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department store, the Woman's
Department Club was instrumental in helping to move the Salon's headquarters and its annual exhibition to Indianapolis in 1942. Around this same time several of the early leaders in Chicago began to retire, moved away, or experienced failing health, so it was not unexpected that on June 30, 1941, the Salon's trustees formally voted to approve the move of its headquarters to Indianapolis.
416:, and chair of the Daughters of Indiana art committee for the first two Hoosier Salons, became the group's executive chairman. In addition to the Hoosier Salon Patrons Association, ongoing sponsors and supporters of the annual Hoosier Salon have included Kappa Kappa Kappa, first connected to the Salon in 1927; Delta Sigma Kappa sorority, a supporter since 1937; and
515:
was held at the
Indiana State Museum. In 2012 the exhibition moved to the Indiana Historical Society's Eugene and Marilyn Glick Indiana History Center in Indianapolis. The annual juried art exhibition continues to showcase the works of Hoosier artists from all walks of life. In 2014 the Hoosier Salon celebrated its ninetieth consecutive annual exhibition.
453:
relocation to
Indiana, several new sponsors began their longtime support of the Hoosier Salon. Representatives from the Woman's Department Club and its Art Department, Kappa Kappa Kappa, Psi Iota Xi, and women from the Indiana Federation of Clubs and the Indiana Federation of Art Clubs formed the Hoosier Salon Executive Committee.
350:, remarked at the time of the first Salon that Indiana was well known for its writers; however, "it would seem that some of this desire for self-expression has overflowed into painting for there is probably no other state that could show as many and such a high average of practically unknown painters." Hoosier authors Tarkington,
452:
In late 1941 the
Hoosier Salon Patrons Association moved into two donated rooms in the State Life Building (also known as the Thomas Building) on Washington Street in Indianapolis. These rooms also served as the Association's art gallery until 1973, when fire destroyed the building. After the Salon's
395:
In 1926, after the
Daughters of Chicago hosted the second exhibition, the group partnered with other art patrons to formally organize the Hoosier Salon Patrons Association, a nonprofit organization that would continue the event and its original mission of recognizing talented Indiana artists. John C.
561:
Since 1925, many of
Indiana's most notable artists have exhibited at the Hoosier Salon. In order to qualify as a Salon exhibitor, an artist must be a Hoosier Salon member and must have lived in Indiana for a minimum of one year at any point during their life. Salon entries are independently reviewed
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painters. Following this initial meeting, Estella King, chair of the group's arts committee, led the organization's plans for an exhibition featuring high quality artwork from
Hoosier artists that would help gain more recognition for them outside of Indiana. The group's goals were to inspire Indiana
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The
Hoosier Salon became known for "offering one of the richest purses in the United States." For the first Hoosier Salon in 1925 the top merit prize was $ 500, and the total merit prize money was $ 4,375. In 2009 its best of show won a record $ 10,000, and the total merit prize money for that year
514:
The annual
Hoosier Salon exhibition remained at Block's department store in Indianapolis from 1942 to 1977. The event moved to the L. S. Ayres department store in downtown Indianapolis at Meridian and Washington Streets in 1978, and remained there until 1989. From 1990 to 2011 the annual exhibition
501:
In the 1950s several artists who had contributed to the first exhibitions in
Chicago continued to submit works for the Salons, including Polley, Wheeler, and Wayman Adams, among others. Salons in the 1960s marked the changing times for Hoosier artists with the introduction of new materials, such as
362:
Following the critical and popular success of the first exhibition, the Daughters of Indiana wanted to make it an annual event that was open to artists with ties to Indiana. In 1926 the second Hoosier Salon ran for fourteen days at Marshall Field's galleries in Chicago. It featured 339 works by 149
565:
The annual Hoosier Salon claims ties to the Hoosier Group and several members of the Brown County Art Colony. However, not all of the Salon's art has Indiana as it subject. Work from Salon artists with Hoosier ties is inspired from locales outside Indiana as well. New York City-based Wayman Adams,
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grant of $ 5,000 and additional $ 1,000 contributions from several sponsors allowed the Hoosier Salon to open in January 1974, although the other planned events were cancelled. The Salon's fiftieth anniversary exhibition included 163 pieces from 117 different artists. Goth and William A. Eyden Jr.
