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standing as a poet and prominent intellectual in her own right. Female objectification is explored in "HER", where she writes of "a classic dilemma for woman: the necessity to choose between being a muse to another or being an artist oneself". Although Pound was a lifelong champion, a number of other early
Imagists, including Aldington and Lawrence, attempted to diminish her importance and consign her to a minor role. Similarly, while her mid-period poems and writings explore
1138:, consisting of the title poem (1961), "Sagesse" (1957), and "Winter Love" (1959). During her lifetime, her later poems, novels, and numerous translations of classical works were rarely studied or taught, and only her early poems, "Oread" and "Heat", appeared in anthologies. For decades, her reputation was as an Imagist who peaked in the 1920s; a consignment the literary critic Susan Friedman believes placed H.D. as "a captive and in prison". In 1972,
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505:, which was founded that year. In the January 1913 issue, three of her poems were published, "Hermes of the Ways", which Pound described as "this is poetry" after reading, "Priapus: Keeper of Orchards", later renamed "Orchard", and "Epigram". Three poems by Aldington were also published in the issue. These early poems are informed by her reading of
911:
636:, and the two began a relationship. Bryher was several years younger than H.D., a lesbian, and equally non-conformist. Both women were unusually tall, a fact that made H.D. self-conscious. The two lived together on and off until 1950. Both had numerous other partners, but Bryher was H.D.'s lover for the rest of her life. Bryher entered a
897:
H.D.'s relationship with Bryher ended just after the war, although they remained in contact. She moved to
Switzerland where she had a severe mental breakdown in the spring of 1946 and took refuge in a clinic until the autumn of that year. She lived in Switzerland for the rest of her life. In the late
380:
as a teenager in 1901. Pound became a lifelong friend and played a formative role in her development as a writer. In 1905, Pound and H.D. began an on-and-off relationship which included at least two engagements. Although his parents were in favor of the relationship, her parents strongly objected. In
1184:
Although the critic Linda Wagner wrote in 1969 that one of the "ironies of contemporary literature that H.D. is remembered chiefly for her
Imagist work given that few contemporary writers have written so much in their maturity"; her reappraisal only began in the 1970s and 1980s. This coincided with
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described her as "physically fragile-looking in a traditionally feminine way". H.D. understood the danger of objectification, particularly as the only woman in a group of men in her circle. She worried about being perceived merely as their private muse, which she feared affected her public image and
303:
While H.D. wrote in a wide range of genres and modes over her career, during her lifetime she was known almost exclusively for her early
Imagist poems. Following a reappraisal by feminist critics in the 1970s and 1980s, the significance of her late long poems and prose works was increasingly
614:, a friend of Lawrence. She became pregnant with Gray's child, but by the time she realized she was expecting, the relationship had cooled and Gray had returned to London. H.D. learned that her father died, having never recovered from Gilbert's death. Despondent and sick with the
547:, an English poet, labeled H.D. the "truest Imagist" but dismissed her early work as "petty poetry", denoting "either poverty of imagination or needlessly excessive restraint". In contrast, a 1927 review by the British modernist author and critic
479:
During a 1912 conversation with Pound, H.D. told him that she found "Hilda
Doolittle" to be an old fashioned and "quaint" name; he suggested the signature H.D., an abbreviation she kept for the remainder of her career. After he "scrawled the name
655:, in 1919, although it was not published until 1982. In it, she speaks of poets (including herself) as belonging to a kind of elite group of visionaries with the power to "turn the whole tide of human thought". During this time, she incorporated
718:
termed a "menagerie of three". Bryher adopted H.D.'s daughter, Perdita, while still married
Macpherson: leading to the change of name to Perdita Macpherson. Later, Bryher named Perdita as heir to her will. They moved to the shores of
226:
between 1904 and 1906. After years of friendship, H.D. became engaged to Pound and followed him to London in 1911, where he championed her work. Their relationship soon fell apart, however, and H.D. instead married the
Imagist poet
1159:
H.D. was aware early on that both the strictures of
Imagism and Pound's controlling temperament would constrain her creative voice, and by the mid-1920s her work had developed beyond Imagism. In 1990, the feminist scholar
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In May 1911, H.D. traveled to London on a vacation with Gregg and Gregg's mother; Gregg returned home, but H.D. stayed to develop a career as a writer. Pound introduced her to his friends, including
English writer
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left her feeling shattered; she lost her brother in action, her father died in reaction to the loss of his son, her husband was traumatized by combat, and she believed that the shock at hearing of the sinking the
459:
forms, and the removal of unnecessary verbiage. Pound, H.D. and
Aldington became known as the "three original Imagists" and published a three-point manifesto proclaiming the edicts of Imagism. According to Pound:
679:", "Bid Me to Live", "Paint It Today", and "Asphodel" are largely autobiographical and preoccupied with the development of the female artist and the conflict between heterosexual and lesbian desire. The novellas
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and her relocation to Egypt. The poem reconstructs the source material into a feminist reinterpretation, and has thus been described as "exploring ... ... concluding" the themes as her earlier work.
1152:". Although Pound claimed in the 1930s that he formed the Imagist movement "to launch H.D. and Aldington before either had enough stuff for a volume", several key poets within the group, including
513:, an interest she shared with Aldington and Pound. Her Imagist poetry is characterized by sparse language and a classical, austere purity, exemplified by one of her earliest and best-known poems, "
1215:, H.D. positions Helen as "the protagonist, instead of the pawn", in such a way as to counter the "conservative and often misogynistic" tendencies which Hughes finds in the modernism of Pound and
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indirectly caused the miscarriage of her child. H.D. undertook two series of analysis with Freud from March to May 1933 and from October to November 1934. At Freud's suggestion, H.D. wrote
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as based on only the work of male writers, and gradually restored H.D. to a more significant position in the movement. In 1990, Hughes wrote that H.D.'s mid-century poems, like those of
50:
754:, the latter appearing as wife and husband. The film explores extreme psychic states, racism, and interracial relationships. H.D. wrote an explanatory pamphlet to accompany the film.
1189:
scholars. Specifically, critics such as Friedman (1981), Janice Robertson (1982) and Rachel DuPlessis (1986) began to challenge the standard view of English-language literary
603:, was published. Meanwhile, H.D. and Aldington drifted apart; he reportedly took a mistress in 1917, and she started a close but platonic relationship with the English writer
183:
motifs drew international attention. Eventually distancing herself from the Imagist movement, she experimented with a wider variety of forms, including fiction, memoir, and
571:
334:
Wolle), was a member of the Moravian brotherhood. Hilda was one of six children, and had five brothers. When her father was appointed professor of astronomy at the
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675:(1928), which use classical settings to explore the role of a poet, particularly a female poet's value in a patriarchal literary culture. The following cycles, "
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1093:, where they were buried in the family plot in Nisky Hill Cemetery on October 28, 1961. Her headstone is inscribed with lines from her early poem "Epitaph":
1211:. According to Hughes, H.D.'s work challenges patriarchal privilege and seeks to "revise the mentalities that sponsor them". She notes in particular how in
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wrote of her deep appreciation for H.D., particularly for her long poems on mystical themes, writing that H.D. "showed the way to penetrate mystery, to
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644:, allowing him to use some of her wealth to fund his Paris-based Contact Press publishing house. In 1923, H.D. and Bryher traveled to Egypt for the
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1118:
During her career, H.D. wrote a large number of works in a variety of styles and formats. They evolved from lyrics written in the 1910s, such as
3890:
Hughes, Gertrude Reif (September 1990). "Making It Really New: Hilda Doolittle, Gwendolyn Brooks, and the Feminist Potential of Modern Poetry".
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H.D.'s fictional and nonfictional prose writings are difficult to distinguish with much certainty. Her novels and short stories are often
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and classical poets, from her earliest Imagist lyrics which depicted natural landscapes using Hellenistic motifs, to her 1950s long poem
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1028:. The book takes as its starting points her love for a man 30 years her junior and the line "so slow is the rose to open" from Pound's
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800:, an impressionistic memoir of the sessions and a reevaluation of the importance of his psychoanalysis, was written concurrently with
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darkness, mystery, so that it is experienced". Her influence is not limited to female poets; many male writers and poets, including
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She returned to the U.S. in 1960, when she was the first woman to be recognized with the Award of Merit Medal for poetry from the
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1260:, have acknowledged their debt. Duncan placed H.D. at the center of his lengthy study of modernist poetry in general, titled
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in Philadelphia, and graduated in 1905. She delivered a commencement address, titled "The Poet's Influence". She enrolled at
4607:
Willis, Elizabeth (Spring 2007). "A Public History of the Dividing Line: H. D., the Bomb, and the Roots of the Postmodern".
4805:
4775:
3919:
Kammer, Jeanne (1979). "The Art of Silence and the Forms of Women's Poetry"". In Gilbert, Sandra M.; Gubar, Susan (eds.).
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Poetry and novella cycles are a feature of H.D.'s early 1920s writing. The first, "Magna Graeca", consists of the poems
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710:, then H.D.'s male lover. Bryher, Macpherson and H.D. lived and traveled together through Europe together in what the
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400:. Some of her early work, including some children's stories about astronomy, was published in New York newspapers and
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to restate the material of the memoir in poetic form. At one time, H.D. considered appending this poem as a coda to
354:
335:
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Friedman, Susan (March 1975). "Who Buried H. D.? A Poet, Her Critics, and Her Place in "The Literary Tradition"".
