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517:"Imagism", while warning that they should not be considered as dogma but as the "result of long contemplation". Taken together, these two texts comprised the Imagist programme for a return to what they saw as the best poetic practice of the past. F. S. Flint commented "we have never claimed to have invented the moon. We do not pretend that our ideas are original."
730:, edited by Aldington and including all the contributors to the four earlier anthologies with the exception of Lowell, who had died, Cannell, who had disappeared, and Pound, who declined. The appearance of this anthology initiated a critical discussion of the place of the Imagists in the history of 20th-century poetry.
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Pound's editorial choices were based on what he saw as the degree of sympathy that the writers displayed with
Imagist precepts, rather than active participation in a group. Williams, based in the United States, had not participated in any of the discussions of the Eiffel Tower group. However, he and
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found shortcomings in the
Imagist approach: "Not all objects are equal. The vice of imagism was that it did not recognize this." With its demand for hardness, clarity and precision and its insistence on fidelity to appearances coupled with its rejection of irrelevant subjective emotions Imagism had
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Pound's note opened with a definition of an image as "that which presents an intellectual and emotional complex in an instant of time". Pound goes on to state,"It is better to present one Image in a lifetime than to produce voluminous works". His list of "don'ts" reinforced his three statements in
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Of the poets who were published in the various
Imagist anthologies, Joyce, Lawrence and Aldington are now primarily remembered and read as novelists. Marianne Moore, who was at most a fringe member of the group, carved out a unique poetic style of her own that retained an Imagist concern with
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from 1909 to 1933. She was an enthusiastic champion of literary experiment who was willing to use her money to publish the group. Lowell was determined to change the method of selection from Pound's autocratic editorial attitude to a more democratic manner. The outcome was a series of
Imagist
404:, an interest that Pound shared. The compression of expression that they achieved by following the Greek example complemented the proto-Imagist interest in Japanese poetry, and, in 1912, during a meeting with them in the British Museum tea room, Pound told H.D. and Aldington that they were
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and a diction he claimed was taken "from the mouths of Polish mothers". Both Pound and H.D. turned to long form poetry, but retained the hard edge to their language as an
Imagist legacy. Most of the other members of the group are largely forgotten outside the context of Imagism.
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The
American poet Ezra Pound was introduced to the group in April 1909 and found their ideas close to his own. In particular, Pound's studies of early European vernacular poetry had led him to an admiration of the condensed, direct expression that he detected in the writings of
661:. Pound, who believed that the "Hellenic hardness" that he saw as the distinguishing quality of the poems of H.D. and Aldington was likely to be diluted by the "custard" of Storer, was to play no further direct role in the history of the Imagists. He went on to co-found the
755:. Richard Aldington, in his 1941 memoir, writes: "I think the poems of Ezra Pound, H.D., Lawrence, and Ford Madox Ford will continue to be read. And to a considerable extent T. S. Eliot and his followers have carried on their operations from positions won by the Imagists."
358:. Taupin concluded in his 1929 study that however great the divergence of technique and language "between the image of the Imagist and the 'symbol' of the Symbolists there is a difference only of precision". In 1915, Pound edited the poetry of another 1890s poet,
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From the ensuing debate, Hulme and Flint became close friends. In 1909, Hulme left the Poets' Club and started meeting with Flint and other poets in a new group which Hulme referred to as the "Secession Club"; they met at the Eiffel Tower restaurant in London's
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in London. It became one of the most important and influential
English-language collections of modernist verse. Included in the thirty-seven poems were ten poems by Aldington, seven by H.D., and six by Pound. The book also included work by Flint,
689:. The first of these appeared in 1915, planned and assembled mainly by H.D. and Aldington. Two further issues, both edited by Lowell, were published in 1916 and 1917. These three volumes featured most of the original poets, plus the American
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Pound had long been corresponding on the question of the renewal of poetry along similar lines. Ford was included at least partly because of his strong influence on Pound, as the younger poet made the transition from his earlier,
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remarked that "it is more accurate to consider
Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
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in May 1915. Pound disagreed with Flint's interpretation of events and the goals of the group, causing the two to cease contact with each other. Flint emphasised the contribution of the Eiffel Tower poets, especially
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jokingly suggested that
Aldington should produce a new Imagist anthology. Aldington, by now a successful novelist, took up the suggestion and enlisted the help of Ford and H.D. The result was the
146:. The Imagists were centered in London, with members from Great Britain, Ireland and the United States. Somewhat unusually for the time, a number of women writers were major Imagist figures.
794:, on writing "which is the detail, not mirage, of seeing, of thinking with the things as they exist, and of directing them along a line of melody." Zukofsky was a major influence on the
782:
Imagism, which had made free verse a discipline and a legitimate poetic form, influenced a number of poetry circles and movements. Its influence can be seen clearly in the work of the
61:
literary movement in the
English language. Imagism has been termed "a succession of creative moments" rather than a continuous or sustained period of development. The French academic
786:, who came to prominence in the 1930s under the auspices of Pound and Williams. The Objectivists worked mainly in free verse. Clearly linking Objectivism's principles with Imagism's,
174:. Hulme was a student of mathematics and philosophy; he had been involved in setting up the club in 1908 and was its first secretary. Around the end of 1908, he presented his paper
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both written by Pound, with the latter attributed to Flint. The latter contained this succinct statement of the group's position, which he had agreed with H.D. and Aldington:
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Around this time, the American Imagist Amy Lowell moved to London, determined to promote her own work and that of the other Imagist poets. Lowell was a wealthy heiress from
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rubric, with a note describing Aldington as "one of the 'Imagistes'". This note, along with the appendix note ("The Complete Poetical Works of T. E. Hulme") in Pound's book
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in particular were influenced by the Imagist emphasis on Chinese and Japanese poetry. Williams also had a strong effect on the Beat poets, encouraging poets like
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literary movements (Aldington, for example, spent much of the war at the front), and the 1917 anthology effectively marked the end of the Imagists as a movement.
693:, but not Pound, who had tried to persuade Lowell to drop the Imagist name from her publications and who sardonically dubbed this phase of Imagism "Amygism".
2077:
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and in Lawrence's animal and flower pieces. The rejection of conventional verse forms in the nineteen-twenties owed much to the Imagists' repudiation of the
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magazine in 1911, she had asked Pound to act as foreign editor. In October 1912, he submitted thereto three poems each by H.D. and Aldington under the
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In 1911, Pound introduced two other poets to the Eiffel Tower group: his former fiancée Hilda Doolittle, who by then was writing under her initials,
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89:. A characteristic feature of the form is its attempt to isolate a single image to reveal its essence. This mirrors contemporary developments in
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values, such as directness of presentation, economy of language, and a willingness to experiment with non-traditional verse forms; Imagists used
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Determined to promote the work of the Imagists, and particularly of Aldington and H.D., Pound decided to publish an anthology under the title
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854:, usually and conveniently taken as the starting-point of modern poetry, is the group denominated 'imagists' in London about 1910." Lecture,
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Woon-Ping Chin Holaday (Summer 1978). "From Ezra Pound to Maxine Hong Kingston: Expressions of Chinese Thought in American Literature".
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to contribute poems to the 1915 and 1916 volumes, making him the only writer to publish as both a Georgian poet and an Imagist.
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303:: "You cannot get statement simpler than that, or clearer, or less rhetorical". These criteriaâdirectness, clarity and lack of
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433:(1912), are considered to be the first appearances of the word "Imagiste" (later anglicised to "Imagist") in print.
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Cosmopolitanism and Modernism: How Asian Visual Culture Shaped Early Twentieth Century Art and Literature in London
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Page, A.; Cowley, J.; Daly, M.; Vice, S.; Watkins, S.; Morgan, L.; Sillars, S.; Poster, J.; Griffiths, T. (1993).
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This article is about the Anglo-American poetry movement. For the contemporaneous Russian poetry movement, see
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1004:"The Transcultural Roots of Modernism: Imagist Poetry, Japanese Visual Culture, and the Western Museum System
798:, who carried the Imagist focus on formal concerns to a high level of development. In his seminal 1950 essay
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1907:
Pondrom, Cyrena (1969). "Selected Letters from H. D. to F. S. Flint: A Commentary on the Imagist Period".
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194:(a champion of free verse and modern French poetry) was highly critical of the club and its publications.
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The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson
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prints at the British Museum, and he quickly became absorbed in the study of Japanese verse forms.
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Imagist publications appearing between 1914 and 1917 featured works by many of the most prominent
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81:, who were generally content to work within that tradition, Imagists called for a return to more
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618:-influenced style towards a harder, more modern way of writing. The anthology included the poem
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Stanley, Sandra (1995). "Louis Zukofsky and the Transformation of a Modern American Poetics".
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in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry,
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As regarding rhythm: to compose in sequence of the musical phrase, not in sequence of the
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307:âwere to be amongst the defining qualities of Imagist poetry. Through his friendship with
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is similar to Cubism's manner of synthesizing multiple perspectives into a single image.
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338:. Pound emphasised that influence in a 1928 letter to the French critic and translator
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62:
1971:
Riddel, Joseph (1979). "Decentering the Image: The 'Project' of 'American' Poetics?".
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Kita, Yoshiko (2000). "Ezra Pound and Haiku: Why Did Imagists Hardly Mention Basho?".
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464:, appeared in the January 1913 issue, marking the beginning of the Imagism movement.
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Ezra Pound and the Appropriation of Chinese Poetry: Cathay, Translation, and Imagism
874:. Paris: Champion. Translation (1985) by William Pratt and Anne Rich. New York: AMS.
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Ezra Pound: Poet. A Portrait of the Man and His Work. I: The Young Genius 1885â1920
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Modernism and the Museum: Asian, African and Pacific Art and the London Avant Garde
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99:. Although these poets isolate objects through the use of what the American poet
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Despite the movement's short life, Imagism would deeply influence the course of
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Hyak nin is'shiu, or, Stanzas by a Century of Poets, Being Japanese Lyrical Odes
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and through the removal of all unnecessary verbiage from poems. The interest in
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Pound (1918). "A Retrospect". Reprinted in Kolocotroni et al. (1998), p. 374
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508:
317:
256:. Direct literary models were available from a number of sources, including
115:
17:
6312:
2086:
1152:
Genders, Races, and Religious Cultures in Modern American Poetry, 1908â1934
872:
L'Influence du symbolism francais sur la poesie Americaine (de 1910 a 1920)
652:
An article on the history of Imagism was written by Flint and published in
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Edgerly Firchow, Peter; Evelyn Scherabon Firchow; Bernfried Nugel (2002).
