414:. During his retirement holiday to England and Europe in 1928 he purchased and forwarded several paintings as further donations to the gallery. However, as these were not Australian works and acquired without consultation, his fellow Trustees decided to defer acceptance. Hinton offered more European works in 1929, but was informed that any such paintings must be approved before being acquired for donation. It is speculated that Hinton fell out with his fellow Trustees over this issue, and that this led to him channeling his future donations towards a different institution – the
321:, and in 1920 Hinton became a permanent boarder there, living the life of a bachelor in a serviced room till his death in 1948. Laundry, starched shirts and meals were provided with his board. He ate a traditional breakfast, dressed for a three-course dinner – sometimes with invited guests – and usually took lunch in town, often at the Millions Club in Rowe Street which still exists as
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and began offering a range of courses beyond teaching. By the 1970s it was evident that the valuable and significant works donated by Hinton required levels of secure housing, curatorship, preservation and environmental management not available within the open doors and corridors of a public college.
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reported glowingly that "Mr. Howard Hinton's benefactions to the
National Art Gallery and to the gallery at Armidale now amount in value to approximately £100,000. No man living in Australia during his lifetime has spent so much money among living artists and helped art along in the way it should go
365:. He visited artists' studios and was a familiar figure at galleries, openings and showrooms. He used his wealth to acquire their work despite having little display or storage space in his boarding-house room. He famously kept fewer than a dozen cherished works on the walls – and a similar number of
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because of his poor eyesight. However, he "gave freely of his money during this war and also in World War II when he divided his funds on the strict basis of a quarter for buying paintings from needy young artists and three quarters for the R.A.A.F. and A.I.F. Comforts Funds." He rarely spoke of his
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When his firm was reconstituted in 1908 as the McArthur
Shipping & Agency Co. Ltd., Hinton remained with the company, thus spending his entire working life in Australia with the one business, rising to directorship in 1916 and enjoying moderate wealth. At the age of 61 in 1928 he retired and set
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Teachers' College, the first teachers' college built outside the Sydney metropolitan area to train country teachers for country service, as a destination for his donations. Hinton agreed, and the
Principal of the Teachers' College, C. B. Newling, wrote to him in London and "profusely accepted the
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Howard's father, Thomas, was a commission merchant, a broker trading for marginal returns. Howard was given early experience in this trade which was to be the basis for his future career. As a young man Hinton was rather plump, pink, short-sighted, wearing very thick optical lenses, diffident in
47:
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Hinton made eight more visits to the
Teachers' College in the ensuing years, and formed a close relationship with the first Principal, C. B. Newling, with whom he kept up written correspondence. He also commissioned and gave two themed stained glass windows by Norman Carter to the college –
463:. In that year he also presented a Declaration of Trust through the Crown Solicitor to the Armidale Teachers' College, formally stating the terms of his continuing gift. In appreciation of his benefactions, the 1933 student session presented to the college a bronze bust of Hinton by
470:
Hinton's donations were not housed in a single gallery of the teacher's college, but hung and displayed throughout the institution's halls, foyer, common rooms and classrooms, so that the college's young teacher trainees would have daily exposure to fine contemporary art.
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and the
Armidale Teachers' College was published in 1951. The Hinton donations included his valuable collections of art books, memorabilia, historical documents, journals and catalogues, largely incorporated into the NERAM library, and the Howard Hinton Archive.
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wrote that Hinton "worked hard at his business career only to acquire money to devote to art, spending nothing on himself", and Leon
Gellert wrote that Hinton "never "donated" his gifts. They were transmitted – ever so gently, as though by sleight-of-hand."
902:
The Howard Hinton
Archive held in the New England egional Art Museum contains both personal reminiscences of Howard Hinton – letters, diaries, poems, historical documents surrounding the bequest – and records of previous owners, valuations, exhibition
174:, until fifth form in 1883. His passion for art developed at an early age. As a youth he took parentally-financed vacations with his brother to some of the great galleries of Europe. He even attended art classes at Continental schools, but acute
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Harbour in the 1890s. He built a successful career in shipping and, along with a family inheritance, used his moderate wealth to support waves of
Australian artists in the first half of the twentieth century. Through extensive donations to the
489:"My object was to provide a complete collection illustrating the development of Australian art from 1880 onwards, and my action in making the gift to the Armidale Teachers' College was prompted by my great interest in Australian education ..."