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In 1918, H.D.'s brother Gilbert was killed in action. She moved to Cornwall that March with the Scottish composer
484:" at the bottom of the page of her poem "Hermes of the Ways", she adopted H.D. as a pen. Privately he called her "
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Walton, Jean (Winter 1997). "'Nightmare of the Uncoordinated White-Folk': Race, Psychoanalysis, and Borderline".
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Keenaghan, Eric (Summer 2005). "Vulnerable Households: Cold War Containment and Robert Duncan's Queered Nation".
3641:
Friedman, Susan Stanford; DuPlessis, Rachel Blau (1990b). "'I Had Two Loves Separate': The Sexualities of H.D.'s
2468:
931:
851:, a short memoir of her childhood in Bethlehem that details the people and events that shaped her. She began the
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DuPlessis, Rachel Blau; Friedman, Susan Stanford (Autumn 1981). "'Woman Is Perfect': H.D.'s Debate with Freud".
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was established (largely funded with Bryher's inheritance) and was managed by all three. In the 1930 POOL film
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H.D.'s writings have served as a model for a number of more recent female poets working in the modernist and
1040:, being partly written in the voice of a young female Blitz survivor who finds herself living in fear of the
898:
1950s, she underwent further treatment with the psychoanalyst Erich Heydt, who supported her while she wrote
474:
As regarding rhythm: to compose poetry in the sequence of the musical phrase, not in sequence of a metronome.
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Pound began to meet with other poets in London to discuss ideas for reforming contemporary poetry. Like most
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wrote that assigning her as just an Imagist poet was similar to evaluating "five of the shortest pieces in
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Twitchell-Waas, Jeffrey (Winter 1998). "Seaward: H. D.'s Helen in Egypt as a Response to Pound's Cantos".
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776:. She was referred to Freud by Bryher's psychoanalyst because of her apparent paranoia about the rise of
436:; Pound resided at no. 10, Aldington at no. 8, and H.D. at no. 6, and they gathered to work daily in the
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625:, but especially because of her pregnancy with Gray. They became estranged, and later divorced in 1938.
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235:, who became her romantic partner and close friend until her death. An associate literary editor of the
31:
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throughout her life. Her career began in 1911 after she moved to London and co-founded the avant-garde
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3379:
Davies, Megan Lloyd (1997). "H.D. imagiste? Bisexuality: Identity: Imagism". In Bertram, Vicki (ed.).
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In 1910, Doolittle began a relationship with Frances Josepha Gregg, a young female art student at the
4715:
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Gill, Jo (2005). "H.D. (Hilda Doolittle) (1886β1961)". In Marshall, Bill; Johnston, Cristina (eds.).
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Firchow, Peter E. (1980). "Rico and Julia: The Hilda Doolittle: D. H. Lawrence Affair Reconsidered".
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305:
293:
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Pearson, Norman Holmes; Dembo, L. S. (Autumn 1969). "Norman Holmes Pearson on H. D.: An Interview".
1156:, viewed H.D. as the main focal point and innovator in achieving the group's "revolution in taste".
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in different artistic fields, she sought to "make it new", which they accomplished by incorporating
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in Philadelphia. Inspired by Gregg, H.D. wrote her first published poems, modeled after the work of
373:. After three terms of poor grades, H.D. withdrew from the college, and studied at home until 1910.
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H.D. and Aldington tried to salvage their relationship but failed, in part because of his post-war
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243:
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King, Michael (Fall 1981). "Go, Little Book: Ezra Pound, Hilda Doolittle, and 'Hilda's Book'".
736:, as a venue for the discussion of cinema. That year the independent film cinema group POOL or
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during the 1930s, as she sought to address and understand both her war trauma and bisexuality.
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Bancroft, Christian (2021). "Doolittle, Hilda ('H.D.'; 1886β1961)". In De Roche, Linda (ed.).
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796:, which was not published until 1960, and in which she details her traumatic war experiences.
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Downs, M. Catherine (2000). "H.D. (Hilda Doolittle) (1886β1961)". In Champion, Laurie (ed.).
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Keeling, Bret L. (Summer 1998). "H. D. and 'The Contest': Archaeology of a Sapphic Gaze".
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772:. Her interest in Freud's theories began in 1909 after she read his works in its original
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Silverstein, Louis H. (1990). "Herself Delineated: Chronological Highlights of H.D.". In
591:. H.D. and Aldington's only child, a daughter, was stillborn in 1915. He enlisted in the
257:, both her brother and father died, and she separated from Aldington. She was treated by
1086:, where she died on September 27. She was survived by Bryher and her daughter Perdita.
618:, she came close to death during the birth of their daughter Perdita Aldington in 1919.
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The Astral H.D.: Occult and Religious Sources and Contexts for H.D.'s Poetry and Prose
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and esoteric religious ideas by Pound in her youth, H.D. gradually developed a unique
17:
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Glaser, Brian Brodhead (2005). "H.D.'s 'Helen in Egypt': Aging and the Unconscious".
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4646:. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
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Bryer, Jackson R.; Roblyer, Pamela (Autumn 1969). "H. D.: A Preliminary Checklist".
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A compilation of her late poems were published posthumously in 1972 under the title
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in 1931; he and H.D. married in 1913 but soon became estranged and divorced in 1938.
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recognized, and she has come to be understood as a central figure in the history of
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wrote his 2008 "Het vertrapte mysterie" ("The Trampled Mystery") in memory of H.D.
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1122:, through her early period Imagist poems and free verse, to her complex long poems
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4227:(Winter 1986). "A Relay of Power and of Peace: H. D. and the Spirit of the Gift".
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1181:(with whom she was personally acquainted), H.D. was rarely read before the 1970s.
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and World War II. The following two books compare the ruins of London to those of
4284:
1032:. "Sagesse", which she wrote in bed having broken her hip in a fall, serves as a
867:(1946). H.D. wrote the first while living in London and details her reactions to
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series in 1942, comprising three long, unrhyming, and complex volumes of poems:
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Scott, Bonnie Kime (1995). "H. D.". In Cathy N., Davidson; et al. (eds.).
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binding of twenty-five of his earliest love poems, which he dedicated to her.
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Engel, Bernard F. (Autumn 1969). "H. D.: Poems That Matter and Dilutations".
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879:; the former of which she had seen during a 1923 visit. The opening lines of
3400:
American Women Writers, 1900β1945: A Bio-Bibliographical Critical Sourcebook
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s long form and wide historical span has been seen as a response to Pound's
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spiritual worldview. H.D.'s spiritual devotion intensified during and after
196:
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Wagner, Linda Welshimer (Autumn 1969). "'Helen in Egypt': A Culmination".
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563:
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758:
676:
656:
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300:, and her syncretic ideas became the central focus of her later writing.
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Arizona Quarterly: A Journal of American Literature, Culture, and Theory
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4005:
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The Persistence of Modernism: Loss and Mourning in the Twentieth Century
977:. It was not published until just before her death in 1961. It is based
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In 1927, H.D.'s mother died. Bryher divorced McAlmon that year to marry
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in London. While there, her daughter Perdita became a secretary of the
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724:
555:'s brevity as a "miracle" and criticized Monro for not recognizing it.
537:
The style was not without its critics. In a dedicated Imagist issue of
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To use absolutely no word that does not contribute to the presentation.
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168:
56:
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Poetry Speaks: Hear Great Poets Read Their Work from Tennyson to Plath
1342:
Choruses from the Iphigeneia in Aulis and The Hippollytus of Euripides
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Between 1952 and 1955, while in her 60s, H.D. wrote her longest poem,
910:
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765:
510:
386:
289:
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4209:. Vol. 1: The Young Genius 1885β1920. Oxford University Press.
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3498:
3451:
3262:
432:, who became her husband in 1913. The three lived in Church Walk in
4668:
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4021:
Kelvin, Norman (Spring 2000). "H.D. and the Years of World War I".
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3796:
Hatlen, Burton (1995). "The Imagist Poetics of H.D.'s Sea Garden".
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H.D. and the Modernist Religious Imagination: Mysticism and Writing
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909:
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570:
562:
485:
456:
452:
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Pondrom, Cyrena N. (1990). "H.D. and the Origins of Imagism". In
3223:
Twentieth-Century and Contemporary American Literature in Context
3025:
Resurrecting the Ghost: H.D., Susan Howe, and the Haven of Poetry
3620:
Friedman, Susan Stanford; DuPlessis, Rachel Blau, eds. (1990a).
2463:
883:
clearly and immediately signal her break with her earlier work:
468:
Direct treatment of the 'thing' whether subjective or objective.
4102:"Biography of Hilda Doolittle, Poet, Translator, and Memoirist"
804:
and published in 1944; in 1956, it was published together with
156:(September 10, 1886 β September 27, 1961) was an American
3148:. Cambridge: Cambridge University Press. pp. xiiiβxviii.
2916:
2914:
2700:
Anthology. "Sagetrieb" (2008). University of Michigan. p. 49.
2398:
2396:
1639:
Hybrid of historical fiction, literary criticism, and poetry.