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Just a few weeks before the Hoosier Salon's fiftieth anniversary exhibition of 1974, disaster struck. On November 5, 1973, a fire destroyed the Thomas Building, including the Salon's historical materials and 311 paintings. The Association established temporary offices at the back of the William A.
238:
The first Hoosier Salon was open to painters who had lived in Indiana for at least a year. Entries for the juried exhibition were submitted from across the United States. The selections featured 253 works of art from 132 artists. Hoosier Group artist T. C. Steele and his wife, Selma, attended the
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After the move from Chicago, the Association's next annual Hoosier Salon opened in downtown Indianapolis on January 19, 1942, for a two-week run in the sixth-floor auditorium of the William H. Block Company department store at Market and Illinois Streets. The event took place shortly after the
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in Indiana. In 1937 the Art Department of the Woman's Department Club of Indianapolis sponsored a traveling Hoosier Salon exhibition at the William H. Block Company's department store in downtown Indianapolis. Following the success of this event in Indianapolis and continued support from the
163:. The Hoosier Salon has survived wars, economic recessions, a fire, venue changes for its annual exhibition, relocation of its offices and gallery spaces, and modifications to its outreach programs. In 2014 the Hoosier Art Salon celebrated its ninetieth continuous year of annual exhibitions.
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The Hoosier Art Salon is a statewide nonprofit arts organization whose mission is to "create an appreciation of art by promoting Hoosier artists and their art." The Salon's exhibitions also provide viewers an opportunity to see and appreciate the talents of artists with ties to Indiana. The
527:
lobby at Meridian and Ohio Streets in December 1974. By 1978 the Bals-Wocher mansion proved too costly for the group to maintain, so the Salon sold it and moved its gallery to the Morrison Opera building on Indianapolis's South Meridian Street, where it had been renting office space.
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supported the idea of an annual exhibition featuring Indiana artists. In the forward to the Hoosier Salon's exhibition catalog in 1926, Nicholson wrote, "we are anxious for our brothers and sisters who paint or draw or sculpt to have their day in court, just as we have had it."
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For a brief time the group's Hoosier Program Bureau, which was formed in 1929, helped Hoosier musicians secure public appearances. The offering was discontinued in 1941, when the Salon moved its headquarters to Indianapolis and the group decided to focus on visual arts.
473:
In 1949 the Hoosier Salon marked its twenty-fifth year, a significant achievement that also achieved national recognition. After the Salon's run in Indianapolis, a special exhibition featuring all 168 pieces from the Indiana show were exhibited at the
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and must be a member of the Hoosier Salon arts organization to become eligible for the Salon's exhibitions. The Hoosier Salon has exhibited art from many of Indiana's most notable painters, sculptors, cartoonists, and mixed-media artists, including
172:
organization's vision is to foster an appreciation for visual art through activities that "educate, inspire, and enhance the lives of the citizens of our state while promoting the creativity, talent and technique of Indiana artists."
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Building on West Wacker Drive. Art that had appeared in at least one of the Salons could be exhibited and sold at the Chicago gallery. The Association also hosted traveling exhibitions, a tradition that continued over the years.
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Bals-Wocher mansion on Indianapolis's North Delaware Street as the new location for its year-round gallery. Because the nonprofit did not have the funds to operate two galleries, it closed its gallery in the former Indianapolis
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were among the 261 pieces on display. The annual Salon was scaled back during World War II, and the wartime themes that continued for several years frequently outnumbered the usual landscapes, still lifes, and portraits.