394:(then the National Art Gallery of New South Wales) in 1914. He continued giving to the gallery and was made a trustee in 1919, a position he held till his death in 1948, by which time he had donated 122 pictures including important works by
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Employed in shipping, Hinton took the opportunity to combine business and travel. He journeyed widely through the
Pacific in the 1890s on several vessels. On an 1898 trip he met and stayed with the New Zealand artist
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These constrictions on his ability to donate works of his choice to the state gallery, however, did encourage him to look elsewhere. While still in
England, he wrote his enquiry to the Minister of Education,
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459:. Hinton visited the Armidale institution in 1932 and was feted by students and staff. In 1933 he dispatched six separate crates containing 51 works including landmark paintings such as Tom Roberts'
1080:
Kerby, Martin and Baguley, Margaret, "Regional Jewel: New England Regional Art Museum (NERAM) and The Howard Hinton Collection". In Australian art education, v.39 no.1, 2018. pp. 36–49.
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compiled by Lionel Gilbert, E. S. Elphick, David Rose and Dennis Hope. Armidale, N.S.W.: New England Regional Art Museum Association, 1982, pp. 274–292. Reprinted, with an index 2015
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to trade in Asian waters. Sixty-two pages of diary entries and four photographic albums give detailed record of these exotic years: trading, sightseeing and dining between ports in Japan,
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Besides diarising his travels, Hinton was an active correspondent and dabbled in occasional verse, both with humour and gentle wit. He was a firm Anglican and a loyalist. At the time of
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North Sydney Council established a plaque commemorating the site of Hinton's boarding house residence Hazelhurst as part of its Heritage Plaques Walk 4: Military Road to Cremorne Point.
455:, was hung in the Teachers' College while Hinton was still abroad. From 1931 paintings began to arrive regularly at the college, including those by the European artists declined by the
626:), featuring over a hundred and thirty of the most iconic works from the collection, was opened in the museum's East Gallery by former Director of the Art Gallery of New South Wales,
325:. He frequently wore spats and always carried a walking stick. He was quiet, courteous and self-effacing, but also exceedingly generous, giving paintings to friends and presents to
861:
Kerby, Martin and Baguley, Margaret, "Regional Jewel: New England Regional Art Museum (NERAM) and The Howard Hinton Collection". In Australian art education, v.39 no.1, 2018. p.37
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described the Hinton donation as including "many magnificent Australian landscapes by a range of major and minor artists ... crowned by such masterpieces as Arthur Streeton's
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departing London in 1890 at the age of twenty three. Through the shipping agent Dangar, Gedye & Co. he gained employment with merchant agents W. & A. McArthur Ltd. in
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out on an extended stay in England and Europe including visits to many art galleries and studios. Though he corresponded frequently he did not return to Australia till 1931.
514:. By the end of his life in 1948 he had donated over a thousand works to the Teachers' College in Armidale representing the work of hundreds of Australian artists including
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set up on the foreshores of Sydney harbour, and began buying paintings. His art purchasing was predominantly based in Sydney, on Sydney exhibitions, galleries and studios.
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as this fine patron, concerning whose art appreciation and assistance to artists, as well as creating a love of fine art among his fellow men, too much cannot be said."
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then lived with the Sabiels at other addresses on Sydney's north shore for most of the next fifteen years. In 1919 Hinton and the Sabiels took rooms for a period in
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was published after his death, praising his benefactions and listing individually the works given to both the Art Gallery of NSW and the Armidale Teachers' College.
776:
Stewart, Meg and Olley, Margaret, 1923–2011 Margaret Olley : far from a still life (Rev. and updated ed). Random House Australia, North Sydney, 2012. p.108
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Teachers' College – but in fact he continued as a Trustee of the Art Gallery of New South Wales and gave further (Australian) paintings which were accepted.