730:
In 1927, Bryher and Macpherson founded the monthly magazine,
4417:
The Oxford Companion to Women's Writing in the United States
1290:, H.D.'s daughter Perdita was involved in breaking codes at
1185:
the emergence of feminist interest in her work, followed by
1491:
Both texts are loose verse translations of Greek dramas by
3603:
Analyzing Freud: Letters of H.D., Bryher, and Their Circle
3423:. Bloomington and Indianapolis: Indiana University Press.
2637:
2635:
2047:
2045:
2043:
966:, and Freudian psychoanalysis. She used the medium of the
922:
H.D.'s later work drew heavily from her eclectic blend of
222:, she had her first same-sex relationship while attending
4507:(4, Special Number on H.D.: A Reconsideration): 523β536.
4312:(4, Special Number on H.D.: A Reconsideration): 435β446.
3493:(4, Special Number on H.D.: A Reconsideration): 507β522.
3257:(4, Special Number on H.D.: A Reconsideration): 632β675.
2768:
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727:
villa. H.D. became pregnant in 1928 and got an abortion.
599:, serving for the next year. In 1916, H.D.'s first book,
187:. Reflecting the trauma she experienced in London during
4592:. University Park: Pennsylvania State University Press.
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2514:
2512:
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group of poets with American expatriate poet and critic
3684:
France and the Americas: Culture, Politics, and History
3045:
Levertov, Denise (June 1962). "H.D.: An Appreciation".
2332:
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2150:
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to explore and communicate this mix of spiritualities.
587:. The following year, Pound married the English artist
316:
Hilda Doolittle was born on September 10, 1886, in the
1326:
Works are listed by date of composition, where known.
1264:, and frequently lectured on her work. The Dutch poet
1044:. "Winter Love" was written during the same period as
651:
She wrote one of her few known statements on poetics,
4141:"Garbo/Helen: The Self-Projection of Beauty by H. D."
3921:
Shakespeare's Sisters: Feminist Essays on Women Poets
3173:. Victoria, Canada: ELS Editions. pp. ixβxxxvii.
1526:, and her memoirs and essays are often experimental.
324:. Her father, Charles, was professor of astronomy at
241:
journal between 1916 and 1917, H.D. was published by
4207:
Ezra Pound: Poet. A Portrait of the Man and his Work
4052:
Paideuma: Modern and Contemporary Poetry and Poetics
3798:
Paideuma: Modern and Contemporary Poetry and Poetics
3171:
Hirslanden Notebooks: An Annotated Scholarly Edition
3121:. Cambridge: Cambridge University Press. p. 80.
2233:
2231:
2229:
2227:
1380:, grouping previously uncollected poems (1913β1917)
464:
We were agreed upon the three principles following:
4085:Madison, Wisconsin: University of Wisconsin Press.
3626:Madison, Wisconsin: University of Wisconsin Press.
3286:
Becoming Marianne Moore: The Early Poems, 1907-1924
3144:Christodoulides, Nephie J.; Mackay, Polina (2012).
628:In July 1918, she met the wealthy English novelist
214:, to wealthy and educated parents who relocated to
137:
127:
109:
92:
70:
41:
4437:
4414:
4334:
4188:H.D. and Bryher: An Untold Love Story of Modernism
3923:. Bloomington, Indiana: Indiana University Press.
3646:
1950:
4568:Longman Companion to Twentieth Century Literature
4283:Parini, Jay; Leininger, Phillip W., eds. (2004).
3840:Penelope's Web: Gender, Modernity, H.D.'s Fiction
3673:Gates, Norman T. "Introduction to Chapter 1". In
3656:Penelope's Web: Gender, Modernity, H.D.'s Fiction
2351:
746:, the actors were H.D. and Bryher and the couple
495:, Pound submitted a selection of H.D.'s poems to
3582:Bloomington, Indiana: Indiana University Press.
3381:Kicking Daffodils: Twentieth-Century Women Poets
595:, and she took his place as assistant editor of
4361:
4360:Richardson, Mark. "H.D. (Hilda Doolittle)". In
4266:The Lesbian Muse and Poetic Identity, 1889β1930
3873:Winged Words: The Life and Work of the Poet H.D
3830:
1095:
885:
519:
462:
4286:The Oxford Encyclopedia of American Literature
4165:Cinematic Modernism: Modernist Poetry and Film
3225:. Santa Barbara, California: Greenwood Press.
3194:Richard Aldington: An Autobiography in Letters
2841:
2829:
1310:. H.D.'s grandchildren include the author and
3327:Chisholm, Dianne (Spring 1990). "H. D.'s Auto
2300:Herself Defined. The Poet H. D. and Her World
808:, a journal of the analysis, under the title
8:
3736:Herself Defined: The Poet H.D. and Her World
3282:Material Modernism: The Politics of the Page
2881:
2709:
2170:
1966:
1962:
1818:
757:In 1928, H.D. began psychoanalysis with the
272:translations. Her poems routinely drew from
3875:. Ann Arbor: University of Michigan Press.
3838:Hokanson, Robert O'Brien (December 1992). "
3080:. Berkeley: University of California Press.
2877:
2182:
1938:
1898:
1846:
1416:Uncollected and Unpublished Poems 1912β1944
902:, a memoir of her relationship with Pound.
175:. During this early period, her minimalist
4390:"Perdita Macpherson Schaffner (1919-2001)"
3402:. Westport, Connecticut: Greenwood Press.
2999:
1982:
1226:traditions, including Barbara Guest, the
691:cycle were published in 1933, followed by
49:
38:
4589:Ezra Pound in London and Paris, 1908β1925
4122:Unorthodox Freud: The View from the Couch
3674:
3459:
3063:
2518:
2375:
2166:
2051:
1914:
1886:
1874:
1672:Borderline: A POOL Film with Paul Robeson
1610:Collection of short stories or vignettes.
4120:Lohser, Beate; Newton, Peter M. (1996).
2987:
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2784:
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2757:
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2733:
2721:
2641:
2626:
2530:
2402:
2249:
2154:
847:(OSS). Between 1941 and 1943 H.D. wrote
663:Poetry cycles, novels and psychoanalysis
195:until her death pivoted towards complex
3686:. Santa Barbara, California: ABC-CLIO.
3240:Barnstone, Aliki. "Reader's Notes". In
3197:. Pennsylvania State University Press.
2427:
2425:
2423:
2363:
2290:
2288:
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2253:
2194:
2103:
2087:
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1994:
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1177:, in a similar manner to poets such as
640:with the American writer and publisher
288:by her family, and first introduced to
231:in 1913. In 1918, she met the novelist
3131:
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2456:
2435:"New Library Evokes 'Lost Generation'"
2414:
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2139:
2030:
2006:
1729:
1703:End to Torment: A Memoir of Ezra Pound
27:American poet and novelist (1886β1961)
2932:
2893:
2590:
2489:
2432:Delatiner, Barbarao (June 15, 1986).
2295:Kakutani, Michiko (January 4, 1984).
2237:
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2018:
1978:
1870:
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1806:
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394:Pennsylvania Academy of the Fine Arts
329:
328:in Bethlehem, and her mother, Helen (
7:
4886:Writers from Bethlehem, Pennsylvania
4100:Lewis, Jone Johnson (June 5, 2021).
3754:H.D. (1983). Martz, Louis L. (ed.).
3739:. Garden City, New York: Doubleday.
3579:Psyche Reborn: The Emergence of H.D.
3241:
3169:H.D. (2015). Robinson, Matte (ed.).
2905:
2315:from the original on August 21, 2022
2218:
2127:
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1738:
1064:American Academy of Arts and Letters
892:from your (and my) old town square.
567:H.D. at approximately age 36 in 1922
280:which reinterpreted the myth of the
4741:20th-century American women writers
3333:Tulsa Studies in Women's Literature
1362:(published 1925, bringing together
4268:. London: Pickering & Chatto.
4139:Mandel, Charlotte (January 1980).
2682:from the original on June 25, 2022
1078:in July 1961 and was taken to the
648:, before settling in Switzerland.
491:In October 1912, under the rubric
25:
4746:20th-century pseudonymous writers
4721:19th-century pseudonymous writers
3871:Hollenberg, Donna Krolik (2022).
3654:Friedman, Susan Stanford (1990).
3420:H.D., The Career of that Struggle
1467:"Hermetic Definition" (1960β1961)
1444:"The Flowering of the Rod" (1944)
1408:The Mysteries: Renaissance Choros
1074:H.D was left gravely ill after a
532:cover us with your pools of fir.
113:
4676:
4438:Friedman & DuPlessis (1990a)
4335:Friedman & DuPlessis (1990a)
4082:Winter Love: Ezra Pound and H.D.
3647:Friedman & DuPlessis (1990a)
3278:Caserio, Robert L. (June 2004).
3191:(1992). Gates, Norman T. (ed.).
1134:(1957), and the 1971 collection
143:
4731:20th-century American novelists
4726:20th-century American actresses
3417:DuPlessis, Rachel Blau (1986).
3364:. Manchester University Press.
3035:. Retrieved September 21, 2020.
1201:, and explore issues raised in
4866:LGBTQ people from Pennsylvania
4856:Friends' Central School alumni
4167:. Cambridge University Press.