202:
to discuss plans to reform contemporary poetry through free verse and the
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3495:
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Modernism and the Ideology of History: Literature, Politics, and the Past
400:. These two were interested in exploring Greek poetic models, especially
342:. He pointed out that Hulme was indebted to the Symbolist tradition, via
304:
229:
1801:
1742:
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s April issue published Pound's haiku-like "In a Station of the Metro":
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developed his poetic along distinctly American lines with his variable
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To use absolutely no word that does not contribute to the presentation.
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1980:
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and clear, sharp language. It is considered to be the first organized
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and writing an introduction for the book publication of Ginsberg's
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The Imagists rejected the sentiment and discursiveness typical of
27:
1985:
Sloan, De Villo (1987). "The Decline of American Postmodernism".
1733:
Geiger, Don (1956). "Imagism; the New Poetry Forty Years Later".
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Direct treatment of the "thing", whether subjective or objective.
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2411:
1830:
Martin, Wallace (1970). "The Sources of the Imagist Aesthetic".
393:
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1941:. Edited by Forrest Read. New York: New Directions Publishing.
790:
insisted, in his introduction to the 1931 Objectivist issue of
704:
also became associated with the group during this period. With
290:, amongst others. For example, in his 1911â12 series of essays
1670:
American Salons: Encounters with European Modernism, 1885â1917
1620:
Mastery and Escape: T. S. Eliot and the Dialectic of Modernism
2100:
1921:
Pound, Ezra (1974) . "How I Began". In Grace Schulman (ed.).
1806:
Kolocotroni, Vassiliki; Goldman, Jane; Taxidou, Olga (1998).
1780:
H. D., and Ezra Pound, End to Torment: A Memoir of Ezra Pound
948:
Strange Attractors: Ezra Pound and the Invention of Japan, II
2620:
2096:: "On 'In a Station of the Metro'" at Modern American Poetry
1687:
Ghostlier Demarcations: Modern Poetry and the Material Word.
1126:"General William Booth Enters into Heaven by Vachel Lindsay"
1235:
Reluctant Modernists: Aldous Huxley and Some Contemporaries
532:
refers to the manner of presentation, not to the subject."
2043:
Explaining Imagism: The Imagist Movement in Poetry and Art
1457:
Smith, Richard. "Richard Aldington". Twayne, 1977. p. 23.
1158:" (Modern American Poetry). Retrieved on August 29, 2010
622:
by James Joyce, which was sent to Pound by W. B. Yeats.
367:
No one has written purer imagism than has, in the line
1542:. University Park: Pennsylvania State University Press
1989:, University of Wisconsin Press, volume 16, issue 3.
1939:
Pound/Joyce: The Letters of Ezra Pound to James Joyce
1363:(1915). Reprinted in Kolocotroni et al (1998), p. 268
952:
Essays and Studies in British and American Literature
154:
The origins of Imagism are to be found in two poems,
1794:
Paideuma: Modern and Contemporary Poetry and Poetics
1730:. Carbondale, IL: Southern Illinois University Press
1374:
Imagism & The Imagists: A Study in Modern Poetry
1212:
F. S. Flint letter to J.C. Squire, January 29, 1917.
334:
described the Imagists as descendants of the French
5518:
5359:
5227:
5067:
4823:
4812:
4619:
A Sunday Afternoon on the Island of La Grande Jatte
4609:
4435:
3995:
3478:
3469:
3346:
3130:
2872:
2863:
2658:
2543:
2497:
2394:
2335:
2294:
2230:
2138:
528:does not merely mean the presentation of pictures.
476:
The apparition of these faces in the crowd :
274:, and contemporary French-language translations.
1808:Modernism: An Anthology of Sources and Documents
107:of juxtaposing concrete instances to express an
2087:Bibliography of Japan in English-Language Verse
498:
473:
364:
1608:. New Brunswick NJ: Rutgers University Press.
1540:Richard Aldington: An Autobiography in Letters
1002:. Also see Arrowsmith, Rupert Richard (2011).
166:. These were published in January 1909 by the
5888:
2636:
2116:
369:Clear lie the fields, and fade into blue air,
311:, Pound had already developed an interest in
8:
5551:
5540:
2741:
2730:
2684:
2673:
1604:Bradshaw, Melissa; Munich, Adrienne (2002).
1592:The Cambridge History of American Literature
1154:. Cambridge University Press. Excerpted in "
264:, the first English-language version of the
2812:
1638:A Serious Character: The Life of Ezra Pound
708:as a backdrop, the times were not easy for
377:Early publications and statements of intent
5895:
5881:
5873:
4820:
3475:
2869:
2643:
2629:
2621:
2123:
2109:
2101:
1021:London University School of Advanced Study
954:, Tokyo Woman's Christian University, 2018
180:at one of the club's meetings. Writing in
2031:. Tavistock: Northcote House Publishers.
1594:. Cambridge: Cambridge University Press.
1486:. Penguin Books. (See introductory note.)
1107:
1105:
763:later effects that are demonstratable in
994:. Oxford University Press, pp. 103â164.
866:
864:
665:with his friend, the painter and writer
2017:. Penguin Critical Anthologies Series.
1827:. Cambridge: Cambridge University Press
1778:King, Michael; Pearson, Norman (1979).
843:
1927:. New York: McGraw-Hill Book Company.
1897:. London: New Directions Publishing.
1484:The Penguin Book of Contemporary Verse
5477:Six Characters in Search of an Author
1924:Ezra Pound: A Collection of Criticism
1728:Wallace Stevens: Images and Judgments
1658:. London: New Directions Publishing.
1622:. University of Massachusetts Press.
758:On the other hand, the American poet
49:was a movement in early-20th-century
7:
1957:. New York: Albert and Charles Boni.
1706:. Wilfrid Laurier University Press.
573:and Charles Boni in New York and by
412:to some poems they were discussing.
232:as witnessed in the 1890s vogue for
2193:The River Merchant's Wife: A Letter
1880:. Oxford: Oxford University Press.
1672:. Oxford: Oxford University Press.
990:Arrowsmith, Rupert Richard (2011).
569:and was later published in 1914 by
122:and other fields, including Pound,
103:called "luminous details", Pound's
4679:Nude Descending a Staircase, No. 2
2055:Williams, Louise Blakeney (2002).
1782:. New York: New Directions, 1979.
1298:The Year's Work in English Studies
856:Washington University in St. Louis
644:; in 1925, Lowell was awarded the
371:It has a beauty like the Chinese.
236:'s Japanese prints donated to the
216:can be contextualized by the late
77:. In contrast to the contemporary
14:
1851:. Fyfield Books, Carcanet Press.
1723:. Oxford: Oxford University Press
1575:H.D.: The Career of That Struggle
6355:20th-century American literature
6311:
5859:
5858:
1689:University of California Press.
1439:Bercovitch; Patell (1994), p. 35
1273:Bradshaw; Munich (2002), p. xvii
479:Petals on a wet, black bough .
448:, were in the November issue of
408:and even appended the signature
362:. In his introduction, he wrote
354:generation of British poets and
6360:20th-century British literature
1810:. University of Chicago Press.
1558:Modernism: A Short Introduction
1150:DuPlessis, Rachel Blau (2001).
240:as well as in the influence of
5626:Grosvenor School of Modern Art
5619:Fourth dimension in literature
2059:. Cambridge University Press.
2013:Sullivan, J. P. (ed.) (1970).
1849:T. E. Hulme: Selected Writings
1618:Brooker, Jewel Spears (1996).
1482:Allott, Kenneth (ed.) (1950).
1224:(1916). Constable and Company.
1156:On 'In a Station of the Metro'
1037:(1916). Constable and Company.
640:, who edited later volumes of
170:in London in a booklet called
1:
1962:"A Few Don'ts by an Imagiste"
1825:The Letters of D. H. Lawrence
1554:H. D., Ezra Pound and Imagism
301:En breu brizara'l temps braus
32:The expatriate American poet
1641:. Boston: Houghton Mifflin.
1606:Selected Poems of Amy Lowell
1590:; Patell, Cyrus RK. (1994).
1376:. Stanford University Press.
685:anthologies under the title
559:. It was first published in
396:, and H.D.'s future husband
293:I gather the limbs of Osiris
23:20th-century poetry movement
6365:American literary movements
5719:List of avant-garde artists
4703:The Cabinet of Dr. Caligari
2574:Hieratic Head of Ezra Pound
2278:Radio broadcasts, 1941â1945
1747:Jones, Peter (ed.) (1972).
1545:Aldington, Richard (1941).
1504:Stanley (1995), pp. 186â189
1403:Geiger (1956), pp. 140, 145
1282:Pondrom (1969), pp. 557â586
1237:. Transaction Books, p. 32.
1099:King; Pearson (1979), p. 18
753:modernist poetry in English
490:A Few Don'ts by an Imagiste
6388:
6370:British literary movements
5577:Classical Hollywood cinema
2263:Jefferson and/or Mussolini
2082:Modernist Journals Project
1960:Pound, Ezra (March 1913).
1951:Pound, Ezra (ed.) (1914).
1522:Riddel (1979), pp. 159â188
1430:Geiger (1956), pp. 139â147
1331:"A(bbott) Lawrence Lowell"
972:Moody (2007), pp. 180, 222
883:Davidson (1997), pp. 11â13
177:A Lecture on Modern Poetry
53:that favored precision of
15:
6307:
6249:San Francisco Renaissance
5914:
5840:
4655:Les Demoiselles d'Avignon
2178:In a Station of the Metro
2163:Ballad of the Goodly Fere
2155:A Quinzaine for this Yule
2041:WÄ
cior, SĆawomir (2007).
1656:Selected Prose, 1909â1965
1412:Moody (2007), pp. 224â225
1167:Pound (1913), pp. 200â206
734:compression of language.
646:Pulitzer Prize for Poetry
3440:The Master and Margarita
2527:Visits to St. Elizabeths
2078:Some Imagist anthologies
2027:Thacker, Andrew (2018).