1083:
New England Regional Art Museum. "Munificence : the Story of the Howard Hinton Collection." Armidale, N.S.W.: New England Regional Art Museum, 2014.
121:
36:
758:, comp. by Lionel Gilbert, E. S. Elphick, David Rose and Dennis Hope. (Armidale, N.S.W.: New England Regional Art Museum Association, 1982), pp.274–292
129:, he visited many of the great galleries of Europe in his youth. At age 24 he migrated to Australia and quickly associated with leading artists of the
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The Armidale community began a long-term fundraising effort to build a dedicated museum, and with matching grants from the NSW State government the
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Joseph Eisenberg and Tony Geddes, "The Howard Hinton Art Collection: one man's passion for giving." (Mosman, N.S.W.: Mosman Art Gallery, 2005).
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The 1933 student session of the Armidale Teachers' College presented to the college a bronze bust of Hinton by Rayner Hoff.
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watercolours and drawings in a metal trunk by his bed – whilst eventually giving in excess of 1,500 works to institutions.
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Hinton: Treasures of Australian Art; Souvenir booklet for the permanent exhibition at the New England Regional Art Museum
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Goddard, Roy H., ed. "A Memorial Volume to Howard Hinton, Patron of Art." Sydney, N.S.W.: Angus and Robertson, 1951.
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UK and Ireland. Outward Passenger Lists, 1890 – 1960. Note that Hinton's surname is incorrectly recorded as Honton.
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In recognition of his benefactions, in 1927 the gallery's trustees commissioned his portrait by George Lambert.
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charitable works but examples are known, from helping unemployed youths to buying beds for a youth hostel in
125:(10 November 1866 – 23 January 1948) was an Australian art patron and benefactor. A thwarted artist due to
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The 1935-6 session of the Armidale Teachers' College commissioned a portrait of Hinton by Norman Carter.
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Hassall, Douglas. "Culture wars in regional Australia: the Howard Hinton Art Collection at Armidale."
214:. Then, in 1904, his firm gave him charge of a speculative venture to take a refurbished steamer, the
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An Armidale Album: Glimpses of Armidale's History and Development in Word, Sketch and Photograph,
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630:. Works remain on display for limited periods at a time to avoid damage from extended exposure.
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An Armidale Album: Glimpses of Armidale's History and Development in Word, Sketch and Photograph
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Hinton clearly derived pleasure from buying and giving art, and articulated his motives in 1947:
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on 23 January 1948. He was cremated with Anglican rites after a funeral service at his church,
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His beliefs were in keeping with the view of art as a means of inculcating civilising values.
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431:, who had ministerial responsibility for the gallery. Drummond was the NSW state member for
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Immediately after migrating to Australia in 1890 Hinton made friends with artists including
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in 1937. Following his example, other donors added works to the Howard Hinton Collection.
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Teachers' College he became one of the greatest benefactors in Australian art history.
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960:"The Howard Hinton collection is set to open at the New England Regional Art Museum"
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NERAM now houses the Hinton Collection and in February 2018 a permanent exhibition,
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file:///C:/Users/Owner/Downloads/Plaques_Walk_4_Military_Road_to_Cremorne_Point.pdf
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Norman Carter (1875–1963), Portrait of Howard Hinton Esq, OBE. Oil on canvas, 1936.
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467:. Similarly, the 1935-6 session commissioned a Hinton portrait by Norman Carter.
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with overseas travel and assisting the widow and family of deceased young artist
162:, Surrey, November 10, 1866 Hinton's early schooling was at Mr Hester's school,
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Canberra, A.C.T.: National Centre of Biography, Australian National University.
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From his Sydney base Hinton continued to support artists, for example assisting
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manner, shy, and he "only really dropped his guard with his closest friends."
