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captured by the photographer. Van Meene is quoted as saying that she finds beauty in the âunpolished, still evolvingâ adolescent girls and âthe tension between her subjectsâ their childlike awkwardness and their near-adult bodies.â Some publications have noted the âinnocently eroticâ element that is present in these photographs. The sexuality present in these photographs provokes discomfort in the viewer and raises the question of whether the models are aware of their sexuality and the effect it has on the viewer or whether they are unaware of the connotations of the way they have been positioned by the artist.
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consistent subject matter and lighting she uses, but also by the artist's consistent use of a square format and shots that are set up from a medium focal range. Some articles have also noted the painterly influence in van Meene's work, referencing the dream-like quality of the photographs and the softly-lit rooms in which her subjects are photographed. Van Meene's portraits are distinguishable by the detached appearance of her subjects and her style that straddles the border between creating a fantasy world and documenting contemporary youth.
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394:âafford the viewer insight into a self knowledge being gained by the young women in the picturesâŚAll images in this exhibition blur the boundaries between public and private moments, between voyeurism and innocent observation on the part of the photographer/viewer, and between distinctions as to whether the girls depicted are acting naturally, being posed, self-consciously posing themselves, or, more strangely, naturally assuming artificial poses.â
287:, the differentiating feature being that van Meene's work focuses on other people as her subjects rather than the artist herself as Sherman did. Both create artificial scenes and use irony to undermine the authenticity of a photograph. The photographic documentation is used to frame a âperformance eventâ as a constructed space, but one that provokes an emotional response to the staged scenario without context or commentary by the artist.
148:, the Netherlands. Her mother gave her a camera at age 15. Van Meene began taking photographs at age 16 when she would photograph her friends, which ultimately segued into the artist continuing to focus on adolescent girls in her professional photography with the aim of examining the construction of femininity in adolescence. For her undergraduate degree, Van Meene studied Fine Art at
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Van Meene faced controversy in 2002 surrounding a photo in her
Edinburgh exhibition which showed a young woman in her undergarments bent over the side of a bed. Though critics noted that this controversy was misplaced, it is understood that van Meene's photographs have an underlying sexual element to
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From 1995-1998, van Meene worked on a collection called âSeries Blancâ which featured a girl in a transparent white lace dress, lacking undergarments. This photograph prompts the viewer to question whether or not the young subject is aware of the sexual nature of the image or still too innocent to
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As van Meene gained recognition for her work, she expanded her subject matter further. She spent some time working outside of her home country, in
England, Russia, Latvia, the United States and Japan. In 2004, van Meene photographed a series of mothers and expecting women from Russia, the United
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Van Meene's portraits are more often of pubescent girls, clothed in softly coloured tops and dresses. Her subjectsâ clothing and gestures as well as the location and lighting are all planned by the artist, despite it seeming unclear how much of the scene is a candid moment of the subject's life
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For her portraits, she most often approaches girls on the street. She chooses her subject matter by finding girls who "could be said to have âimperfectâ faces and 'flawed' bodies". She pre-visualizes the portrait but is open to improvisation. The portraits bring out the "inherent grace in their
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In 2010, van Meene began photographing dogs alongside her adolescent subjects. Maintaining the same attention to detail and planning as in her earlier portraits. Van Meene has stated that in this collection, she is less concerned with the sociological message in her work and more interested in
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Hellen van Meene has admitted in interviews that she pre-plans her photographs and carefully chooses the pose, garment and location for each photograph. She has stated that she chooses the location of older homes as a way of immortalizing them. Van Meene's work is recognizable not only by the
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commissioned a portfolio of photographs of young
Japanese women. The magazine is quoted as saying that âcaptured in van Meeneâs work is the less stylized (but still stylish) vernacular of everyday Japanese girlhood. It is a look at once fashionable and ingenious, tender but not without the
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Van Meene's âThe Years Shall Run Like
Rabbitsâ is a play on the speed at which rabbits reproduce and the idea that unhappy or uncomfortable moments are fleeting. This collection was created from 1994-2015 and primarily features square portraits of adolescent girls.
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as being an inspiration for her work. Woodman's work focuses entirely on the body, often omitting her subject's faces, however perhaps this speaks to the importance of what the bodies of van Meene's subjects communicate and the emphasis she places on this element.
