Knowledge (XXG)

Hell and High Water (1954 film)

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Fuller spent several days aboard a U.S. Navy submarine, including fifteen hours submerged. The experience led Fuller to add film sequences where Francen gets his fingers caught in a hatch, using a submarine's red lighting to enhance a love scene, and having a battle between two submarines staged much
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Jones decides to go ashore and watch for the bomber's takeoff; at his signal, the submarine will surface and try to shoot it down. Montel, however, sneaks onto the island in his place. When Montel signals, the submarine surfaces and the crew opens fire with every weapon aboard. On fire, it crashes,
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In the summer of 1953, it was announced that an atomic bomb of foreign origin had been exploded somewhere outside the United States. Shortly thereafter it was indicated that this atomic reaction, according to scientific reports, originated in a remote area in North Pacific waters, somewhere between
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During a storm en route to the island, Montel is injured, and insists Jones take Denise in his place. Denise detects an extremely high level of radioactivity but is forced to shoot and kill a Chinese soldier who stumbles upon her. Back aboard the submarine, Jones is worried because he recognized a
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has sailed; despite Jones' protests that the submarine's torpedo tubes have not been inspected and tested yet, and are therefore too dangerous to use, there is no choice but to leave port and pursue the freighter. On the voyage, they are detected by a Red Chinese submarine which fires torpedoes at
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to an island; Jones and Montel land to investigate, but find insignificant radioactivity. After a firefight with Red Chinese soldiers, the patrol returns to the submarine with a captive, a pilot named Ho-Sin, and discover the existence of another island which could be their target.
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Initially, France banned the film on political grounds. It also banned Soviet political films. A number of European countries were sensitive to films with political themes and refused to grant them exhibition permits, avoiding the ire of the U.S. and the Soviet Union.
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them. Unable to fire back with his own untested torpedo tubes, Jones dives the boat to the sea bottom, hoping to hide; the Chinese follow. After several tense hours of waiting each other out, Jones finally decides to surface, ramming and sinking the enemy submarine.
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said there was no room on the sets for the red lighting, Fuller said that few in the audience would be familiar with the equipment inside a submarine and therefore had MacDonald place them in the audience's view.
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particularly impressive. Fuller used the widescreen effectively for the opening European locations and the exciting action climax, but also demonstrated how to use it to communicate the
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Zanuck often screened the film in CinemaScope to directors who had reservations about working in the widescreen process to demonstrate why its use should not be limited to just epics.
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In his autobiography, Fuller called it his least favorite of his films, although he noted that it was not a "stinker" but merely one that he had not originated in terms of story.
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The U.S. government, who provided the nuclear bomb explosion footage that opens the film, insisted that certain spectrum colors be eliminated from the sequence, lest it "could
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after receiving a mysterious package containing $ 5,000. Jones meets Professor Montel and a small group of international scientists, businessmen, and statesmen who suspect the
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the next day, with the blame placed on the United States. Unfortunately, Ho-Sin realizes Chin Lee is a spy and beats him to death before Jones can intervene.
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Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989.
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Jones wants to turn back, but Montel points out that their contract specifies that he won't be paid unless Montel is satisfied. They follow the
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The film was a box office success in the United States and abroad, particularly Germany. Later, when Fuller was filming a cameo in
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the northern tip of the Japanese Islands and the Arctic Circle. This is the story of that explosion.
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was originally cast in the role as Professor Montel, which later went to actor Victor Francen.
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RANDOM OBSERVATIONS ON PICTURES AND PEOPLE By A. H. WEILER. New York Times 31 Jan 1954: X5.
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agreed that he could rewrite the screenplay, provided that the original screenwriters,
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Nominated for Outstanding Directorial Achievement in Motion Pictures (Samuel Fuller)
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First Full CinemaScope Schedule Listed by Fox. Los Angeles Times. June 8, 1953: A3.
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rises: "Each man has his own reason for living and his own price for dying".
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are building a secret atomic base on an island somewhere north of
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A third face : My tale of writing, fighting, and filmmaking
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detonating the atomic bomb and obliterating the island. In
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Twentieth Century Fox: A Corporate and Financial History
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Fuller, Samuel; Fuller, Christa; Rudes, Jerome (2002).
