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As
Mehring developed as an artist his work became much more structured. He went from a painted surface with an all-over pattern to cutting up canvas with the all-over pattern and gluing it back together. Later he used some of those same forms to make
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Introduction & Text by Roy Slade, "The
Corcoran & Washington Art" Copyright 1976 The Corcoran Gallery of Art, Washington, D.C.: 2000 copies printed by Garamond Press, Baltimore, MD LCCC# 76-42098
151:, catalog of exhibitions at State University College at Potsdam, NY & State University of New York at Albany, 1971 , Introduction by Renato G. Danese, printed by Regal Art Press, Troy NY.
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and the artists at
Jefferson Place Gallery. Mehring and Robert Gates both received grants from The Woodward Foundation to travel in
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Smithsonian
Archives of American Art, Interview with Gerald Nordland Conducted by Susan Larsen, Chicago, Illinois May 25–26, 2004
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was instrumental in developing his work. Early in his career (1956–1958) he shared studio space with
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http://www.aaa.si.edu/collections/oralhistories/transcripts/nordla04.htm
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during 1971 to broaden their art backgrounds. His connection with
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23:'Chroma Double' by Howard Mehring, 1965
225:Catholic University of America alumni
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109:from 1965, in the collection of the
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