Knowledge (XXG)

His Glorious Night

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31: 254:, spreading a rumor that he is an imposter and a swindler. The queen fears a scandal and invites herself over to his apartment to retrieve any proof of Orsolini and Kovacs' affair, including love letters. In the end, Kovacs agrees on remaining quiet by having Orsolini spend the night with him. True love is finally reconciled. 436:. His prowess at lovemaking, which has held the stenos breathless, takes on a comedy aspect, that gets the gum chewers tittering at first, then laughing outright at the very false ring of the couple of dozen 'I love you' phrases." Such reactions were attributed not to Gilbert's voice but specifically to 242:
Although being engaged against her will with a wealthy man, Princess Orsolini (Catherine Dale Owen) is in love with Captain Kovacs (John Gilbert), a cavalry officer she is secretly meeting. Her mother Eugenie (Nance O'Neil), who has found out about the affair forces her to dump Kovacs and take part
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for deliberately perpetuating a rumor that Gilbert's voice was unsuitable for sound in order to drive out a star whom he judged to be too expensive, too cocky, and approaching his use-by date. Mayer and Gilbert undoubtedly shared a strong enmity, and according to rumors, Mayer knew that the script
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focused too on the actor's style of delivery and found no particular faults with the overall quality of his voice. "Gilbert", writes Schallert, "has not yet hit quite the perfect note on intonation for the microphone, but, barring a certain over-resonant delivery of lines, his enunciation is crisp
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Mr. Gilbert's responsibility does not lie with his lines and therefore he is to be congratulated on the manner in which he handles this speaking rĂ´le. His voice is pleasant, but not one which is rich in nuances. His performance is good, but it would benefit by the suggestion of a little more
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It is quite evident that the producers intend to keep Mr. Gilbert, even now that he talks in his amorous scenes, before the public as the great screen lover, for in this current narrative this actor constantly repeats "I love you" to the Princess Orsolini as he kisses her. In fact, his many
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ranged in 1929 from tepid to cautiously supportive, Gilbert himself received generally good notices and his voice was judged perfectly adequate, if somewhat studied in tone. "John Gilbert Makes a Big Hit in First Talkie", announces the review headline in the
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The suggestion that Gilbert's vocal performance was so dreadful that it prompted laughter in the audience has long been held as an article of faith in the film world. That tale is thought to have inspired the fictitious film
440:'s "overly florid dialogue, which might have been fine as subtitles but sounded downright embarrassing to audiences when spoken by a cast suffering from the stilted direction of a microphone-conscious Lionel Barrymore". 428:
protestations of affection while embracing the charming girl, who is incidentally impersonated by Miss Owen, caused a large female contingent in the theatre yesterday afternoon to giggle and laugh.
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This approach to love scenes, far more in line with the technique of silent cinema than sound, was criticised in many reviews. One critic even stated, "Gilbert will be able to change places with
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in the arranged marriage. Though not believing her own words, Orsolini reluctantly tells Kovacs she cannot ever fall in love with a man with his social position, being the son of a
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However, in the same October 5, 1929 review, Hall singles out the film's main flaws, namely its creaky storyline, repetitive dialogue, and old-fashioned approach to the material:
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on October 21. "Mr. Gilbert is a bit sound-conscious and over-ardent in the first few scenes", reports the newspaper, "but he whips himself into shape almost immediately and is
736:, which has a variety of connotations in France but in English-speaking countries is commonly used to describe a person or situation as being risqué or sexually suggestive. 503: 1734: 723:, October 21, 1929 p. 33. ProQuest Historical Newspapers (Ann Arbor, Michigan); subscription access through The University of North Carolina at Chapel Hill Library. 675: 1744: 1505: 1225: 1025: 937: 1709: 961: 399:
then assures Gilbert's fans, "His voice is guaranteed to charm all listeners." In his assessment of Gilbert's performance, Edwin Schallert of the
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has gained notoriety as the film that began the aging Gilbert's rapid career decline by revealing that he had a voice unsuitable for sound.
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Dark Star: The Untold Story of the Meteoric Rise and Fall of Legendary Silent Screen Star John Gilbert
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Some, including Gilbert's own daughter Leatrice Gilbert Fountain, have blamed MGM studio chief
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The use of "oo lala" in the cited quotation is an English corruption of the French expression
