Knowledge (XXG)

Matin à Villeneuve

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37: 273: 257: 241: 225: 129: 204:", writes Janet Whitmore, "there is a strong tactile quality to Biva’s work, focused on the shapes, colors and forms of the small plants beside the stream or the smooth grey surface of the tree trunks". Equally important, she writes, "this type of landscape painting offered an intimate glimpse of a specific locale, a reminder of days spent in the French countryside, or perhaps at the immense forest preserves surrounding Paris. Unlike contemporaries such as 173:, in vogue at the time, Biva has gone to great lengths to show even the most minute details of the scene, such as leaves and petals floating on the surface of the water; overlapping blades of grass; superimposed branches and leaves of varying size indicating distance from the observer; reflecting background trees in the rippling body of water; patches of raking sunlit shimmering seemingly at random throughout carefully selected sections of the composition. 176:
This work of skillfully controlled artistry presents a dominant palette of green variously mixed and blended by the artist to form diverse tones, values and hues, contrasted only by the transpiercing light of the morning sky partly visible through the delicate foliage while bouncing off the surface
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This highly detailed work depicts a morning scene at the Villeneuve-l'étang park, located just outside Paris in the western suburb of Marnes-la-Coquette (Seine-et-Oise), France. The artist has chosen a quiet section of the park with a view facing towards the east. The greenery suggests the work was
272: 256: 240: 212:, Biva’s landscapes suggest a time before industrialization when no railroad or factory disrupted rural vistas. Rather, these images show no evidence of human activity at all except for the occasional fisherman drowsing by the riverside. (Janet Whitmore, Ph.D.) 36: 224: 361: 301:
Loan exhibition of paintings owned by residents of Rochester: the Memorial Art Gallery (1914), University of Rochester, Book contributor: Cornell University Library
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in Paris—Léon Tanzi (1846-1913), an esteemed Realist painter and Alexandre Nozal (1852-1929) a respected landscape artist—can be contemplated in Biva's work.
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is an oil painting on canvas in a vertical format with dimensions 153.7 x 127 cm (60.5 by 50 in), signed by
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Janet Whitmore writes of Henri Biva's work, something that could apply to many of his paintings:
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Agence Photographique de la Réunion des musées nationaux et du Grand Palais des Champs-Elysées
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during July or August, and possibly finished sometime later in Biva's Parisian
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153.7 cm × 127 cm (60.5 in × 50 in)
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Henri Biva, Matin à Villeneuve, Salon 1906, Vintage postcard
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A trace of Biva's meticulous and rigorous professors at the
