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Hello World! (composition)

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Conversely, the musicologist Peter Russell was asked to review "Hello World!" for the BBC, based on a video of the live premiere, but he was not given any information about the composer. In his critique, Russell writes "on listening to this delightful piece of chamber music I could not bring myself
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Despite describing the piece as "more successful than previous attempts to produce generic musical compositions from computers," he added, "The real paradox of Iamus is why it's being used to attempt to fool humanity in this way. If you've got a computer program of this sophistication, why bother
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To me, it's precisely the musical "genomes", the backbone of the way Iamus programs and produces its pieces, that are the problem. It sounds like it's slavishly manipulating pitch cells to generate melodies that have a kind of superficial coherence and relationship to one another, with all the
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As supported by neuroscientific studies, critiques of "Hello World!" (and similarly created works) could potentially be affected by anti-computer prejudice, derived from the fact of knowing in advance (or not) the non-human nature of the author. The music critic
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trying to compose pieces that a human, and not a very good human at that – well, not a compositional genius anyway – could write? Why not use it to find new realms of sound, new kinds of musical ideas?"
155:(there's no equivalent of the humorous exclamation mark in the music, more's the pity) is so unmemorable, and the way it's elaborated so workaday, that the piece leaves no distinctive impression. 51:
in September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional
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acknowledged as much in his review of a 2012 performance, writing, "Now, maybe I'm falling victim to a perceptual bias against a faceless computer program but I just don't think
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to say that it would probably be more satisfying to read the score than listen to it. In fact after repeated hearings, I came to like it".
337: 202: 338:"Understanding the Intentions Behind Man-Made Products Elicits Neural Activity in Areas Dedicated to Mental State Attribution" 488: 25: 107:"Hello World!" was given its premiere performance on October 15, 2011, by Trio Energio at the Keroxen music festival in 40: 263: 493: 151:
dryness and greyness that suggests, despite the expressive commitment of the three performers. But the material of
44: 28: 173: 469: 428: 108: 381: 120: 203:"Keroxen aúna coreografía y música sobre el escenario de el Tanque - el Día - Hemeroteca 14-10-2011" 80: 64: 447: 357: 68: 341: 83:, which is traditionally used to teach the most essential aspects in a programming language. 316: 183: 52: 48: 473: 451: 178: 116: 242: 482: 92: 386: 138: 409: 377: 133: 96: 461: 289: 218:"Keroxen ofrece este fin de semana una intensa programación de música y danza" 267: 16: 456: 60: 321: 304: 112: 23: 15: 466: 56: 63:
format that can be imported in professional editors such as
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Full text of "Hello World!" critique from Peter Russell
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Nikolaus Steinbeis1 and Stefan Koelsch2 (2008-07-04).
