Knowledge (XXG)

Hot Peaches

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While the group's main objective was performance, Hot Peaches' primary function was to provide a nurturing queer community, and a platform for members self-expression. Camicia has been quoted as saying "We're not actors, we're entertainers. Rather than becoming the script, the script becomes us." The
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The early work of the company often created their performances around the fashion and outfits its performers wanted to wear. These outfits were often ostentatious, sparkling glam outfits, which included platform boots, glitter, tinsel and feather boas. The vibrancy of the troupe's costumes became a
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performed with the troupe through the first half of the 1970s as one of only three women at the time. She took on a prestigious role in the drag theater sphere after Hot Peaches crossed paths with the
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during their 1978 tour stop in Berlin. This encounter was formative for both the troupe and herself, as she went on to become a part of Spiderwomen, and then co-founded
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impact of the community on its members also included interactions with fellow drag performance groups and queer revolutionaries. Jimmy Camicia and
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that would put on one play a week, active from the 1970s-1990s. Hot Peaches was founded by Jimmy Camicia in 1972, who encountered a group of
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and began writing work for them to perform. Their work has been described as "political camp, dominated by drag".
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activist throughout the late 20th century, performed with the troupe starting in 1972 through to the early 90s.
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in 1974, though his time with the troupe influenced his creation of a similar, London-based group, Bloolips.
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defining moment during their European tour stop in Berlin in 1978, when they lent their wardrobe to the
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was only a member for a year after experiencing his first Hot Peaches performance,
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Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre
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and the troupe at the Harvest Moon Cabaret, Theater for the New City, NYC, 1990
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were influenced by a conversation on feminism with Mallory Jones, sister of
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Hot Peaches perform "Let Your Yin and Yang Hang Out"
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University of Michigan Press. 64:in 1981 with Spiderwomen member 623:Everybody's Talking About Jamie 570:San Francisco Drag King Contest 477:Sisters of Perpetual Indulgence 1: 921:The Rocky Horror Picture Show 826:The Bitch Who Stole Christmas 1052:The Boulet Brothers' Dragula 972:Trixie Mattel: Moving Parts 942:Blue Murder at St Trinian's 935:The Belles of St. Trinian's 270:The Women's Review of Books 1505: 303:Burns, Sean (2019-07-15). 244:– via glbtq archive. 1446: 1345:The Trixie and Katya Show 703:The Fabulous Wonder Twins 578: 1373:Vanjie: 24 Hours of Love 847:Huluween Dragstravaganza 634:RuPaul's Drag Race Live! 233:Gianoulis, Tina (2015). 1045:The American Music Show 600:A Drag Queen Christmas 513:International Drag Day 338:"Climb Every Mountain" 184:. 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Index

gay, political, NYC
theatre company
New York City
drag queens
Marsha P. Johnson
gay liberation
Peggy Shaw
Spiderwomen
Split Britches
Lois Weaver
Bette Bourne
Peggy Shaw
Kate Millett
Spiderwoman Theater
Lois Weaver
List of drag groups






Lady Dicks and Lesbian Brothers: Staging the Unimaginable at the WOW Café Theatre
ISBN
978-0-472-07122-7
"Feature Doc 'Pay It No Mind: The Life & Times of Marsha P. Johnson' Released Online. Watch It"
Indiewire
Archived
"Hot Peaches"
"Theater Companies"

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