Embraced Freedom"
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1616:"Abstract Painter Helen Frankenthaler Dies At 83"
1591:. National Endowment for the Arts. Archived from
2323:After Mountains and Sea: Frankenthaler 1956-1959
802:, a collections-focused group exhibition at the
786:In 2023 her work was included in the exhibition
631:Some Living American Women Artists / Last Supper
5064:United States National Medal of Arts recipients
2498:Helen Frankenthaler Artwork Examples on AskART.
2461:'Oral history Interview with Barbara Rose, 1968
661:which, Louis said later, was a "bridge between
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1434:Helen Frankenthaler A Paintings Retrospective,
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1461:on the 1950s paintings of Helen Frankenthaler
1074:
1072:
1070:
1068:
1066:
1064:
8:
2646:Elizabeth A. Sackler Center for Feminist Art
2333:(New York : Guggenheim Museum, ©1998.)
2090:"Helen Frankenthaler: Late Works, 1990â2003"
1051:
1049:
1047:
561:. The first piece they created together was
2824:Why Have There Been No Great Women Artists?
2624:New York School of Applied Design for Women
2317:. New York: Little, Brown and Company, 2018
2033:"New York Galleries: What to See Right Now"
1404:'Color Field' Artists Found a Different Way
4290:
4276:
4268:
4049:
4038:
3756:
3745:
3499:
3488:
3105:
3094:
3078:
3064:
3056:
3043:
2575:Feminist art movement in the United States
2566:
2552:
2544:
2446:Theories and Documents of Contemporary Art
1476:". sharecom.ca. Retrieved December 8, 2008
1123:
1121:
1119:
1117:
1115:
1113:
617:(1994). In 1990, she was elected into the
54:
43:
2503:"Frankenthaler's New Way of Making Art",
1589:"Lifetime Honors: National Medal of Arts"
1488:"Helen Frankenthaler, Back to the Future"
1058:, Britannica, Retrieved 24 December 2014.
406:One of her most important influences was
5004:American people of German-Jewish descent
2612:American Association of University Women
5059:People from Provincetown, Massachusetts
2411:Frankenthaler: Works on Paper 1949-1984
1556:
1554:
1199:
1197:
1004:
696:, and the Yale University Arts Center.
206:Frankenthaler had a home and studio in
5014:Art Students League of New York alumni
1237:
1235:
1221:
1211:
779:In 2021, a decade after her death the
274:in New York and had several exhibits.
5069:Honorary members of the Royal Academy
4640:Pennsylvania Academy of the Fine Arts
2771:WACK! Art and the Feminist Revolution
2618:National Association of Women Artists
2234:Frankenthaler, Helen (17 July 1989).
607:Pennsylvania Academy of the Fine Arts
7:
5094:21st-century American women painters
4989:20th-century American women painters
2712:The Women's Building (San Francisco)
2671:National Museum of Women in the Arts
2210:"Painter took art in new directions"
2153:"Blue Jump âą PĂ©rez Art Museum Miami"
1705:The Frost Art Museum Drawing Project
915:University of Michigan Museum of Art
554:in 1961 to create her first prints.
2394:Avant-Gardes and Partisans Reviewed
1079:Glueck, Grace (December 27, 2011).
187:, she was influenced by Greenberg,
2702:Women's Art Resources of Minnesota
1924:. Gagosian Gallery. Archived from
1901:Daniel Cassady (9 November 2023),
1755:Gibson, Eric (December 27, 2011).
886:San Francisco Museum of Modern Art
781:New Britain Museum of American Art
669:summed up Frankenthaler's career:
447:Some of her thoughts on painting:
25:
5089:21st-century American printmakers
4984:20th-century American printmakers
4299:National Medal of Arts recipients
3206:Katharine Martha Houghton Hepburn
3034:Feminist movements and ideologies
2208:Boehm, Mike (December 28, 2011).
1730:Clara - Database of Women Artists
1512:list of artists in the exhibition
1149:"Frankenthaler at the Guggenheim"
298:(1952), on long-term loan to the
3087:Connecticut Women's Hall of Fame
1856:Frankenthaler Climate Initiative
1782:Rose, Joel (December 27, 2011).
