Knowledge (XXG)

Henri Biva

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641: 705: 183: 577: 240: 785: 753: 625: 769: 801: 609: 252: 593: 334: 737: 721: 673: 689: 657: 31: 386: 228:, would ultimately propel Henri Biva to the fore as a career artist. These combined influences explain the skillfully controlled artistry of Henri Biva. The Académie had a very strict and rigorous philosophy toward paintings, yet throughout its history many artists that studied there from 1868 onwards had initiated new artistic movements, or were involved to some extent within them, as was the case of Biva. 640: 704: 784: 576: 403:
Biva continued to show regularly in Paris, with a conspicuous break during World War I (most of the Salons being closed for the duration 1914-1918). Some of Biva's documented exhibitions include: Salon 1905, Salon 1906, Salon 1908 (Société Lyonnaise des Beaux-Arts), Salon 1909, Salon des Artistes
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in 1892 when his work as a painter of landscapes and flowers was especially noted. Three years later, in 1895, he received a third class medal, and in 1896, a second class medal. With this third award in place, he was no longer obligated to submit his work to the annual jury for acceptance, but
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Equally important in the nineteenth-century marketplace, this type of landscape painting offered an intimate glimpse of a specific locale, a reminder of days spent in the French countryside, or perhaps at the immense forest preserves surrounding Paris. Unlike contemporaries such as
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Français 1910, Salon d'Hiver 1910, Salon 1911, Salon d'Hiver 1911, Salon des Artistes Français 1912, Salon 1919, Salon 1921, Salon d'Hiver 1923, Le Salon 1928 Grand Palais des Champs-Elysées, Société des Artistes Français (the year before his death).
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at 18 rue du Vieux Chemin de Paris (named rue Ravignan after 1867). His official date of birth is 22 January 1848. He grew up in an artistic environment, both within his own family and in the neighborhood in which he lived. His younger brother
305:, Biva's landscapes suggest a time before industrialization when no railroad or factory disrupted rural vistas. Rather, these images show no evidence of human activity at all except for the occasional fisherman drowsing by the riverside." 1209: 1226: 901:"Académie Julian. Note: Though the information is found on many websites, it has not been independently confirmed that Henri Biva studied at l'Académie Julian; his name not appearing on a list of students that attended the school" 736: 1140: 1129: 720: 672: 1118: 1151: 239: 251: 1235: 1087: 329:"The turn of the century brought Biva continued success and public renown. His landscapes and flower paintings, still widely sought after by art collectors, gradually evolved into more meditative images." 688: 656: 150:
component. Biva's pictures are characterized by intricate strokes and a pure palette bathed with warm natural light (Biva devoted great attention to light effects). The artist was a member of the
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Les brumes, Villeneuve-l'Etang (Musée du Luxembourg), A woodland pond, By the river, Les Nénuphars, From the water's edge, Une rue de Ville d'Avray (Street in Ville d'Avray), The waterfall
321:"Although Biva's career seems to have flourished during the 1880s," writes Janet Whitmore, "he received particular acclaim in the 1890s beginning with his first honorable mention at the 231:
Shortly thereafter, during the latter half of the 1870s, Henri Biva began showing his works in the Parisian salon's, while enjoying sufficient commercial success to make his living.
293:, there is a strong tactile quality to Biva's work, focused on the shapes, colors and forms of the small plants beside the stream or the smooth grey surface of the tree trunks. 333: 1033: 1018:
Loan exhibition of paintings owned by residents of Rochester: the Memorial Art Gallery (1914), University of Rochester, Book contributor: Cornell University Library
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Paris, in 1900, 1903, 1904 and 1905. In 1923 Henri Biva was elected vice-president of the Salon d'Hiver (Winter Salon), founded in 1897, first exhibition 1904.
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Paris, agence photo RMN, fonds Druet-Vizzavona, Paris (Les brumes et rosées du matin; Villeneuve-l'étang, exposé au Salon des Artistes Français de 1907)
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The date of death for Biva of 1928 found ubiquitously on the Internet is erroneous. As his death certificate testifies, he actually died in 1929.
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in Paris, where many famous artists in Europe were trained. His teachers included Léon Tanzi (1846–1913), an esteemed Realist painter, and