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In the past, Hoosier cartoonists have been well represented at the Salons. In addition to comic-strip illustrator Harold Gray's "Little Orphan Annie", cartoonists who competed for the Salon's prizes and recognition were
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at 28 East Washington Street in Chicago. The Daughters of Indiana, who organized and sponsored the first Salon, were assisted by several other groups, such as the Indiana Society of Chicago and volunteers from Chicago's
633:
In more recent years Salon entries have changed to reflect the new artistic styles of Hoosier artists. Past Salon works have included Kanwal Prakash (K. P.) Singh's architectural renderings, lithographs from
185:
The idea for the Hoosier Salon originated in May 1924, when the 160-member Daughters of Indiana, a group of women who were born in Indiana but resided in the Chicago metro area, held a gathering devoted to
111:
artists and provides them with an outlet to market their work. The Hoosier Salon Patron's Association, the nonprofit arts organization that organizes the event, also operates a year-round galleries in
379:, a life-size portrait of the four surviving members of the Hoosier Group–Steele, Stark, J. Ottis Adams, and Forsyth. (Steele and Stark died by the end of 1926; J. Ottis Adams died in 1927.)
115:
and at one time in Wabash and Carmel, Indiana. These spaces host exhibitions of Salon artists throughout the year, as well as workshops and demonstrations. An artist must have lived in
562:
by experienced judges in the art field and selected for the annual exhibition. The works of well-established master artists are displayed alongside the work of newcomers to the field.
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423:
In addition to hosting the annual Salon during its seventeen-year run in Illinois, the patron’s association opened a year-round gallery on October 15, 1928, in donated space in the
546:
Although the annual Hoosier Salon remains the organization's biggest event, it also provides other outreach efforts. In 2006 the Hoosier Salon initiated the French tradition of a
286:, and Clifton Wheeler, among others. Traditional Indiana landscapes and still-life paintings were represented, as well as works from Hoosier artists who lived outside the state.
550:(exhibition of rejects) at its Broad Ripple gallery. The Salon also provides educational outreach to schools and collaborates with other organizations to promote the arts.
2018:
435:
During its early years, not all of the Salon's exhibitions were held in Chicago. In June 1936 the Hoosier Salon held its annual exhibition during the summer months at the
535:, where it had previously established a year-round gallery. The Hoosier Salon operated two other galleries in addition to the one in Broad Ripple. One gallery was at
2028:
553:
In May 2014 the Hoosier Salon closed its main gallery in Broad Ripple and moved to a new gallery space in the Carmel Arts and Design District in Carmel, Indiana.
2013:
543:. As of 2014 the Hoosier Salon maintained gallery space at New Harmony, but the Wabash gallery closed and the property owner converted it to another purpose.
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1918:
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For an extensive list of artists whose work was exhibited during the period 1925 through 1990, see "Exhibition Records" in Newton and Weiss, pp. 151–335.
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293:, judged best picture and painted by a man more than sixty years of age. Wayman Adams won a $ 200 merit award for his oil portrait of Indiana author
191:
artists to develop their talents, to showcase artists who depicted Indiana themes in their work, and to provide an opportunity to market their art.
2038:
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371:, who gained an international reputation for her work as a sculptor, earned the $ 300 merit prize for her outstanding sculpture called
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1968:
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35:
383:, a former student of Stark, was one of the first African American artists to participate in the Hoosier Salon. Scott exhibited
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254:. Hoosier artists whose work also appeared at the first Salon included all four Hoosier Group members who were still living (
194:
The Hoosier Salon's name and concept come from the nineteenth-century French tradition of annual art exhibitions held in the
630:, who drew editorial cartoons. Gray, Hubbard, Williams, and McCutcheon also provided artwork to help advertise the Salon.
570:, exhibited his artwork at the Salon for thirty-five years. Several southwestern artists were linked to Indiana as well.
363:
artists and drew more than 50,000 visitors. For the first time the show was opened to sculpture in addition to paintings.
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Goth had work accepted for every Salon since 1925; her last Salon entries were in 1975. See Newton and Weiss, pp. 65–66.