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Before the credits, an off-screen voice-over narrates:
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like a hunter stalking his prey. When cinematographer
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The film was made to showcase 1161:Films directed by Samuel Fuller 1058:Dead Pigeon on Beethoven Street 529:Voyage to the Bottom of the Sea 483:in which he found the New York 1126:American adventure drama films 710:. 9 November 1955. p. 20. 262:the 1933 film by the same name 1: 1166:Films scored by Alfred Newman 648:"With 20th's Widescreen Jump" 637:, Scarecrow Press, 1989 p249. 1141:1950s English-language films 864:AFI Catalog of Feature Films 654:. 1 December 1954. p. 4 1176:1950s adventure drama films 724:2002 Alfred A. Knopf, p.308 1212: 1098:The Madonna and the Dragon 609:Directors Guild of America 480:How to Marry a Millionaire 397:as Professor Denise Gerard 256:in the confined sets of a 159:February 6, 1954 16:1954 film by Samuel Fuller 908: 570:in the trunk of his car. 33:Theatrical release poster 26: 1151:Cold War submarine films 442:Wong Artarne as Chin Lee 355:(a copy of the American 260:, and is not related to 1156:20th Century Fox films 954:Pickup on South Street 470:Pickup on South Street 334:News arrives that the 303:commander Adam Jones ( 279: 772:"Hell and High Water" 1196:1950s American films 922:The Baron of Arizona 1171:Films shot in Paris 1090:Street of No Return 1026:Merrill's Marauders 962:Hell and High Water 858:Hell and High Water 847:Hell and High Water 836:Hell and High Water 825:Hell and High Water 799:. Alfred A. Knopf. 598:Golden Globe Awards 568:Hell and High Water 439:as Gunner McCrossin 403:as Professor Montel 222:is a 1954 American 219:Hell and High Water 53:Jesse L. Lasky, Jr. 22:Hell and High Water 1181:Films set in Tokyo 1146:Cold War spy films 1136:American spy films 1082:Thieves After Dark 1010:The Crimson Kimono 914:I Shot Jesse James 900:Films directed by 830:TCM Movie Database 693:, January 5, 1955. 507:nuclear secrets". 457:Jesse L. Lasky Jr. 433:as Hakada Fujimori 357:B-29 Superfortress 1191:CinemaScope films 1108: 1107: 1018:Underworld U.S.A. 806:978-0-375-40165-7 770:Southall, James. 678:978-0-8108-4244-1 519:The Fighting Lady 421:as Tugboat Walker 313:Communist Chinese 292:Former U.S. Navy 215: 214: 1203: 1186:1954 drama films 986:Run of the Arrow 930:The Steel Helmet 894: 887: 880: 871: 811: 810: 790: 784: 783: 781: 779: 767: 761: 758: 752: 749: 743: 736: 725: 718: 712: 711: 700: 694: 687: 681: 670: 664: 663: 661: 659: 644: 638: 633:Aubrey Solomon, 631: 558:Steven Spielberg 537:Darryl F. Zanuck 497:Joseph MacDonald 453:Darryl F. Zanuck 409:as "Ski" Brodski 407:Cameron Mitchell 234:20th Century Fox 166: 164: 146:20th Century Fox 136:20th Century Fox 101:Joseph MacDonald 74:Raymond A. Klune 31: 19: 1211: 1210: 1206: 1205: 1204: 1202: 1201: 1200: 1131:1950s spy films 1111: 1110: 1109: 1104: 1066:The Big Red One 970:House of Bamboo 938:Fixed Bayonets! 904: 898: 820: 815: 814: 807: 792: 791: 787: 777: 775: 769: 768: 764: 759: 755: 750: 746: 738:Fuller, Samuel 737: 728: 720:Fuller, Samuel 719: 715: 704:"20th Blessing" 702: 701: 697: 688: 684: 671: 667: 657: 655: 646: 645: 641: 632: 628: 623: 583: 554: 465:J. Edgar Hoover 449: 425:Stephen Bekassy 415:as Chief Holter 389:Richard Widmark 385: 305:Richard Widmark 270: 242:Richard Widmark 176: 169: 162: 160: 153: 138: 131: 129: 89: 85: 83:Richard Widmark 65:David Hempstead 55: 34: 17: 12: 11: 5: 1209: 1207: 1199: 1198: 1193: 1188: 1183: 1178: 1173: 1168: 1163: 1158: 1153: 1148: 1143: 1138: 1133: 1128: 1123: 1113: 1112: 1106: 1105: 1103: 1102: 1094: 1086: 1078: 1070: 1062: 1054: 1046: 1042:The Naked Kiss 1038: 1034:Shock Corridor 1030: 1022: 1014: 1006: 