844:Los Angeles County Museum of Art
754:Los Angeles County Museum of Art
686:Frankenthaler Climate Initiative
485:were important early influences:
5054:People from the Upper East Side
4686:Interlochen Center for the Arts
4351:, cultural programming division
2676:New York Feminist Art Institute
2396:. London: Redwood Books, 1996.
2371:(New York School Press, 2000.)
2236:"Did We Spawn an Arts Monster?"
2189:from the original on 2022-05-09
1985:Women of abstract expressionism
1814:www.frankenthalerfoundation.org
1206:Frankenthaler, Helen, 1928-2011
950:National Endowment for the Arts
934:National Endowment for the Arts
762:Women of Abstract Expressionism
699:In a 2023 lawsuit filed at the
599:National Endowment for the Arts
437:Number One,1950 (Lavender Mist)
422:Abstract Expressionist movement
5084:21st-century American painters
4994:Abstract expressionist artists
4979:20th-century American painters
3048:Awards for Helen Frankenthaler
3023:Women in the art history field
2707:Woman's Building (Los Angeles)
2474:Helen Frankenthaler Foundation
2440:. I.B.Tauris Publishers, 2007.
927:Whitney Museum of American Art
800:Every Sound Is a Shape of Time
736:, New York (1969; traveled to
734:Whitney Museum of American Art
679:Helen Frankenthaler Foundation
477:wrote that the watercolors of
433:Autumn Rhythm, Number 30, 1950
18:Helen Frankenthaler Foundation
1:
4904:Oberlin Conservatory of Music
2691:Washington Women's Art Center
1840:. New York City. 9 July 2013.
872:National Gallery of Australia
420:(1880â1966), catalyst of the
249:Frankenthaler studied at the
4762:Lionel Hampton Jazz Festival
4386:Alvin Ailey Dance Foundation
2731:Exhibitions or installations
1486:Loos, Ted (April 27, 2003).
1105:Grace Glueck, NY Times, 1998
891:Solomon R. Guggenheim Museum
228:New York State Supreme Court
27:American painter (1928â2011)
5049:Painters from New York City
4833:José Limón Dance Foundation
4696:Preservation Hall Jazz Band
4554:Andrew W. Mellon Foundation
2856:Women Artists in Revolution
2696:Women Artists in Revolution
1788:National Public Radio (NPR)
1423:. Retrieved August 17, 2010
882:Portland Art Museum, Oregon
855:Museum of Fine Arts, Boston
838:Kalamazoo Institute of Arts
593:Frankenthaler received the
5110:
5079:20th-century American Jews
5074:21st-century American Jews
5009:American women printmakers
4999:American abstract painters
4177:Cora Lee Bentley Radcliffe
3389:Elizabeth Hart Jarvis Colt
1757:"Pushing Past Abstraction"
1537:. I.B.Tauris. p. 32.
1436:Exhibition Catalog, p.12,
1346:. Oxford University Press.
1310:Chadwick, Whitney (2007).
1190:. Oxford University Press.
849:Metropolitan Museum of Art
619:National Academy of Design
571:Metropolitan Museum of Art
413:Post-Painterly Abstraction
359:Metropolitan Museum of Art
339:Metropolitan Museum of Art
279:Gerald Ford administration
172:Post-Painterly Abstraction
36:
29:
5019:Bennington College alumni
4917:
4909:School of American Ballet
4477:William "Smokey" Robinson
4048:
4037:
3755:
3744:
3498:
3487:
3141:Evelyn Longman Batchelder
3104:
3093:
3053:
3031:
2581:
2270:Alexander Nemerov. 2021.
1521:Retrieved August 17, 2010
1463:Retrieved August 17, 2010
1359:Retrieved August 17, 2010
1300:Retrieved August 17, 2010
1107:Retrieved August 17, 2010
1021:Retrieved August 17, 2010
758:Detroit Institute of Arts
703:, Frankenthalerâs nephew
53:
4223:Regina Winters-Toussaint
4021:Elizabeth George Plouffe
3515:Adrianne Baughns-Wallace
3171:Charlotte Perkins Gilman
3018:List of feminist artists
2816:The Feminist Art Journal
2104:"Action, Gesture, Paint"
1983:Marter, Joan M. (2016).
