457:. Henry Brant was America's foremost composer of acoustic spatial music. The planned positioning of performers throughout the hall, as well as on stage, was an essential factor in his composing scheme and a point of departure for a radically expanded range and intensity of musical expression. Brant's mastery of spatial composing technique enabled him to write textures of unprecedented polyphonic and/or polystylistic complexity while providing maximum resonance in the hall and increased clarity of musical detail for the listener. His catalogue comprises over 100 spatial works.
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481:(1932) for an ensemble of 11 flutes. His experimentation was not always successful however. His 1972 piece Immortal Combat staged outside Lincoln Center was drowned out by traffic noise and a thunderstorm. With the exception of pieces composed for recorded media (in which he used over-dubbing or acoustical sound sources), Brant did not use electronic materials or permit amplification in his music.
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During the mid-1950s Brant came to the conclusion that (as he himself put it) "single-style music … could no longer evoke the new stresses, layered insanities, and multi-directional assaults of contemporary life on the spirit." In pursuit of an optimal framework for the presentation of a music which
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ensemble, percussion orchestra and two
Western solo sopranos. Brant's spatial experiments convinced him that space exerts specific influences on harmony, polyphony, texture and timbre. He regarded space as music's "fourth dimension," (after pitch, time and timbre). Brant experimented with new
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Thereafter Brant composed, orchestrated, and conducted for radio, film, ballet, and jazz groups. The stylistic diversity of these early professional experiences would also eventually contribute to the manner of his mature output. Starting in the late 1940s, he taught at
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embraced such a simultaneity of musical textures and styles, Brant made a series of experiments and compositions exploring the potential for the physical position of sounds in space to be used as an essential compositional element.
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221:(1929–34). He played violin, flute, tin whistle, piano, organ, and percussion at a professional level and was fluent with the playing techniques for all of the standard orchestral instruments.
232:; and Cowell realized that Brant had already demonstrated an early identification with the American experimental musical tradition. He was represented in Cowell's anthology by an essay on
514:. In addition to composing, he played the violin, flute, tin whistle, percussion, piano, and organ and frequently included soloistic parts in his large works for himself to play.
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In keeping with Brant's belief that music can be as complex and contradictory as everyday life, his larger works often employ multiple, contrasting performing forces, as in
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197:(September 15, 1913 – April 26, 2008) was a Canadian-born American composer. An expert orchestrator with a flair for experimentation, many of Brant's works featured
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431:, in which the location of instruments and/or voices in physical space is a significant compositional element. He identified the origins of the concept in the
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was an acknowledged inspiration for Brant's spatial music — was ultimately found in the premiere of Brant's arrangement of Ives'
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for 9 flutes, and others for multiple trumpets and guitars. This predilection for ensembles of a single tone quality dates from
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As well as producing works for the concert hall, Brant worked as an orchestrator for many
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combinations of acoustic timbres, even creating entire works for instrumental family groups of a single timbre:
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Harley, Maria Anna. "An
American in Space: Henry Brant's "spatial Music"". American Music 15.1 (1997): 70–92.
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acquired Brant's complete archive of original manuscripts, including over 300 works, in 1998.
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Autumn
Hurricanes, A Spatial Cantata for Widely Separated Vocal and Instrumental Groups
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conferred upon him the honorary degree of Doctor of Fine Arts (1998). The
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Strength through Joy in
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As a 19-year-old, Brant was the youngest composer included in
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MusicMavericks.PublicRadio.org: An interview with Henry Brant
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277:. Brant helped with the orchestration of North's score for
1466:"Henry Brant - John Simon Guggenheim Memorial Foundation"
1154:, Brant was awarded the 2002 Pulitzer Prize in Music for
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Concerto for Alto
Saxophone Solo Or Trumpet Solo (1996)
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Concerto for Alto Sax or
Trumpet with Nine Instruments
1359:"American Mavericks: If You Build it, they will come"
332:. There he died on April 26, 2008, at the age of 94.
1072:(for 80 trombones, organ and sopranino voice) (1979)
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Members of the
American Academy of Arts and Letters
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Whoopee in D major: (Overture for a Fine
Orchestra)
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49:. Unsourced material may be challenged and removed.