1876:Moody, A. David (2007).
1668:Crunden, Robert (1993).
1560:. Blackwell Publishers.
1549:. New York: Viking Press
1538:; Gates, Norman (1984).
1421:Aldington (1984), p. 103
1185:Elder (1998), pp. 72, 94
1111:Monroe, Harriet (1938).
937:Kita (2000), pp. 179â180
484:The March 1913 issue of
172:For Christmas MDCCCCVIII
5726:List of modernist poets
5612:Fourth dimension in art
4795:Meshes of the Afternoon
2605:St. Elizabeths Hospital
2484:William Carlos Williams
2217:Cultural references in
1909:Contemporary Literature
1866:. New York: Routledge.
1577:. The Harvester Press.
1495:Sloan (1987), pp. 29â43
1394:Lawrence (1979), p. 394
1294:"The Twentieth Century"
1246:Thacker (2018), pp. 5â6
1081:Ming, Xie (1998), p. 80
901:McGuinness (1998), xii.
736:William Carlos Williams
592:William Carlos Williams
492:and the essay entitled
136:William Carlos Williams
6079:Generation of the '30s
5954:British Poetry Revival
5810:Second Viennese School
5552:
5541:
3452:The Sound and the Fury
3356:In Search of Lost Time
2813:
2742:
2731:
2685:
2674:
2312:Parable of the Sunfish
2045:. Edwin Mellen Press.
1571:DuPlessis, Rachel Blau
1372:Hughes, Glenn (1931).
1264:Ellmann (1959), p. 350
919:Williams (2002), p. 16
806:, the theorist of the
728:Imagist Anthology 1930
678:Abbott Lawrence Lowell
649:
550:
514:
482:
389:
374:
190:, the poet and critic
43:
6129:Informationist poetry
5789:Reactionary modernism
5712:List of art movements
2520:Reading Pound Reading
2469:Charles Elkin Mathews
2427:Henri Gaudier-Brzeska
2322:Three Kinds of Poetry
2239:The Spirit of Romance
2202:Hugh Selwyn Mauberley
2001:South Atlantic Review
1975:, volume 8, issue 1.
1911:, volume 10, issue 4.
1552:Ayers, David (2004).
1448:Geiger (1956), p. 139
1310:10.1093/ywes/72.1.361
1255:Pound (1914), pp. 5â6
1176:Geiger (1956), p. 144
1012:18:1, pp. 27â42; and
981:Cookson (1975), p. 43
892:Brooker (1996), p. 48
870:Taupin, René (1929).
773:Morning at the Window
636:The American Imagist
635:
545:
384:
324:In a 1915 article in
31:
6254:Scottish Renaissance
5949:Black Mountain poets
5633:Hanshinkan Modernism
5489:The Threepenny Opera
5405:Pelléas et Mélisande
2474:William Brooke Smith
1937:Pound, Ezra (1970).
1834:, volume 85, No. 2.
1796:, volume 29, No. 3.
1737:, volume 30, No. 2.
1547:Life For Life's Sake
1385:Moody (2007), p. 224
808:Black Mountain poets
520:The 1916 preface to
214:Japanese verse forms
42:, published in 1914.
6194:New American Poetry
5944:Black Arts Movement
5924:Akhmatova's Orphans
5691:International Style
5441:Afternoon of a Faun
4727:Battleship Potemkin
4631:Mont Sainte-Victoir
2534:A ZBC of Ezra Pound
2385:Boris de Rachewiltz
2345:(maternal ancestor)
1845:McGuinness, Patrick
1768:. Faber and Faber.
1726:Enck, John (1964).
1633:Carpenter, Humphrey
1513:Olson (1966), p. 17
1203:Pound (1974), p. 12
1009:Modernism/modernity
963:Kita (2000), p. 180
928:Kita (2000), p. 179
910:Crunden (1993), 271
691:John Gould Fletcher
563:'s little magazine
436:Aldington's poems,
126:(Hilda Doolittle),
6269:Southern Agrarians
6164:Metaphysical poets
6104:Harlem Renaissance
5570:Buddhist modernism
5527:American modernism
5453:The Rite of Spring
3428:The Sun Also Rises
3404:The Magic Mountain
2464:Archibald MacLeish
2379:Mary de Rachewiltz
2355:Dorothy Shakespear
2302:Ideogrammic method
2284:If This Be Treason
1862:Ming, Xie (1998).
1588:Bercovitch, Sacvan
1536:Aldington, Richard
1473:Enck (1964), p. 11
1361:Some Imagist Poets
1335:Harvard University
1222:Some Imagist Poets
1090:Ayers (2004), p. 2
1035:Some Imagist Poets
687:Some Imagist Poets
682:Harvard University
650:
642:Some Imagist Poets
627:Some Imagist Poets
551:
522:Some Imagist Poets
454:Hermes of the Ways
390:
272:Sadakichi Hartmann
105:ideogrammic method
44:
6325:
6324:
6318:Poetry portal
6114:Hungry generation
6109:Harvard Aesthetes
6084:Generation of '98
6074:Generation of '27
6049:The poets of Elan
5870:
5869:
5598:Experimental film
5514:
5513:
5501:Waiting for Godot
4808:
4807:
3465:
3464:
3368:The Metamorphosis
2618:
2617:
2594:Famous Last Words
2402:Richard Aldington
2367:Olivia Shakespear
2349:Thaddeus C. Pound
2343:William Wadsworth
2037:978-0-7463-1002-1
2029:The Imagist Poets
1903:978-0-8112-0335-7
1895:Selected Writings
1886:978-0-19-957146-8
1872:978-0-8153-2623-6
1816:978-0-226-45074-2
1788:978-0-8112-0720-1
1757:978-0-1419-1314-8
1683:Davidson, Michael
1678:978-0-1950-6569-5
1664:978-0-8112-0574-0
1647:978-0-395-41678-5
1614:978-0-8135-3128-1
1600:978-0-521-49733-6
1566:978-1-4051-0854-6
1463:978-0-8057-6691-2
1130:Poetry Foundation
1000:978-0-19-959369-9
850:T.S. Eliot: "The
784:Objectivist poets
696:Lowell persuaded
680:was President of
547:Richard Aldington
442:To a Greek Marble
398:Richard Aldington
6377:
6345:Poetry movements
6316:
6315:
6229:Parnassian poets
6199:New Apocalyptics
6174:Modernist poetry
5989:Confessionalists
5979:Churchyard poets
5897:
5890:
5883:
5874:
5862:
5861:
5833:
5831:Vulgar modernism
5826:
5824:Underground film
5819:
5812:
5805:
5798:
5791:
5784:
5777:
5770:
5763:
5756:
5749:
5742:
5735:
5728:
5721:
5714:
5707:
5700:
5693:
5686:
5677:
5670:
5663:
5656:
5649:
5647:Hippie modernism
5642:
5635:
5628:
5621:
5614:
5607:
5600:
5593:
5586:
5579:
5572:
5565:
5563:Bloomsbury Group
5558:
5557:
5547:
5546:
5536:
5529:
5507:
5506:
5495:
5494:
5483:
5482:
5471:
5470:
5459:
5458:
5447:
5446:
5435:
5434:
5423:
5422:
5411:
5410:
5399:
5398:
5387:
5386:
5375:
5374:
5352:
5345:
5338:
5331:
5324:
5317:
5310:
5303:
5296:
5289:
5282:
5275:
5268:
5261:
5254:
5247:
5240:
5220:
5213:
5206:
5199:
5192:
5185:
5178:
5171:
5164:
5157:
5150:
5143:
5136:
5129:
5122:
5115:
5108:
5101:
5094:
5087:
5080:
5060:
5053:
5046:
5039:
5032:
5025:
5018:
5011:
5004:
4997:
4990:
4983:
4976:
4969:
4962:
4955:
4948:
4941:
4934:
4927:
4920:
4913:
4906:
4899:
4892:
4885:
4878:
4871:
4864:
4857:
4850:
4843:
4836:
4821:
4801:
4800:
4789:
4788:
4777:
4776:
4767:
4766:
4757:
4756:
4751:Un Chien Andalou
4745:
4744:
4733:
4732:
4721:
4720:
4715:Ballet MĂ©canique
4709:
4708:
4697:
4696:
4685:
4684:
4673:
4672:
4661:
4660:
4649:
4648:
4643:The Starry Night
4637:
4636:
4625:
4624:
4602:
4595:
4588:
4581:
4574:
4567:
4560:
4553:
4546:
4539:
4532:
4525:
4518:
4511:
4504:
4497:
4490:
4483:
4476:
4469:
4462:
4455:
4448:
4428:
4421:
4414:
4407:
4400:
4393:
4386:
4379:
4372:
4365:
4358:
4351:
4344:
4337:
4330:
4323:
4316:
4309:
4302:
4295:
4288:
4281:
4274:
4267:
4260:
4253:
4246:
4239:
4232:
4225:
4218:
4211:
4204:
4197:
4190:
4183:
4176:
4169:
4162:
4155:
4148:
4141:
4134:
4127:
4120:
4113:
4106:
4099:
4092:
4085:
4078:
4071:
4064:
4057:
