149:
157:
52:
168:
120:
111:
property owner, businesswoman, and public figure in
Pompeii. During Julia Felix's lifetime, laws were implemented limiting women from owning property without a male figure or guardian. Some Roman women were able to own land and other types of property if they were independent of their fathers, husbands, or male guardians. If legal guardians were required, they would have to approve actions involving the transferring of women's property. Elite women were able to bypass the need for a guardian in property ownership and property transfer.
60:
110:
Scholars disagree on Julia Felix's upbringing and the ways in which she inherited the money needed to create a villa; some believe Julia Felix was a "low-born, illegitimate daughter of
Spurius", others believe she was descended from imperial freedmen. Renting out her villa established herself as a
200:
and baths were some of the most extravagant aspects of the house used by the tenants. The dining room was elegant and welcoming and like those of the wealthiest citizens of
Pompeii who owned villas in the countryside and on the coast and overlooked the gardens that incorporated small pools and
231:
The building was then reburied. Fortunately Weber drew a plan of the building, labelling where objects or paintings had been removed, which is priceless for reconstructing today the details of the decoration. Parts of the villa revealed during the first excavation were a
204:
The fully equipped and elegant baths were intended for only respectable citizens of
Pompeii. They must have been well-used, since most of the public baths in Pompeii were closed for repairs after the damage caused by in the earthquake of AD 62.
187:
frescoes consisting of dados painted with green plants on a black background, a central zone of red and yellow panels with villas, sanctuaries and flying figures with a set of Apollo and the Muses and another with a frieze of still-life panels.
107:, or block of land, at the height of her ownership and business. After the 62 AD earthquake, she converted it into luxurious baths and leisure gardens for public use, as well as apartments for rent.
470:
Ozgenel, Lalo (15 April 2008). "A Tale of Two Cities: In Search of
Ancient Pompeii and Herculaneum". Journal of the Faculty of Archaeology. 2008, Ankara: Middle East Technical University: 17.
508:
299:
810:
458:
PARSLOW, C. C. (1995). Additional
Documents Illustrating the Bourbon Excavations of the “Praedia Iuliae Felicis” in Pompeii. Rivista Di Studi Pompeiani, 7, 115–132.
805:
148:
501:
79:. It was originally the residence of Julia Felix, who converted portions of it to apartments available for rent and other parts for public use after the
140:
The sumptuousness of the architecture and the quality of the decoration indicate that the praedia were intended for richer and higher status customers.
474:
224:
and was essentially treasure hunting, focussed on recovering valuable objects and paintings for the collection of the
Bourbon royal family at the
494:
887:
795:
398:
546:
191:
The frescoes within the House of Julia Felix often depicted small-time merchants and the lifestyles of every day
Pompeian citizens.
156:
21:
627:
84:
303:
245:
of the building, the side facing the Via dell'Abbondanza. Between 1998–1999 some of the most important discoveries were made; a
217:
51:
642:
551:
167:
755:
657:
652:
622:
617:
612:
944:
817:
745:
119:
75:(Latin for an estate, or land) of Julia Felix, is a large Roman property on the Via dell'Abbondanza in the city of
790:
785:
637:
750:
719:
667:
541:
133:, courtyards into which the main rooms opened, with enclosed gardens and private water supply; Sections of the
355:
Dobbins, John; Foss, Pedar (2007). The World of
Pompeii. New York: Routledge: Taylor and Francis Group. p. 237
729:
709:
471:
225:
597:
579:
183:
facing onto the large garden to the east must have been spectacular with its particularly fine paintings,
274:
208:
In the large garden at the rear, fruit trees were enclosed in large squares formed by low wooden fences.
892:
688:
129:
80:
775:
662:
840:
693:
672:
250:
103:
137:
allowed for indoor and outdoor seating with frescoes depicting landscapes of leisure and gardens.
275:"II.4.3 Pompeii. House of Julia Felix or Complesso di Giulia Felice or Praedia di Giulia Felice"
632:
602:
574:
394:
864:
780:
647:
221:
93:
excavations began in 1755 and the remains of the House of Julia Felix can be visited today.
913:
800:
478:
184:
536:
938:
852:
724:
127:
The House of Julia Felix was a combination of indoor and outdoor areas built around
918:
835:
90:
908:
254:
196:
36:
23:
246:
59:
242:
847:
472:
http://jfa.arch.metu.edu.tr/archive/0258-5316/2008/cilt25/sayi_1/1-25.pdf
179:
859:
714:
517:
459:
376:"Women in the Bay of Naples." A Companion to Women in the Ancient World
234:
76:
531:
238:, luxurious baths, and richly decorated formal garden dining rooms.