3658:. Cambridge University Press.
3383:. Edinburgh University Press.
3146:The Cambridge Companion to H.D
1951:Friedman & DuPlessis 1990b
1441:"Tribute to the Angels" (1944)
1438:"The Walls Do Not Fall" (1942)
1302:. In the OSS, she served with
623:post-traumatic stress disorder
264:H.D. was keenly interested in
160:, novelist, and memoirist who
1:
4851:Case studies by Sigmund Freud
4431:– via Oxford Reference.
4362:Parini & Leininger (2004)
4352:Literary Essays of Ezra Pound
4205:Moody, Anthony David (2009).
4156:10.1080/00497878.1980.9978507
3842:by Susan Stanford Friedman".
3831:Parini & Leininger (2004)
2352:DuPlessis & Friedman 1981
914:A commemorative plaque at 44
646:opening of Tutankhamun's tomb
632:(Annie Winifred Ellerman) in
338:to take charge of the Flower
60:
4464:Twentieth Century Literature
4445:Sinclair, May (March 1927).
4124:. New York: Guilford Press.
3978:Journal of Modern Literature
3940:Twentieth Century Literature
3829: . "The Long Poem". In
3781:. New York: New Directions.
3758:. New York: New Directions.
3703:Journal of Modern Literature
3605:. New York: New Directions.
3516:Journal of Modern Literature
3212:Anderson, Elizabeth (2013).
1685:"Writing on the Wall" (1944)
1296:Office of Strategic Services
845:Office of Strategic Services
428:. Patmore introduced her to
4876:Novelists from Pennsylvania
4811:Analysands of Sigmund Freud
4756:American bisexual actresses
4736:20th-century American poets
4675:(public domain audiobooks)
4421:. Oxford University Press.
4355:. New York: New Directions.
4289:. Oxford University Press.
4190:. Oxford University Press.
3360:Connor, Rachel Ann (2004).
1666:Notes on Thought and Vision
1374:, and two new collections)
1300:Central Intelligence Agency
1294:, and later worked for the
1277:electronic discussion lists
1100:Greek flower; Greek ecstasy
888:An incident here and there,
764:. In 1933, she traveled to
653:Notes on Thought and Vision
438:British Museum Reading Room
191:, H.D.'s poetic style from
4902:
4881:Pseudonymous women writers
4586:Wilhelm, James J. (1990).
3756:Collected Poems, 1912β1944
1750:; Mosby, Rebekah Presson;
1479:Collected Poems: 1912β1944
1420:Collected Poems: 1912β1944
1279:in the days following the
1275:were widely shared across
1106:following intricate song's
1089:Her ashes were brought to
768:in 1933 for analysis with
509:literature, especially of
499:, founder of the magazine
416:
365:, where she met the poets
336:University of Pennsylvania
29:
4796:American women memoirists
4766:American feminist writers
4761:American bisexual writers
4565:Ward, A. C. (1970).
3461:2027/spo.0499697.0007.305
3304:10.1215/00029831-76-2-400
3117:Detloff, Madelyn (2009).
3092:"Meester van de variatie"
2469:Academy of American Poets
1622:The Sword Went Out to Sea
1298:, the predecessor of the
1048:and uses as narrator the
890:and rails gone (for guns)
524:whirl your pointed pines,
218:in 1896. Discovering her
142:
48:
4841:Bryn Mawr College alumni
4801:American women novelists
4791:American modernist poets
4781:American LGBTQ novelists
4369:Robinson, Matte (2016).
2882:Lohser & Newton 1996
2710:Pearson & Dembo 1969
2171:Pearson & Dembo 1969
2106:, pp. 176β177, 189.
1967:Bryer & Roblyer 1969
1963:Pearson & Dembo 1969
1819:Pearson & Dembo 1969
1770:. Naperville, Illinois:
1691:Compassionate Friendship
1005:, which she admired. In
865:The Flowering of the Rod
575:English writer and poet
530:hurl your green over us,
312:Early life and education
266:Ancient Greek literature
250:The Transatlantic Review
4871:Modernist women writers
4846:Burials in Pennsylvania
4771:American film actresses
4751:American bisexual women
4692:August 1, 2020, at the
4571:. Prentice Hall Press.
4501:Contemporary Literature
4388:Schaffner, Val (2002).
4306:Contemporary Literature
4229:Contemporary Literature
3487:Contemporary Literature
3251:Contemporary Literature
3076:Duncan, Robert (2011).
1772:Sourcebooks MediaFusion
1426:A Dead Priestess Speaks
1360:Collected Poems of H.D.
1091:Bethlehem, Pennsylvania
638:marriage of convenience
526:splash your great pines
371:William Carlos Williams
355:Friends' Central School
322:Bethlehem, Pennsylvania
268:and published numerous
212:Bethlehem, Pennsylvania
86:Bethlehem, Pennsylvania
4836:Bisexual women writers
4686:Modern American Poetry
4451:The Fortnightly Review
4373:. London: Bloomsbury.
4264:Parker, Sarah (2014).
4163:McCabe, Susan (2005).
3031:March 4, 2016, at the
1628:White Rose and the Red
1503:: A Play in Three Acts
1281:September 11th attacks
1111:
919:
895:
832:
723:where they lived in a
659:ideas into her poems.
583:In 1913, H.D. married
580:
568:
543:magazine in May 1915,
535:
477:
346:, the family moved to
55:A portrait of H.D. by
18:Hilda (H.D.) Doolittle
4621:10.1353/arq.2007.0005
4447:"The Poems of 'H.D.'"
3990:10.1353/jml.2005.0054
3623:Signets: Reading H.D.
3216:. London: Bloomsbury.
2669:The Walls Do Not Fall
2298:"Books of The Times:
1501:Hippolytus Temporizes
1418:, first collected in
1126:(written 1942-1944),
1011:Norman Holmes Pearson
913:
881:The Walls do not Fall
861:Tribute to the Angels
857:The Walls do not Fall
823:
574:
566:
559:World War I and after
451:, the brevity of the
417:Further information:
381:1907, Pound gave her
32:H.D. (disambiguation)
4806:American women poets
4776:American LGBTQ poets
4400:on February 24, 2021
4079:Korg, Jacob (2003).
3601: , ed. (2002).
3023:Clippinger, David. "
2844:, pp. 464, 479.
2581:, pp. 127, 135.
1697:Hirslanden Notebooks
1565:(1927, revised 1947)
1473:"Winter Love" (1959)
1401:Red Roses for Bronze
1199:second-wave feminism
1162:Gertrude Reif Hughes
906:Later work and death
306:modernist literature
162:wrote under the name
30:For other uses, see
4821:Bisexual memoirists
4786:American occultists
3844:American Literature
3292:American Literature
2951:, pp. 108β111.
2939:, pp. 108β109.
2923:, pp. 801β802.
2896:, pp. 332β333.
2842:Twitchell-Waas 1998
2832:, pp. 464β465.
2830:Twitchell-Waas 1998
2656:, pp. 517β518.
2593:, pp. 207β208.
2464:"'Bryher 1894β1983"
2405:, pp. 839β840.
2366:, pp. 400β402.
2268:, pp. 179β180.
2118:, pp. 560β561.
1462:Hermetic Definition
1148:the life's work of
1136:Hermetic Definition
1026:Hermetic Definition
916:Mecklenburgh Square
798:Writing on the Wall
605:D. H. Lawrence
4826:Bisexual novelists
4816:Bisexual feminists
4650:Archival resources
3892:American Quarterly
3362:H.D. and the Image
3189:Aldington, Richard
2440:The New York Times
2308:The New York Times
1316:Nicholas Schaffner
1203:Simone de Beauvoir
920:
833:
708:Kenneth Macpherson
589:Dorothy Shakespear
581:
569:
244:The English Review
96:September 27, 1961
83:September 10, 1886
4664:Project Gutenberg
4578:978-0-582-32803-7
4457:on July 22, 2022.
4428:978-0-19-989105-4
4380:978-1-6289-2419-0
4296:978-0-19-515653-9
4275:978-1-84893-386-6
4216:978-0-19-957146-8
4197:978-0-1906-2122-3
4174:978-0-5218-4621-9
4131:978-1-5723-0128-3
4092:978-0-299-18390-5
3930:978-0-2532-0263-5
3882:978-0-472-22006-9
3788:978-0-8112-2266-2
3765:978-0-8112-0876-5
3746:978-0-3851-3129-2
3693:978-1-8510-9411-0
3665:978-0-5212-5579-0
3633:978-0-2991-2680-3
3612:978-0-8112-1499-5
3430:978-0-2533-2702-4
3409:978-0-3133-0943-4
3232:978-1-4408-5358-6
3204:978-0-271-00832-5
3066:, pp. 74β75.
2724:, pp. 20β21.
2569:, pp. 89β90.
2197:, pp. 51β76.
1997:, pp. 31β34.
1985:, pp. 35β36.
1849:, pp. 32β33.
1781:978-1-57071-720-8
1752:Raccah, Dominique
1464:(published 1971)
1080:Klinik Hirslanden
950:via the works of
585:Richard Aldington
577:Richard Aldington
430:Richard Aldington
361:in 1905 to study
359:Bryn Mawr College
326:Lehigh University
229:Richard Aldington
224:Bryn Mawr College
210:H.D. was born in
151:
150:
132:Bryn Mawr College
16:(Redirected from
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4453:. Archived from
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4396:. Archived from
4394:www.imagists.org
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4225:Morris, Adalaide
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4150:(1/2): 127β136.