4050:
4043:
4036:
4029:
4022:
4015:
4008:
3988:
3981:
3974:
3972:Toulouse-Lautrec
3967:
3960:
3953:
3946:
3939:
3932:
3925:
3918:
3911:
3904:
3897:
3890:
3883:
3876:
3869:
3862:
3855:
3848:
3841:
3834:
3827:
3820:
3813:
3806:
3799:
3792:
3785:
3778:
3771:
3764:
3757:
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3743:
3736:
3729:
3722:
3715:
3708:
3701:
3694:
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3631:
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3617:
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3596:
3589:
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3568:
3561:
3554:
3547:
3540:
3533:
3526:
3519:
3512:
3505:
3498:
3491:
3476:
3458:
3457:
3446:
3445:
3434:
3433:
3422:
3421:
3410:
3409:
3398:
3397:
3386:
3385:
3374:
3373:
3362:
3361:
3339:
3332:
3325:
3318:
3311:
3304:
3297:
3290:
3283:
3276:
3269:
3262:
3255:
3248:
3241:
3234:
3227:
3220:
3213:
3206:
3199:
3192:
3185:
3178:
3171:
3164:
3157:
3150:
3143:
3123:
3116:
3109:
3102:
3095:
3088:
3081:
3074:
3067:
3060:
3053:
3046:
3039:
3032:
3025:
3018:
3011:
3004:
2997:
2990:
2983:
2976:
2969:
2962:
2955:
2948:
2941:
2934:
2927:
2920:
2913:
2906:
2899:
2892:
2885:
2870:
2856:
2849:
2842:
2835:
2828:
2819:
2818:
2808:
2801:
2794:
2787:
2778:
2771:
2764:
2755:
2748:
2747:
2737:
2736:
2733:Der Blaue Reiter
2726:
2719:
2712:
2705:
2698:
2691:
2690:
2680:
2679:
2669:
2645:
2638:
2631:
2622:
2432:Ernest Hemingway
2271:Guide to Kulchur
2125:
2118:
2111:
2102:
1735:Prairie Schooner
1717:Ellmann, Richard
1652:Cookson, William
1523:
1520:
1514:
1511:
1505:
1502:
1496:
1493:
1487:
1480:
1474:
1471:
1465:
1455:
1449:
1446:
1440:
1437:
1431:
1428:
1422:
1419:
1413:
1410:
1404:
1401:
1395:
1392:
1386:
1383:
1377:
1370:
1364:
1357:
1351:
1350:
1348:
1346:
1341:on July 17, 2018
1337:. Archived from
1327:
1321:
1320:
1318:
1316:
1289:
1283:
1280:
1274:
1271:
1265:
1262:
1256:
1253:
1247:
1244:
1238:
1231:
1225:
1219:
1213:
1210:
1204:
1201:
1195:
1192:
1186:
1183:
1177:
1174:
1168:
1165:
1159:
1148:
1142:
1141:
1139:
1137:
1132:. March 20, 2018
1122:
1116:
1109:
1100:
1097:
1091:
1088:
1082:
1079:
1073:
1072:
1044:
1038:
1031:
1025:
1024:
988:
982:
979:
973:
970:
964:
961:
955:
944:
938:
935:
929:
926:
920:
917:
911:
908:
902:
899:
893:
890:
884:
881:
875:
868:
859:
848:
800:Projective Verse
724:Walter Lowenfels
676:, whose brother
584:Skipwith Cannell
561:Alfred Kreymborg
470:
332:Remy de Gourmont
330:, French critic
288:Guido Cavalcanti
244:on paintings by
242:woodblock prints
234:William Anderson
95:art, especially
75:Victorian poetry
6387:
6386:
6380:
6379:
6378:
6376:
6375:
6374:
6350:Modernist poets
6330:
6329:
6326:
6321:
6310:
6303:
6274:Spasmodic poets
6259:Sicilian School
6209:New York School
6029:Dolce Stil Novo
5910:
5901:
5871:
5866:
5857:
5849:
5836:
5829:
5822:
5817:Structural film
5815:
5808:
5801:
5794:
5787:
5780:
5773:
5768:New Objectivity
5766:
5759:
5754:Neo-romanticism
5752:
5747:Neo-primitivism
5745:
5738:
5731:
5724:
5717:
5710:
5703:
5696:
5689:
5682:
5673:
5666:
5659:
5652:
5645:
5638:
5631:
5624:
5617:
5610:
5603:
5596:
5589:
5582:
5575:
5568:
5561:
5550:
5539:
5532:
5525:
5510:
5504:
5498:
5492:
5486:
5480:
5474:
5468:
5462:
5456:
5450:
5444:
5438:
5432:
5426:
5420:
5414:
5408:
5402:
5396:
5393:VerklÀrte Nacht
5390:
5384:
5378:
5372:
5366:
5355:
5348:
5341:
5334:
5327:
5320:
5313:
5306:
5299:
5292:
5285:
5278:
5271:
5264:
5257:
5250:
5243:
5236:
5223:
5216:
5209:
5202:
5195:
5188:
5181:
5174:
5167:
5160:
5153:
5146:
5139:
5132:
5125:
5118:
5111:
5104:
5097:
5090:
5083:
5076:
5063:
5056:
5049:
5042:
5035:
5028:
5021:
5014:
5007:
5000:
4993:
4986:
4979:
4972:
4965:
4958:
4951:
4944:
4937:
4930:
4923:
4916:
4909:
4902:
4895:
4888:
4881:
4874:
4867:
4860:
4853:
4846:
4839:
4832:
4815:
4804:
4798:
4792:
4786:
4780:
4774:
4770:
4764:
4760:
4754:
4748:
4742:
4736:
4730:
4724:
4718:
4712:
4706:
4700:
4694:
4688:
4682:
4676:
4670:
4664:
4658:
4652:
4646:
4640:
4634:
4628:
4622:
4616:
4605:
4598:
4591:
4584:
4577:
4570:
4563:
4556:
4549:
4542:
4535:
4528:
4521:
4514:
4507:
4500:
4493:
4486:
4479:
4472:
4465:
4458:
4451:
4444:
4431:
4424:
4417:
4410:
4403:
4396:
4389:
4382:
4375:
4368:
4361:
4354:
4347:
4340:
4333:
4326:
4319:
4312:
4305:
4298:
4291:
4284:
4277:
4270:
4263:
4256:
4249:
4242:
4235:
4228:
4221:
4214:
4207:
4200:
4193:
4186:
4179:
4172:
4165:
4158:
4151:
4144:
4137:
4130:
4123:
4116:
4109:
4102:
4095:
4088:
4081:
4074:
4067:
4060:
4053:
4046:
4039:
4032:
4025:
4018:
4011:
4004:
3991:
3984:
3977:
3970:
3963:
3956:
3949:
3942:
3935:
3928:
3921:
3914:
3907:
3900:
3893:
3886:
3879:
3872:
3865:
3858:
3851:
3844:
3837:
3830:
3823:
3816:
3809:
3802:
3795:
3788:
3781:
3774:
3767:
3760:
3753:
3746:
3739:
3732:
3725:
3718:
3711:
3704:
3697:
3690:
3683:
3676:
3669:
3662:
3655:
3648:
3641:
3634:
3627:
3620:
3613:
3606:
3599:
3592:
3585:
3578:
3571:
3564:
3557:
3550:
3543:
3536:
3529:
3522:
3515:
3508:
3501:
3494:
3487:
3461:
3455:
3449:
3443:
3437:
3431:
3425:
3419:
3413:
3407:
3401:
3395:
3389:
3383:
3377:
3371:
3365:
3359:
3353:
3342:
3335:
3328:
3321:
3314:
3307:
3300:
3293:
3286:
3279:
3272:
3265:
3258:
3251:
3246:Lowell (Robert)
3244:
3237:
3230:
3223:
3216:
3209:
3202:
3195:
3188:
3181:
3174:
3167:
3160:
3153:
3146:
3139:
3126:
3119:
3112:
3105:
3098:
3091:
3084:
3077:
3070:
3063:
3056:
3049:
3042:
3035:
3028:
3021:
3014:
3007:
3000:
2993:
2986:
2979:
2972:
2965:
2958:
2951:
2944:
2937:
2930:
2923:
2916:
2909:
2902:
2895:
2888:
2881:
2859:
2852:
2845:
2838:
2831:
2824:
2811:
2804:
2797:
2790:
2783:
2774:
2767:
2760:
2751:
2740:
2729:
2722:
2715:
2708:
2701:
2694:
2683:
2672:
2665:
2654:
2649:
2619:
2614:
2539:
2493:
2422:Ford Madox Ford
2395:Literary circle
2390:
2369:(mother-in-law)
2331:
2290:
2226:
2158:(December 1908)
2134:
2129:
2092:J.T. Barbarese
2074:
2069:
1821:Lawrence, D. H.
1700:Elder, R. Bruce
1531:
1526:
1521:
1517:
1512:
1508:
1503:
1499:
1494:
1490:
1481:
1477:
1472:
1468:
1456:
1452:
1447:
1443:
1438:
1434:
1429:
1425:
1420:
1416:
1411:
1407:
1402:
1398:
1393:
1389:
1384:
1380:
1371:
1367:
1358:
1354:
1344:
1342:
1329:
1328:
1324:
1314:
1312:
1291:
1290:
1286:
1281:
1277:
1272:
1268:
1263:
1259:
1254:
1250:
1245:
1241:
1232:
1228:
1220:
1216:
1211:
1207:
1202:
1198:
1193:
1189:
1184:
1180:
1175:
1171:
1166:
1162:
1149:
1145:
1135:
1133:
1124:
1123:
1119:
1110:
1103:
1098:
1094:
1089:
1085:
1080:
1076:
1046:
1045:
1041:
1032:
1028:
1013:
989:
985:
980:
976:
971:
967:
962:
958:
946:Ewick, David. "
945:
941:
936:
932:
927:
923:
918:
914:
909:
905:
900:
896:
891:
887:
882:
878:
869:
862:
858:, June 6, 1953.