1262:Henry Brant as composer and orchestrator for films
549:was repeated in a Green Umbrella concert at LA's
273:(1963), one of many collaborations with composer
1520:by Alan Baker, Minnesota Public Radio, June 2002
729:Concerto for Clarinet and Dance (Jazz) Orchestra
656:Solo instrument with orchestra/chamber orchestra
488:(conceptually based on the architecture of the
833:, for clarinet, glockenspiel, and piano (1954)
484:He is perhaps best known for his compositions
409:of 1955–57 but coming thirty-five years after
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1221:International Encyclopedia of Women Composers
667:Fantasy and Caprice, for violin and orchestra
473:for 80 trombones, organ and sopranino voice,
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427:of 1916–18), Brant developed the concept of
311:Second Piano Sonata, "Concord, Mass 1840–60"
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670:Concerto for Alto Sax and Orchestra (1941)
369:. Please do not remove this message until
252:. His students included American composer
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1505:by Samara Rainey, WMJ Issue 3, Article 13
389:Learn how and when to remove this message
109:Learn how and when to remove this message
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1223:. Books & Music (USA). p. 596.
906:Variations on a Theme by Robert Schumann
365:Relevant discussion may be found on the
1899:Canadian emigrants to the United States
1279:The Greatest Symphony Ever (Re-)Written
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721:Solo instrument with band/wind ensemble
710:Street Music (Three Places in Montreal)
188:Composer, orchestrator, instrumentalist
1442:"The Henry Brant Collection, Volume 5"
739:Solo instrument with chamber ensemble
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1894:21st-century American male musicians
1889:20th-century American male musicians
1530:The Henry Brant Collection on innova
1152:American Academy of Arts and Letters
762:The Scientific Creation of the World
664:Concerto for Saxophone and Orchestra
584:Brant's handbook for orchestration,
577:for a December 2001 premiere by the
537:, premiered on June 4, 2004, at the
230:American Composers on American Music
47:adding citations to reliable sources
1329:"Brant, Henry | Carl Fischer Music"
751:Vocal quartet with chamber ensemble
661:Concerto for Clarinet and Orchestra
616:Dedication in Memory of a Great Man
447:and, most importantly, in works of
1493:Henry Brant's page at Carl Fischer
1070:Orbits: A Spatial Symphonic Ritual
860:Conversations in an Unknown Tongue
733:Statesmen in Jazz: Three Portraits
569:had its premiere on May 26, 2002.
328:From 1981, Brant made his home in
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1824:American male classical composers
1859:Pulitzer Prize for Music winners
1814:21st-century classical composers
1809:20th-century classical composers
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1105:Curriculum ll: Spatial Tone Poem
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1884:20th-century American composers
1879:20th-century Canadian composers
1874:21st-century American composers
1844:Canadian experimental musicians
1819:American experimental musicians
1306:. Retrieved September 11, 2008.
1184:National Endowment for the Arts
880:Funeral Music for the Mass Dead
839:, for piccolo, cello, and piano
34:needs additional citations for
1619:On the Transmigration of Souls
1524:Art of the States: Henry Brant
1363:musicmavericks.publicradio.org
640:Variations on a Canadian Theme
588:, was published posthumously.
519:Wind, Water, Clouds & Fire
401:Beginning with the 1953 score
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1869:Pupils of Wallingford Riegger
1672:The Little Match Girl Passion
1640:Second Concerto for Orchestra
1406:Retrieved September 11, 2008.
1245:Alex North's Comments on 2001
1839:Canadian classical composers
1829:American classical composers
865:Four Mountains in the Amstel
814:Partita, for flute and piano
808:Ballad, for violin and piano
508:in 2002 for his composition
228:'s landmark book from 1933,
1266:RenewableMusic.blogspot.com
1083:Orchestra/chamber orchestra
926:Aria with Thirty Variations
818:Two Rush Hours in Manhattan
745:Violin Concerto with Lights
593:Orchestra/chamber orchestra
371:conditions to do so are met
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1834:Bennington College faculty
787:, with solo female speaker
565:, for New Music Concerts,
502:The Grand Universal Circus
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1526:two works by the composer
1404:Getty Research Institute.
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1059:, for keyboard instrument
990:The Three-Way Canon Blues
969:(Symphony for Percussion)
843:Music for a Five and Dime
517:Later premieres included
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330:Santa Barbara, California
177:Santa Barbara, California
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1864:Pupils of George Antheil
1849:Juilliard School faculty
1582:Pulitzer Prize for Music
1417:"Henry Brant: Ice Field"
1357:Media, American Public.
1268:, Friday, July 03, 2009.
1219:Cohen, Aaron I. (1987).
1158:(2001), commissioned by
985:Peace Music for U.N. Day
911:Five to nine instruments
811:Duo, for cello and piano
551:Walt Disney Concert Hall
535:Getty Research Institute
506:Pulitzer Prize for Music
325:on its SFS Media label.
1536:San Francisco Chronicle
1498:Henry Brant's Home Page
1300:Henry Brant. Biography.