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4023:Victorian Poetry
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3804:(2/3): 107β130.
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3675:Aldington (1992)
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2878:Silverstein 1990
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1727:
1678:Tribute to Freud
1605:Within the Walls
1481:(published 1983)
1470:"Sagesse" (1957)
1195:Gwendolyn Brooks
1102:reclaims forever
1020:
1009:she approved of
993:the fall of Troy
981:' trilogy drama
877:classical Greece
824:A 1923 photo of
810:Tribute to Freud
554:
551:described "Oread
363:Greek literature
333:
179:poems depicting
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4694:Wayback Machine
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3499:10.2307/1207693
3484:
3452:10.2307/3177758
3437:
3431:
3416:
3410:
3397:
3391:
3378:
3372:
3359:
3326:
3277:
3263:10.2307/1207704
3248:
3239:
3233:
3220:
3211:
3205:
3187:
3183:
3178:
3168:
3167:
3163:
3156:
3143:
3142:
3138:
3130:
3126:
3116:
3115:
3111:
3101:
3099:
3090:
3089:
3085:
3075:
3074:
3070:
3062:
3058:
3044:
3043:
3039:
3033:Wayback Machine
3022:
3018:
3010:
3006:
3000:Richardson 2004
2998:
2994:
2986:
2982:
2974:
2967:
2959:
2955:
2947:
2943:
2935:, p. 507;
2931:
2927:
2919:
2912:
2904:
2900:
2892:
2888:
2876:
2872:
2864:
2860:
2852:
2848:
2840:
2836:
2824:
2820:
2812:
2803:
2795:
2791:
2783:
2779:
2771:
2764:
2756:
2752:
2744:
2740:
2732:
2728:
2720:
2716:
2708:
2704:
2699:
2695:
2685:
2683:
2675:British Library
2665:
2664:
2660:
2652:
2648:
2640:
2633:
2625:
2621:
2613:
2609:
2601:
2597:
2589:
2585:
2577:
2573:
2565:
2561:
2553:
2549:
2541:
2537:
2529:
2525:
2517:
2508:
2500:
2496:
2488:
2484:
2474:
2472:
2462:
2461:
2454:
2444:
2442:
2431:
2430:
2421:
2417:, p. xvii.
2413:
2409:
2401:
2394:
2386:
2382:
2374:
2370:
2362:
2358:
2350:
2343:
2335:
2328:
2318:
2316:
2294:
2293:
2284:
2276:
2272:
2264:
2260:
2248:
2244:
2236:
2225:
2217:
2213:
2205:
2201:
2193:
2189:
2181:
2177:
2165:
2161:
2153:
2146:
2138:
2134:
2130:, pp. 241.
2126:
2122:
2114:
2110:
2102:
2098:
2086:
2082:
2074:
2070:
2062:
2058:
2050:
2041:
2033:, p. 109;
2029:
2025:
2017:
2013:
2005:
2001:
1993:
1989:
1983:Hollenberg 2022
1981:, p. 180;
1977:
1973:
1965:, p. 437;
1961:
1957:
1949:
1945:
1937:
1933:
1925:
1921:
1913:, p. 348;
1909:
1905:
1897:
1893:
1885:
1881:
1869:
1865:
1857:
1853:
1845:
1841:
1829:
1825:
1817:
1813:
1805:
1801:
1793:
1789:
1782:
1766:, eds. (2001).
1746:
1745:
1736:
1728:
1724:
1720:
1715:
1714:
1682:"Advent" (1933)
1661:
1656:
1532:
1520:
1489:
1484:
1428:(1930s approx.)
1331:
1324:
1250:Denise Levertov
1150:Wallace Stevens
1116:
1110:
1107:
1105:
1103:
1101:
1099:
1098:So you may say,
1072:
1058:Helen in Egypt.
1018:
1017:as "her 'cantos
1013:'s labeling of
987:, but imagines
952:Robert Ambelain
908:
894:
891:
889:
818:
752:Eslanda Robeson
712:New York School
665:
561:
552:
534:
531:
529:
527:
525:
523:
507:Classical Greek
421:
415:
410:
314:
274:Greek mythology
154:Hilda Doolittle
128:Alma mater
101:
97:
84:
78:
76:
75:
74:Hilda Doolittle
66:
63:
44:
35:
28:
23:
22:
15:
12:
11:
5:
4899:
4897:
4889:
4888:
4883:
4878:
4873:
4868:
4863:
4858:
4853:
4848:
4843:
4838:
4833:
4831:Bisexual poets
4828:
4823:
4818:
4813:
4808:
4803:
4798:
4793:
4788:
4783:
4778:
4773:
4768:
4763:
4758:
4753:
4748:
4743:
4738:
4733:
4728:
4723:
4718:
4713:
4703:
4702:
4697:
4696:
4681:
4666:
4657:
4647:
4639:
4638:External links
4636:
4634:
4633:
4604:
4598:
4583:
4577:
4562:
4533:
4496:
4476:10.2307/441594
4470:(4): 464β483.
4459:
4442:
4433:
4427:
4410:
4385:
4379:
4366:
4357:
4339:
4330:
4301:
4295:
4280:
4274:
4261:
4235:(4): 493β524.
4221:
4215:
4202:
4196:
4179:
4173:
4160:
4136:
4130:
4117:
4097:
4091:
4076:
4058:(2): 347β360.
4047:
4029:(1): 170β196.
4018:
3973:
3952:10.2307/441870
3946:(2): 176β203.
3935:
3929:
3916:
3898:(3): 375β401.
3887:
3881:
3868:
3850:(4): 839β840.
3835:
3822:
3793:
3787:
3770:
3764:
3751:
3745:
3731:Guest, Barbara
3727:
3698:
3692:
3679:
3670:
3664:
3651:
3638:
3632:
3617:
3611:
3594:
3588:
3569:
3557:10.2307/375177
3551:(7): 801β814.
3540:
3511:
3482:
3446:(3): 417β430.
3435:
3429:
3414:
3408:
3395:
3389:
3376:
3370:
3357:
3345:10.2307/464182
3324:
3298:(2): 400β402.
3275:
3246:
3237:
3231:
3218:
3209:
3203:
3184:
3182:
3179:
3177:
3176:
3161:
3154:
3136:
3134:, p. 313.
3124:
3109:
3083:
3068:
3064:Keenaghan 2005
3056:
3037:
3016:
3014:, p. 376.
3004:
3002:, p. 182.
2992:
2990:, p. 802.
2980:
2978:, p. 131.
2965:
2963:, p. 378.
2953:
2941:
2925:
2910:
2908:, p. 299.
2898:
2886:
2880:, p. 45;
2870:
2868:, p. 808.
2858:
2856:, p. 312.
2846:
2834:
2828:, p. 91;
2818:
2816:, p. 523.
2801:
2799:, p. 497.
2789:
2777:
2762:
2750:
2738:
2726:
2714:
2712:, p. 436.
2702:
2693:
2658:
2646:
2644:, p. 801.
2631:
2619:
2607:
2605:, p. 133.
2595:
2583:
2571:
2559:
2547:
2535:
2533:, p. 567.
2523:
2519:Schaffner 2002
2506:
2504:, p. 128.
2494:
2482:
2452:
2419:
2407:
2392:
2380:
2376:DuPlessis 1986
2368:
2356:
2354:, p. 417.
2341:
2326:
2282:
2280:, p. 132.
2270:
2258:
2242:
2223:
2211:
2199:
2187:
2175:
2173:, p. 437.
2169:, p. 79;
2167:Barnstone 1998
2159:
2144:
2142:, p. 157.
2132:
2120:
2108:
2096:
2090:, p. 87;
2080:
2068:
2056:
2052:Barnstone 1998
2039:
2023:
2011:
2009:, p. 375.
1999:
1987:
1971:
1969:, p. 632.
1955:
1953:, p. 209.
1943:
1941:, pp. 33.
1931:
1929:, p. 347.
1919:
1915:Barnstone 1998
1903:
1891:
1887:Barnstone 1998
1879:
1875:Barnstone 1998
1863:
1861:, p. 348.
1851:
1839:
1823:
1821:, p. 437.
1811:
1799:
1787:
1780:
1774:. p. 82.
1756:Pinsky, Robert
1748:Paschen, Elise
1734:
1721:
1719:
1716:
1713:
1712:
1706:
1700:
1694:
1688:
1687:
1686:
1683:
1675:
1669:
1662:
1660:
1657:
1655:
1654:
1648:
1642:
1641:
1640:
1631:
1625:
1619:
1613:
1612:
1611:
1602:
1596:
1590:
1584:
1578:
1572:
1566:
1563:Bid Me to Live
1560:
1552:
1546:
1540:
1537:Paint it Today
1533:
1531:
1528:
1519:
1516:
1515:
1514:
1506:
1488:
1485:
1483:
1482:
1476:
1475:
1474:
1471:
1468:
1459:
1453:
1450:Helen in Egypt
1447:
1446:
1445:
1442:
1439:
1431:
1430:
1429:
1413:
1412:
1411:
1398:
1397:
1396:
1390:
1389:
1388:
1357:
1351:
1345:
1339:
1332:
1330:
1327:
1325:
1323:
1320:
1308:James Angleton
1292:Bletchley Park
1271:Passages from
1266:H.C. ten Berge
1246:Anglo-American
1228:Black Mountain
1224:post-modernist
1213:Helen in Egypt
1208:The Second Sex
1128:Helen in Egypt
1115:
1112:
1108:lost measure.
