28:
257:. Its basic premise rejects the illusion of space in favor of two-dimensionality; color is reduced to black, white, and red, and visual equivalents of images are accomplished by mechanical means using rhythmic arrangements of lines and simple geometrical forms such as circles and squares. Along with the publication he organises the first mechanofaktura exhibition at the Austro-Daimler Automobile Salon.
274:, which obtained a contract for the Plutos chocolate brochure. In 1926 Berlewi quit his research and returned to figurative art, working as a set designer. In 1928 he settled in Paris along with other Polish and Jewish artists. In 1928-1938 he traveled through Belgium and made a few portraits of the political and literary world until he learned that he was seriously ill and stopped working.
135:
281:, and in 1943-1944 joined the French Resistance. In 1947 he returned to painting. Wanting to "reintroduce the object", he created still lives inspired by the French masters of the 17th century. Rediscovered by a French critic, Berlewi took part in a major Paris show,
157:, and was active in Polish art circles. Supported by his mother, Berlewi studied fine art in Warsaw (1904–1909), Antwerp (1909–1910), and Paris (1911–1912), returning to Warsaw in 1913 to study at the school of design. During World War I he discovered
285:(1957). Suddenly appreciated again, he held one-man shows in Berlin (1963, 1964), Paris (1965), and Warsaw (1966). After his death more shows were held in Zurich (1974) and New York (1976, 1978). He died in Paris.
270:
magazine and gallery to exhibit his mechanofaktura works in Berlin; the German version of his manifesto was published. Later in 1924 he founded the
Reklama-Mechano advertising agency with Wat and
348:
197:
249:
was obsolete and was replaced by
Novembergruppe's Dada and by constructivism. In March 1924 Berlewi published his theoretical tract (in progress since 1922)
421:
441:
416:
395:
118:, who is primarily remembered as an abstract artist who paved the way for optical art, but he was also an important figure in
87:
232:
456:
436:
79:
241:. In his review of the exhibition which accompanied the International Congress of Progressive Artists, published in
431:
173:, fellow Jews whose Polish language verse he later illustrated. In 1918-1922 Berlewi focused on Jewish themes.
122:
book design and typography in the early 1920s. He drew portraits of many Jewish writers and artists, among them
426:
236:
221:
205:
189:
83:
224:. In May-Sep 1923 he presented his first Mechano-Faktura compositions in the Novembergruppe section of the
401:
451:
446:
271:
185:
27:
364:
209:
123:
356:
261:
213:
201:
254:
166:
143:
410:
246:
149:
Berlewi was born in Warsaw to an assimilated Polish Jewish family. He studied art in
301:
193:
177:
170:
134:
360:
217:
317:
115:
368:
266:
158:
111:
110:: הענריק בערלעװי; October 20, 1894 – August 2, 1967) was a Polish-French
204:(to whom Berlewi devoted an article published in 'Albatross' in 1922),
150:
119:
107:
390:
349:"Re-staging the Avant-garde. Henryk Berlewi's Return to Abstract Art"
196:
he was chosen to represent Jewish artists from
Eastern Europe at the
181:
139:
44:
253:, using mechanical means to create texture, prefaced by the writer
154:
133:
59:
278:
162:
32:
A photograph of Henryk
Berlewi in Berlin by Helmutz Lortz (1962)
396:
18 Most
Important Polish Graphic Designers of the 20th Century
385:
184:, where in 1922–1923 he abandoned figurative art for pure
231:
In
November 1923 Berlewi returned to Warsaw, where with
302:
The
Mendele Review: Yiddish Literature and Language
93:
75:
67:
52:
37:
18:
180:'s lecture in Warsaw, motivating him to move to
198:International Congress of Progressive Artists
8:
188:abstraction. In 1922 he participated in the
353:Widok. Teorie i Praktyki Kultury Wizualnej
26:
15:
138:Henryk Berlewi, surrounded by models in
294:
260:In summer 1924 Berlewi was invited by
7:
386:Official site Henryk Berlewi Archive
342:
340:
338:
311:
309:
283:Precursors of Abstract Art in Poland
235:he founded the constructivist group
324:. Warsaw: Adam Mickiewicz Institute
165:, and in 1918 he met the futurist
14:
422:20th-century Polish male artists
316:Kossowska, Irena (August 2002).