1204:Tolley-Stokes, Rebecca.
1182:Brookeman, Christopher.
909:Utah Museum of Fine Arts
822:Art Institute of Chicago
214:Early life and education
5034:Jewish American artists
4080:Clara Hill (suffragist)
4075:Sarah Lee Brown Fleming
3718:Martha Minerva Franklin
3211:Isabella Beecher Hooker
2722:Women's Studio Workshop
2717:Women's Interart Center
2634:Venues or organizations
2505:The Wall Street Journal
2459:Helen Frankenthaler in
1948:"Miles McEnery Gallery"
1761:The Wall Street Journal
1406:Retrieved 3 August 2010
1340:"Colour field painting"
1312:Women, Art, and Society
1012:National Gallery of Art
866:National Gallery of Art
694:Studio Museum in Harlem
615:College Art Association
609:, Philadelphia (1968);
372:abstract expressionists
300:National Gallery of Art
5029:Hunter College faculty
4838:The Presser Foundation
4818:Ford's Theatre Society
4447:Philippe de Montebello
4437:Florence Knoll Bassett
4126:Khalilah L. Brown-Dean
3692:Patricia Goldman-Rakic
3588:Dotha Bushnell Hillyer
3425:Constance Baker Motley
2861:Women's Caucus for Art
2782:Films or documentaries
2656:Feminist Art Coalition
2526:Accessed June 26, 2012
2157:PĂ©rez Art Museum Miami
2133:PĂ©rez Art Museum Miami
1531:Alison Rowley (2007).
1248:Jewish Women's Archive
1184:"Frankenthaler, Helen"
877:PĂ©rez Art Museum Miami
816:Art Gallery of Ontario
804:PĂ©rez Art Museum Miami
742:Orangerie Herrenhausen
701:New York Supreme Court
690:Museo de Arte de Ponce
676:
595:National Medal of Arts
492:
472:
445:
362:
342:
311:abstract expressionism
306:
201:National Medal of Arts
175:exhibition curated by
166:abstract expressionist
146:Abstract expressionism
4894:Michael Tilson Thomas
4349:National Public Radio
3902:Margaret Bourke-White
3640:Mary Townsend Seymour
3572:Miriam Therese Winter
3456:Jane Hamilton-Merritt
3296:Harriet Beecher Stowe
3291:Hilda Crosby Standish
3286:Smiths of Glastonbury
3281:Virginia Thrall Smith
3216:Emeline Roberts Jones
3161:Katharine Seymour Day
3131:Beatrice Fox Auerbach
2790:!Women Art Revolution
2591:Feminist art movement
2320:Helen Frankenthaler,
1970:Miles McEnery Gallery
1966:"Helen Frankenthaler"
1417:Colour Field Painting
1244:"Helen Frankenthaler"
1056:"Helen Frankenthaler"
1032:"Helen Frankenthaler"
903:Spencer Museum of Art
770:Katonah Museum of Art
722:Tibor de Nagy Gallery
671:
644:feminist art movement
467:Harry N. Abrams, Inc.
441:
429:Betty Parsons Gallery
353:
333:
292:
60:Frankenthaler in 1956
5024:Dalton School alumni
4823:Fisk Jubilee Singers
4706:Viktor Schreckengost
4136:Callie Gale Heilmann
3546:Maria Miller Stewart
3520:Mary Goodrich Jenson
3404:Laura Wheeler Waring
3301:Gladys Tantaquidgeon
3256:Theodate Pope Riddle
3231:Rachel Taylor Milton
2299:Ninth Street Women:
2185:. January 12, 2012.
2064:Dazed (2020-01-15).
1671:Gruen, John (1972).
