Knowledge (XXG)

History of the Indian Tribes of North America

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27: 421: 315: 440: 531: 482: 409: 466: 331: 358: 374: 299: 343: 500: 519: 390: 258:(1793–1868), a judge and Treasurer of the State of Illinois, who was known as a writer. Hall had difficulty in developing the biographies, as McKenney never provided promised source material. Hall spent eight years tracking and researching the subjects, about whom McKenney had provided little more than names. 282:
In the winter of 1865, workers relocating the portraits brought in a wood-burning stove to provide warmth, and vented the stovepipe into a ventilation shaft which they mistook for a flue. After two weeks, a full fire had ignited in the ventilation shaft. The second floor was engulfed, and the roof of
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Believing that Native Americans were threatened as a race, McKenney wanted to preserve a record of their leaders for government archives, as well as to share it with the American people. He commissioned Charles Bird King to paint portraits of leaders who came to Washington to negotiate treaties, and
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It was the most catastrophic fire in the Smithsonian's history: 295 of the original Indian portraits were consumed; only five were rescued. Although one of the painters had made a few copies of his favorite portraits for himself, nearly all of the portraits would have been irretrievably lost had
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McKenney said he wanted to preserve "in the archives of the Government whatever of the aboriginal man can be rescued from the destruction which awaits his race." He believed that American Indians were threatened as a people by the expansion of European-American society. Aware that there was ill
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Hall and a new publisher (D. Rice & A N Hart) brought the series to completion, with the final installment appearing in January 1844. This was long after McKenney had thought he could first publish the portrait/biography project. In the end, it had a total of 1,250 subscribers.
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To reach a wider public, McKenney commissioned lithographs of the paintings, with each portrait to be supported by a full biography of the subject. The full project was envisioned to be published in three volumes. To research and write those, McKenney commissioned
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The subscription price of $ 120 for the whole set had seemed high at the beginning of the project, but it was not enough to defray the costs incurred during the exacting production process of the original
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McKenney, Hall, and their colleagues not completed the lithography and publication project. The volumes remain a record of prominent Native American leaders of the first half of the 19th century.
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The growing collection of portraits was first housed in the United States Department of War, which then had responsibility for Indian Affairs. In 1858, the original oil paintings were moved to
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caused widespread financial distress, and many subscribers to the Folio were unable to pay for their subscriptions. At that time, McKenney withdrew completely from the project.
767: 218:, which was also within the War Department. King painted portraits of American Indians up to 1837. Additional painters commissioned to paint portraits included 234:
feeling against them by those who wanted their land, he said the American Indians should be "looked upon as human beings, having bodies and souls like ours."
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First edition of v. 1 published by E.C. Biddle, Philadelphia, 1836.; Volumes 2-3 published by D. Rice and J.G. Clark, 1842-44.
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The North American Indian Portfolios from the Library of Congress: Bodmer--Catlin--McKenney and Hall (Tiny Folios)
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as delegates to negotiate treaties with the federal government. McKenney continued this project as head of the
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The McKenney & Hall Lithographs of Charles Bird King’s Portraits of American Indians
72:, Ralph Tremblay, Henry Dacre, and others, printed and colored by J. T. Bowen and others 426: 756: 505: 449: 267: 65: 453: 174:. McKenney was working as the US Superintendent of Indian Trade and would head the 69: 630: 472: 364: 187: 53: 742: 445: 430: 245:'s first building. It was also used as a repository and gallery for artworks. 186:
James Hall to write biographies of them. The publication project incorporated
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portraits, originally published in the United States from 1836 to 1844 by
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Non-fiction books about indigenous peoples of the Americas
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The McKenney-Hall Portrait Gallery of American Indians