1166:under the direction of
1123:On the Nature of Things
1004:Toccata on "Wachet Auf"
781:, with solo harpsichord
559:concerto for flute solo
454:The Unanswered Question
307:The Unanswered Question
1514:Interviews Henry Brant
1196:Paul Sacher Foundation
1172:Guggenheim Fellowships
1164:San Francisco Symphony
1021:Confusion in the Salon
820:, for violin and piano
579:San Francisco Symphony
555:Ghosts & Gargoyles
475:Ghosts & Gargoyles
323:San Francisco Symphony
217:(1926–29) and then in
1168:Michael Tilson Thomas
1162:and premiered by the
1129:Plowshares and Swords
1027:Country Tunes in Jazz
922:American Commencement
875:From Bach's Menagerie
628:The Nineteen-Thirties
553:on November 1, 2004.
500:. A "spatial opera",
498:Horizontals Extending
215:McGill Conservatorium
1298:Lewis, Uncle Dave. "
1001:Four Choral Preludes
757:Four Skeleton Pieces
689:Two Lyric Interludes
626:Symphony in B-flat (
586:Textures and Timbres
424:Music of the Spheres
321:was recorded by the
195:Henry Dreyfuss Brant
43:improve this article
1512:Charles Amirkhanian
1503:Henry Brant Tribute
1333:www.carlfischer.com
1249:Visual-Memory.co.UK
1192:Wesleyan University
1134:Prisons of the Mind
961:Percussion ensemble
950:A Requiem in Summer
902:A Requiem in Summer
686:Two Choral Preludes
486:Verticals Ascending
358:of this section is
248:and, for 24 years,
242:Columbia University
1543:Obituary from the
1538:obituary for Brant
1170:. He received two
1139:Trinity of Spheres
917:All Souls Carnival
715:Whoopee in D major
694:Band/wind ensemble
435:music of the late
319:A Concord Symphony
315:A Concord Symphony
250:Bennington College
209:Brant was born in
150:September 15, 1913
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1230:978-0-9617485-0-0
1096:(chamber version)
980:December Madrigal
974:A cappella chorus
945:The Marx Brothers
825:Three instruments
479:Angels and Devils
403:Rural Antiphonies
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58:"Henry Brant"
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32:This article
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1645:Yehudi Wyner
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1473:. Retrieved
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1426:February 15,
1424:. Retrieved
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1304:AllMusic.com
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379:October 2013
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303:Charles Ives
299:Gordon Parks
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254:Patsy Rogers
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226:Henry Cowell
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201:techniques.
194:
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171:(2008-04-26)
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99:January 2010
96:
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41:Please help
36:verification
33:
1804:2008 deaths
1799:1913 births
1678:Steve Reich
1603:Henry Brant
1584:(2001–2010)
1421:Other Minds
1160:Other Minds
1094:Antiphony I
1089:Antiphony I
1053:, for piano
1047:, for cello
1041:, for flute
1035:, for piano
1029:, for piano
1023:, for piano
1017:, for cello
575:Other Minds
543:Los Angeles
494:Los Angeles
462:Meteor Farm
437:renaissance
125:Henry Brant
1793:Categories
1667:David Lang
1614:John Adams
1475:2024-06-26
1470:www.gf.org
1451:2020-12-27
1368:2018-03-21
1343:2018-03-21
1206:References
996:Two pianos
433:antiphonal
356:neutrality
275:Alex North
146:1913-09-15
69:newspapers
1777:Citations
1770:2011–2020
1763:2001–2010
1756:1991–2000
1749:1981–1990
1742:1971–1980
1735:1961–1970
1728:1951–1960
1721:1943–1950
1608:Ice Field
1287:Kyle Gann
1156:Ice Field
1117:Ice Field
1039:Mobiles 1
930:Galaxy II
870:Fourscore
791:Newsflash
785:Feuerwerk
571:Ice Field
527:Wisconsin
523:Milwaukee
511:Ice Field
367:talk page
317:in 1996.
270:Cleopatra
205:Biography
955:Stresses
885:Galaxy I
779:Divinity
683:Saraband
621:Downtown
611:Decision
603:Ballad (
360:disputed
305:— whose
211:Montreal
160:, Canada
154:Montreal
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831:Ice Age
567:Toronto
547:Tremors
531:Tremors
466:Gamelan
441:Requiem
407:Gruppen
83:scholar
1227:
1146:Awards
1125:(1956)
1112:(2000)
1078:(1986)
646:(1972)
496:) and
471:Orbits
297:, and
267:movie
244:, the
158:Quebec
85:
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1200:Basel
1045:Oases
623:Suite
561:with
336:Music
90:JSTOR
76:books
1428:2024
1225:ISBN
1186:and
797:Piri
557:, a
353:The
279:2001
166:Died
140:Born
62:news
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