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In 1998 German film historians Heide Schlüpmann and Karola
Gramman noted "her acting success may well have been based upon her image which met the homo-erotic desires of both men and women, though perhaps more those of women", and that Hertha Thiele "told us she would have liked to have played a
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Hertha Thiele returned to East
Germany after the war but was unsuccessful in her efforts to begin a theatre. She returned to Switzerland and worked as a psychiatric nursing assistant during most of the 1950s and 1960s. In 1966, Thiele again returned to the GDR, working in stage productions in
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One of her early drama teachers told Thiele "Either you'll have a great stage career or nothing at all. You have a
Botticelli face but one which suggests depravity". Thiele began her professional acting career in 1928 as a stage actress in Leipzig. In 1931, she was given the lead role in
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boarding school for girls. The film had an all-female cast, and Thiele played
Manuela, a 14-year-old schoolgirl deeply infatuated with her teacher Fräulein von Bernburg, played by Dorothea Wieck.
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was distributed internationally and briefly made Thiele a star. She received thousands of fan letters, mostly from women.
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Her career was thwarted when the Nazi government approached her with repeated requests to assist in the production of
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acting in sundry series and television films which were virtually unknown in West
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sought her out, and she enjoyed a small measure of renewed cult celebrity before she died in 1984.
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Toward the end of her life, Western feminists researching the history of
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Thiele reportedly married more than once. One of her husbands was actor
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and in 1983 a monograph on her life and work was published by
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propaganda. During one meeting with propaganda minister
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