1459:After a Breakthrough
911:, Salt Lake City, UT
860:Museum of Modern Art
750:Museum of Modern Art
634:(1972) appropriated
367:color field painting
346:Color field painting
224:Alfred Frankenthaler
197:Museum of Modern Art
150:color field painting
4884:Joseph P. Riley Jr.
4803:Olivia de Havilland
4766:University of Idaho
4681:Wilhelmina Holladay
4406:Helen Frankenthaler
4324:Mikhail Baryshnikov
4141:Jerimarie Liesegang
3860:Augusta Lewis Troup
3671:Glenna Collett-Vare
3614:Helen Frankenthaler
3440:Mabel Osgood Wright
3347:MarĂa ColĂłn SĂĄnchez
3311:Hannah Bunce Watson
3261:Edna Negron Rosario
3221:Barbara B. Kennelly
3136:Emma Fielding Baker
2922:Helen Frankenthaler
2666:Lesbian Art Project
2535:Helen Frankenthaler
2282:Helen Frankenthaler
2108:Whitechapel Gallery
2092:. 11 February 2021.
1726:"Mary Beth Adelson"
1701:"Mary Beth Edelson"
982:Lyrical abstraction
962:Robert Mapplethorpe
794:Whitechapel Gallery
774:Art Students League
738:Whitechapel Gallery
567:Essence of Mulberry
563:Essence of Mulberry
545:Prints and woodcuts
285:Style and technique
208:Darien, Connecticut
162:Helen Frankenthaler
154:lyrical abstraction
96:Darien, Connecticut
79:New York City, U.S.
48:Helen Frankenthaler
4793:Richard M. Sherman
4493:Austin City Limits
4070:Catherine Flanagan
4065:Frances Ellen Burr
3964:Regina Rush-Kittle
3793:Isabelle M. Kelley
3777:Maggie Wilderotter
3697:Barbara McClintock
3687:Jewel Plummer Cobb
3541:Catherine Roraback
3316:Chase G. Woodhouse
2987:Carolee Schneemann
2747:Three Weeks in May
2522:2015-06-01 at the
2507:, November 8, 2008
2367:2007-09-29 at the
2358:Marika Herskovic,
2329:2007-09-29 at the
2254:The New York Times
2240:The New York Times
2037:The New York Times
1736:on 10 January 2014
1517:2022-10-02 at the
1492:The New York Times
1321:978-0-500--20393-4
1085:The New York Times
1037:2010-02-17 at the
1017:2020-04-06 at the
987:Wash (visual arts)
954:The New York Times
941:The New York Times
868:, Washington, D.C.
667:The New York Times
628:'s feminist piece
579:The Tales of Genji
575:The Tales of Genji
516:, Frankenthaler's
365:In 1960, the term
363:
343:
307:
259:Bennington College
112:Bennington College
4956:
4955:
4950:
4949:
4798:Robert B. Sherman
4752:Henry Z. Steinway
4605:Louis Auchincloss
4265:
4264:
4261:
4260:
4257:
4256:
4244:Melissa Bernstein
4213:Laura Cruickshank
4182:Jennifer Rizzotti
4161:Teresa C. Younger
4060:Josephine Bennett
4033:
4032:
4029:
4028:
3740:
3739:
3736:
3735:
3723:Carolyn M. Mazure
3562:Florence Griswold
3483:
3482:
3479:
3478:
3368:Madeleine L'Engle
3271:Susan Saint James
3226:Clare Boothe Luce
3201:Katharine Hepburn
3156:Prudence Crandall
3146:Catharine Beecher
3040:
3039:
2912:Mary Beth Edelson
2907:Elaine de Kooning
2755:The Sister Chapel
2423:978-0-8076-1103-6
2417:(February 1985),
2390:Pollock, Griselda
2347:978-0-8109-6911-7
2305:Elaine de Kooning
2214:Los Angeles Times
1645:Guggenheim Museum
1544:978-1-84511-518-0
1457:John Elderfield,
1344:Oxford Art Online
1281:Art International
1188:Oxford Art Online
1153:The New Criterion
946:Los Angeles Times
921:Walker Art Center
766:Denver Art Museum
764:organized by the
659:Mountains and Sea
636:Leonardo da Vinci
626:Mary Beth Edelson
603:Temple Gold Medal