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According to his death certificate (avis de décès), Biva died 2 February 1929 at his home in Paris, 72 rue du Château-d'Eau.
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With his style ranging between Post-Impressionism and Realism, with a pronounced Naturalist temperament—visible in
217: 714:, oil on canvas, 61 x 74 cm, Signed and dedicated "a mes chers enfants Lison et Marcelle Maitre, Henri Biva" 1301: 378:
This honorable accomplishment appears to have stimulated further commercial success in the years leading up to
353:(Louvre, Pavillon de l'enseignement, Rue des Tuileries, Paris, 20 March-20 April 1886). Biva's was awarded the 382:. Following the war years, Biva's sales rebounded as he continued exhibiting paintings throughout the 1920s. 197: 855: 1183:
Musée municipal, Loire-Atlantique; Saint-Nazaire (L'après-midi à Villeneuve-l'Etang ) dat de l'acte 1907
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before 1914. Postcard for the Salon de Paris, 1914. Location, Marnes-la-Coquette (Seine-et-Oise), France
225: 212:. A trace of both instructors can be contemplated in Biva's work. This, in addition to the lessons at l' 417: 188: 317:—the paintings of Henri Biva gained in popularity amongst private collectors and public institutions. 1266: 1261: 286: 270:(which opened on 12 May in Paris at the Palais des Champs-Élysées) Biva exhibited two paintings: 209: 139: 213: 147: 1169: 976: 648:
River Scene in Spring, France (View of Willow Trees on the Bank of a River with Waterlilies)
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Janet Whitmore writes of Biva's work, something that could apply to many of his paintings:
1246: 1230: 938: 860: 375:, 29 November 1900, and breveted by the Grand Chancelier, 12 December of the same year. 201: 143: 1255: 265: 205: 127: 302: 290: 135: 134:. He focused primarily on the western suburbs of Paris, painting outdoors in the 904: 379: 176: 167: 131: 126:(23 January 1848 – 2 February 1929) was a French artist, known for his 172: 1165: 972: 602:, oil on canvas, 91.4 x 73.7 cm (36 x 29 in), private collection 586:, signed Henri Biva (lower right), oil on canvas, 50 by 61 cm 384: 332: 250: 238: 181: 1215:
Réunion des musées nationaux, Grand Palais, Agence Photographique
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Musée du Luxembourg, Paris, Les brumes, Villeneuve-l'Etang, 1909
204:(1852–1929) a respected landscape artist that perambulated from 175:(1851–1900) also became a painter, as would Henri Biva's son 1236:
Sotheby's, New York, 28 January, 2006, lot 165, Henri Biva,
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Sotheby's, New York, 24 October, 2006, lot 249, Henri Biva,
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instead was guaranteed an automatic position at the Salon."
247:, oil on canvas, 142.5 x 193 cm, Musée Baron-Gérard (MAHB) 1108:
Sotheby's New York, Sotheby's News York, 24 October 2006
1048:"Henri Biva, Postcards for the Salon and Salon d'Hiver" 366:
Le Ministre de l'Instruction Publique et des Beaux-Arts
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Après le coucher du soleil, Musée Baron Gérard, Bayeux
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circa 1909, Marnes-la-Coquette (Seine-et-Oise), France
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Cantor" 632:Forest in the spring 532:Rivière en sous bois 490:Paysage avec rivière 287:Jules Bastien-Lepage 198:École des Beaux-Arts 154:and a Knight of the 1272:Painters from Paris 534:, 61 x 50.5 cm 528:, 65.5 x 82 cm 510:, 50.2 x 61 cm 498:, 64.8 x 54 cm 433:, 122 x 162 cm 128:landscape paintings 1307:French naturalists 1245:2022-03-11 at the 1229:2021-07-27 at the 937:2011-11-05 at the 544:Paysage de rivière 504:, 61 by 74 cm 443:Un coin tranquille 431:Près de la rivière 394: 355:MĂ©daille de bronze 343: 261: 249: 243:Henri Biva, 1901, 210:Post-Impressionism 194: 140:Post-Impressionism 564:, 60 x 73 cm 558:, 46 x 34 cm 546:, 66 x 54 cm 540:, 82 x 65 cm 516:, 65 x 81 cm 492:, 50 x 61 cm 486:, 61 x 50 cm 445:, 50 x 61 cm 425:The woodland Pool 272:Les roses du parc 121: 120: 1349: 1179: 1154: 1149: 1143: 1138: 1132: 1127: 1121: 1116: 1110: 1105: 1099: 1098: 1096: 1095: 1086:. Archived from 1080: 1074: 1069: 1063: 1062: 1060: 1059: 1050:. 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Index


landscape paintings
still lifes
plein-air
Post-Impressionism
Realism
Naturalist
Société des Artistes Français
Legion of Honour
Montmartre
Paul Biva
Lucien Biva

Matin Ă  Villeneuve (From Waters Edge)
École des Beaux-Arts
Alexandre Nozal
Impressionism
Post-Impressionism
Académie Julian
William-Adolphe Bouguereau
Jean-Joseph Benjamin-Constant
Jules Joseph Lefebvre


Salon
Jules Bastien-Lepage
Rosa Bonheur
Pissarro
Monet
Salon des Artistes Français

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