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Over the course of her 23-year career from 1994 to 2017, van Meene has had one-person exhibitions in Los
Angeles, Amsterdam, London, Milan, Tokyo and at the Venice Biennale and has exhibited at Sadie Coles HQ in London (2000, 2008),
267:.â She is also aware of her now-recognizable style and has noted that it is not the girls that make her work unique, but the way she styles them and uses light, gaze and posture to create a scene.
387:-like in its enigmatic tranquility and sensuous evocation of texture and subtle light.â Such comments that reference Dutch masters appear to be commonplace in reviews of van Meene's photography.
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She has been featured on CNN, TIME and more. She is a sought after workshop leader and has been commissioned to do projects by the Pump House to do a series on teenage mothers and the
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changing faces and bodies." She usually finds the girls in her hometown. She is also trying to capture some of the details of older homes in the area using them as backgrounds.
316:(2008). Her work has also been included in major group exhibitions like the Biennale for Architecture in Venice (2000), Fotografen in Nederland een Anthologie at
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in
Amsterdam. It showed a never before exhibited series of photos from the artist, and its subject matter centered around death, mourning, and renewed vitality.
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occasional flush of teenage allure.â Van Meene approached adolescent girls on the street in Tokyo and photographed them against nearby backdrops.
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for her use of natural light and the formal composition of the photographs. Other scholars have compared van Meene's portraits to those by
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signed van Meene based on her âstrong work, feeling that people perhaps respond to the painterly influence in her portraits.â Similarly,
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Hellen van Meene's work was recently exhibited at the Hague Museum of
Photography and at the Villa Mondrian in the Netherlands.
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Five years out of art school, van Meene was shortlisted for the
Citibank Photography Prize (2001) and signed with New York's
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In another exhibition review, Christopher Miles notes that the photographs in van Meene's first solo US exhibition at
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wrote in the
Telegraph, referring to van Meene's portraits as âmeticulously composed portraits of young womenâŚ
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Honorary
Fellowship, which is awarded to distinguished people within the science or fine art of photography.
1118:"The Whitechapel Gallery's all-female exhibit is a quiet, intelligent protest: Terrains of the Body, review"
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Over the years, Van Meene has also turned to still lives, portraits of animals, and fashion photography.
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in Amsterdam. Other notable photographers who also graduated from Rietveld Academy in Amsterdam include
1301:"Hellen van Meene // News & Program // Leica Gallery Istanbul // Leica Galleries - Leica Camera AG"
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have published articles about Hellen van Meene and reviewed a variety of her collections/exhibitions.
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710:"While some people may wish to forget these years, van Meene wants them preserved forever - CNN.com"
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Goldwater, Cassandra; van Meene, Hellen (2013-01-01). "Hellen van Meene: A Delicate Balancing Act".
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Tillett, Scott (2002). "PDN's 30 our choice of emerging photographers to watch: Hellen Van Meene".
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Tillett, Scott (2002). "PDN's 30 our choice of emerging photographers to watch: Hellen Van Meene".
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320:(2002), In Sight: Contemporary Dutch Photography from the Collection of the Stedelijk Museum at
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2017: "Terrains of the Body: Photography from the National Museum of Women in the Arts" at the
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In 2018, Van Meene was the focus of an exhibit called âAnd everything goes on when you dieâ at
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Several of Van Meeneâs works were exhibited as part of the 2019 show âMake Believeâ at the
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Grant, Catherine (2002-01-01). "Private Performances: Editing Performance Photography".
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Hellen van Meene's photographs have been compared to paintings by Dutch Masters such as
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120:(born 28 September 1972) is a Dutch photographer known especially for her portraits.
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2018: "Leica Gallery Istanbul Hosts Hellen van Meene" at the Leica Gallery Istanbul
1029:"hellen van meene has photographed awkward adolescents for 20 years | watch | i-D"
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van Meene photographed residents of an impoverished neighbourhood in the post-
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763:"Hellen van Meene - 2-day Masterclass 2012 - Events - Photographers Live"
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Exhibitions focused on or including works by Hellen Van Meene include:
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2012-2013: "Gaze - Changing the Face of Portrait Photography" at the
660:"hellen van meene has photographed awkward adolescents for 20 years"
172:. During her studies, van Meene spent a brief period in 1995 at the
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2015: "Faces Now: European Portrait Photography since 1990" at the
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commissioned her to travel to Japan to photograph Japanese girls.
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2018: "Hellen van Meene: And everything goes on when you die" at
1373:"Gaze â Changing Face of Portrait Photography - Ä°stanbul Modern"
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841:. Chicago, Illinois: University of Chicago Press. p. 63.