277:In 1942 Berlewi left Paris for
226:Grosse Berliner Kunstaustellung
142:clothing, 1966 (Photograph by
1:
200:, where he met El Lissitzky,
442:Polish expatriates in France
417:20th-century Polish painters
80:Warsaw Academy of Fine Arts
473:
361:10.36854/widok/2013.3.1380
347:Pietrasik, Agata (2013).
190:Novembergruppe exhibition
176:In 1920 Berlewi attended
88:École des Arts Décoratifs
25:
222:Ludwig Mies van der Rohe
114:, graphic designer and
402:Central Jewish Library
146:
233:Władysław Strzemiński
137:
457:Polish male painters
84:École des Beaux-Arts
437:Artists from Warsaw
400:Berlewi's works in
206:László Moholy-Nagy
147:
432:Jewish socialists
355:(in Polish) (3).
264:, founder of the
245:, he stated that
210:Theo van Doesburg
124:Uri Zvi Greenberg
101:
100:
464:
373:
372:
344:
333:
332:
330:
329:
318:"Henryk Berlewi"
313:
304:
299:
169:and the formist
30:
16:
472:
471:
467:
466:
465:
463:
462:
461:
427:Jewish painters
407:
406:
382:
377:
376:
346:
345:
336:
327:
325:
315:
314:
307:
300:
296:
291:
272:Stanisław Brucz
262:Herwarth Walden
251:Mechano-Faktura
214:Gerhard Richter
202:Viking Eggeling
132:
104:Henryk Berlewi
63:
57:
48:
42:
33:
21:
12:
11:
5:
470:
468:
460:
459:
454:
449:
444:
439:
434:
429:
424:
419:
409:
408:
405:
404:
398:
393:
391:Henryk Berlewi
388:
381:
380:External links
378:
375:
374:
334:
305:
293:
292:
290:
287:
255:Aleksander Wat
186:constructivist
167:Aleksander Wat
144:Edward Hartwig
131:
128:
99:
98:
97:Constructivism
95:
91:
90:
77:
73:
72:
69:
65:
64:
58:
54:
50:
49:
43:
39:
35:
34:
31:
23:
22:
20:Henryk Berlewi
19:
13:
10:
9:
6:
4:
3:
2:
469:
458:
455:
453:
450:
448:
445:
443:
440:
438:
435:
433:
430:
428:
425:
423:
420:
418:
415:
414:
412:
403:
399:
397:
394:
392:
389:
387:
384:
383:
379:
370:
366:
362:
358:
354:
350:
343:
341:
339:
335:
323:
319:
312:
310:
306:
303:
298:
295:
288:
286:
284:
280:
275:
273:
269:
268:
263:
258:
256:
252:
248:
247:Expressionism
244:
240:
239:
234:
229:
227:
223:
219:
215:
211:
207:
203:
199:
195:
192:. Along with
191:
187:
183:
179:
174:
172:
168:
164:
160:
156:
152:
145:
141:
136:
130:Life and work
129:
127:
125:
121:
117:
113:
109:
105:
96:
92:
89:
85:
81:
78:
74:
70:
66:
61:
55:
51:
46:
40:
36:
29:
24:
17:
352:
326:. Retrieved
321:
297:
282:
276:
265:
259:
250:
242:
237:
230:
225:
194:Jankel Adler
178:El Lissitzky
175:
171:Anatol Stern
148:
116:art theorist
103:
102:
452:1967 deaths
447:1894 births
243:Nasz Kurier
218:Laszlo Peri
68:Nationality
411:Categories
328:2024-04-14
322:Culture.pl
289:References
369:2300-200X
267:Der Sturm
76:Education
159:Futurism
94:Movement
62:, France
47:, Poland
151:Antwerp
120:Yiddish
112:painter
108:Yiddish
367:
182:Berlin
140:op-art
71:Polish
45:Warsaw
155:Paris
60:Paris
365:ISSN
279:Nice
238:Blok
220:and
163:Dada
161:and
153:and
56:1967
53:Died
41:1894
38:Born
357:doi
413::
363:.
351:.
337:^
320:.
308:^
228:.
216:,
212:,
208:,
126:.
86:,
82:,
371:.
359::
331:.
106:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.