852:point de repĂšre
849:
845:
841:
777:Georgian Poetry
760:Wallace Stevens
749:
720:
630:
600:Ford Madox Ford
579:Poetry Bookshop
540:
468:
446:Au Vieux Jardin
379:
373:
370:
368:
309:Laurence Binyon
152:
132:Ford Madox Ford
24:
21:
12:
11:
5:
6385:
6384:
6381:
6373:
6372:
6367:
6362:
6357:
6352:
6347:
6342:
6332:
6331:
6323:
6322:
6308:
6305:
6304:
6302:
6301:
6296:
6294:Uranian poetry
6291:
6286:
6281:
6276:
6271:
6266:
6261:
6256:
6251:
6246:
6241:
6236:
6231:
6226:
6221:
6216:
6211:
6206:
6201:
6196:
6191:
6186:
6181:
6176:
6171:
6166:
6161:
6159:Martian poetry
6156:
6151:
6149:Language poets
6146:
6141:
6136:
6131:
6126:
6121:
6116:
6111:
6106:
6101:
6096:
6091:
6089:Georgian poets
6086:
6081:
6076:
6071:
6066:
6061:
6056:
6051:
6046:
6041:
6036:
6031:
6026:
6024:Della Cruscans
6021:
6016:
6011:
6006:
6001:
5996:
5991:
5986:
5981:
5976:
5971:
5969:Cavalier poets
5966:
5964:Castalian Band
5961:
5956:
5951:
5946:
5941:
5936:
5931:
5929:Angry Penguins
5926:
5921:
5915:
5912:
5911:
5902:
5900:
5899:
5892:
5885:
5877:
5868:
5867:
5850:
5842:
5841:
5838:
5837:
5835:
5834:
5827:
5820:
5813:
5806:
5799:
5792:
5785:
5778:
5775:Poetic realism
5771:
5764:
5757:
5750:
5743:
5736:
5729:
5722:
5715:
5708:
5705:Late modernity
5701:
5698:Late modernism
5694:
5687:
5680:
5679:
5678:
5671:
5664:
5650:
5643:
5640:High modernism
5636:
5629:
5622:
5615:
5608:
5601:
5594:
5587:
5584:Degenerate art
5580:
5573:
5566:
5559:
5554:Ballets Russes
5548:
5537:
5530:
5522:
5520:
5516:
5515:
5512:
5511:
5509:
5508:
5496:
5484:
5472:
5460:
5448:
5436:
5424:
5412:
5400:
5388:
5376:
5363:
5361:
5357:
5356:
5354:
5353:
5346:
5339:
5332:
5325:
5318:
5311:
5304:
5297:
5290:
5283:
5276:
5269:
5262:
5255:
5248:
5241:
5233:
5231:
5225:
5224:
5222:
5221:
5214:
5207:
5200:
5193:
5186:
5179:
5172:
5165:
5158:
5151:
5144:
5137:
5130:
5123:
5116:
5109:
5102:
5095:
5088:
5081:
5073:
5071:
5065:
5064:
5062:
5061:
5054:
5047:
5040:
5033:
5026:
5019:
5012:
5005:
4998:
4991:
4984:
4977:
4970:
4963:
4956:
4949:
4942:
4935:
4928:
4921:
4914:
4907:
4900:
4893:
4886:
4879:
4872:
4865:
4858:
4851:
4844:
4837:
4829:
4827:
4818:
4810:
4809:
4806:
4805:
4803:
4802:
4790:
4778:
4768:
4758:
4746:
4734:
4722:
4710:
4698:
4686:
4674:
4662:
4650:
4638:
4626:
4613:
4611:
4607:
4606:
4604:
4603:
4596:
4589:
4582:
4575:
4568:
4561:
4554:
4547:
4540:
4533:
4526:
4519:
4512:
4505:
4498:
4491:
4484:
4477:
4470:
4463:
4456:
4449:
4441:
4439:
4433:
4432:
4430:
4429:
4422:
4415:
4408:
4401:
4394:
4387:
4380:
4373:
4366:
4359:
4352:
4345:
4338:
4331:
4324:
4317:
4310:
4307:Ray (Satyajit)
4303:
4300:Ray (Nicholas)
4296:
4289:
4282:
4275:
4268:
4261:
4254:
4247:
4240:
4233:
4226:
4219:
4212:
4205:
4198:
4191:
4184:
4177:
4170:
4163:
4156:
4149:
4142:
4135:
4128:
4121:
4114:
4107:
4100:
4093:
4086:
4079:
4072:
4065:
4058:
4051:
4044:
4037:
4030:
4023:
4016:
4009:
4001:
3999:
3993:
3992:
3990:
3989:
3982:
3975:
3968:
3961:
3954:
3947:
3940:
3933:
3926:
3919:
3912:
3905:
3898:
3891:
3884:
3877:
3870:
3863:
3856:
3849:
3842:
3835:
3828:
3821:
3814:
3807:
3800:
3793:
3786:
3779:
3772:
3765:
3758:
3751:
3744:
3737:
3730:
3723:
3716:
3709:
3702:
3695:
3688:
3681:
3674:
3667:
3660:
3653:
3646:
3639:
3632:
3625:
3618:
3611:
3604:
3597:
3590:
3583:
3576:
3569:
3562:
3555:
3548:
3541:
3534:
3527:
3520:
3513:
3506:
3499:
3492:
3484:
3482:
3473:
3467:
3466:
3463:
3462:
3460:
3459:
3447:
3435:
3423:
3411:
3399:
3392:The Waste Land
3387:
3375:
3363:
3350:
3348:
3344:
3343:
3341:
3340:
3333:
3326:
3319:
3312:
3305:
3298:
3291:
3284:
3277:
3270:
3263:
3256:
3249:
3242:
3235:
3228:
3221:
3214:
3207:
3200:
3193:
3186:
3179:
3172:
3165:
3158:
3151:
3144:
3136:
3134:
3128:
3127:
3125:
3124:
3117:
3110:
3103:
3096:
3089:
3082:
3075:
3068:
3061:
3054:
3047:
3040:
3033:
3026:
3019:
3012:
3005:
2998:
2991:
2984:
2977:
2970:
2963:
2956:
2949:
2942:
2935:
2928:
2921:
2914:
2907:
2900:
2893:
2886:
2878:
2876:
2867:
2861:
2860:
2858:
2857:
2850:
2843:
2836:
2829:
2822:
2821:
2820:
2802:
2795:
2788:
2781:
2780:
2779:
2765:
2758:
2757:
2756:
2749:
2738:
2720:
2713:
2706:
2703:Constructivism
2699:
2692:
2681:
2670:
2662:
2660:
2656:
2655:
2650:
2648:
2647:
2640:
2633:
2625:
2616:
2615:
2613:
2612:
2607:
2602:
2597:
2590:
2582:
2577:
2570:
2568:Julien Cornell
2565:
2560:
2555:
2547:
2545:
2541:
2540:
2538:
2537:
2530:
2523:
2516:
2509:
2501:
2499:
2495:
2494:
2492:
2491:
2486:
2481:
2476:
2471:
2466:
2461:
2456:
2455:
2454:
2452:New Directions
2447:James Laughlin
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2409:
2407:E. E. Cummings
2404:
2398:
2396:
2392:
2391:
2389:
2388:
2382:
2376:
2370:
2364:
2358:
2352:
2346:
2339:
2337:
2333:
2332:
2330:
2329:
2324:
2319:
2314:
2309:
2304:
2298:
2296:
2292:
2291:
2289:
2288:
2280:
2275:
2267:
2259:
2255:ABC of Reading
2251:
2243:
2234:
2232:
2228:
2227:
2225:
2224:
2223:
2222:
2206:
2198:
2197:
2196:
2181:
2174:
2166:
2159:
2151:
2142:
2140:
2136:
2135:
2130:
2128:
2127:
2120:
2113:
2105:
2099:
2098:
2089:
2084:
2073:
2072:External links
2070:
2068:
2067:
2053:
2039:
2025:
2011:
1997:
1983:
1969:
1958:
1949:
1935:
1919:
1905:
1891:Olson, Charles
1888:
1874:
1860:
1859:(pp. xiiâxiii)
1842:
1828:
1818:
1804:
1790:
1776:
1759:
1749:Imagist Poetry
1745:
1731:
1724:
1714:
1697:
1680:
1666:
1649:
1630:
1616:
1602:
1585:
1568:
1550:
1543:
1532:
1530:
1527:
1525:
1524:
1515:
1506:
1497:
1488:
1475:
1466:
1450:
1441:
1432:
1423:
1414:
1405:
1396:
1387:
1378:
1365:
1352:
1322:
1304:(1): 361â421.