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http://search.informit.com.au/documentSummary;dn=067483917321087;res=IELLCC
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Howard Hinton died of severe pneumonia, heart failure, and the ravages of
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for more than double the firm's required price and returned to Sydney via
944:"New England Regional Art Museum: Armidale Displays its Hidden Treasures"
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294:. He was a frequent visitor to and sometime inhabitant of several of the
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439:(NSW), S. H. Smith, to write to Hinton suggesting the recently founded
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for ten years. Following his two years trading in Asia, he returned to
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914:"NERAM's Birthday Exhibition -'THIRTY!'- Celebrates 3 Decades of Art"
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of 1904–1905. When the war ended abruptly Hinton shrewdly used the
607:(NERAM) was formally opened by the Premier of NSW, the Honourable
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1014:, 7–13. Armidale, N.S.W.: New England Regional Art Museum, 2014.
893:(Armidale, N.S.W.: New England Regional Art Museum, 2014), 17.
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Gellert, Leon, Something Personal Unobtrusive Philanthropist,
802:, ed. Roy H. Goddard (Sydney: Angus and Robertson, 1951), p.11
852:(Armidale, N.S.W.: New England Regional Art Museum, 2014), 9.
1038:
http://adb.anu.edu.au/biography/hinton-howard-6681/text11521
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Munificence : the Story of the Howard Hinton Collection
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The Year of 1933: Works from the Howard Hinton Collection.
789:(Armidale, N.S.W.: New England Regional Art Museum, 2018.
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Armidale, N.S.W.: New England Regional Art Museum, 1999.
877:(Melbourne, Vic: Melbourne University Press, 1983), v.9.
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Australian Officers of the Order of the British Empire
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Downer, Caroline. "Hinton: Munificent Benefactor." In
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Munificence: the story of the Howard Hinton Collection
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Munificence: the Story of the Howard Hinton Collection
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as one of Australia's great art benefactors alongside
345:, and buying paintings from artists struggling in the
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Caroline Downer, "Hinton: Munificent Benefactor" in
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carrying wheat, wool, oats and paying passengers to
1043:Elphick, E. S. "Howard Hinton and his Bequest." In
754:E. S. Elphick, "Howard Hinton and his Bequest," in
178:frustrated any hope of becoming an artist himself.
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30:
665:In 1932 he was presented with a gold medal by the
986:A Memorial Volume to Howard Hinton, Patron of Art
800:A Memorial Volume to Howard Hinton, Patron of Art
686:A Memorial Volume to Howard Hinton, Patron of Art
1104:New England Regional Art Museum official website
1032:Elphick, E. S. "Hinton, Howard (1867–1948)." In
873:E. S. Elphick, "Hinton, Howard (1867–1948)," in
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598:In 1971 the Armidale Teachers' College became a
1122:Art Gallery of New South Wales official website
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624:https://www.hinton.neram.com.au/the-collection
390:Hinton made his first gift of artworks to the
329:staff, all of whom he remembered in his will.
170:, before he attended Whitgift Grammar School,
650:Honours, decorations, awards and distinctions
585:A complete list of works donated to both the
8:
988:(Sydney, N.S.W.: Angus and Robertson, 1951)
572:Morning Sketch (aka McMahon's Point Ferry)
186:Migration to Australia and business career
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27:
19:For other people named Howard Hinton, see
190:Hinton sailed to Australia on board the
1113:NERAM Research Library official website
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594:New England Regional Art Museum (NERAM)
457:National Art Gallery of New South Wales
435:and asked the Director of Education in
386:National Art Gallery of New South Wales
353:Patron and benefactor of Australian art
336:he was twice refused enlistment in the
1040:. Published first in print, v.9, 1983.
889:Barry Pearce, "The man in a room," in
669:, for his services to Australian art.
621:Hinton: Treasures of Australian art (
301:He boarded with the Sabiel family at
7:
827:(Melbourne, Vic) Thu 28 Nov 1935 p.8
578:, 1892 and, the jewel in the crown,
16:Australian art patron and benefactor
1034:Australian Dictionary of Biography,
958:Link, Madeline (15 February 2018).
875:Australian Dictionary of Biography,
576:Near Streeton's camp at Sirius Cove
266:Lifestyle and involvement with arts
931:. New England Regional Art Museum.