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136:
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were honored at the annual event. Both of these artists had contributed art for the original exhibition in 1925.
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259:
211:
210:, was selected as the site for the first Hoosier Salon because of its large population and its reputation as a
486:, sponsored two fund-raising events for the Salon's exhibition in Washington, D.C.—a style show at the
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1422:, in the collections of the William H. Smith Memorial Library, Indiana Historical Society, Indianapolis.
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1886:, in the collections of the William H. Smith Memorial Library, Indiana Historical Society, Indianapolis
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prints, metal sculpture, collage, and fewer of the more traditional landscapes of southern Indiana.
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309:. Thirty percent of the accepted entries came from women artists, including two works submitted by
243:
227:
753:
635:
627:
595:
355:
346:
302:
218:. Since January 1942 the annual exhibition has taken place at various sites around Indianapolis.
1946:
Newton, Judith V. (Fall 1994). "This Eternal Beauty: Celebrating the Art of the Hoosier Salon".
412:, and Terre Haute, Indiana, became the Association's first president. Estella King, a native of
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opening of the Salon's first exhibition, which was well received by art critics and the public.
1068:
Judith V. Newton (Fall 1994). "This Eternal Beauty: Celebrating the Art of the Hoosier Salon".
1964:
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In March 1991 the Association relocated its offices to North College Avenue in Indianapolis's
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1978:
Shank, Marilyn (Summer 2012). "Art for Indiana's Sake: A History of the Hoosier Salon".
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Marilyn Shank (Summer 2012). "Art for Indiana's Sake: A History of the Hoosier Salon".
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The Daughters of Indiana, a group of women who were born in Indiana but resided in the
2007:
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art center. The annual Salon ran in Chicago from 1925 through 1941, when it moved to
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313:. Several women were recognized with merit prizes for their art: Dorothy Morlan for
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Block department store’s auditorium and resumed plans for the annual exhibition. A
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375:. Wayman Adams won the $ 500 merit prize for the exhibition's outstanding picture,
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642:, the acrylics of James Lee Cunningham, and abstract art from Martha Slaymaker.
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The first Hoosier Salon ran from March 9 to 19, 1925, at the art galleries of
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1933:"Hoosier Salon: Celebrating a 90-Year History of Honoring Indiana Artists".
1115:"Hoosier Salon: Celebrating a 90-Year History of Honoring Indiana Artists".
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906:
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1961:
A Grand Tradition: The Arts and Artists of the Hoosier Salon, 1925–1990
1004:
A Grand Tradition: The Arts and Artists of the Hoosier Salon, 1925–1990
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1911:
Hoosier Salon 88th Annual Exhibition: Where Art and History Converge
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Hoosier Salon 88th Annual Exhibition: Where Art and History Converge
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still life won a $ 100 merit prize. Savage, who was originally from
960:
289:
At the first Hoosier Salon merit prizes were awarded to Steele for
147:, Indiana, where it has been held at several venues, including the
1006:. Indianapolis, IN: Hoosier Salon Patrons Association. p. 1.
199:
95:
1913:. Indianapolis, IN: Hoosier Salon Art Patrons Association. 2012.
1882:
75th Hoosier Salon Diamond Jubilee Gala Celebration (Invitation)
1418:
75th Hoosier Salon Diamond Jubilee Gala Celebration (Invitation)
949:. Indianapolis, IN: Hoosier Salon Art Patrons Association. 2012.
1941:(3). Indianapolis, IN: Indiana Historical Society: 6. May 2014.
1123:(3). Indianapolis, IN: Indiana Historical Society: 6. May 2014.
1997:
602:, whose art studio was in Santa Fe, was a Salon prizewinner.
107:
is an annual juried art exhibition that features the work of
242:
Among the first exhibition's favorites was a set of three "
461:, and the war effort "dominated the show." Lillian Alt's
1963:. Indianapolis, IN: Hoosier Salon Patrons Association.
135:, hosted the first annual Hoosier Salon in 1925 at the
1986:(3). Indianapolis: Indiana Historical Society: 14–25.