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Crown Publishers. p. 61. 529: 517: 498: 490:or George Guess, creator of the 480: 464: 438: 419: 407: 388: 372: 356: 341: 329: 313: 297: 154:is a three-volume collection of 56:, and 117 portrait plates after 743:McKenney & Hall Collection 723:McKenney & Hall Collection 713:McKenney & Hall Collection 704:McKenney & Hall Collection 1: 158:biographies and accompanying 336:Caa-tou-see, An Ojibwe chief 278:1865 fire at the Smithsonian 605:Horan, James David (1972). 789: 48:Three frontispieces after 540:; "Wa-pel-la the Prince, 524:Tshusick, An Ojibwe woman 190:made from the paintings. 24: 727:University of Washington 717:University of Cincinnati 216:Office of Indian Affairs 176:Office of Indian Affairs 64:, and drawn on stone by 699:Smithsonian Institution 243:Smithsonian Institution 414:Ojibwe woman and child 747:University of Georgia 89:United States History 629:Jennifer Anderson, 570:Library of Congress 21: 638:2012-03-15 at the 224:Peter Rindisbacher 178:, both within the 50:Peter Rindisbacher 38:Thomas L. McKenney 773:Lost works of art 658:. PBS. 2007-03-28 656:Antiques Roadshow 492:Cherokee alphabet 351:, An Ojibwe chief 208:Charles Bird King 198:From about 1821, 172:Charles Bird King 146: 145: 117:Publication place 62:Charles Bird King 780: 737:Bancroft Library 690:Internet Archive 681:Internet Archive 666: 664: 663: 643: 627: 621: 620: 602: 596: 595: 578: 572: 563: 533: 521: 506:Tah-Chee (Dutch) 502: 484: 468: 442: 423: 411: 392: 376: 360: 345: 333: 317: 301: 220:James Otto Lewis 212:Washington, D.C. 136: 108:Publication date 93:Native Americans 29: 22: 788: 787: 783: 782: 781: 779: 778: 777: 753: 752: 673: 661: 659: 650: 647: 646: 640:Wayback Machine 628: 624: 617: 604: 603: 599: 592: 580: 579: 575: 564: 557: 552: 545: 534: 525: 522: 513: 503: 494: 485: 476: 469: 460: 443: 434: 424: 415: 412: 403: 393: 384: 379:Little Crow, A 377: 368: 363:Kee-shes-wa, A 361: 352: 346: 337: 334: 325: 318: 309: 302: 293: 280: 251: 200:Thomas McKenney 196: 164:Thomas McKenney 156:Native American 125:Media type 112:1836-1844; 1872 109: 17: 12: 11: 5: 786: 784: 776: 775: 770: 765: 755: 754: 751: 750: 740: 730: 720: 710: 701: 692: 683: 672: 671:External links 669: 668: 667: 645: 644: 622: 615: 597: 590: 573: 554: 553: 551: 548: 547: 546: 535: 528: 526: 523: 516: 514: 504: 497: 495: 486: 479: 477: 470: 463: 461: 444: 437: 435: 425: 418: 416: 413: 406: 404: 394: 387: 385: 378: 371: 369: 362: 355: 353: 347: 340: 338: 335: 328: 326: 319: 312: 310: 303: 296: 292: 289: 279: 276: 250: 247: 204:War Department 195: 192: 180:War Department 144: 143: 138: 130: 129: 126: 122: 121: 118: 114: 113: 110: 107: 104: 103: 100: 96: 95: 86: 82: 81: 78: 74: 73: 46: 42: 41: 35: 31: 30: 15: 13: 10: 9: 6: 4: 3: 2: 785: 774: 771: 769: 766: 764: 761: 760: 758: 748: 744: 741: 738: 734: 731: 728: 724: 721: 718: 714: 711: 709: 705: 702: 700: 696: 693: 691: 688: at the 687: 684: 682: 679: at the 678: 675: 674: 670: 657: 653: 649: 648: 641: 637: 634: 633: 626: 623: 618: 616:9780517500538 612: 608: 601: 598: 593: 587: 583: 577: 574: 571: 568:given by the 567: 562: 560: 556: 549: 543: 539: 532: 527: 520: 515: 511: 507: 501: 496: 493: 489: 483: 478: 474: 467: 462: 459: 455: 451: 447: 441: 436: 432: 428: 422: 417: 410: 405: 402:(Creek) chief 401: 397: 391: 386: 382: 375: 370: 366: 359: 354: 350: 344: 339: 332: 327: 323: 316: 311: 307: 304:Amiskquew, A 300: 295: 290: 288: 284: 277: 275: 271: 269: 268:Panic of 1837 266:volumes. 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Retrieved 655: 631: 625: 606: 600: 581: 576: 456:of the Wolf 285: 281: 272: 260: 252: 236: 232: 197: 184: 150: 149: 147: 70:Alfred Hoffy 40:, James Hall 473:Major Ridge 452:orator and 249:Publication 228:Henry Inman 188:lithographs 58:Henry Inman 54:Karl Bodmer 45:Illustrator 757:Categories 662:2013-06-19 591:1558596011 550:References 446:Red Jacket 431:Pushmataha 256:James Hall 239:The Castle 194:Background 168:James Hall 160:lithograph 749:libraries 729:libraries 719:libraries 542:Musquakee 471:Cherokee 349:Jack-O-Pa 306:Menominee 128:Hardcover 99:Published 636:Archived 510:Cherokee 488:Sequoyah 400:Muscogee 77:Language 538:Wapello 427:Choctaw 324:) chief 308:warrior 291:Gallery 141:3331971 85:Subject 80:English 613:  588:  544:Chief" 536:Chief 475:, 1834 450:Seneca 433:, 1824 429:chief 396:Menawa 322:Ojibwe 241:, the 226:, and 34:Author 512:chief 508:, A 454:chief 398:, A 383:chief 381:Sioux 367:chief 264:folio 611:ISBN 586:ISBN 458:clan 166:and 148:The 135:OCLC 52:and 365:Fox 759:: 745:, 735:, 725:, 715:, 706:, 697:, 654:. 558:^ 448:, 230:. 222:, 91:, 68:, 665:. 619:. 594:.

Index


Thomas L. McKenney
Peter Rindisbacher
Karl Bodmer
Henry Inman
Charles Bird King
Albert Newsam
Alfred Hoffy
United States History
Native Americans
OCLC
3331971
Native American
lithograph
Thomas McKenney
James Hall
Charles Bird King
Office of Indian Affairs
War Department
lithographs
Thomas McKenney
War Department
Charles Bird King
Washington, D.C.
Office of Indian Affairs
James Otto Lewis
Peter Rindisbacher
Henry Inman
The Castle
Smithsonian Institution

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