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country described the actress as "the star of the common people." As a symbol of everything that the cultural elites despised from the lower class. These same circles attributed the popularity of Henny to her personification of the traditional image of the German woman: a placid, voluptuous, but not erotic blonde, who embodied values such as self-sacrifice, indulgence and submission. Porten was faithful to this characterization from 1910 until the end of the silent film era.
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The characters that Henny Porten played in her films, emerged from the daily life of the people and allowed German viewers to recognize familiar structures for them. Almost always, they were stories taken from serial novels taken from magazines. Therefore, the artistic and intellectual circles of the
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Henny Porten used to play women who found fulfillment in serving others and in self-sacrifice, who indulged in submission even against their will. In these films they exposed the social repression that patriarchy exercised over women, showed how women with extramarital relationships or who were
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took power and she refused to divorce her Jewish husband, she found that her career, while doing twelve films a year, dissolved immediately. When she resolved on emigration, she was denied an exit visa to prevent a negative impression. She made ten films during the Nazi era. Her placid and
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reassuring persona helped calm audiences confronted with Allied bombardment. In 1944, after an aerial mine destroyed her home, she and her husband were out on the streets, as it was forbidden to shelter a 'full Jew'. After the Second World War, Porten made two films for the
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The first German film producers refused to reveal the names of the actors in their films, fearing that they would be charged more money. Hence, Henny Porten was not known by name but by the epithet of the "Messter's girl". But in 1910, when Henny acted in the melodrama
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origin, then director of the
Sanatorium "Wiggers Kurheim", in Garmisch-Partenkirchen, who thereafter took charge of the production of Porten's films. When the
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with such success, Messter was forced to make known to the public the name of his interpreter. And immediately, the actress asked for a raise.
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391:(1906), that Henny Porten made her first appearance in the cinema. It was a modest role in a sound film, very short, that her father,
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The actress at first was skeptical about sound movies, but finally worked with the new medium, debuting in 1930 with the film
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was filmed, in which criticism of a social nature was exposed. The same year she acted in the version of the work of
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single mothers were separated from social life, and showed unequal competition between men and women at work.
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Porten founded in 1919 a film production company of her own, which in 1924 merged with the signature of
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On 24 June 1921, she remarried, to
Wilhelm von Kaufmann (1888–1959), a doctor of
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Henny Porten died in West Berlin, West
Germany, in 1960. She was buried in the
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Commanders
Crosses of the Order of Merit of the Federal Republic of Germany
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before signing an exclusive contract with
Messter and starring in the film
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In the 1910s she worked actively in film, becoming, along with
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231:(7 January 1890 – 15 October 1960) was a German actress and
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Tainted
Goddesses: Female Film Stars of the Third Reich
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1108:Curt A. Stark biography on film-zeit.de
1071:. Perseus Books Group. pp. 33–35.
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401:De MĂşgica College for Elderly Daughters
171: 1921; died 1959)
148: 1912; died 1916)
1164:(in European Spanish). 17 January 2012
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405:Deutsche Mutoskop und Biograph GmbH
247:Frieda Ulricke Porten was born in
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602:Agnes Arnau and Her Three Suitors
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906:The Woman Everyone Loves Is You
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802:The Adventures of Sybil Brent
490:No Sin on the Alpine Pastures
375:In 1960, she was awarded the
327:She starred in the 1924 film
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1221:German silent film actresses
1117:. Retrieved 16 October 2013.
1098:. Retrieved 16 October 2013.
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930:The Mistress and her Servant
291:Gerhart Hauptmann Rose Bernd
18:Henny Porten Filmproduktion
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834:When She Starts, Look Out
538:The Princess of Neutralia
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762:The Secret of Brinkenhof
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333:, which was directed by
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211:Fritz Porten (brother)
112:Actress, film producer
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1226:German film producers
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1010:Marriage of Affection
858:The Long Intermission
650:A Drive into the Blue
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424:It was with the film
62:Frieda Ulricke Porten
1113:2 April 2015 at the
842:Roses from the South
562:Countess Kitchenmaid
474:Selected filmography
372:Cemetery in Berlin.
158:Wilhelm von Kaufmann
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882:Love in the Cowshed
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335:Georg Wilhelm Pabst
309:Kohlhiesels Töchter
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866:My Aunt, Your Aunt
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413:(1910), based on
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1166:. Retrieved
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1137:11 September
1135:. Retrieved
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268:Asta Nielsen
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257:Franz Porten
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102:West Germany
92:(1960-10-15)
36:Henny Porten
29:
1211:1960 deaths
1206:1890 births
1162:CineForever
914:German Wine
738:Inge Larsen
674:Anna Boleyn
570:The Victors
430:Love Masked
360:East German
316:(1921), by
299:Anna Boleyn
261:Rosa Porten
206:Rosa Porten
98:West Berlin
1200:Categories
1168:1 December
1132:Silent Era
1043:References
714:Backstairs
666:Rose Bernd
448:in Berlin.
387:It was in
302:(starring
237:silent era
68:1890-01-07
890:Violantha
634:Her Sport
482:Alexandra
415:the opera
410:Lohengrin
278:in 1916.
249:Magdeburg
243:Biography
199:Relatives
120:1906–1955
76:Magdeburg
1111:Archived
746:I.N.R.I.
325:I.N.R.I.
287:Irrungen
208:(sister)
48:Porten,
810:Tragedy
274:on the
235:of the
180:Parents
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1037:(1955)
1029:(1954)
1021:(1950)
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1005:(1944)
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989:(1941)
981:(1935)
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898:Escape
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351:Jewish
306:) and
229:Porten
874:Lotte
355:Nazis
225:Henny
167:(
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52:1920s
1191:IMDb
1170:2018
1139:2009
1096:IMDb
1073:ISBN
383:Fame
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