1954:(4). Indianapolis: Indiana Historical Society: 20–27.
650:
The following is a partial list of past exhibitors:
91:
81:
71:
63:
55:
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1184:"Indiana and Florida artist Louise Eleanor Zaring"
1076:(4). Indianapolis: Indiana Historical Society: 23.
1044:(3). Indianapolis: Indiana Historical Society: 15.
518:In November 1974 the Hoosier Salon purchased the
143:. In 1942 the annual exhibition was relocated to
1495:"Hoosier Salon paints its role in broad strokes"
610:'s nationally syndicated "Abe Martin" cartoons;
270:). Other exhibitors with Indiana ties included
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638:, watercolors from Floyd Hopper, portraits by
2034:Art museums and galleries established in 1925
1892:"Hoosier Salon moving main gallery to Carmel"
1448:"Hoosier Salon moving main gallery to Carmel"
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87:Michael Quinn (President, Board of Directors)
8:
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614:, who created "Among the Folks in History";
482:in April 1949. The Indiana State Society of
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1919:"Hoosier Salon art gallery opens in Carmel"
1473:"Hoosier Salon art gallery opens in Carmel"
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344:Marguerite B. Williams, art critic for the
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128:, and other artists with ties to Indiana.
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2019:Non-profit organizations based in Indiana
1959:Newton, Judith Vale; Carol Weiss (1993).
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1029:
1027:
1025:
1023:
498:and his wife, Ruth, were special guests.
1980:Traces of Indiana and Midwestern History
1948:Traces of Indiana and Midwestern History
1884:. Indianapolis, IN: Hoosier Salon. 1999.
1801:
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1420:. Indianapolis, IN: Hoosier Salon. 1999.
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1132:
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1070:Traces of Indiana and Midwestern History
1038:Traces of Indiana and Midwestern History
1002:Judith Vale Newton; Carol Weiss (1993).
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341:received a prize for Best Marine Scene.
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2029:Arts organizations established in 1925
997:
995:
396:Shaffer, editor and publisher of the
7:
2014:Art museums and galleries in Indiana
1493:Lieber, Tammy (September 12, 2005).
618:, creator of the syndicated cartoon"
2024:Arts organizations based in Indiana
1218:Newton and Weiss, p. 5, 22, and 85.
590:, for seven years before moving to
105:Hoosier Art Salon Annual Exhibition
594:, in 1918, were Salon exhibitors.
25:
305:, won the top prize of $ 500 for
315:Frosty Morning, Southern Indiana
196:Grand Palais des Champs- Élysées
124:artists, several members of the
33:
1921:. Indianapolis Star. 2014-05-10
1475:. Indianapolis Star. 2014-05-10
1398:Newton and Weiss, p. 60 and 67.
1377:Newton and Weiss, p. 71 and 89.
480:National Museum of American Art
246:" cartoons from their creator,
2039:1925 establishments in Indiana
39:Former logo before name change
1:
1868:Newton and Weiss, pp. 329–30.
1850:Newton and Weiss, pp. 319–20.
1757:Newton and Weiss, pp. 278–79.
1712:Newton and Weiss, pp. 228–29.
1694:Newton and Weiss, pp. 222–23.
1685:Newton and Weiss, pp. 221–22.
1604:Newton and Weiss, pp. 189–90.
1499:Indianapolis Business Journal
1173:Newton and Weiss, pp. 99–100.
858:"About The Hoosier Art Salon"
802:Kanwal Prakash (K. P.) Singh
387:at the second Hoosier Salon.
907:Welcome to the Hoosier Salon
749:Frank McKinney "Kin" Hubbard
608:Frank McKinney "Kin" Hubbard
1890:Eason, Brian (2014-04-16).
986:September 27, 2010, at the
494:, where Hoosier songwriter
465:and William A. Eyden Jr.'s
2060:
2044:Indiana Historical Society
1446:Brian Eason (2014-04-16).