1096:
1071:
1068:
1046:End to Torment
1015:Helen in Egypt
1007:End to Torment
997:Helen in Egypt
991:'s life after
975:Helen in Egypt
907:
904:
900:End to Torment
886:
817:
814:
794:Bid me to Live
685:The Usual Star
664:
661:
642:Robert McAlmon
560:
557:
522:Whirl up, seaβ
520:
497:Harriet Monroe
476:
475:
472:
469:
426:Brigit Patmore
414:
411:
409:
406:
376:H.D. met poet
367:Marianne Moore
313:
310:
278:Helen in Egypt
158:modernist poet
149:
148:
140:
139:
135:
134:
129:
125:
124:
123:
122:
119:
116:
111:
107:
106:
100:(aged 75)
94:
90:
89:
72:
68:
67:
54:
46:
45:
42:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
4898:
4887:
4884:
4882:
4879:
4877:
4874:
4872:
4869:
4867:
4864:
4862:
4859:
4857:
4854:
4852:
4849:
4847:
4844:
4842:
4839:
4837:
4834:
4832:
4829:
4827:
4824:
4822:
4819:
4817:
4814:
4812:
4809:
4807:
4804:
4802:
4799:
4797:
4794:
4792:
4789:
4787:
4784:
4782:
4779:
4777:
4774:
4772:
4769:
4767:
4764:
4762:
4759:
4757:
4754:
4752:
4749:
4747:
4744:
4742:
4739:
4737:
4734:
4732:
4729:
4727:
4724:
4722:
4719:
4717:
4714:
4712:
4709:
4708:
4706:
4699:
4695:
4691:
4688:
4687:
4682:
4674:
4670:
4669:Works by H.D.
4667:
4665:
4661:
4660:Works by H.D.
4658:
4655:
4651:
4648:
4645:
4642:
4641:
4637:
4630:
4626:
4622:
4618:
4615:(1): 81β108.
4614:
4610:
4605:
4601:
4599:0-271-00682-X
4595:
4591:
4590:
4584:
4580:
4574:
4570:
4569:
4563:
4559:
4555:
4551:
4547:
4544:(2): 88β109.
4543:
4539:
4534:
4530:
4526:
4522:
4518:
4514:
4510:
4506:
4502:
4497:
4493:
4489:
4485:
4481:
4477:
4473:
4469:
4465:
4460:
4456:
4452:
4448:
4443:
4439:
4434:
4430:
4424:
4419:
4418:
4411:
4399:
4395:
4391:
4386:
4382:
4376:
4372:
4367:
4363:
4358:
4354:
4353:
4348:
4344:
4340:
4336:
4331:
4327:
4323:
4319:
4315:
4311:
4307:
4302:
4298:
4292:
4288:
4287:
4281:
4277:
4271:
4267:
4262:
4258:
4254:
4250:
4246:
4242:
4238:
4234:
4230:
4226:
4222:
4218:
4212:
4208:
4203:
4199:
4193:
4189:
4180:
4176:
4170:
4166:
4161:
4157:
4153:
4149:
4145:
4142:
4137:
4133:
4127:
4123:
4118:
4107:
4103:
4098:
4094:
4088:
4084:
4083:
4077:
4073:
4069:
4065:
4061:
4057:
4053:
4048:
4044:
4040:
4036:
4032:
4028:
4024:
4019:
4015:
4011:
4007:
4003:
3999:
3995:
3991:
3987:
3983:
3979:
3974:
3969:
3965:
3961:
3957:
3953:
3949:
3945:
3941:
3936:
3932:
3926:
3922:
3917:
3913:
3909:
3905:
3901:
3897:
3893:
3888:
3884:
3878:
3874:
3869:
3865:
3861:
3857:
3853:
3849:
3845:
3841:
3836:
3832:
3823:
3819:
3815:
3811:
3807:
3803:
3799:
3794:
3790:
3784:
3780:
3771:
3767:
3761:
3757:
3752:
3748:
3742:
3738:
3737:
3732:
3728:
3724:
3720:
3716:
3712:
3709:(4): 91β109.
3708:
3704:
3699:
3695:
3689:
3685:
3680:
3676:
3671:
3667:
3661:
3657:
3652:
3648:
3644:
3639:
3635:
3629:
3625:
3624:
3618:
3614:
3608:
3604:
3595:
3591:
3589:0-253-37826-5
3585:
3581:
3580:
3570:
3566:
3562:
3558:
3554:
3550:
3546:
3541:
3537:
3533:
3529:
3525:
3521:
3517:
3512:
3508:
3504:
3500:
3496:
3492:
3488:
3483:
3479:
3475:
3471:
3467:
3462:
3457:
3453:
3449:
3445:
3441:
3436:
3432:
3426:
3422:
3421:
3415:
3411:
3405:
3401:
3396:
3392:
3390:0-7486-0782-X
3386:
3382:
3377:
3373:
3371:0-7190-6122-9
3367:
3363:
3358:
3354:
3350:
3346:
3342:
3339:(1): 79β106.
3338:
3334:
3330:
3325:
3321:
3317:
3313:
3309:
3305:
3301:
3297:
3293:
3289:
3287:
3283:
3276:
3272:
3268:
3264:
3260:
3256:
3252:
3247:
3243:
3238:
3234:
3228:
3224:
3219:
3215:
3210:
3206:
3200:
3196:
3195:
3190:
3186:
3185:
3180:
3172:
3165:
3162:
3157:
3155:9780521187558
3151:
3147:
3140:
3137:
3133:
3128:
3125:
3120:
3113:
3110:
3097:
3093:
3087:
3084:
3079:
3078:The H.D. Book
3072:
3069:
3065:
3060:
3057:
3052:
3048:
3041:
3038:
3034:
3030:
3026:
3020:
3017:
3013:
3008:
3005:
3001:
2996:
2993:
2989:
2988:Friedman 1975
2984:
2981:
2977:
2972:
2970:
2966:
2962:
2957:
2954:
2950:
2945:
2942:
2938:
2934:
2929:
2926:
2922:
2921:Friedman 1975
2917:
2915:
2911:
2907:
2902:
2899:
2895:
2890:
2887:
2884:, p. 40.
2883:
2879:
2874:
2871:
2867:
2866:Friedman 1975
2862:
2859:
2855:
2854:Bancroft 2021
2850:
2847:
2843:
2838:
2835:
2831:
2827:
2822:
2819:
2815:
2810:
2808:
2806:
2802:
2798:
2793:
2790:
2787:, p. 22.
2786:
2785:Robinson 2016
2781:
2778:
2775:, p. 50.
2774:
2773:Robinson 2016
2769:
2767:
2763:
2759:
2758:Robinson 2016
2754:
2751:
2747:
2746:Anderson 2013
2742:
2739:
2735:
2734:Robinson 2016
2730:
2727:
2723:
2722:Friedman 1981
2718:
2715:
2711:
2706:
2703:
2697:
2694:
2681:
2677:
2676:
2672:
2670:
2662:
2659:
2655:
2650:
2647:
2643:
2642:Friedman 1975
2638:
2636:
2632:
2629:, p. 96.
2628:
2627:Chisholm 1990
2623:
2620:
2617:, p. 86.
2616:
2611:
2608:
2604:
2599:
2596:
2592:
2587:
2584:
2580:
2575:
2572:
2568:
2563:
2560:
2557:, p. 88.
2556:
2551:
2548:
2545:, p. 19.
2544:
2539:
2536:
2532:
2531:Friedman 2002
2527:
2524:
2520:
2515:
2513:
2511:
2507:
2503:
2498:
2495:
2491:
2486:
2483:
2475:September 21,
2471:
2470:
2465:
2459:
2457:
2453:
2445:September 21,
2441:
2436:
2428:
2426:
2424:
2420:
2416:
2411:
2408:
2404:
2403:Hokanson 1992
2399:
2397:
2393:
2390:, p. 81.
2389:
2384:
2381:
2378:, p. 40.
2377:
2372:
2369:
2365:
2360:
2357:
2353:
2348:
2346:
2342:
2339:, p. 12.
2338:
2333:
2331:
2327:
2314:
2310:
2309:
2303:
2301:
2291:
2289:
2287:
2283:
2279:
2274:
2271:
2267:
2262:
2259:
2256:, p. 54.
2255:
2252:, p. 9;
2251:
2250:Friedman 1990
2246:
2243:
2239:
2234:
2232:
2230:
2228:
2224:
2221:, p. 50.
2220:
2215:
2212:
2209:, p. 88.
2208:
2203:
2200:
2196:
2191:
2188:
2185:, p. 35.