410:"Iamus: Is this the 21st century's answer to Mozart?" 95:, an electronic music pioneer and inventor of the 79:The title makes reference to the computer program 148: 91:The composition is dedicated to the memory of 8: 119:(clarinet), Cecilia Bercovich (violin), and 362:: CS1 maint: numeric names: authors list ( 340:. Cercor.oxfordjournals.org. Archived from 320: 264:"Keroxen | Blog | Trío energio" 146:is especially impressive." He continued: 457:Audio of "Hello World!" in Melomics site 194: 355: 220:. Creativacanaria.com. Archived from 7: 462:Video of "Hello World!" in YouTube 55:. Iamus generates music scores in 14: 408:Smith, Sylvia (3 January 2013). 382:"Iamus's Hello World! – review" 504:Compositions for clarinet trio 427:Ball, Philip (8 August 2014). 216:Dude Ellingtone (2011-10-14). 1: 41:contemporary classical music 499:Compositions for piano trio 520: 45:clarinet-violin-piano trio 174:Algorithmic composition 115:. The performers were 157: 109:Santa Cruz de Tenerife 32: 21: 489:Compositions by Iamus 305:"Algorithmic Rapture" 303:Ball, Philip (2012). 31: 19: 20:"Hello World!" score 414:BBC News Technology 270:on October 12, 2011 472:2014-08-09 at the 450:2018-10-20 at the 121:Gustavo Díaz-Jerez 33: 22: 494:2011 compositions 445:Melomics Homepage 245:. indicesiete.com 243:"indicesiete.com" 29: 511: 433: 432: 424: 418: 417: 405: 399: 398: 396: 394: 374: 368: 367: 361: 353: 351: 349: 333: 327: 326: 324: 300: 294: 293: 286: 280: 279: 277: 275: 266:. Archived from 260: 254: 253: 251: 250: 239: 233: 232: 230: 229: 213: 207: 206: 199: 53:musical notation 39:" is a piece of 30: 519: 518: 514: 513: 512: 510: 509: 508: 479: 478: 474:Wayback Machine 452:Wayback Machine 441: 436: 426: 425: 421: 407: 406: 402: 392: 390: 380:(1 July 2012). 376: 375: 371: 354: 347: 345: 335: 334: 330: 322:10.1038/488458a 302: 301: 297: 288: 287: 283: 273: 271: 262: 261: 257: 248: 246: 241: 240: 236: 227: 225: 215: 214: 210: 201: 200: 196: 192: 170: 129: 105: 89: 77: 24: 12: 11: 5: 517: 515: 507: 506: 501: 496: 491: 481: 480: 477: 476: 464: 459: 454: 440: 439:External links 437: 435: 434: 419: 400: 369: 328: 295: 281: 255: 234: 208: 193: 191: 188: 187: 186: 184:Iamus computer 181: 179:Computer music 176: 169: 166: 128: 125: 117:Cristo Barrios 104: 101: 88: 85: 76: 73: 49:Iamus Computer 13: 10: 9: 6: 4: 3: 2: 516: 505: 502: 500: 497: 495: 492: 490: 487: 486: 484: 475: 471: 468: 465: 463: 460: 458: 455: 453: 449: 446: 443: 442: 438: 431:. BBC Future. 430: 423: 420: 415: 411: 404: 401: 389: 388: 383: 379: 373: 370: 365: 359: 344:on 2016-02-03 343: 339: 332: 329: 323: 318: 315:(7412): 456. 314: 310: 306: 299: 296: 291: 285: 282: 269: 265: 259: 256: 244: 238: 235: 224:on 2012-09-04 223: 219: 212: 209: 204: 198: 195: 189: 185: 182: 180: 177: 175: 172: 171: 167: 165: 161: 156: 154: 147: 145: 141: 140: 135: 126: 124: 122: 118: 114: 110: 102: 100: 98: 94: 93:Raymond Scott 86: 84: 82: 74: 72: 70: 66: 62: 58: 54: 50: 46: 42: 38: 18: 422: 413: 403: 391:. Retrieved 387:The Guardian 385: 378:Service, Tom 372: 346:. Retrieved 342:the original 331: 312: 308: 298: 284: 272:. Retrieved 268:the original 258: 247:. Retrieved 237: 226:. Retrieved 222:the original 211: 197: 162: 158: 153:Hello World! 152: 149: 144:Hello World! 143: 139:The Guardian 137: 130: 106: 90: 78: 47:composed by 37:Hello World! 36: 34: 274:February 2, 134:Tom Service 97:Electronium 81:Hello World 483:Categories 348:January 1, 290:"和田丝网服务中心" 249:2014-01-01 228:2014-01-01 190:References 87:Dedication 127:Reception 123:(piano). 470:Archived 448:Archived 393:July 31, 358:cite web 168:See also 103:Premiere 65:Sibelius 61:MusicXML 59:and the 309:Nature 69:Finale 113:Spain 75:Title 395:2016 364:link 350:2014 276:2012 67:and 43:for 317:doi 313:188 136:of 57:PDF 485:: 412:. 384:. 360:}} 356:{{ 311:. 307:. 111:, 99:. 71:. 416:. 397:. 366:) 352:. 325:. 319:: 292:. 278:. 252:. 231:. 205:. 35:"

Index


contemporary classical music
clarinet-violin-piano trio
Iamus Computer
musical notation
PDF
MusicXML
Sibelius
Finale
Hello World
Raymond Scott
Electronium
Santa Cruz de Tenerife
Spain
Cristo Barrios
Gustavo Díaz-Jerez
Tom Service
The Guardian
Algorithmic composition
Computer music
Iamus computer
"Keroxen aúna coreografía y música sobre el escenario de el Tanque - el Día - Hemeroteca 14-10-2011"
"Keroxen ofrece este fin de semana una intensa programación de música y danza"
the original
"indicesiete.com"
"Keroxen | Blog | Trío energio"
the original
"和田丝网服务中心"
"Algorithmic Rapture"
doi

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