1284:
1275:
1266:
1257:
1248:
1239:
1226:
1214:
1205:
1196:
1187:
1178:
1169:
1160:
1143:
1117:
1101:
1092:
1083:
1074:
1061:10.2307/467456
1039:
1026:
983:
974:
965:
956:
939:
930:
921:
912:
903:
894:
885:
876:
860:
842:
840:
837:
823:Allen Ginsberg
796:Language poets
788:Louis Zukofsky
748:
745:
719:
716:
702:Marianne Moore
698:D. H. Lawrence
629:
624:
620:I Hear an Army
616:Pre-Raphaelite
539:
534:
513:
512:
505:
502:
481:
480:
477:
452:, and H.D.'s,
417:Harriet Monroe
378:
375:
365:
360:Lionel Johnson
267:Hyakunin Isshƫ
238:British Museum
151:
148:
79:Georgian poets
22:
13:
10:
9:
6:
4:
3:
2:
6383:
6382:
6371:
6368:
6366:
6363:
6361:
6358:
6356:
6353:
6351:
6348:
6346:
6343:
6341:
6338:
6337:
6335:
6328:
6320:
6319:
6314:
6306:
6300:
6297:
6295:
6292:
6290:
6287:
6285:
6282:
6280:
6277:
6275:
6272:
6270:
6267:
6265:
6262:
6260:
6257:
6255:
6252:
6250:
6247:
6245:
6244:Rhymers' Club
6242:
6240:
6237:
6235:
6232:
6230:
6227:
6225:
6222:
6220:
6217:
6215:
6212:
6210:
6207:
6205:
6204:New Formalism
6202:
6200:
6197:
6195:
6192:
6190:
6187:
6185:
6182:
6180:
6177:
6175:
6172:
6170:
6167:
6165:
6162:
6160:
6157:
6155:
6152:
6150:
6147:
6145:
6142:
6140:
6139:Jindyworobaks
6137:
6135:
6132:
6130:
6127:
6125:
6122:
6120:
6117:
6115:
6112:
6110:
6107:
6105:
6102:
6100:
6097:
6095:
6092:
6090:
6087:
6085:
6082:
6080:
6077:
6075:
6072:
6070:
6067:
6065:
6062:
6060:
6057:
6055:
6052:
6050:
6047:
6045:
6042:
6040:
6037:
6035:
6032:
6030:
6027:
6025:
6022:
6020:
6017:
6015:
6012:
6010:
6007:
6005:
6002:
6000:
5999:Cubo-Futurism
5997:
5995:
5992:
5990:
5987:
5985:
5982:
5980:
5977:
5975:
5972:
5970:
5967:
5965:
5962:
5960:
5957:
5955:
5952:
5950:
5947:
5945:
5942:
5940:
5937:
5935:
5932:
5930:
5927:
5925:
5922:
5920:
5917:
5916:
5913:
5909:
5905:
5898:
5893:
5891:
5886:
5884:
5879:
5878:
5875:
5865:
5855:
5854:
5853:Postmodernism
5848:
5847:
5839:
5832:
5828:
5825:
5821:
5818:
5814:
5811:
5807:
5804:
5800:
5797:
5796:Metamodernism
5793:
5790:
5786:
5783:
5779:
5776:
5772:
5769:
5765:
5762:
5761:New Hollywood
5758:
5755:
5751:
5748:
5744:
5741:
5737:
5734:
5730:
5727:
5723:
5720:
5716:
5713:
5709:
5706:
5702:
5699:
5695:
5692:
5688:
5685:
5681:
5676:
5672:
5669:
5665:
5662:
5658:
5657:
5655:
5654:Impressionism
5651:
5648:
5644:
5641:
5637:
5634:
5630:
5627:
5623:
5620:
5616:
5613:
5609:
5606:
5602:
5599:
5595:
5592:
5588:
5585:
5581:
5578:
5574:
5571:
5567:
5564:
5560:
5556:
5555:
5549:
5545:
5544:
5538:
5535:
5531:
5528:
5524:
5523:
5521:
5517:
5503:
5502:
5497:
5491:
5490:
5485:
5479:
5478:
5473:
5467:
5466:
5461:
5455:
5454:
5449:
5443:
5442:
5437:
5431:
5430:
5425:
5419:
5418:
5413:
5407:
5406:
5401:
5395:
5394:
5389:
5383:
5382:
5377:
5371:
5370:
5365:
5364:
5362:
5358:
5351:
5347:
5344:
5340:
5337:
5333:
5330:
5326:
5323:
5319:
5316:
5312:
5309:
5305:
5302:
5298:
5295:
5291:
5288:
5284:
5281:
5277:
5274:
5270:
5267:
5263:
5260:
5256:
5253:
5249:
5246:
5242:
5239:
5235:
5234:
5232:
5230:
5226:
5219:
5215:
5212:
5208:
5205:
5201:
5198:
5194:
5191:
5187:
5184:
5180:
5177:
5173:
5170:
5166:
5163:
5159:
5156:
5152:
5149:
5145:
5142:
5138:
5135:
5131:
5128:
5124:
5121:
5117:
5114:
5110:
5107:
5103:
5100:
5096:
5093:
5089:
5086:
5082:
5079:
5075:
5074:
5072:
5070:
5066:
5059:
5055:
5052:
5048:
5045:
5041:
5038:
5034:
5031:
5027:
5024:
5020:
5017:
5013:
5010:
5006:
5003:
4999:
4996:
4992:
4989:
4985:
4982:
4978:
4975:
4971:
4968:
4964:
4961:
4957:
4954:
4950:
4947:
4943:
4940:
4936:
4933:
4929:
4926:
4922:
4919:
4915:
4912:
4908:
4905:
4901:
4898:
4894:
4891:
4887:
4884:
4880:
4877:
4873:
4870:
4866:
4863:
4859:
4856:
4852:
4849:
4845:
4842:
4838:
4835:
4831:
4830:
4828:
4826:
4822:
4819:
4817:
4811:
4797:
4796:
4791:
4785:
4784:
4779:
4773:
4769:
4763:
4759:
4753:
4752:
4747:
4741:
4740:
4735:
4729:
4728:
4723:
4717:
4716:
4711:
4705:
4704:
4699:
4693:
4692:
4687:
4681:
4680:
4675:
4669:
4668:
4663:
4657:
4656:
4651:
4645:
4644:
4639:
4633:
4632:
4627:
4621:
4620:
4615:
4614:
4612:
4608:
4601:
4597:
4594:
4590:
4587:
4583:
4580:
4576:
4573:
4569:
4566:
4562:
4559:
4555:
4552:
4548:
4545:
4541:
4538:
4534:
4531:
4527:
4524:
4520:
4517:
4513:
4510:
4506:
4503:
4499:
4496:
4492:
4489:
4488:Hundertwasser
4485:
4482:
4478:
4475:
4471:
4468:
4464:
4461:
4457:
4454:
4450:
4447:
4443:
4442:
4440:
4438:
4434:
4427:
4423:
4420:
4416:
4413:
4409:
4406:
4402:
4399:
4395:
4392:
4388:
4385:
4381:
4378:
4374:
4371:
4367:
4364:
4360:
4357:
4353:
4350:
4346:
4343:
4339:
4336:
4332:
4329:
4325:
4322:
4318:
4315:
4311:
4308:
4304:
4301:
4297:
4294:
4290:
4287:
4283:
4280:
4276:
4273:
4269:
4266:
4262:
4259:
4255:
4252:
4248:
4245:
4241:
4238:
4234:
4231:
4227:
4224:
4220:
4217:
4213:
4210:
4206:
4203:
4199:
4196:
4192:
4189:
4185:
4182:
4178:
4175:
4171:
4168:
4164:
4161:
4157:
4154:
4150:
4147:
4143:
4140:
4136:
4133:
4129:
4126:
4122:
4119:
4115:
4112:
4108:
4105:
4101:
4098:
4094:
4091:
4087:
4084:
4080:
4077:
4073:
4070:
4066:
4063:
4059:
4056:
4052:
4049:
4045:
4042:
4038:
4035:
4031:
4028:
4024:
4021:
4017:
4014:
4010:
4007:
4003:
4002:
4000:
3998:
3994:
3987:
3983:
3980:
3976:
3973:
3969:
3966:
3962:
3959:
3955:
3952:
3948:
3945:
3941:
3938:
3934:
3931:
3927:
3924:
3920:
3917:
3913:
3910:
3906:
3903:
3899:
3896:
3892:
3889:
3885:
3882:
3878:
3875:
3871:
3868:
3864:
3861:
3857:
3854:
3850:
3847:
3843:
3840:
3836:
3833:
3829:
3826:
3822:
3819:
3815:
3812:
3808:
3805:
3801:
3798:
3794:
3791:
3787:
3784:
3780:
3777:
3773:
3770:
3766:
3763:
3759:
3756:
3752:
3749:
3745:
3742:
3738:
3735:
3731:
3728:
3724:
3721:
3717:
3714:
3710:
3707:
3703:
3700:
3696:
3693:
3689:
3686:
3682:
3679:
3675:
3672:
3668:
3665:
3661:
3658:
3654:
3651:
3647:
3644:
3640:
3637:
3633:
3630:
3626:
3623:
3619:
3616:
3612:
3609:
3605:
3602:
3598:
3595:
3591:
3588:
3584:
3581:
3577:
3574:
3570:
3567:
3563:
3560:
3556:
3553:
3549:
3546:
3542:
3539:
3535:
3532:
3528:
3525:
3521:
3518:
3514:
3511:
3507:
3504:
3500:
3497:
3493:
3490:
3486:
3485:
3483:
3481:
3477:
3474:
3472:
3468:
3454:
3453:
3448:
3442:
3441:
3436:
3430:
3429:
3424:
3418:
3417:
3412:
3406:
3405:
3400:
3394:
3393:
3388:
3382:
3381:
3376:
3370:
3369:
3364:
3358:
3357:
3352:
3351:
3349:
3345:
3338:
3334:
3331:
3327:
3324:
3320:
3317:
3313:
3310:
3306:
3303:
3299:
3296:
3292:
3289:
3285:
3282:
3278:
3275:
3271:
3268:
3264:
3261:
3257:
3254:
3250:
3247:
3243:
3240:
3236:
3233:
3229:
3226:
3222:
3219:
3215:
3212:
3208:
3205:
3201:
3198:
3194:
3191:
3187:
3184:
3180:
3177:
3173:
3170:
3166:
3163:
3159:
3156:
3152:
3149:
3145:
3142:
3138:
3137:
3135:
3133:
3129:
3122:
3118:
3115:
3111:
3108:
3104:
3101:
3097:
3094:
3090:
3087:
3083:
3080:
3076:
3073:
3069:
3066:
3062:
3059:
3055:
3052:
3048:
3045:
3041:
3038:
3034:
3031:
3027:
3024:
3020:
3017:
3013:
3010:
3006:
3003:
2999:
2996:
2992:
2989:
2985:
2982:
2978:
2975:
2971:
2968:
2964:
2961:
2957:
2954:
2950:
2947:
2943:
2940:
2936:
2933:
2929:
2926:
2922:
2919:
2915:
2912:
2908:
2905:
2901:
2898:
2894:
2891:
2887:
2884:
2880:
2879:
2877:
2875:
2871:
2868:
2866:
2865:Literary arts
2862:
2855:
2851:
2848:
2844:
2841:
2837:
2834:
2830:
2827:
2823:
2817:
2816:
2810:
2809:
2807:
2806:Neoplasticism
2803:
2800:
2796:
2793:
2789:
2786:
2782:
2777:
2773:
2772:
2770:
2769:Functionalism
2766:
2763:
2759:
2754:
2750:
2746:
2745:
2739:
2735:
2734:
2728:
2727:
2725:
2724:Expressionism
2721:
2718:
2714:
2711:
2707:
2704:
2700:
2697:
2696:Ashcan School
2693:
2689:
2688:
2682:
2678:
2677:
2671:
2668:
2664:
2663:
2661:
2657:
2653:
2646:
2641:
2639:
2634:
2632:
2627:
2626:
2623:
2611:
2608:
2606:
2603:
2601:
2598:
2596:
2595:
2591:
2589:
2587:
2583:
2581:
2578:
2576:
2575:
2571:
2569:
2566:
2564:
2561:
2559:
2556:
2554:
2553:
2549:
2548:
2546:
2544:Miscellaneous
2542:
2536:
2535:
2531:
2528:
2524:
2522:
2521:
2517:
2515:
2514:
2513:The Pound Era
2510:
2508:
2507:
2503:
2502:
2500:
2496:
2490:
2487:
2485:
2482:
2480:
2477:
2475:
2472:
2470:
2467:
2465:
2462:
2460:
2459:Wyndham Lewis
2457:
2453:
2450:
2449:
2448:
2445:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2408:
2405:
2403:
2400:
2399:
2397:
2393:
2386:
2383:
2380:
2377:
2374:
2371:
2368:
2365:
2362:
2359:
2356:
2353:
2351:(grandfather)
2350:
2347:
2344:
2341:
2340:
2338:
2334:
2328:
2325:
2323:
2320:
2318:
2315:
2313:
2310:
2308:
2305:
2303:
2300:
2299:
2297:
2293:
2286:
2285:
2281:
2279:
2276:
2273:
2272:
2268:
2265:
2264:
2260:
2257:
2256:
2252:
2249:
2248:
2247:Des Imagistes
2244:
2241:
2240:
2236:
2235:
2233:
2229:
2221:
2220:
2215:
2214:
2212:
2211:
2207:
2204:
2203:
2199:
2194:
2190:
2189:
2187:
2186:
2182:
2179:
2175:
2172:
2171:
2167:
2164:
2160:
2157:
2156:
2152:
2149:
2148:
2147:A Lume Spento
2144:
2143:
2141:
2137:
2133:
2126:
2121:
2119:
2114:
2112:
2107:
2106:
2103:
2097:
2095:
2090:
2088:
2085:
2083:
2079:
2076:
2075:
2071:
2066:
2065:0-521-81499-5
2062:
2058:
2054:
2052:
2048:
2044:
2040:
2038:
2034:
2030:
2026:
2024:
2023:0-14-080033-6
2020:
2016:
2012:
2010:
2006:
2003:, volume 60.