798:Norman Lindsay, "The Mission," in
14:
785:Robert Heather, "Foreword," in
605:New England Regional Art Museum
1172:British emigrants to Australia
587:Art Gallery of New South Wales
568:Art Gallery of New South Wales
392:Art Gallery of New South Wales
144:Art Gallery of New South Wales
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600:College of Advanced Education
494:Hinton has been described by
966:. Australian Community Media
948:. Accessed 24 February 2018.
933:. Accessed 24 February 2018.
918:. Accessed 24 February 2018.
305:in Stanley Street in nearby
92:, New South Wales, Australia
680:Order of the British Empire
166:, and Mr Southee's school,
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678:In 1935 he was awarded an
667:Society of Artists, Sydney
422:Armidale Teachers' College
18:
1065:52.6 (June 2008), 75–79.
813:The Sydney Morning Herald
447:The first work received,
101:art patron and benefactor
44:
582:, 1894 by Tom Roberts."
206:before travelling on to
1077:. Accessed 28 Nov 2016.
710:London Evening Standard
646:, King Street, Sydney.
1157:Australian art patrons
815:, Sat 9 Jun 1951 p.10
655:Made a Trustee of the
611:QC, on 26 March 1983.
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377:By 1935 the Melbourne
246:. He finally sold the
984:Roy H. Goddard, ed.,
284:Albert Henry Fullwood
146:and particularly the
946:. Regional Arts NSW.
916:. Regional Arts NSW.
712:13 November 1866 p.4
508:David Scott Mitchell
1152:People from Croydon
1025:Eisenberg, Joseph.
659:, served 1919–1948.
640:Parkinson's disease
512:Sir Baldwin Spencer
1162:People from Sydney
929:"Hinton is Coming"
657:Art Gallery of NSW
276:Livingston Hopkins
228:Russo-Japanese War
1089:978-0-9577661-3-6
1053:978-0-9592749-0-5
1020:978-0-9577661-3-6
615:Hinton Collection
256:German New Guinea
133:and the bohemian
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400:Elioth Gruner
397:
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359:Elioth Gruner
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118:Howard Hinton
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59:
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43:
38:
32:Howard Hinton
29:
26:
22:
21:Howard Hinton
1128:
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1026:
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968:. Retrieved
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628:Edmund Capon
620:
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609:Neville Wran
597:
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580:Mosman's Bay
579:
575:
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556:Thea Proctor
544:Adrian Feint
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461:Mosman's Bay
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84:(1948-01-23)
25:
1147:1948 deaths
1142:1866 births
970:13 December
964:Walcha News
528:Hans Heysen
524:Nora Heysen
520:Tom Roberts
465:Rayner Hoff
444:donation."
334:World War I
280:Tom Roberts
226:during the
1136:Categories
903:histories.
696:References
560:Lloyd Rees
363:J J Hilder
327:Hazelhurst
315:Hazelhurst
154:Early life
63:1866-11-10
1071:0033-5002
1063:Quadrant,
574:1890 and
343:Narrabeen
258:in 1906.
248:Macquarie
240:Hong Kong
232:Macquarie
218:, to the
216:Macquarie
208:Rarotonga
644:St James
441:Armidale
433:Armidale
416:Armidale
412:Streeton
319:Cremorne
311:Glenmire
307:Balmoral
303:Glenmire
288:Vic Mann
224:Yokohama
220:Far East
192:Torridon
168:Ramsgate
158:Born in
148:Armidale
825:The Age
408:Roberts
244:Vietnam
164:Margate
160:Croydon
137:around
71:Croydon
1087:
1069:
1051:
1018:
477:Wisdom
252:Manila
212:Tahiti
196:Sydney
139:Sydney
106:Awards
90:Sydney
634:Death
481:Sport
236:China
1085:ISBN
1067:ISSN
1049:ISBN
1016:ISBN
972:2020
510:and
498:and
410:and
290:and
254:and
242:and
210:and
79:Died
57:Born
379:Age
338:AIF
122:OBE
110:OBE
37:OBE
1138::
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682:.
65:)
61:(
23:.
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