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2007-2008: "Girls on the Verge: Portraits of Adolescence" at
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Miles, Christopher (2001). "Hellen van Meene, Marc Foxx".
636:"Hellen van Meene - Museum of Contemporary Photography"
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According to Scott Tillett at Photo District News, the
686:"Exploring one photographer's fixation with girlhood"
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them and can create an uneasiness within the viewer.
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In 2016, Van Meene was one of the recipients of the
176:. Other notable alumnae of this institution include
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437:Hellen van Meene: The Years Shall Run Like Rabbits
263:curating âlight, shape, posture, gaze and general
1053:"Animal Magic: Hellen van Meene Finds a New Path"
739:"Animal Magic: Hellen van Meene Finds a New Path"
306:The Museum of Contemporary Photography in Chicago
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1397:"Girls on the Verge: Portraits of Adolescence"
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1004:"Hellen Van Meene's Otherworldly Adolescents"
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789:. Contemporary-magazines.com. Archived from
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209:Kingdom and Latvia. In the 2007 series,
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612:"Sunday Salon Âť Hellen van Meene"
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787:"Photography : Hellen Van Meene"
451:Hellen Van Meene: Tout va disparaĂŽtre
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1080:. Munich: Schirmer/Mosel. p. 7.
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328:in New York (2007), Paris Photo in
839:Baby Butches and Reluctant Lolitas
348:Critical reception and recognition
290:Hellen van Meene herself mentions
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1160:Mahoney, Elisabeth (2002-01-14).
338:Matthew Marks Gallery in New York
110:Hellen van Meene Official Website
1472:21st-century women photographers
1467:21st-century Dutch photographers
1462:20th-century women photographers
1457:20th-century Dutch photographers
1223:"Exhibitions - Hellen van Meene"
1091:Bubich, Olga (August 26, 2015).
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1442:Gerrit Rietveld Academie alumni
324:(2005), Family Pictures at the
1149:(9): 182 – via ProQuest.
979:10.1080/13528165.2002.10871828
493:Hellen van Meene: Japan Series
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545:Istanbul Museum of Modern Art
144:Hellen van Meene was born in
1401:The Art Institute of Chicago
1194:"Honorary Fellowships - RPS"
551:The Art Institute of Chicago
516:2019: "Make Believe" at the
330:Carrousel du Louvre in Paris
326:Solomon R. Guggenheim Museum
322:The Art Institute of Chicago
1281:Museum of Fine Arts, Boston
900:The Women's Review of Books
479:Hellen Van Meene: Portraits
336:in Rotterdam (2015) and at
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1078:Hellen Van Meene: new work
1076:Van Meene, Hellen (2006).
860:: 56 – via ProQuest.
465:Hellen Van Meene: New Work
403:Royal Photographic Society
342:The Photographer's Gallery
1437:Dutch women photographers
837:Grant, Catherine (2011).
467:, Schirmer/Mosel (2007) (
453:, Schirmer/Mosel (2009) (
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495:, Walther Konig (2003) (
318:Gemeente Museum Den Haag
310:Folkwang Museum in Essen
140:Early life and education
90:Gerrit Rietveld Academie
364:, Art Photography Now,
352:Publications including
174:Edinburg College of Art
1452:Portrait photographers
1377:www.istanbulmodern.org
767:Photographers-live.com
332:(2008), Faces in the
211:Going my Own Way Home,
392:The Marc Foxx Gallery
377:Matthew Marks Gallery
314:Fotomuseum Winterthur
203:Matthew Marks gallery
967:Performance Research
684:Dazed (2015-08-12).
539:Centre for Fine Arts
334:Nederlands Fotomusem
1447:People from Alkmaar
1329:Whitechapel Gallery
1305:us.leica-camera.com
854:Photo District News
591:Photo District News
533:Whitechapel Gallery
518:Museum of Fine Arts
508:List of exhibitions
481:, Aperture (2005) (
439:, Aperture (2015) (
425:Museum of Fine Arts
354:Photo District News
1250:"Hellen van Meene"
1227:hellenvanmeene.com
1162:"Hellen van Meene"
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933:The New York Times
872:"Hellen Van Meene"
817:The New York Times
366:The New York Times
170:AntonĂn Kratochvil
62:September 28, 1972
27:Dutch photographer
292:Francesca Woodman
215:Hurricane Katrina
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