2002:
1998:
1996:
1992:
1988:
1984:
1982:
1978:
1974:
1970:
1967:
1963:
1959:
1956:
1955:
1954:Des Imagistes
1950:
1948:
1947:0-8112-0159-7
1944:
1940:
1936:
1934:
1933:0-07-055634-2
1930:
1926:
1925:
1920:
1918:
1914:
1910:
1906:
1904:
1900:
1896:
1892:
1889:
1887:
1883:
1879:
1875:
1873:
1869:
1865:
1861:
1858:
1857:1-85754-362-9
1854:
1850:
1846:
1843:
1841:
1837:
1833:
1829:
1826:
1822:
1819:
1817:
1813:
1809:
1805:
1803:
1799:
1795:
1791:
1789:
1785:
1781:
1777:
1775:
1774:0-571-10668-4
1771:
1767:
1766:The Pound Era
1763:
1760:
1758:
1754:
1750:
1746:
1744:
1740:
1736:
1732:
1729:
1725:
1722:
1718:
1715:
1713:
1712:0-88920-275-3
1709:
1705:
1701:
1698:
1696:
1695:0-520-20739-4
1692:
1688:
1684:
1681:
1679:
1675:
1671:
1667:
1665:
1661:
1657:
1654:(ed) (1975).
1653:
1650:
1648:
1644:
1640:
1639:
1634:
1631:
1629:
1628:1-55849-040-X
1625:
1621:
1617:
1615:
1611:
1607:
1603:
1601:
1597:
1593:
1589:
1586:
1584:
1583:0-7108-0548-9
1580:
1576:
1572:
1569:
1567:
1563:
1559:
1555:
1551:
1548:
1544:
1541:
1537:
1534:
1533:
1528:
1519:
1516:
1510:
1507:
1501:
1498:
1492:
1489:
1485:
1479:
1476:
1470:
1467:
1464:
1460:
1454:
1451:
1445:
1442:
1436:
1433:
1427:
1424:
1418:
1415:
1409:
1406:
1400:
1397:
1391:
1388:
1382:
1379:
1375:
1369:
1366:
1362:
1356:
1353:
1340:
1336:
1332:
1326:
1323:
1311:
1307:
1303:
1299:
1295:
1288:
1285:
1279:
1276:
1270:
1267:
1261:
1258:
1252:
1249:
1243:
1240:
1236:
1230:
1227:
1223:
1218:
1215:
1209:
1206:
1200:
1197:
1191:
1188:
1182:
1179:
1173:
1170:
1164:
1161:
1157:
1153:
1147:
1144:
1131:
1127:
1121:
1118:
1114:
1113:A Poet's Life
1108:
1106:
1102:
1096:
1093:
1087:
1084:
1078:
1075:
1070:
1066:
1062:
1058:
1054:
1050:
1043:
1040:
1036:
1030:
1027:
1023:. March 2012.
1022:
1018:
1017:
1011:
1010:
1005:
1001:
997:
993:
987:
984:
978:
975:
969:
966:
960:
957:
953:
949:
943:
940:
934:
931:
925:
922:
916:
913:
907:
904:
898:
895:
889:
886:
880:
877:
873:
867:
865:
861:
857:
853:
847:
844:
838:
836:
834:
833:
828:
824:
820:
816:
811:
809:
805:
804:Charles Olson
801:
797:
793:
789:
785:
780:
778:
774:
770:
766:
761:
756:
754:
746:
744:
741:
737:
731:
729:
725:
718:After Imagism
717:
715:
713:
712:
707:
703:
699:
694:
692:
688:
683:
679:
675:
670:
668:
667:Wyndham Lewis
664:
660:
659:Edward Storer
655:
647:
643:
639:
634:
628:
625:
623:
621:
617:
611:
609:
605:
601:
597:
593:
589:
585:
580:
576:
572:
568:
567:
562:
558:
557:
556:Des Imagistes
548:
544:
538:
537:Des Imagistes
535:
533:
531:
527:
523:
518:
510:
506:
503:
500:
499:
497:
495:
491:
487:
478:
475:
474:
472:
467:
463:
459:
455:
451:
447:
443:
439:
434:
432:
428:
424:
423:
418:
413:
411:
410:H.D. Imagiste
407:
403:
399:
395:
387:
383:
376:
372:
363:
361:
357:
353:
352:Rhymers' Club
349:
348:Arthur Symons
345:
341:
337:
333:
329:
328:
322:
320:
319:
315:by examining
314:
310:
306:
302:
299:
295:
294:
289:
285:
281:
280:Arnaut Daniel
275:
273:
269:
268:
263:
259:
258:F. V. Dickins
255:
251:
247:
243:
239:
235:
231:
227:
223:
219:
215:
211:
207:
206:
201:
195:
193:
189:
188:
183:
179:
178:
173:
169:
165:
161:
160:A City Sunset
157:
149:
147:
145:
141:
137:
133:
129:
125:
121:
117:
112:
110:
106:
102:
98:
94:
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48:
41:
40:
39:Des Imagistes
35:
30:
26:
19:
6327:
6309:
6219:Objectivists
6179:The Movement
6123:
6044:Ego-Futurism
6034:Dymock poets
6009:Cyclic Poets
6004:Culteranismo
5851:
5844:
5591:Ecomodernism
5499:
5487:
5475:
5463:
5451:
5439:
5429:The Firebird
5427:
5415:
5403:
5391:
5379:
5367:
4793:
4783:Citizen Kane
4781:
4772:Fallingwater
4762:Villa Savoye
4749:
4737:
4725:
4713:
4701:
4691:Black Square
4689:
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4665:
4653:
4641:
4629:
4617:
4509:Le Corbusier
4437:Architecture
3450:
3438:
3426:
3416:Mrs Dalloway
3414:
3402:
3390:
3378:
3366:
3354:
3239:Lowell (Amy)
2791:
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2518:
2511:
2504:
2387:(son-in-law)
2306:
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2213:(1917â1968)
2208:
2200:
2183:
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2028:
2014:
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1762:Kenner, Hugh
1748:
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1355:
1343:. Retrieved
1339:the original
1334:
1325:
1313:. Retrieved
1301:
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1234:
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1151:
1146:
1134:. Retrieved
1129:
1120:
1115:. Macmillan.
1112:
1095:
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1077:
1055:(2): 15â24.
1052:
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626:
619:
612:
608:John Cournos
604:Allen Upward
575:Harold Monro
564:
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185:
184:'s magazine
175:
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159:
155:
153:
113:
90:
68:
46:
45:
37:
25:
6279:Sung poetry
6264:Sons of Ben
6189:Neotericism
6169:Misty Poets
6134:Ä°kinci Yeni
5984:Conceptismo
5959:Cairo poets
5934:Auden Group
5846:Romanticism
5803:Remodernism
5684:Incoherents
5543:Avant-garde
5534:Armory Show
5141:Maeterlinck
5044:Villa-Lobos
5030:Szymanowski
5009:Stockhausen
4946:LutosĆawski
4671:(1909â1910)
3471:Visual arts
3444:(1928â1940)
3360:(1913â1927)
2883:Apollinaire
2847:Synchromism
2687:Art Nouveau
2610:Vienna Café
2580:Hugh Kenner
2558:Brunnenburg
2506:Discretions
2498:Works about
2489:W. B. Yeats
2442:James Joyce
2437:T. E. Hulme
2417:T. S. Eliot
2231:Other works
2150:(July 1908)
1751:. Penguin.