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as produced on Broadway, Empire Theatre, October 16, 1928 to November 1928; IBDb.com
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As was common at the time, foreign-language versions of a film were not made by
350: 293: 217: 891: 376:, which is featured as a central plot element in the 1952 MGM musical comedy 791:
An evening's entertainment: the age of the silent feature picture, 1915-1928
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The fixers: Eddie Mannix, Howard Strickling, and the MGM publicity machine
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Feeling deeply hurt, Kovacs decides to take revenge by indulging in
414:, also generally approved of both the star's voice and performance: 915: 919: 476:
were released. All versions received notably better reviews.
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Tinee, Mae. "John Gilbert Makes a Big Hit in First Talkie",
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was substandard, and deliberately hired an out-of-condition
682:(AFI), Los Angeles, California. Retrieved October 18, 2019. 349:'s first sound film to be released, it was not his first " 745:
Schallert, Edwin. "Gilbert Is Hero In Gay Intrigue...",
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Synopsis "Full Synopsis for His Glorious Night (1929)"
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Info "Screenplay Info for His Glorious Night (1929)"
1674: 1647: 1628: 953: 181: 173: 163: 140: 130: 122: 114: 102: 88: 77: 60: 50: 40: 23: 395:as usual for the remainder of the picture." The 815:Fountain, Leatrice Gilbert, and Maxim, John B. 425: 416: 931: 504:List of early sound feature films (1926–1929) 8: 701:(Chicago, Illinois), February 1930, p. 29. 938: 924: 916: 29: 20: 715: 713: 711: 515: 757: 755: 658: 647: 553: 542: 1735:Films based on works by Ferenc Molnár 843:"Notes for His Glorious Night (1929)" 220:. The film is based on the 1928 play 7: 1098:The Student Prince in Old Heidelberg 749:, October 19, 1929, p. 11. ProQuest. 587: 585: 583: 581: 819:. New York: St Martins Press, 1985. 764:"THE SCREEN; A Ferenc Molnar Play" 762:Hall, Mordaunt (October 5, 1929). 14: 1745:Films produced by Irving Thalberg 1130:White Shadows in the South Seas 1710:American black-and-white films 1506:The Barretts of Wimpole Street 479:MGM sold the film's rights to 1: 1730:American films based on plays 1725:American romantic drama films 1026:Ben-Hur: A Tale of the Christ 410:, the influential critic for 367:Reception and Gilbert's voice 320:Eva Dennison as Countess Lina 311:Madeline Seymour as Lady York 290:as Mrs. Collingswood Stratton 1760:1920s English-language films 910:AFI Catalog of Feature Films 499:Lionel Barrymore filmography 382:. In fact, while reviews of 149:September 28, 1929 1715:American multilingual films 1683:The Love of the Last Tycoon 962:The Hunchback of Notre Dame 353:". His earlier sound film, 1776: 1346:The Sin of Madelon Claudet 693:"Is Jack Gilbert Through?" 691:Albert, Katherine (1930). 1740:Metro-Goldwyn-Mayer films 1720:1929 romantic drama films 35:Promotional advertisement 28: 1750:1920s multilingual films 1458:Rasputin and the Empress 1186:The Last of Mrs. Cheyney 599:. Movies & TV Dept. 302:as Prince Luigi Caprilli 1602:Broadway Melody of 1938 1162:The Trial of Mary Dugan 680:American Film Institute 466:Si l'empereur savait ça 1522:What Every Woman Knows 430: 421: 282:Gustav von Seyffertitz 216:in his first released 1106:London After Midnight 848:Turner Classic Movies 721:Chicago Daily Tribune 634:Turner Classic Movies 529:Turner Classic Movies 389:Chicago Daily Tribune 374:The Duelling Cavalier 366: 296:as Priscilla Stratton 1755:1920s American films 1554:A Night at the Opera 1546:Mutiny on the Bounty 1058:The Road to Mandalay 272:as Princess Orsolini 1663:Irving Thalberg Jr. 1194:The Hollywood Revue 1154:The Broadway Melody 1122:Laugh, Clown, Laugh 1082:Flesh and the Devil 986:He Who Gets Slapped 676:"Redemption (1930)" 609:on October 26, 2012 486:A Breath of Scandal 379:Singin' in the Rain 332:as General Ettingen 270:Catherine Dale Owen 135:Metro-Goldwyn-Mayer 97:Catherine Dale Owen 1594:A Day at the Races 1402:Tarzan the Ape Man 1210:His Glorious Night 1178:Where East Is East 904:His Glorious Night 898:TCM Movie Database 893:His Glorious Night 885:His Glorious Night 874:His Glorious Night 769:The New York Times 602:The New York Times 481:Paramount Pictures 472:and German remake 444:Rumors of sabotage 412:The New York Times 384:His Glorious Night 361:His Glorious Night 343:His Glorious Night 324:Youcca Troubetzkov 232:His Glorious Night 195:His Glorious Night 24:His Glorious Night 1692: 1691: 1667: 1659: 1466:Strange Interlude 1170:Voice of the City 1010:The Tower of Lies 747:Los Angeles Times 468:, Spanish remake 457:as the director. 401:Los Angeles Times 266:as Captain Kovacs 191: 190: 1767: 1665: 1657: 1618:Marie Antoinette 1570:Romeo and Juliet 1434:Red-Headed Woman 1426:As You Desire Me 1290:Way for a Sailor 1266:The Unholy Three 1146:West of Zanzibar 1090:Twelve Miles Out 1050:Brown of Harvard 994:The Unholy Three 940: 933: 926: 917: 860: 859: 857: 855: 839: 833: 828:Fleming, E. 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Index


Lionel Barrymore
Willard Mack
Ferenc Molnár
Irving Thalberg
John Gilbert
Catherine Dale Owen
French
Metro-Goldwyn-Mayer
English
pre-Code
American
romance film
Lionel Barrymore
John Gilbert
talkie
Ferenc Molnár
peasant
blackmail
John Gilbert
Catherine Dale Owen
Nance O'Neil
Gustav von Seyffertitz
Hedda Hopper
Doris Hill
Tyrell Davis
Gerald Barry
Richard Carle
Youcca Troubetzkov
Peter Gawthorne

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