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During the beginning of the 1630s his development runs parallel to Claude's, and in some ways even anticipates it. During the thirties
Swanevelt refined his idyllic landscape style. Swanevelt was an important link between the first generation of Dutch italianate painters, such as
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from 1600 onward, the genre of the “Italianate landscape” entered its classical phase in the 1630s with the advent of
Swanevelt and his friends and contemporaries
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One of
Swanevelt's etchings, "The Birth of Adonis," (1654) resides in the Utah Museum of Fine Art's permanent collection.
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111:. The identity of Swanevelt’s teacher remains a mystery. A new hypothesis suggests that he was a pupil of
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For a long time the only murals attributed to
Swanevelt were the two lunettes in the sacristy of
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In 1641 he returned to Paris, where he remained except for occasional visits to his birthplace
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From The Web
Gallery of Art, and their biography with information on his work in Spain
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Susan
Russell: Burlington Magazine, Vol. 139, No. 1128 (Mar., 1997), pp. 171-177
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to a family of thriving artisans whose ancestors included the famous painter
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From the
Woerden museum, with many details on Swanevelt, in dutch
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From
Landschap Erfgoed Utrecht with detailed information in dutch
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115:. He painted his first signed and dated works in 1623 in
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and made numerous drawings and etchings. His patrons in
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From
Abstract on his Etchings by Anne Charlotte Steland
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495:20 artworks by or after Herman van Swanevelt
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383:"From Codart on Swanevelt"
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246:was also painted by him.
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220:Cornelis van Poelenburch
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119:. In 1629 he moved to
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81:Herman van Swanevelt
23:Herman van Swanevelt
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