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visit. He felt that a good museum visit should not last more than one hour. From 1953 he introduced "candlelight" evening opening hours that were popular until they were discontinued in 1971. He organized seminars and ordered the creation of a scientific catalog of all the works in the museum, which his scientific assistant Carla van Hees began but which had still not been finished by the time he died. In 1959 he moved all of the
Haarlem
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68:. Many distinguished visitors came to Haarlem for the show and he received and showed them around them personally. The show made 750,000 guilders for the city of Haarlem, and though he desired to purchase a 17th-century painting with the funds, the money was used instead to fund young artists in the
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In 1943 Baard acted als guardian of the
Muiderslot while being head of the Rijksmuseum's historical department. Under his supervision the museumization of the castle received a new impulse. His main achievement was the great international Frans Hals exhibition in 1962 and the scientific catalog that
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house, where he stayed until it was sold in 1967. In the Frans Hals Museum he removed most of the paintings from the display rooms, firmly believing that visitors could better concentrate on fewer works rather than ambling aimlessly room in, room out, attempting to absorb an entire collection in one
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According to the RKD he was scientific assistant at the
Rijksmuseum 1935-1945 and from 1946-1972 he became museum director in Haarlem and is known for his research books on art history. He managed the evacuation of the important artworks during the war to bunkers in the dunes. He died in Haarlem.
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for the Frans Hals Museum, title : Exhibition on the
Occasion of the Centenary of the Municipal Museum at Haarlem, 1862-1962, exhibition committee: H.P. Baard, Seymour Slive, A.B. de Vries, painting descriptions by Carla van
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47:. In 1932 he was appointed scientific assistant of history there and as of 1939 he was put in charge of the art collection. When he succeeded
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Bertus Bakker, 'Frans Hals: is dat niet een bioscoop? Directeur Henk Baard promoot zijn museum via het
Haarlems Dagblad' in
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to the new annex in the back of the building, where they could all be seen together. They still hang there.
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95:. The Library of Great Painters (1981). Harry N. Abrams, Inc., Publisher. New York, N.Y., 167 pp.
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He was born in
Amsterdam as the son of Cornelis W.H. Baard, the director of the
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he published with it, that had contributions by Carla van Hees and the young
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as director of the Frans Hals Museum, he moved to the upper floor of the
136:'Obituary of Henricus Petrus Baard (26 October 1906 - 19 June 2000)' in
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27:(1906 – 2000), was director of the
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86:Frans Hals Exhibition catalog, 1962
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220:20th-century Dutch historians
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147:(Haarlem 2016), 149-172.
210:Curators from Amsterdam
152:Kunst in schuilkelders
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177:at Wikimedia Commons
145:Jaarboek Haerlem 2015
138:Jaarboek Haerlem 2000
123:Henricus Petrus Baard
25:Henricus Petrus Baard
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205:Dutch art historians
49:Gerrit David Gratama
225:Dutch art curators
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20:H.P. Baard in 1964
215:Frans Hals Museum
173:Media related to
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53:Jacobus van Looy
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31:from 1946-1972.
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154:(Daamen 1946).
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35:Biography
125:in the
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