1721:James Joyce
1359:Preface to
1033:Preface to
819:Gary Snyder
765:T. S. Eliot
711:avant-garde
706:World War I
596:James Joyce
344:W. B. Yeats
340:René Taupin
226:Chinoiserie
224:revival of
192:F. S. Flint
187:The New Age
182:A. R. Orage
168:Poets' Club
164:T. E. Hulme
150:Pre-Imagism
144:T. E. Hulme
140:F. S. Flint
118:figures in
109:abstraction
92:avant-garde
63:René Taupin
6334:Categories
6284:Surrealism
6239:Précieuses
6234:La Pléiade
6144:Lake Poets
6019:Deep image
5974:Chhayavaad
5733:Maximalism
5668:Literature
5343:Wiesenthal
5245:Cunningham
5238:Balanchine
5218:Witkiewicz
5190:Strindberg
5176:Pirandello
5148:Mayakovsky
5023:Stravinsky
4995:Schoenberg
4814:Performing
4739:Metropolis
4530:Mendelsohn
4335:Rossellini
4328:Richardson
4139:Fassbinder
4125:Eisenstein
4062:Cassavetes
3818:Modigliani
3692:Goncharova
3678:Giacometti
3072:Dos Passos
2874:Literature
2833:Surrealism
2744:Die BrĂŒcke
2586:Ezra Pound
2479:Allen Tate
2381:(daughter)
2373:Olga Rudge
2361:Omar Pound
2219:The Cantos
2210:The Cantos
2132:Ezra Pound
2051:0773454276
2015:Ezra Pound
1973:Boundary 2
663:Vorticists
654:The Egoist
638:Amy Lowell
588:Amy Lowell
524:comments "
488:contained
336:Symbolists
128:Amy Lowell
101:Ezra Pound
87:free verse
34:Ezra Pound
6289:Symbolism
6184:NĂ©gritude
6119:Imaginism
6099:The Group
6069:Gay Saber
6059:Fugitives
6039:Ecopoetry
5939:The Beats
5782:Pulp noir
5740:Modernity
5605:Film noir
5329:St. Denis
5252:Diaghilev
4988:Schaeffer
4911:Hindemith
4890:Dutilleux
4862:Boulanger
4667:The Dance
4363:Tarkovsky
4356:Sternberg
4188:Hitchcock
4104:Dovzhenko
4020:Antonioni
3965:Stieglitz
3804:Metzinger
3755:Kokoschka
3734:Kandinsky
3148:Aldington
3141:Akhmatova
3058:Marinetti
3051:Mansfield
3002:Hemingway
2840:Symbolism
2659:Movements
2652:Modernism
2600:Modernism
2563:CasaPound
2375:(partner)
2327:Vorticism
1987:SubStance
1136:March 21,
839:Citations
827:Lew Welch
815:the Beats
722:In 1929,
566:The Glebe
509:metronome
406:Imagistes
327:La France
318:Nishiki-e
222:Edwardian
218:Victorian
116:modernist
83:Classical
59:modernist
18:Imaginism
6154:Marinism
5994:Créolité
5864:Category
5465:Fountain
5369:Don Juan
5308:Nijinsky
5204:Wedekind
5183:Piscator
5078:Anderson
5002:Scriabin
4918:Honegger
4579:Sullivan
4565:Saarinen
4558:Rietveld
4551:Niemeyer
4523:Melnikov
4453:Bunshaft
4384:Truffaut
4349:Sjöström
4293:Pudovkin
4265:Minnelli
4230:Kurosawa
4223:Kuleshov
4153:Flaherty
3979:Vuillard
3958:Steichen
3916:Rousseau
3881:Pissarro
3860:O'Keeffe
3825:Mondrian
3776:Malevich
3769:Magritte
3741:Kirchner
3685:van Gogh
3636:Doesburg
3615:Delaunay
3608:Delaunay
3531:BrĂąncuÈi
3517:Boccioni
3480:Painting
3330:Williams
3253:Mallarmé
3169:Cendrars
3079:Platonov
3037:Lawrence
3030:Koestler
2967:Flaubert
2960:Faulkner
2925:Bulgakov
2854:Tonalism
2815:De Stijl
2799:Lettrism
2785:Futurism
2676:Art Deco
2317:Periplum
2295:Concepts
2180:" (1913)
2170:Ripostes
2165:" (1909)
1893:(1966).
1847:(1998).
1823:(1979).
1802:24726040
1764:(1975).
1743:40625011
1719:(1959).
1702:(1998).
1685:(1997).
1635:(1988).
1573:(1986).
1345:July 16,
1315:July 17,
835:(1955).
769:Preludes
494:Imagisme
438:Choricos
431:Ripostes
427:Imagiste
356:Mallarmé
350:and the
305:rhetoric
260:'s 1866
254:van Gogh
230:Japonism
71:Romantic
6340:Imagism
6299:Zutiste
6124:Imagism
6094:Goliard
5919:Acmeism
5904:Schools
5519:Related
5381:Ubu Roi
5336:Tamiris
5322:Sokolow
5301:Massine
5169:Osborne
5162:O'Neill
5155:O'Casey
5113:Chekhov
5099:Beckett
5085:Anouilh
5069:Theatre
5016:Strauss
4974:Russolo
4953:Milhaud
4932:JanĂĄÄek
4904:GĂłrecki
4897:Feldman
4883:Debussy
4876:Copland
4834:Antheil
4572:Steiner
4495:Johnson
4474:Guimard
4467:Gropius
4314:Resnais
4216:Kubrick
4146:Fellini
4132:Epstein
4118:Edwards
4083:Cocteau
4069:Chaplin
4041:Bresson
4034:Bergman
4013:Aldrich
4006:Akerman
3951:Soutine
3923:Schiele
3874:Picasso
3867:Picabia
3797:Matisse
3671:Gauguin
3643:Duchamp
3601:Kooning
3580:Claudel
3573:Chirico
3566:Chagall
3559:CĂ©zanne
3552:Cassatt
3524:Bonnard
3510:Bellows
3503:Balthus
3380:Ulysses
3302:Stevens
3295:Seferis
3114:Unamuno
2953:Forster
2932:Chekhov
2897:Beckett
2826:Orphism
2792:Imagism
2776:Bauhaus
2762:Fauvism
2667:Acmeism
2588:(Lewis)
2307:Imagism
2188:(1915)
2080:at the
2009:3200737
1995:3685195
1917:1207696
1840:1261393
1529:Sources
779:style.
577:at the
549:in 1931
530:Imagism
526:Imagism
462:Epigram
458:Priapus
388:in 1917
298:canzone
55:imagery
47:Imagism
6224:Others
6214:Oberiu
5908:poetry
5505:(1953)
5493:(1928)
5481:(1921)
5469:(1917)
5457:(1913)
5445:(1912)
5433:(1910)
5421:(1905)
5417:Salome
5409:(1902)
5397:(1899)
5385:(1896)
5373:(1888)
5350:Wigman
5280:Graham
5273:Fuller
5266:Fokine
5259:Duncan
5211:Wilder
5197:Toller
5134:Kaiser
5106:Brecht
5092:Artaud
5051:Webern
5037:VarĂšse
4967:Partch
4939:Ligeti
4869:Boulez
4841:BartĂłk
4799:(1943)
4787:(1941)
4775:(1936)
4765:(1931)
4755:(1929)
4743:(1927)
4731:(1925)
4719:(1923)
4707:(1920)
4695:(1915)
4683:(1912)
4659:(1907)
4647:(1889)
4635:(1887)
4623:(1886)
4600:Wright
4586:Tatlin
4544:Neutra
4446:Breuer
4412:Welles
4398:Vertov
4321:Renoir
4272:Murnau
4258:Marker
4251:Lupino
4209:Keaton
4195:Hubley
4181:Godard
4167:Fuller
4111:Dreyer
4090:Dassin
4048:Buñuel
3944:Sisley
3937:Signac
3930:Seurat
3902:Renoir
3720:Hopper
3622:Demuth
3545:Calder
3538:Braque
3489:Albers
3456:(1929)
3432:(1926)
3420:(1925)
3408:(1924)
3396:(1922)
3384:(1922)
3372:(1915)
3323:Valéry
3309:Thomas
3274:Pessoa
3218:George
3211:Elytis
3204:Ăluard
3190:Desnos
3162:Cavafy
3132:Poetry
3093:Proust
3086:Porter
2988:Hamsun
2946:Döblin
2939:Conrad
2911:Breton
2890:Barnes
2710:Cubism
2357:(wife)
2336:Family
2287:(1948)
2274:(1938)
2266:(1935)
2258:(1934)
2250:(1914)
2242:(1910)
2205:(1920)
2185:Cathay
2173:(1912)
2139:Poetry
2094:et al.
2063:
2049:
2035:
2021:
2007:
1993:
1981:303146
1979:
1968:. I(6)
1966:Poetry
1945:
1931:
1915:
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1884:
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1581:
1564:
1461:
1069:467456
1067:
998:
813:Among
792:Poetry
747:Legacy
674:Boston
571:Albert
486:Poetry
466:Poetry
460:, and
450:Poetry
444:, and
422:Poetry
402:Sappho
286:, and
156:Autumn
142:, and
120:poetry
97:Cubism
51:poetry
6064:Garip
6054:Flarf
5675:Post-
5661:Music
5360:Works
5315:Shawn
5294:Laban
5229:Dance
5127:Jarry
5120:Ibsen
5058:Weill
4981:Satie
4855:Berio
4825:Music
4610:Works
4537:Nervi
4481:Horta
4460:GaudĂ
4419:Wiene
4391:Varda
4377:Trnka
4286:Pabst
4244:Losey
4202:Jones
4174:Gance
4097:Deren
4076:Clair
4055:Carné
4027:Avery
3909:Rodin
3895:Redon
3853:Nolde
3846:Munch
3839:Moore
3832:Monet
3783:Manet
3762:LĂ©ger
3727:Kahlo
3706:Grosz
3664:Ernst
3657:Ensor
3594:Degas
3347:Works
3337:Yeats
3316:Tzara
3288:Rilke
3281:Pound
3260:Moore
3232:Lorca
3225:Jacob
3197:Eliot
3176:Crane
3155:Auden
3121:Woolf
3107:Svevo
3100:Stein
3065:Musil
3023:Kafka
3016:Joyce
3009:Hesse
2995:HaĆĄek
2918:Broch
2753:Music
2552:Blast
2363:(son)
2005:JSTOR
1991:JSTOR
1977:JSTOR
1913:JSTOR
1836:JSTOR
1798:JSTOR
1739:JSTOR
1556:, in
1065:JSTOR
1049:MELUS
469:'
415:When
284:Dante
250:Degas
246:Monet
210:haiku
205:tanka
6014:Dada
5287:Holm
4960:Nono
4925:Ives
4848:Berg
4816:arts
4593:Mies
4516:Loos
4502:Kahn
4426:Wood
4405:Vigo
4370:Tati
4342:Sirk
4237:Lang
4160:Ford
3997:Film
3986:Wood
3811:MirĂł
3790:Marc
3748:Klee
3713:Höch
3699:Gris
3650:Dufy
3587:DalĂ
3267:Owen
3183:H.D.
3044:Mann
2981:Gide
2974:Ford
2904:Bely
2717:Dada
2412:H.D.
2061:ISBN
2047:ISBN
2033:ISBN
2019:ISBN
1943:ISBN
1929:ISBN
1899:ISBN
1882:ISBN
1868:ISBN
1853:ISBN
1832:PMLA
1812:ISBN
1784:ISBN
1770:ISBN
1753:ISBN
1708:ISBN
1691:ISBN
1674:ISBN
1660:ISBN
1643:ISBN
1624:ISBN
1610:ISBN
1596:ISBN
1579:ISBN
1562:ISBN
1459:ISBN
1347:2018
1317:2018
1138:2018
996:ISBN
832:Howl
821:and
771:and
740:foot
606:and
394:H.D.
386:H.D.
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3888:Ray
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