2184:
2179:
2176:
2172:
2168:
2163:
2160:
2156:
2155:Sinclair 1927
2151:
2149:
2145:
2141:
2136:
2133:
2129:
2124:
2121:
2117:
2112:
2109:
2105:
2100:
2097:
2094:, p. 31.
2093:
2089:
2084:
2081:
2078:, p. 35.
2077:
2072:
2069:
2066:, p. 87.
2065:
2060:
2057:
2054:, p. 79.
2053:
2048:
2046:
2044:
2040:
2036:
2032:
2027:
2024:
2020:
2015:
2012:
2008:
2003:
2000:
1996:
1991:
1988:
1984:
1980:
1975:
1972:
1968:
1964:
1959:
1956:
1952:
1947:
1944:
1940:
1935:
1932:
1928:
1923:
1920:
1917:, p. 78.
1916:
1912:
1907:
1904:
1901:, p. 32.
1900:
1895:
1892:
1889:, p. 78.
1888:
1883:
1880:
1877:, p. 78.
1876:
1872:
1867:
1864:
1860:
1855:
1852:
1848:
1843:
1840:
1837:, p. 34.
1836:
1833:, p. 5;
1832:
1827:
1824:
1820:
1815:
1812:
1809:, p. 87.
1808:
1803:
1800:
1796:
1791:
1788:
1783:
1777:
1773:
1769:
1765:
1761:
1757:
1753:
1749:
1743:
1741:
1739:
1735:
1732:, p. 39.
1731:
1726:
1723:
1717:
1710:
1709:Thorn Thicket
1707:
1704:
1701:
1698:
1695:
1692:
1689:
1684:
1681:
1680:
1679:
1676:
1673:
1670:
1667:
1664:
1663:
1658:
1652:
1649:
1646:
1643:
1638:
1637:
1635:
1634:By Avon River
1632:
1629:
1626:
1623:
1620:
1617:
1614:
1609:
1608:
1606:
1603:
1600:
1599:Pilate's Wife
1597:
1594:
1591:
1588:
1585:
1582:
1579:
1576:
1573:
1570:
1567:
1564:
1561:
1558:
1557:
1553:
1550:
1547:
1544:
1541:
1538:
1535:
1534:
1529:
1527:
1525:
1524:romans-a-clef
1517:
1512:
1511:
1507:
1504:
1502:
1498:
1497:
1496:
1494:
1486:
1480:
1477:
1472:
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1460:
1457:
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1436:
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1432:
1427:
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1405:
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1399:
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1382:
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1379:
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1375:
1373:
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1365:
1361:
1358:
1355:
1352:
1349:
1346:
1343:
1340:
1337:
1334:
1333:
1328:
1321:
1319:
1317:
1313:
1309:
1305:
1304:Graham Greene
1301:
1297:
1293:
1289:
1284:
1282:
1278:
1274:
1269:
1267:
1263:
1262:The H.D. Book
1259:
1258:Robert Duncan
1255:
1251:
1247:
1243:
1239:
1238:
1233:
1229:
1225:
1220:
1218:
1214:
1210:
1209:
1205:'s 1949 book
1204:
1200:
1197:, anticipate
1196:
1192:
1188:
1187:queer studies
1182:
1180:
1176:
1172:
1168:
1163:
1157:
1155:
1151:
1147:
1146:
1141:
1137:
1133:
1130:(1952-1955),
1129:
1125:
1121:
1113:
1109:
1094:
1092:
1087:
1085:
1081:
1077:
1069:
1067:
1065:
1060:
1059:
1055:
1051:
1047:
1043:
1039:
1035:
1031:
1027:
1022:
1016:
1012:
1008:
1004:
1003:
998:
994:
990:
989:Helen of Troy
986:
985:
980:
976:
971:
969:
965:
961:
957:
953:
949:
945:
941:
937:
933:
929:
925:
917:
912:
905:
903:
901:
893:
884:
882:
878:
874:
873:ancient Egypt
870:
866:
862:
858:
854:
850:
846:
842:
838:
831:
827:
822:
815:
813:
811:
807:
803:
799:
795:
791:
790:
783:
779:
775:
771:
770:Sigmund Freud
767:
763:
760:
755:
753:
749:
745:
744:
739:
735:
734:
728:
726:
722:
717:
716:Barbara Guest
713:
709:
704:
702:
698:
694:
693:Pilate's Wife
690:
686:
682:
678:
674:
670:
662:
660:
658:
654:
649:
647:
643:
639:
635:
631:
626:
624:
619:
617:
613:
608:
606:
602:
598:
594:
590:
586:
578:
573:
565:
558:
556:
550:
546:
542:
541:
533:
528:on our rocks,
518:
516:
512:
508:
504:
503:
498:
494:
489:
487:
483:
482:H.D. Imagiste
473:
470:
467:
466:
465:
461:
458:
454:
450:
446:
441:
439:
435:
431:
427:
420:
412:
407:
405:
404:newsletters.
403:
399:
395:
390:
388:
385:, a handmade
384:
379:
374:
372:
368:
364:
360:
356:
353:She attended
351:
349:
345:
341:
337:
332:
327:
323:
320:community of
319:
311:
309:
307:
301:
299:
295:
291:
287:
283:
279:
275:
271:
267:
262:
260:
259:Sigmund Freud
256:
252:
251:
246:
245:
240:
239:
234:
230:
225:
221:
217:
213:
208:
206:
202:
198:
194:
190:
186:
182:
178:
174:
170:
166:
163:
159:
155:
146:
141:
136:
133:
130:
126:
120:
117:
114:
112:
108:
105:, Switzerland
104:
95:
91:
87:
73:
69:
58:
52:
47:
40:
37:
33:
19:
4698:
4685:
4612:
4608:
4588:
4567:
4541:
4537:
4504:
4500:
4467:
4463:
4455:the original
4450:
4416:
4402:. Retrieved
4398:the original
4393:
4370:
4351:
4347:Eliot, T. S.
4309:
4305:
4285:
4265:
4232:
4228:
4206:
4187:
4164:
4147:
4143:
4121:
4109:. Retrieved
4105:
4081:
4055:
4051:
4026:
4022:
3984:(4): 57β90.
3981:
3977:
3943:
3939:
3920:
3895:
3891:
3872:
3847:
3843:
3839:
3801:
3797:
3778:
3755:
3735:
3706:
3702:
3683:
3655:
3642:
3622:
3602:
3578:
3548:
3544:
3522:(1): 51β76.
3519:
3515:
3490:
3486:
3443:
3439:
3419:
3399:
3380:
3361:
3336:
3332:
3328:
3295:
3291:
3285:
3281:
3254:
3250:
3222:
3213:
3193:
3170:
3164:
3145:
3139:
3127:
3118:
3112:
3100:. Retrieved
3095:
3086:
3077:
3071:
3059:
3050:
3046:
3040:
3019:
3007:
2995:
2983:
2956:
2944:
2928:
2901:
2889:
2873:
2861:
2849:
2837:
2821:
2792:
2780:
2760:, p. 6.
2753:
2748:, p. 3.
2741:
2736:, p. 5.
2729:
2717:
2705:
2696:
2684:. Retrieved
2673:
2668:
2661:
2649:
2622:
2610:
2598:
2586:
2574:
2562:
2550:
2538:
2526:
2497:
2485:
2473:. Retrieved
2467:
2443:. Retrieved
2439:
2410:
2383:
2371:
2364:Caserio 2004
2359:
2317:. Retrieved
2306:
2299:
2273:
2261:
2254:Firchow 1980
2245:
2214:
2202:
2195:Firchow 1980
2190:
2178:
2162:
2135:
2123:
2111:
2104:Keeling 1998
2099:
2088:Pondrom 1990
2083:
2071:
2064:Pondrom 1990
2059:
2037:, p. 3.
2026:
2021:, p. 5.
2014:
2002:
1995:Wilhelm 1990
1990:
1974:
1958:
1946:
1934:
1922:
1906:
1894:
1882:
1866:
1854:
1842:
1826:
1814:
1802:
1797:, p. 9.