139:, Salon 1906, original postcard, published in 1906. 77: 69: 61: 53: 43: 21: 323:Janet Whitmore, Ph.D., a biography of Henri Biva 264:Fin de journée, Villeneuve-l'Etang (The evening) 8: 104:, is a painting created circa 1905 in the 18: 282:, Salon de Paris postcard published 1914 280:Sur le Pont de Villeneuve, Temps couvert 293: 220: 196:"Like the naturalist painters such as 248:Le Matin embrumé à Villeneuve-l'Etang 7: 14: 271: 255: 239: 223: 35: 16:Painting by Henri Riva (c. 1905) 250:, Salon de Paris, 1910 postcard 232:Aprés-midi à Villeneuve-l'Etang 112:component by the French artist 1: 362:Villeneuve-l"Etang, postcards 95:Villeneuve-l'Etang, le matin 408: 353:French Ministry of Culture 349:Reference no. 000PE032377 34: 26: 108:tradition with a strong 387:Realism (art movement) 234:, Salon 1906, postcard 214: 140: 266:, Salon 1911 postcard 194: 131: 288:Notes and references 198:Jules Bastien-Lepage 187:École des Beaux-Arts 165:Unlike works of the 392:River Seine in art 328:2011-11-05 at the 167:Neo-Impressionists 144:Matin à Villeneuve 141: 137:Matin à Villeneuve 120:of 1906 in Paris. 89:Matin à Villeneuve 81:Private collection 22:Matin à Villeneuve 177:of the shallows. 85: 84: 399: 358: 332: 320: 314: 309: 303: 298: 275: 259: 243: 227: 101:From Waters Edge 92:, also known as 39: 29:From Waters Edge 19: 407: 406: 402: 401: 400: 398: 397: 396: 372: 371: 356: 341: 336: 335: 330:Wayback Machine 321: 317: 310: 306: 299: 295: 290: 283: 276: 267: 260: 251: 244: 235: 228: 219: 183: 126: 17: 12: 11: 5: 405: 403: 395: 394: 389: 384: 382:1905 paintings 374: 373: 370: 369: 364: 359: 340: 339:External links 337: 334: 333: 315: 304: 292: 291: 289: 286: 285: 284: 277: 270: 268: 261: 254: 252: 245: 238: 236: 229: 222: 218: 215: 182: 179: 150:(lower left). 125: 122: 83: 82: 79: 75: 74: 71: 67: 66: 63: 59: 58: 55: 51: 50: 45: 41: 40: 32: 31: 24: 23: 15: 13: 10: 9: 6: 4: 3: 2: 404: 393: 390: 388: 385: 383: 380: 379: 377: 368: 365: 363: 360: 354: 350: 346: 343: 342: 338: 331: 327: 324: 319: 316: 313: 308: 305: 302: 297: 294: 287: 281: 274: 269: 265: 258: 253: 249: 242: 237: 233: 226: 221: 217:Related works 216: 213: 211: 207: 203: 199: 193: 190: 188: 180: 178: 174: 172: 168: 163: 161: 157: 151: 149: 145: 138: 134: 130: 123: 121: 119: 115: 111: 107: 103: 102: 97: 96: 91: 90: 80: 76: 72: 68: 65:Oil on canvas 64: 60: 56: 52: 49: 46: 42: 38: 33: 30: 25: 20: 345:Base Joconde 318: 307: 296: 279: 278:Henri Biva, 263: 262:Henri Biva, 247: 246:Henri Biva, 231: 230:Henri Biva, 202:Rosa Bonheur 195: 191: 184: 175: 164: 156:en plein air 152: 147: 143: 142: 136: 100: 99: 94: 93: 88: 87: 86: 28: 357:(in French) 135:, ca.1905, 124:Description 376:Categories 181:Naturalism 148:Henri Biva 133:Henri Biva 114:Henri Biva 110:Naturalist 70:Dimensions 48:Henri Biva 27:English: 326:Archived 206:Pissarro 154:painted 78:Location 160:atelier 106:Realist 171:Fauves 62:Medium 57:c.1905 44:Artist 210:Monet 118:Salon 98:and 54:Year 208:or 200:or 169:or 378:: 355:. 351:, 347:: 162:.

Index


Henri Biva
Realist
Naturalist
Henri Biva
Salon

Henri Biva
en plein air
atelier
Neo-Impressionists
Fauves
École des Beaux-Arts
Jules Bastien-Lepage
Rosa Bonheur
Pissarro
Monet
Henri Biva, Aprés-midi à Villeneuve-l'Etang, Salon 1906, postcard
Henri Biva, Le Matin embrumé à Villeneuve-l'Etang, Salon de Paris, 1910 postcard
Henri Biva, Fin de journée, Villeneuve-l'Etang (The evening), Salon 1911 postcard
Henri Biva, Sur le Pont de Villeneuve, Temps couvert, Salon de Paris postcard published 1914
Loan exhibition of paintings owned by residents of Rochester: the Memorial Art Gallery (1914), University of Rochester, Book contributor: Cornell University Library
Henri Biva, Matin à Villeneuve, Salon 1906, Vintage postcard
Janet Whitmore, Ph.D., a biography of Henri Biva
Archived
Wayback Machine
Base Joconde
Reference no. 000PE032377
French Ministry of Culture
Villeneuve-l"Etang, postcards

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