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Conversely, the musicologist Peter
Russell was asked to review "Hello World!" for the BBC, based on a video of the live premiere, but he was not given any information about the composer. In his critique, Russell writes "on listening to this delightful piece of chamber music I could not bring myself
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Despite describing the piece as "more successful than previous attempts to produce generic musical compositions from computers," he added, "The real paradox of Iamus is why it's being used to attempt to fool humanity in this way. If you've got a computer program of this sophistication, why bother
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To me, it's precisely the musical "genomes", the backbone of the way Iamus programs and produces its pieces, that are the problem. It sounds like it's slavishly manipulating pitch cells to generate melodies that have a kind of superficial coherence and relationship to one another, with all the
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As supported by neuroscientific studies, critiques of "Hello World!" (and similarly created works) could potentially be affected by anti-computer prejudice, derived from the fact of knowing in advance (or not) the non-human nature of the author. The music critic
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trying to compose pieces that a human, and not a very good human at that – well, not a compositional genius anyway – could write? Why not use it to find new realms of sound, new kinds of musical ideas?"
155:(there's no equivalent of the humorous exclamation mark in the music, more's the pity) is so unmemorable, and the way it's elaborated so workaday, that the piece leaves no distinctive impression.
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in
September 2011. It is arguably the first full-scale work entirely composed by a computer without any human intervention and automatically written in a fully-fledged score using conventional
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acknowledged as much in his review of a 2012 performance, writing, "Now, maybe I'm falling victim to a perceptual bias against a faceless computer program but I just don't think
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to say that it would probably be more satisfying to read the score than listen to it. In fact after repeated hearings, I came to like it".
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338:"Understanding the Intentions Behind Man-Made Products Elicits Neural Activity in Areas Dedicated to Mental State Attribution"
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107:"Hello World!" was given its premiere performance on October 15, 2011, by Trio Energio at the Keroxen music festival in
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dryness and greyness that suggests, despite the expressive commitment of the three performers. But the material of
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203:"Keroxen aúna coreografía y música sobre el escenario de el Tanque - el Día - Hemeroteca 14-10-2011"
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format that can be imported in professional editors such as
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Full text of "Hello World!" critique from Peter
Russell
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429:"Artificial music: The computers that create melodies"
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Nikolaus
Steinbeis1 and Stefan Koelsch2 (2008-07-04).
410:"Iamus: Is this the 21st century's answer to Mozart?"
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91:The composition is dedicated to the memory of
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119:(clarinet), Cecilia Bercovich (violin), and
362:: CS1 maint: numeric names: authors list (
340:. Cercor.oxfordjournals.org. Archived from
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264:"Keroxen | Blog | Trío energio"
146:is especially impressive." He continued:
457:Audio of "Hello World!" in Melomics site
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220:. Creativacanaria.com. Archived from
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462:Video of "Hello World!" in YouTube
55:. Iamus generates music scores in
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408:Smith, Sylvia (3 January 2013).
382:"Iamus's Hello World! – review"
504:Compositions for clarinet trio
427:Ball, Philip (8 August 2014).
216:Dude Ellingtone (2011-10-14).
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41:contemporary classical music
499:Compositions for piano trio
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45:clarinet-violin-piano trio
174:Algorithmic composition
115:. The performers were
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109:Santa Cruz de Tenerife
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489:Compositions by Iamus
305:"Algorithmic Rapture"
303:Ball, Philip (2012).
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20:"Hello World!" score
414:BBC News Technology
270:on October 12, 2011
472:2014-08-09 at the
450:2018-10-20 at the
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274:February 2,
134:Tom Service
97:Electronium
81:Hello World
483:Categories
348:January 1,
290:"和田丝网服务中心"
249:2014-01-01
228:2014-01-01
190:References
87:Dedication
127:Reception
123:(piano).
470:Archived
448:Archived
393:July 31,
358:cite web
168:See also
103:Premiere
65:Sibelius
61:MusicXML
59:and the
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69:Finale
113:Spain
75:Title
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