589:Awards and legacy
514:Mountains and Sea
510:Mountains and Sea
506:Mountains and Sea
408:Clement Greenberg
320:Mountains and Sea
295:Mountains and Sea
271:Robert Motherwell
222:. Her father was
177:Clement Greenberg
159:
158:
135:Mountains and Sea
122:Abstract painting
88:December 27, 2011
76:December 12, 1928
16:(Redirected from
5101:
4732:N. Scott Momaday
4727:Morten Lauridsen
4615:Paquito D'Rivera
4523:Tabernacle Choir
4457:Lawrence Halprin
4370:Barbra Streisand
4292:
4285:
4278:
4269:
4151:Marilyn Ondrasik
4050:
4039:
3850:Barbara Franklin
3757:
3746:
3619:Rosalind Russell
3500:
3489:
3363:Edythe J. Gaines
3241:Ellen Ash Peters
3186:Estelle Griswold
3166:Fidelia Fielding
3116:Mary Jobe Akeley
3106:
3095:
3080:
3073:
3066:
3057:
3044:
2982:Rachel Rosenthal
2957:Georgia O'Keeffe
2892:Louise Bourgeois
2763:The Dinner Party
2568:
2561:
2554:
2545:
2415:George Braziller
2297:Gabriel, Mary.
2278:Elderfield, John
2259:
2256:, DEC. 27, 2011
2250:
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1679:. Viking Press.
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1595:on July 21, 2011
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1472:Fenton, Terry. "
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1059:
1053:
1042:
1030:Web page titled
1028:
1022:
1009:
899:, Louisville, KY
897:Speed Art Museum
705:Frederick Iseman
583:Madame Butterfly
559:Kenneth E. Tyler
518:Basque Landscape
470:
387:(1912â1962) and
130:
91:
75:
73:
58:
44:
21:
5109:
5108:
5104:
5103:
5102:
5100:
5099:
5098:
5039:Jewish painters
4959:
4958:
4957:
4952:
4951:
4946:
4913:
4842:
4827:Fisk University
4776:
4715:
4701:Gregory Rabassa
4654:
4635:Wynton Marsalis
4625:Leonard Garment
4593:
4542:
4528:Leonard Slatkin
4508:Suzanne Farrell
4481:
4425:
4374:
4355:Claes Oldenburg
4302:
4296:
4266:
4253:
4249:Barbara Summers
4227:
4218:Carla Squatrito
4196:
4165:
4099:
4044:
4025:
4016:Martha Langevin
3994:
3985:Anika Noni Rose
3968:
3942:
3916:
3890:
3881:Jennifer Lawton
3876:Beatrix Farrand
3864:
3833:
3829:Faith Middleton
3824:Annie Leibovitz
3807:
3781:
3767:Anne M. Mulcahy
3751:
3732:
3706:
3675:
3649:
3623:
3609:Martha Coolidge
3597:
3576:
3550:
3524:
3510:Emily Barringer
3494:
3475:
3444:
3420:Dorrit Hoffleit
3408:
3377:
3351:
3337:Caroline Hewins
3332:Helen M. Feeney
3320:
3276:Lydia Sigourney
3266:Margaret Rudkin
3176:Dorothy Goodwin
3126:Marian Anderson
3100:
3089:
3084:
3049:
3041:
3036:
3027:
3006:
2967:Louise Nevelson
2870:
2846:Guerrilla Girls
2829:
2795:
2777:
2726:
2686:tArt Collective
2650:Brooklyn Museum
2629:
2600:
2577:
2572:
2524:Wayback Machine
2470:
2434:Alison Rowley,
2431:
2369:Wayback Machine
2331:Wayback Machine
2286:Harry N. Abrams
2267:
2265:Further reading
2262:
2251:
2247:
2233:
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2228:
2218:
2216:
2207:
2206:
2202:
2192:
2190:
2183:The Independent
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2002:
1995:
1982:
1981:
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1964:
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1931:
1929:
1928:on 4 March 2016
1920:
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1850:
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1827:
1818:
1816:
1808:exhibit-e.com.
