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were only published in vocal score, with no orchestral material seeming to be extant. His operas remained unpublished, excepting the libretti. Manuscript material for several works does, however, survive including the
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were his only orchestral compositions to be published in full score (copies of which are held by the
Library of Congress amongst other locations), whilst
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102:. His original name was Henry Hugh Pearson, in Germany he used Heinrich Hugo Pierson. He had success in his adopted country with his operas and
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Many of
Pierson's manuscript full and vocal scores, including those of his oratorios and operas, appear not to have survived. The funeral march
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94:(12 April 1815 – 28 January 1873) was an English composer resident from 1845 in Germany. He was born
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he was made to resign when he did not take up his duties and subsequently based himself in
Germany.
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209:(57 orchestral and choral parts, University Library , Hamburg, D-Hs/ ND VII 310).
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Pierson was the son of a clergyman, Hugh
Nicholas Pearson. He was educated at
193:(full score, Royal College of Music, London, RCM MS 502), the funeral march
243:, symphonic poem, Op.54 (fp. Crystal Palace, London, 23 October 1875)
142:, before he married in 1844. Although elected to a professorship at
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187:(orchestral parts, University Of Pennsylvania Library Ms Coll 217),
130:. From 1839 to 1844 he studied music in Germany; he also studied in
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205:(full score, Landesbibliothek, Coburg, Ms Mus 369) and the opera
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292:, a Roman dirge for soprano, bass, chorus and orchestra, Op.30
256:, overture, Op.86 (fp. Crystal Palace, London, 7 November 1874)
341:, incidental music (fp. Stadt-Theater, Hamburg, 25 March 1854)
201:, Ms Mus 364), the first version of the overture to the opera
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but little in his own, and his music is now rarely performed.
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138:. His amorous adventures included an apparent liaison with
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Dictionary of
National Biography, 1885–1900, Vol. 45
313:, oratorio (fp. Norwich Festival, 1 September 1869)
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348:, opera (fp. Stadt-Theater, Hamburg, 16 April 1872)
362:, concert aria for voice and orchestra, Op.66
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401:, London: Macmillan, 1980, vol. 14, p. 739.
399:New Grove Dictionary of Music and Musicians
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98:and his middle name is sometimes given as
438:International Music Score Library Project
346:Contarini, oder Die Verschwörung zu Padua
71:Learn how and when to remove this message
397:Nicholas Temperley, "Henry Pierson", in
34:This article includes a list of general
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444:Wikisource:Pierson, Henry Hugo (DNB00)
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511:Alumni of Trinity College, Cambridge
477:Works by or about Henry Hugh Pierson
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434:Free scores by Henry Hugo Pierson
531:English male classical composers
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506:People educated at Harrow School
369:, for voice and orchestra, Op.69
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150:took lessons with him in 1867.
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541:19th-century English musicians
536:English expatriates in Germany
458:German Knowledge (XXG) article
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411:Collins Encyclopedia of Music
154:Compositions (selective list)
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382:References
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276:, overture
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372:c.1859 –
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176:Jerusalem
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311:Hezekiah
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241:Macbeth
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132:Prague
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