1142:Newton and Weiss, pp. 2–3.
291:Winter Morning, First Snow
228:Marshall Field and Company
161:Indiana Historical Society
137:Marshall Field and Company
1859:Newton and Weiss, p. 326.
1841:Newton and Weiss, p. 311.
1832:Newton and Weiss, p. 305.
1823:Newton and Weiss, p. 304.
1814:Newton and Weiss, p. 300.
1805:Newton and Weiss, p. 293.
1793:Newton and Weiss, p. 292.
1784:Newton and Weiss, p. 291.
1775:Newton and Weiss, p. 289.
1766:Newton and Weiss, p. 283.
1748:Newton and Weiss, p. 270.
1739:Newton and Weiss, p. 265.
1730:Newton and Weiss, p. 257.
1721:Newton and Weiss, p. 230.
1703:Newton and Weiss, p. 226.
1676:Newton and Weiss, p. 216.
1667:Newton and Weiss, p. 214.
1658:Newton and Weiss, p. 210.
1649:Newton and Weiss, p. 209.
1640:Newton and Weiss, p. 208.
1622:Newton and Weiss, p. 199.
1613:Newton and Weiss, p. 196.
1595:Newton and Weiss, p. 187.
1586:Newton and Weiss, p. 172.
1572:Newton and Weiss, p. 159.
1563:Newton and Weiss, p. 154.
1554:Newton and Weiss, p. 153.
1542:Newton and Weiss, p. 151.
1524:Newton and Weiss, p. 298.
981:Hoosier Salon: Our Legacy
788:Ferdinand Louis Schlemmer
646:Previous Salon exhibitors
133:Chicago metropolitan area
32:
1631:Newton and Weiss, p. 203
1407:Newton and Weiss, p. 71.
1341:Newton and Weiss, p. 31.
1323:Newton and Weiss, p. 32.
1314:Newton and Weiss, p. 25.
1296:Newton and Weiss, p. 23.
1287:Newton and Weiss, p. 16.
420:, a sponsor since 1941.
385:Lights on a Summer Night
149:William H. Block Company
1501:. Indianapolis, Indiana
1264:Newton and Weiss, p. 6.
912:April 20, 2011, at the
704:Maude Kaufman Eggemeyer
476:Smithsonian Institution
331:Maude Kaufman Eggemeyer
278:, Frederick M. Polley,
155:department stores, the
153:L. S. Ayres and Company
126:Brown County Art Colony
961:"Hoosier Salon: About"
883:"Location & Hours"
741:William Victor Higgins
578:, who was a member of
576:William Victor Higgins
317:; Lucy M. Taggert for
77:Indianapolis, IN 46240
793:William Edouard Scott
762:Sister Esther Newport
660:Wayman Elbridge Adams
588:Brown County, Indiana
557:Hoosier Salon artists
381:William Edouard Scott
325:; Lucie Hartrath for
272:Wayman Elbridge Adams
250:, a 1917 graduate of
216:Indianapolis, Indiana
1305:Shank, p. 20 and 22.
1102:Shank, p. 15 and 17.
733:John Wesley Hardrick
708:William A. Eyden Jr.
690:James Lee Cunningham
592:Santa Fe, New Mexico
572:Shelbyville, Indiana
537:New Harmony, Indiana
533:Broad Ripple Village
425:Chicago Evening Post
408:, and newspapers in
399:Chicago Evening Post
369:Terre Haute, Indiana
235:Alumni Association.
157:Indiana State Museum
113:New Harmony, Indiana
67:Daughters of Indiana
887:hoosierartsalon.org
862:hoosierartsalon.org
841:exceeded $ 25,000.
771:Frederick M. Polley
681:Francis Focer Brown
620:Toonerville Trolley
582:'s "Taos Ten", and
490:and a dance at the
437:Spink-Wawasee Hotel
327:The Valley, Morning
323:A Shaft of Sunlight
321:; Laura A. Fry for
244:Little Orphan Annie
96:hoosierartsalon.org
29:
2000:, official website
1898:. Indianapolis, IN
1454:. Indianapolis, IN
1255:Newton, pp. 25–26.