1807:
1806:
1802:
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1664:
1654:
1652:
1651:on 3 March 2016
1639:
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1525:
1519:Wayback Machine
1510:
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1484:
1480:
1471:
1467:
1455:
1451:
1438:Harry N. Abrams
1431:
1427:
1414:
1410:
1402:
1398:
1371:Acta Virologica
1368:
1367:
1363:
1355:
1351:
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1203:
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1147:Wilkin, Karen.
1146:
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1019:Wayback Machine
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917:, Ann Arbor, MI
893:, New York City
840:, Kalamazoo, MI
827:Centre Pompidou
812:
744:, Hanover; and
718:
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640:The Last Supper
591:
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2681:SOHO20 Gallery
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2641:A.I.R. Gallery
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2491:New York Times
2486:
2481:
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2469:
2468:External links
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2387:
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2354:978-0892071975
2318:
2309:Grace Hartigan
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2039:. 2019-11-20.
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1954:. 18 May 2021.
1939:
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1883:. 29 July 2021
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1432:Carmean, E.A.
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1338:Anfam, David.
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905:, Lawrence, KS
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389:Kenneth Noland
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304:Washington, DC
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4928:
4925:
4923:
4922:Complete list
4920:
4919:
4916:
4910:
4907:
4905:
4902:
4900:
4899:John Williams
4897:
4895:
4892:
4890:
4887:
4885:
4882:
4880:
4879:Jessye Norman
4877:
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4872:
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4864:Milton Glaser
4862:
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4849:
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4813:JesĂșs Moroles
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4779:
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4758:
4757:George Tooker
4755:
4753:
4750:
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4742:Roy Neuberger
4740:
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4711:Ralph Stanley
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4574:Anthony Hecht
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4533:George Strait
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4462:Al Hirschfeld
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4391:Rudolfo Anaya
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4365:Harold Prince
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4187:Lhakpa Sherpa
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4111:Enola G. Aird
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3990:Tina Weymouth
3988:
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3959:Ruth A. Lucas
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3938:Joyce Yerwood
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3907:Carolyn Miles
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3855:Linda Lorimer
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3803:Patricia Wald
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3461:Sophie Tucker
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2887:Lynda Benglis
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2875:Notable women
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2407:Wilkin, Karen
2405:
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2402:0-7190-4398-0
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2313:Joan Mitchell
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2014:
2010:
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1996:
1994:9780300208429
1990:
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1971:
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993:Sunset Corner
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746:Kongresshalle
