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174:, and became a full Academician in 1799. Soon afterwards he was at the centre of a dispute over the running of the institution, having complained to the king that the law in the "Instrument of Institution" – its founding constitution – under which all its members were supposed to serve on its council in turn, was being ignored, and the vacancies balloted for instead. His appeal to the monarch was ultimately successful, and the practice of the rotation of the council members reinstated.
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He was professor of painting at the
Academy from 1807 to 1809. He was involved in several of the major history painting ventures of late 18th-century London, including
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He moved to
England in 1775, but spent most of the next fourteen years in Rome. There he became a friend of the British painter,
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310:. "Reading Henry Tresham’s theatre curtain: Metastasio’s apotheosis, and the Idea of Opera at London’s Pantheon".
300:. "The Making and Marketing of the Georgian Apotheosis: Carter, Strange, Rebecca, Tresham, and de Loutherbourg".
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in the late 18th century. He spent some time in Rome early in his career, and was professor of painting at the
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Henry
Tresham was born in about 1751. He received his first art instruction from W. Ennis, a pupil of
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Tresham returned to
Britain in 1788. His reputation was gained primarily through large-scale
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239:"Antonio Canova in his studio with Henry Tresham and a plaster model for Cupid and Psyche"
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Antonio Canova in his studio with Henry
Tresham and a plaster model for Cupid and Psyche
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A Dictionary of
British and Irish Travellers in Italy, 1701-1800, Compiled from the
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124:, showing a work commissioned by Campbell, is in the collection of the
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Ed. Jane Turner. London; New York: Grove/Macmillan, 1996.
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The Earl of
Warwick's Vow before the Battle of Towton
460:Alumni of the National College of Art and Design
408:Henry Tresham - artist of the month (April 2009)
226:Digging And Dealing In Eighteenth-Century Rome
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465:19th-century painters of historical subjects
241:. Victoria and Albert Museum. Archived from
470:Irish emigrants to Kingdom of Great Britain
283:The Royal Academy and its Members 1768-1830
170:In 1791 he was elected an Associate of the
104:, and negotiating sales of antiquities to
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158:based on a painting by Henry Tresham for
323:(DNB, volume 57, 1899) pp. 202–203.
135:, somewhat similar in style to those of
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139:. These were based on his travels to
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387:3 artworks by or after Henry Tresham
416:(National Portrait Gallery, London)
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356:. Retrieved on 29 November 2007.
263:Hodgson and Eaton 1905, pp.171–2
475:19th-century Irish male artists
375:. Dublin: M. H. Gill & son.
372:A Compendium of Irish Biography
57:(c.1751 – 17 June 1814) was an
280:; Eaton, Frederick A. (1905).
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304:, 22/1 (2021) pp. 10–17.
215:Hodgson and Eaton 1905, p.201
73:in London from 1807 to 1809.
445:19th-century Irish painters
440:18th-century Irish painters
183:Boydell Shakespeare Gallery
96:and the artist and dealer,
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224:I. Bignamini, C. Hornsby,
126:Victoria and Albert Museum
30:, chalk and pencil drawing
414:Portrait of Henry Tresham
332:Archive by John Ingamells
181:'s History Gallery, the
28:George Dance the Younger
403:Henry Tresham on Artnet
344:Grove Dictionary of Art
312:Cambridge Opera Journal
302:The British Art Journal
366:"Tresham, Henry"
286:. London: John Murray.
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43:Manchester Art Gallery
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118:Hugh Douglas Hamilton
71:Royal Academy of Arts
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397:Henry Tresham online
450:Irish male painters
317:Dudgeon, Camphill.
455:Royal Academicians
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164:History of England
150:This engraving of
63:historical painter
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22:'Henry Tresham' -
326:Ingamells, John.
196:He died in 1814.
133:history paintings
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247:. Retrieved
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166:(1793–1806).
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435:1814 deaths
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200:References
191:Holy Bible
160:David Hume
128:, London.
65:active in
249:15 August
77:Biography
363:(1878).
271:Sources
85:at the
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391:Art UK
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334:(1997)
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59:Irish
393:site
350:ISBN
251:2013
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