774:Antoine Raemaekers
754:John T. McCutcheon
667:Garo Z. Antreasian
636:Garo Z. Antreasian
628:John T. McCutcheon
596:Fairmount, Indiana
356:Meredith Nicholson
347:Chicago Daily News
303:Covington, Indiana
181:Origins in Chicago
1896:Indianapolis Star
1452:Indianapolis Star
1436:Shank, pp. 24–25.
1359:Shank, pp. 22–23.
1164:Shank, pp. 17–18.
548:Salon Des Refusés
467:Steel for Defense
405:Indianapolis Star
252:Purdue University
222:Early exhibitions
101:
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51:arts organization
28:Hoosier Art Salon
16:(Redirected from
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484:Washington, D.C.
297:, and Forsyth's
295:Booth Tarkington
139:'s galleries in
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818:Lucy M. Taggert
712:William Forsyth
699:Frank V. Dudley
694:Robert Davidson
676:Beulah H. Brown
671:Gustave Baumann
648:
584:Gustave Baumann
568:Muncie, Indiana
559:
541:Wabash, Indiana
539:; the other at
508:Lilly Endowment
488:Mayflower Hotel
450:
410:Muncie, Indiana
393:
299:Glory of Autumn
276:Frank V. Dudley
260:William Forsyth
233:Earlham College
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367:, a native of
280:J. Will Vawter
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365:Janet Scudder
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339:Louise Zaring
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284:Eugene Savage
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122:Hoosier Group
118:
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18:Hoosier Salon
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1979:
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1934:
1923:. Retrieved
1910:
1900:. Retrieved
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1503:. Retrieved
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1467:
1456:. Retrieved
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955:
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889:. 2019-11-22
886:
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866:. Retrieved
864:. 2019-11-22
861:
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839:
745:Floyd Hopper
721:Laura A. Fry
717:Fontaine Fox
649:
632:
616:Fontaine Fox
604:
564:
560:
552:
545:
530:
525:Hilton Hotel
517:
513:
504:
500:
472:
466:
463:Men and Guns
462:
459:Pearl Harbor
455:
451:
441:Lake Wawasee
434:
430:
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422:
403:
397:
394:
391:Other events
384:
377:The Art Jury
376:
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361:
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334:
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314:
306:
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290:
288:
241:
237:
225:
193:
184:
170:
145:Indianapolis
130:
104:
102:
75:PO Box 40037
72:Headquarters
45:Company type
1505:November 3,
814:T.C. Steele
728:Harold Gray
664:Lillian Alt
457:bombing at
418:Psi Iota Xi
307:Recessional
256:T.C. Steele
248:Harold Gray
206:. Chicago,
2008:Categories
1925:2015-06-04
1902:2015-06-04
1875:References
1479:2015-06-04
1458:2015-06-04
967:2015-06-04
893:2024-01-19
868:2024-01-19
809:Otto Stark
778:Olive Rush
767:Nancy Noel
724:Marie Goth
640:Nancy Noel
600:Olive Rush
580:New Mexico
566:born near
352:George Ade
311:Marie Goth
264:Otto Stark
212:midwestern
159:, and the
83:Key people
598:, native
574:, native
49:Nonprofit
984:Archived
910:Archived
626:-winner
335:A Garden
208:Illinois
151:and the
622:"; and
373:Victory
319:Eleanor
188:Hoosier
176:History
167:Mission
141:Chicago
117:Indiana
109:Indiana
92:Website
64:Founder
56:Founded
1967:
1010:
836:Awards
402:, the
354:, and
329:; and
266:, and
204:France
1189:1 May
845:Notes
200:Paris
1965:ISBN
1507:2010
1191:2017
1008:ISBN
333:for
103:The
59:1925
478:'s
439:at
198:in
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1984:24
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20:)
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