Knowledge (XXG)

Helena Tattermuschová

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Tattermuschová was born to a large working-class family in the Libeň district of Prague. She received her earliest vocal training from her school choirmaster, Václav Matoušek. Upon finishing municipal school, she studied vocal performance with Vlasta Linhartová at the Academy of Music in Prague from
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She performed in the University Art Ensemble of Charles University from 1950 to 1954. She won the second prize in the Prague Spring singing competition in 1954 and the same year was named a laureate in the soprano category of the international competition named for legendary Czech opera stars
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Tattermuschová’s singular contribution to opera was her body of work singing the Czech repertoire on the national and international stage as well as on recordings. She enjoyed one of her greatest triumphs in 1970 in the title role of Vixen Sharp-Ears from
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opera company where she continued to sing well into the 1980s. She possessed a high lyric soprano voice that tended to cast her into either “daughter” roles or youthful trouser roles for many years into her career.
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From 1977 to 1991, Tattermuschová taught opera vocal performance at the Prague Conservatory. She received a lifetime achievement prize from the
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1948 to 1953. She also studied at the Music and Dance Faculty of the Academy of Performing Arts in Prague under Jaromíra Tomášková.
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That distinctively girlish vocal quality inclined Tattermuschová to the soubrette characters in Mozart operas, notably Papagena in
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Her youthful voice uniquely suited Tattermuschová to the key role of the boy Aljeja in the nearly all-male cast of
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https://operaplus.cz/nenapadna-sopranistka-helena-tattermuschova-dnes-slavi-devadesate-narozeniny/
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https://operaplus.cz/nenapadna-sopranistka-helena-tattermuschova-dnes-slavi-devadesate-narozeniny/
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with Niplová, Bednář, Pribyl, Šubrtová, Soukupová, Kroupa, Žídek and Krombholc (Supraphon)
195: 89: 139:, which she subsequently recorded. The film of that production went on to be awarded the 189: 74:), where she made her stage debut as Musetta in 1955. By 1956, she was a member of the 23: 465: 214: 164: 147: 130: 35: 95: 56: 52: 314:(and other works) with Berman, Tarabova, Maxian, Straus, Belfin and Kuhn (Panton) 201: 354: 121: 255: 407:
Artist biography “The Cunning Little Vixen” album liner notes (Supraphon)
259:(as Jano), with Domanínská, Niplová, Pribyl, Žídek and Gregor (Supraphon) 241:(as Cocholka the Hen), with Bohmová, Domanínská and Neumann (Supraphon) 106: 67: 27: 307:(Oratorio for vocal soloists, chorus and orchestra) with Baudo (Praha) 317:
Helena Tattermuschová: Operatic Selections by Smetana et al. (Panton)
232:(as Vixen Sharp-Ears), with Zikmundová, Kroupa and Gregor (Supraphon) 31: 156:(performed at the 1964 Edinburgh Festival). She was also Krista in 293:
with Votava, Blachut, Tikalová, Krásová, Otava and Dyk (Supraphon)
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https://operaplus.cz/osobnosti-ceske-opery-helena-tatermuschova/
175:. Her stage roles in Smetana included the servant girl Barče in 268:(as Aljeja), with Bednář, Blachut, Žídek and Gregor (Supraphon) 167:
roles, Tattermuschová sang in the nationalist Czech operas of
250:(as Krista), with Prylová, Žídek, Kočí and Gregor (Supraphon) 143:, the Golden Record from Japan and the Prague Spring Award. 193:. In Dvořák’s operas, she was the kitchen boy Turnspit in 355:
https://commons.wikimedia.org/File:VlachovoBrezi312-2.JPG
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Upon completion of her studies, she was engaged by the
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with Žídek, Tržická, Topinka and Smetáček (Supraphon)
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Index

Czech
soprano
Mozart
Janáček
Emmy Destinn
Karel Burian
Zdenek Nejedlý Theater
Ostrava
National Moravian-Silesian Theatre
Prague National Theatre
The Magic Flute
Don Giovanni
The Marriage of Figaro
Rossini
The Barber of Seville
Verdi
Rigoletto
Janáček
The Cunning Little Vixen
Charles Cros Academy Grand Prix
Janáček
From the House of the Dead
The Makropulos Affair
Janáček
Smetana
Dvořák
The Kiss
The Secret
The Two Widows
Rusalka

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