743:
739:
735:
731:
730:Jewish Museum
727:
723:
715:
713:
710:
709:Clifford Ross
707:claimed that
706:
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697:
695:
691:
687:
678:
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463:Frankenthaler
460:
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335:Western Dream
332:
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297:
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284:
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280:
275:
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268:
264:
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255:Rufino Tamayo
252:
251:Dalton School
247:
245:
244:Clifford Ross
241:
237:
233:
229:
225:
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220:New York City
213:
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109:
108:Dalton School
106:
102:
97:
87:
83:
68:
64:
57:
52:
45:
40:
33:
19:
4889:Frank Stella
4772:Andrew Wyeth
4691:Erich Kunzel
4676:Roy DeCarava
4671:Cyd Charisse
4650:Dolly Parton
4645:Tina Ramirez
4579:John Ruthven
4559:Ray Bradbury
4503:Rafe Esquith
4472:Ming Cho Lee
4467:George Jones
4442:Trisha Brown
4421:Mike Nichols
4405:
4401:Kirk Douglas
4339:Horton Foote
4329:Benny Carter
4314:Maya Angelou
4121:Donna Berman
3928:Rebecca Lobo
3845:Rosa DeLauro
3819:Anne Garrels
3635:Helen Keller
3613:
3567:Eileen Kraus
3306:Betty Tianti
3251:Sarah Porter
2947:Jane Kaufman
2932:Nancy Graves
2927:Mary Garrard
2921:
2902:Judy Chicago
2897:Norma Broude
2814:
2806:
2800:Publications
2788:
2769:
2761:
2753:
2745:
2737:
2661:Hera Gallery
2586:Feminist art
2504:
2490:
2444:
2435:
2429:Bibliography
2410:
2393:
2360:
2322:
2298:
2281:
2271:
2253:
2248:
2239:
2229:
2217:. Retrieved
2213:
2203:
2191:. Retrieved
2182:
2171:
2160:. Retrieved
2156:
2147:
2136:. Retrieved
2132:
2123:
2111:. Retrieved
2107:
2098:
2084:
2073:. Retrieved
2069:
2059:
2048:. Retrieved
2036:
2027:
2016:. Retrieved
2013:artdaily.com
2012:
2003:
1984:
1978:
1969:
1960:
1951:
1942:
1930:. Retrieved
1926:the original
1916:
1906:
1897:
1885:. Retrieved
1880:
1871:
1859:. Retrieved
1855:
1846:
1837:
1828:
1817:. Retrieved
1813:
1803:
1793:December 27,
1791:. Retrieved
1787:
1777:
1767:December 27,
1765:. Retrieved
1760:
1750:
1738:. Retrieved
1734:the original
1729:
1720:
1708:. Retrieved
1704:
1695:
1674:
1665:
1653:. Retrieved
1649:the original
1644:
1635:
1625:December 27,
1623:. Retrieved
1619:
1609:
1599:December 27,
1597:. Retrieved
1593:the original
1583:
1566:
1562:
1533:
1526:
1507:
1495:. Retrieved
1491:
1481:
1474:Morris Louis
1468:
1458:
1452:
1433:
1428:
1411:
1399:
1374:
1370:
1364:
1352:
1343:
1311:
1305:
1293:
1284:
1280:
1253:December 27,
1251:. Retrieved
1247:
1242:Belz, Carl.
1205:
1187:
1156:. Retrieved
1152:
1142:
1133:
1129:
1100:
1090:December 27,
1088:. Retrieved
1084:
1026:
1007:
991:
971:
953:
945:
939:
937:
799:
798:
796:in London.
787:
785:
778:
761:
752:, New York;
726:Frank O'Hara
719:
698:
685:
682:
672:
666:
658:
655:Morris Louis
648:
639:
630:
623:
592:
582:
578:
574:
566:
562:
556:
548:
537:
533:
532:
528:Swan Lake #2
527:
526:
521:
517:
513:
509:
505:
503:
488:
479:Paul CĂ©zanne
473:
469:1975, p. 85)
462:
459:Barbara Rose
450:
446:
442:
436:
432:
426:
418:Hans Hofmann
411:
405:
397:
385:Morris Louis
381:
364:
354:
334:
318:
316:
308:
293:
276:
267:Hans Hofmann
257:and also at
248:
217:
205:
189:Hans Hofmann
170:
161:
160:
133:
129:Notable work
90:(2011-12-27)
32:Gouais blanc
4974:2011 deaths
4969:1928 births
4874:Rita Moreno
4589:Twyla Tharp
4396:Johnny Cash
4334:Chuck Close
4319:Eddy Arnold
4239:Sara Bronin
4208:Lisa Cortés
4192:Suzy Whaley
4090:Helena Hill
4011:Nell Newman
3980:Lucia Chase
3933:Jane Pauley
3912:Indra Nooyi
3466:Ann Uccello
3181:Ella Grasso
3121:Anni Albers
2997:Alma Thomas
2952:Lee Krasner
2942:Lila Katzen
2917:Suzi Ferrer
2866:Where We At
2819:(1972â1977)
2811:(1977â1992)
2758:(1974â1978)
2301:Lee Krasner
2219:December 5,
2193:October 22,
1763:. Dow Jones
1569:(1): 8â11.
1497:December 5,
1158:October 23,
810:Collections
716:Exhibitions
495:Major works
465:(New York:
263:Paul Feeley
181:color field
4963:Categories
4808:Hank Jones
4737:Craig Noel
4538:Tommy Tune
4518:Ron Howard
4146:Kica Matos
4085:Elsie Hill
3666:Joan Joyce
3536:Laura Nyro
3399:Margo Rose
3236:Alice Paul
3151:Jody Cohen
3002:June Wayne
2739:Womanhouse
2605:Precursors
2493:, 12/29/11
2274:. Penguin.