1790:
1767:
1725:
1708:
1702:
1696:
1690:
1677:
1671:
1665:
1651:Magic Mirror
1650:
1644:
1633:
1627:
1621:
1615:
1604:
1598:
1592:
1587:The Hedgehog
1586:
1580:
1574:
1568:
1562:
1554:
1548:
1542:
1536:
1523:
1521:
1508:
1499:
1490:
1478:
1461:
1455:
1449:
1433:
1425:
1419:
1415:
1400:
1393:Translations
1392:
1377:
1371:
1367:
1363:
1359:
1353:
1347:
1341:
1335:
1288:World War II
1285:
1272:
1270:
1261:
1253:
1235:
1232:Hilda Morley
1221:
1212:
1206:
1183:
1158:
1143:
1135:
1131:
1127:
1123:
1119:
1117:
1104:one who died
1097:
1088:
1073:
1061:
1057:
1045:
1037:
1029:
1025:
1023:
1014:
1006:
1000:
996:
982:
974:
972:
936:Spiritualism
924:Christianity
921:
899:
896:
887:
880:
864:
860:
856:
852:
848:
841:World War II
834:
816:World War II
809:
805:
801:
797:
793:
788:
778:Adolf Hitler
756:
741:
731:
729:
705:
700:
696:
692:
688:
684:
680:
672:
668:
666:
652:
650:
627:
620:
609:
600:
596:
593:British Army
582:
549:May Sinclair
545:Harold Monro
538:
536:
521:
500:
492:
490:
481:
478:
463:
442:
422:
402:Presbyterian
391:
383:Hilda's Book
382:
375:
352:
344:Philadelphia
315:
302:
298:World War II
277:
263:
248:
242:
236:
209:
193:World War II
164:
153:
152:
98:(1961-09-27)
36:
4716:1961 deaths
4711:1886 births
4654:ArchiveGrid
4644:H.D. Papers
4343:Pound, Ezra
3242:H.D. (1998)
3132:McCabe 2021
3012:Hughes 1990
2976:Parker 2014
2961:Hughes 1990
2949:Hatlen 1995
2937:Hatlen 1995
2826:Glaser 2005
2814:Wagner 1969
2797:Hatlen 2004
2654:Morris 1986
2615:Willis 2007
2603:McCabe 2005
2579:Mandel 1980
2567:Walton 1997
2555:Walton 1997
2543:Connor 2004
2502:McCabe 2005
2415:McCabe 2021
2388:McCabe 2021
2337:McCabe 2021
2278:Parker 2014
2266:Kelvin 2000
2140:Kammer 1979
2031:Hatlen 1995
2007:Hughes 1990
1764:Gioia, Dana
1730:Davies 1997
1699:(1957β1959)
1653:(1955β1956)
1647:(1949β1951)
1645:The Mystery
1624:(1946β1947)
1618:(1941β1943)
1601:(1929β1934)
1595:(1943β1944)
1569:Kora and Ka
1545:(1921β1922)
1452:(1952β1955)
1395:(1915β1920)
1338:(1912β1916)
1314:biographer
1217:T. S. Eliot
1179:W. B. Yeats
1171:esotericism
1140:Hugh Kenner
940:Hermeticism
863:(1945) and
782:World War I
762:Hanns Sachs
721:Lake Geneva
681:Kora and Ka
671:(1921) and
616:Spanish flu
348:Upper Darby
340:Observatory
255:World War I
220:bisexuality
216:Upper Darby
185:verse drama
64: 1917
4705:Categories
3098:(in Dutch)
3096:De Reactor
2933:Engel 1969
2894:Guest 1984
2591:Guest 1984
2490:Scott 1995
2238:Lewis 2021
2207:Downs 2000
2076:Moody 2009
2035:Pound 1954
2019:Gates 1992
1979:Moody 2009
1871:Lewis 2021
1835:Moody 2009
1831:Gates 1992
1807:Downs 2000
1795:Guest 1984
1760:Dove, Rita
1659:Nonfiction
1593:Majic Ring
1581:Usual Star
1549:Palimpsest
1364:Sea Garden
1336:Sea Garden
1254:enter into
1242:Susan Howe
1154:Amy Lowell
1120:Sea Garden
1052:figure of
934:religion,
926:, Ancient
835:Hilda and
743:Borderline
738:Pool Group
689:Borderline
669:Palimpsest
612:Cecil Gray
601:Sea Garden
597:The Egoist
540:The Egoist
517:" (1915):
449:free verse
445:modernists
434:Kensington
398:Theocritus
378:Ezra Pound
282:Trojan War
197:long poems
177:free verse
173:Ezra Pound
110:Occupation
79:1886-09-10
4629:162848498
4550:1522-5321
4538:Discourse
4521:0010-7484
4484:0041-462X
4364:, Vol. 2.
4249:0010-7484
4106:ThoughtCo
4064:0090-5674
4035:0042-5206
4014:153457298
3998:0022-281X
3960:0041-462X
3833:, Vol. 2.
3810:0090-5674
3715:0022-281X
3528:0022-281X
3331:graphy".
3320:152423723
3312:1527-2117
3288:(review)"
3053:(3): 183.
2906:H.D. 1983
2219:Korg 2003
2128:Ward 1970
2116:Gill 2005
2092:Korg 2003
1927:King 1981
1911:King 1981
1859:King 1981
1493:Euripides
1372:Heliodora
1354:Heliodora
1191:modernism
1167:mysticism
1145:Harmonium
1114:Appraisal
1042:atom bomb
1030:Canto 106
979:Euripides
968:long poem
964:astrology
944:Martinism
918:in London
869:the Blitz
789:Lusitania
697:Mira-Mare
687:from the
294:syncretic
284:. Raised
253:. During
189:the Blitz
181:Classical
138:Signature
121:memoirist
4861:Imagists
4690:Archived
4684:H.D. at
4673:LibriVox
4558:41389446
4345:(1954).
4111:March 7,
4072:24725256
4043:40004298
4006:25167542
3818:24726520
3733:(1984).
3723:25167543
3478:11620149
3102:June 21,
3029:Archived
2686:June 25,
2680:Archived
2671:by H.D."
2319:June 25,
2313:Archived
1616:The Gift
1556:HERmione
1543:Asphodel
1456:Vale Ave
1237:Language
1234:and the
1173:and the
1132:Vale Ave
1054:Penelope
932:Egyptian
859:(1944),
849:The Gift
759:Freudian
733:Close Up
677:HERmione
657:feminist
634:Cornwall
493:Imagiste
318:Moravian
286:Moravian
207:themes.
205:pacifist
201:esoteric
118:novelist
4529:1207694
4404:May 16,
4349:(ed.).
4326:1207690
4257:1208493
3912:2712940
3864:2927666
3779:Trilogy
3536:3831310
3507:1207693
3470:3177758
3271:1207704
3181:Sources
1636:(1949)
1607:(1941)
1530:Fiction
1434:Trilogy
1422:(1983)
1403:(1931)
1378:The God
1312:Beatles
1286:During
1273:Trilogy
1124:Trilogy
1050:Homeric
1038:Trilogy
956:alchemy
853:Trilogy
830:Man Ray
802:Trilogy
725:Bauhaus
673:Hedylus
419:Imagism
413:Imagism
169:Imagist
57:Man Ray
4627:
4596:
4575:
4556:
4548:
4527:
4519:
4492:441594
4490:
4482:
4425:
4377:
4324:
4293:
4272:
4255:
4247:
4213:
4194:
4182:
4171:
4128:
4089:
4070:
4062:
4041:
4033:
4012:
4004:
3996:
3968:441870
3966:
3958:
3927:
3910:
3879:
3862:
3825:
3816:
3808:
3785:
3773:
3762:
3743:
3721:
3713:
3690:
3662:
3645:". In
3630:
3609:
3597:
3586:
3572:
3565:375177
3563:
3534:
3526:
3505:
3476:
3468:
3427:
3406:
3387:
3368:
3353:464182
3351:
3329:hetero
3318:
3310:
3269:
3229:
3201:
3152:
3047:Poetry
1778:
1711:(1960)
1705:(1958)
1693:(1955)
1674:(1930)
1668:(1919)
1630:(1948)
1589:(1936)
1583:(1934)
1577:(1931)
1575:Nights
1571:(1930)
1559:(1927)
1551:(1926)
1539:(1921)
1513:(1937)
1505:(1927)
1458:(1957)
1356:(1924)
1350:(1921)
1344:(1919)
1329:Poetry
1244:. The
1175:occult
1084:ZΓΌrich
1076:stroke
1002:Cantos
948:Cabala
839:spent
837:Bryher
826:Bryher
806:Advent
774:German
766:Vienna
701:Nights
630:Bryher
511:Sappho
502:Poetry
408:Career
387:vellum
290:occult
238:Egoist
233:Bryher
103:ZΓΌrich
88:, U.S.
4625:S2CID
4554:JSTOR
4525:JSTOR
4488:JSTOR
4322:JSTOR
4253:JSTOR
4068:JSTOR
4039:JSTOR
4010:S2CID
4002:JSTOR
3972:fkeel
3964:JSTOR
3908:JSTOR
3860:JSTOR
3814:JSTOR
3719:JSTOR
3561:JSTOR
3532:JSTOR
3503:JSTOR
3466:JSTOR
3349:JSTOR
3316:S2CID
3267:JSTOR
1718:Notes
1518:Prose
1487:Plays
1385:Oread
1368:Hymen
1348:Hymen
1322:Works
1248:poet
1240:poet
1230:poet
1070:Death
984:Helen
960:tarot
928:Greek
714:poet
515:Oread
486:Dryad
457:haiku
453:tanka
270:Greek
4594:ISBN
4573:ISBN
4546:ISSN
4517:ISSN
4480:ISSN
4423:ISBN
4406:2022
4375:ISBN
4291:ISBN
4270:ISBN
4245:ISSN
4211:ISBN
4192:ISBN
4169:ISBN
4126:ISBN
4113:2022
4087:ISBN
4060:ISSN
4031:ISSN
3994:ISSN
3956:ISSN
3925:ISBN
3877:ISBN
3806:ISSN
3783:ISBN
3760:ISBN
3741:ISBN
3711:ISSN
3688:ISBN
3660:ISBN
3628:ISBN
3607:ISBN
3584:ISBN
3524:ISSN
3474:PMID
3425:ISBN
3404:ISBN
3385:ISBN
3366:ISBN
3308:ISSN
3284:and
3227:ISBN
3199:ISBN
3150:ISBN
3104:2022
2688:2022
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