998: 990: 982: 974: 966: 958: 950: 942: 934: 926: 918: 909: 906: 905: 899: 897: 896: 889: 882: 874: 868: 867: 866: 854: 843: 832: 819: 818:External links 816: 813: 812: 805: 785: 762: 753: 744: 726: 713: 695: 691:Variety Weekly 682: 665: 639: 625: 624: 622: 619: 618: 617: 616: 615: 606: 605: 604: 595: 594: 593: 587:Academy Awards 582: 579: 553: 550: 489:claustrophobia 475:Jean Negulesco 448: 445: 444: 443: 440: 434: 428: 422: 416: 410: 404: 401:Victor Francen 398: 392: 384: 381: 377:mushroom cloud 298: (SS-287) 283:Victor Francen 269: 266: 250:Victor Francen 236:, directed by 213: 212: 209: 205: 204: 201: 197: 196: 193: 189: 188: 185: 181: 180: 177: 174: 171: 170: 168: 167: 156: 154: 151: 148: 147: 144: 143:Distributed by 140: 139: 134: 132: 127: 124: 123: 118: 114: 113: 111:James B. Clark 108: 104: 103: 98: 97:Cinematography 94: 93: 91:Victor Francen 80: 76: 75: 72: 68: 67: 62: 58: 57: 50: 46: 45: 40: 36: 35: 32: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 1208: 1197: 1194: 1192: 1189: 1187: 1184: 1182: 1179: 1177: 1174: 1172: 1169: 1167: 1164: 1162: 1159: 1157: 1154: 1152: 1149: 1147: 1144: 1142: 1139: 1137: 1134: 1132: 1129: 1127: 1124: 1122: 1119: 1118: 1116: 1100: 1099: 1095: 1092: 1091: 1087: 1084: 1083: 1079: 1076: 1075: 1071: 1068: 1067: 1063: 1060: 1059: 1055: 1052: 1051: 1047: 1044: 1043: 1039: 1036: 1035: 1031: 1028: 1027: 1023: 1020: 1019: 1015: 1012: 1011: 1007: 1004: 1003: 999: 996: 995: 991: 988: 987: 983: 980: 979: 975: 972: 971: 967: 964: 963: 959: 956: 955: 951: 948: 947: 943: 940: 939: 935: 932: 931: 927: 924: 923: 919: 916: 915: 911: 910: 907: 903: 902:Samuel Fuller 895: 890: 888: 883: 881: 876: 875: 872: 865: 862: 860: 859: 855: 853: 849: 848: 844: 842: 838: 837: 833: 831: 827: 826: 822: 821: 817: 808: 802: 798: 797: 789: 786: 773: 766: 763: 757: 754: 748: 745: 741: 735: 733: 731: 727: 723: 717: 714: 709: 705: 699: 696: 692: 686: 683: 679: 675: 669: 666: 653: 649: 643: 640: 636: 630: 627: 620: 613: 612: 610: 607: 602: 601: 599: 596: 591: 590: 588: 585: 584: 580: 578: 575: 571: 569: 565: 564: 559: 551: 549: 546: 544: 543:Charles Boyer 540: 538: 533: 531: 530: 525: 524:Stock footage 521: 520: 515: 514:Alfred Newman 511: 508: 506: 501: 498: 492: 490: 486: 482: 481: 476: 472: 471: 466: 462: 458: 454: 446: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 396: 393: 391:as Adam Jones 390: 387: 386: 382: 380: 378: 374: 368: 366: 362: 358: 354: 348: 345: 340: 337: 332: 330: 326: 322: 318: 314: 310: 307:) arrives in 306: 302: 299: 297: 290: 288: 284: 278: 273: 267: 265: 263: 259: 255: 251: 247: 243: 240:and starring 239: 238:Samuel Fuller 235: 231: 228: 225: 221: 220: 210: 206: 202: 198: 194: 190: 187:United States 186: 182: 178: 172: 158: 157: 155: 149: 145: 141: 137: 133: 125: 122: 121:Alfred Newman 119: 115: 112: 109: 105: 102: 99: 95: 92: 88: 84: 81: 77: 73: 69: 66: 63: 59: 56:Samuel Fuller 54: 51: 49:Screenplay by 47: 44: 43:Samuel Fuller 41: 37: 30: 25: 20: 1096: 1088: 1080: 1072: 1064: 1056: 1048: 1040: 1032: 1024: 1016: 1008: 1000: 992: 984: 976: 968: 961: 960: 952: 944: 936: 928: 920: 912: 857: 846: 835: 824: 795: 788: 776:. Retrieved 774:. Movie Wave 765: 756: 747: 740:A Third Face 739: 722:A Third Face 721: 716: 707: 698: 690: 685: 668: 656:. 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Index


Samuel Fuller
Jesse L. Lasky, Jr.
David Hempstead
Richard Widmark
Bella Darvi
Victor Francen
Joseph MacDonald
James B. Clark
Alfred Newman
20th Century Fox
Technicolor
Cold War
drama film
20th Century Fox
Samuel Fuller
Richard Widmark
Bella Darvi
Victor Francen
CinemaScope
submarine
the 1933 film by the same name
Victor Francen
Iron Curtain
USS Bowfin (SS-287)
submarine
Richard Widmark
Tokyo
Communist Chinese
Japan

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