2162:2023-08-23
2138:2024-09-04
2075:2022-11-23
2050:2022-11-23
2018:2022-11-23
1932:3 February
1819:2018-03-22
1740:10 January
1710:11 January
1655:3 February
1377:(6): 497.
1357:Britannica
1000:References
929:, New York
862:, New York
851:, New York
740:, London;
483:John Marin
402:Influences
183:. Born in
72:1928-12-12
39:Trollinger
4854:Bob Dylan
4513:Buddy Guy
4452:Uta Hagen
3246:Ann Petry
3191:Mary Hall
2937:Eva Hesse
2045:0362-4331
1620:Salon.com
1383:0001-723X
1224:ignored (
1214:cite book
1130:Artonview
818:, Toronto
649:In 1953,
500:Paintings
378:Technique
185:Manhattan
104:Education
4869:Maya Lin
4788:Stan Lee
4747:Les Paul
4416:Yo-Yo Ma
2972:Yoko Ono
2826:" (1971)
2520:Archived
2365:Archived
2327:Archived
2284:, 1989,
2187:Archived
2113:19 April
1887:2 August
1881:Artforum
1861:2 August
1838:Observer
1515:Archived
1298:Tate bio
1287:: 28â32.
1136:: 22â27.
1035:Archived
1015:Archived
976:See also
657:saw her
455:â
439:(1950):
435:(1950),
142:Movement
4301:(2000s)
2841:subRosa
1908:ARTnews
1575:4381078
829:, Paris
792:at the
663:Pollock
522:Lorelei
361:in 2022
341:in 2022
325:Fauvism
232:Germany
2834:Groups
2774:(2007)
2766:(1979)
2750:(1977)
2742:(1972)
2626:(1892)
2620:(1889)
2614:(1881)
2453:
2421:
2400:
2383:
2375:
2352:
2345:
2337:
2291:
2043:
1991:
1905:
1683:
1573:
1541:
1444:
1389:
1381:
1318:
756:; and
355:Stride
236:Gloria
191:, and
98:, U.S.
4942:2010s
4937:2000s
4932:1990s
4927:1980s
4043:2020s
3750:2010s
3493:2000s
3099:1990s
3011:Lists
2698:(WAR)
2070:Dazed
1952:Ocula
1571:JSTOR
968:Death
4847:2009
4781:2008
4720:2007
4659:2006
4598:2005
4547:2004
4486:2003
4430:2002
4379:2001
4307:2000
4232:2024
4201:2023
4170:2022
4104:2021
4053:2020
3999:2019
3973:2018
3947:2017
3921:2016
3895:2015
3869:2014
3838:2013
3812:2012
3786:2011
3760:2010
3711:2009
3680:2008
3654:2007
3628:2006
3602:2005
3581:2003
3555:2002
3529:2001
3503:2000
3449:1999
3413:1998
3382:1997
3356:1996
3325:1995
3109:1994
2539:IMDb
2451:ISBN
2419:ISBN
2398:ISBN
2381:ISBN
2373:ISBN
2350:ISBN
2343:ISBN
2335:ISBN
2289:ISBN
2221:2013
2195:2018
2115:2023
2041:ISSN
1989:ISBN
1934:2016
1889:2021
1863:2021
1795:2011
1769:2011
1742:2014
1712:2014
1681:ISBN
1657:2016
1627:2011
1601:2011
1563:MoMA
1539:ISBN
1499:2013
1442:ISBN
1421:Tate
1391:1998
1387:PMID
1379:ISSN
1316:ISBN
1255:2011
1226:help
1160:2015
1092:2011
879:, FL
653:and
538:Eden
534:Eden
481:and
226:, a
85:Died
66:Born
4825:, (
2537:at
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638:âs
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1836:.
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1786:.
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1728:.
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1643:.
1618:.
1565:.
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