391:
Crispina and Her
Sisters: Women and Authority in Early Christianity
589:
166:
155:
147:
118:
58:
216:
The earliest known excavation was in 1755 under the direction of
177:
The walls are still almost completely covered with frescoes. The
490:
448:. New York: Routledge: Taylor & Francis Group. p. 171.
241:
Another excavation during 1912–1935 uncovered a shrine and the
345:. New York: Routledge: Taylor and Francis Group. p. 358.
486:
378:. Chichester: Blackwell Publishing Ltd. pp. 406–408.
228:. The first skeleton of Pompeii was found here in 1748.
63:
Pompeii map showing location of House of Julia Felix
901:
880:
873:
826:
768:
738:
702:
681:
588:
567:
560:
524:
393:. Minneapolis (Minn.): Fortress press. p. 20.
257:was a modification after the earthquake of 62 AD.
433:. London: Weidenfeld & Nicolson. p. 276.
418:. New York: Oxford University Press. p. 132.
163:, a wall painting from the House of Julia Felix
55:Functional areas in the property of Julia Felix
806:Conservation issues of Pompeii and Herculaneum
502:
8:
444:Cooley, Alison E.; Cooley, M. G. L. (2004).
877:
564:
509:
495:
487:
172:Still life with Glass Fruit Bowl and Vases
429:Butterworth, Alex; Laurence, Ray (2005).
101:Julia Felix's property took up an entire
50:
266:
888:Naples National Archaeological Museum
796:Erotic art in Pompeii and Herculaneum
300:"House of Julia Felix - AD79eruption"
7:
460:http://www.jstor.org/stable/44291578
369:
367:
365:
363:
361:
336:
334:
547:Eruption of Mount Vesuvius in 79 AD
341:Dobbins, John; Foss, Pedar (2007).
85:eruption of Mount Vesuvius in 79 AD
14:
325:Latin Dictionary: Logarium-Zythum
628:House of Marcus Lucretius Fronto
1:
643:House of the Prince of Naples
552:Foreign influences on Pompeii
161:Still life with Eggs and Game
16:Large Roman villa in Pompeii
658:House of the Small Fountain
653:House of the Silver Wedding
623:House of Loreius Tiburtinus
618:House of the Greek Epigrams
613:The Garden of the Fugitives
249:or grotto of nymphs with a
961:
818:Pompeii in popular culture
389:Schenk, Christine (2017).
71:, also referred to as the
791:Portrait of Terentius Neo
638:House of Octavius Quartio
414:Drummond, Andrew (1993).
152:Triclinium with waterfall
81:major earthquake in 62 AD
37:40.7518722°N 14.4932889°E
668:House of the Tragic Poet
542:AD 62 Pompeii earthquake
431:Pompeii: The Living City
87:that destroyed Pompeii.
416:The World of the Romans
226:Royal Palace of Portici
786:Plato's Academy mosaic
598:House of the Centenary
580:Villa of the Mysteries
174:
164:
153:
124:
64:
56:
42:40.7518722; 14.4932889
893:Secret Museum, Naples
827:Other sites destroyed
446:Pompeii: A Sourcebook
170:
159:
151:
122:
83:, a precursor to the
62:
54:
776:Achilles and Briseis
663:House of the Surgeon
608:House of Julia Felix
374:D'Ambra, E. (2012).
343:The World of Pompeii
251:water-stair fountain
69:House of Julia Felix
921:(CIL IV 8123, 8623)
841:Villa of the Papyri
694:Macellum of Pompeii
673:House of the Vettii
279:Pompeii in Pictures
33: /
829:in the 79 eruption
477:2011-09-30 at the
220:and his assistant
175:
165:
154:
125:
123:Portico and garden
65:
57:
945:Houses of Pompeii
932:
931:
928:
927:
811:Pompeian frescoes
764:
763:
756:Temple of Jupiter
633:House of Menander
603:House of the Faun
575:Villa of Diomedes
400:978-1-5064-1188-0
218:R.J de Alcubierre
952:
878:
865:Villa Boscoreale
781:Alexander Mosaic
746:Temple of Apollo
648:House of Sallust
565:
511:
504:
497:
488:
481:
468:
462:
456:
450:
449:
441:
435:
434:
426:
420:
419:
411:
405:
404:
386:
380:
379:
371:
356:
353:
347:
346:
338:
329:
328:
321:
315:
314:
312:
311:
302:. Archived from
296:
290:
289:
287:
285:
271:
222:Karl Jakob Weber
144:Inside the villa
48:
47:
45:
44:
43:
38:
34:
31:
30:
29:
26:
960:
959:
955:
954:
953:
951:
950:
949:
935:
934:
933:
924:
914:Pompeii Lakshmi
897:
869:
828:
822:
801:Pompeian Styles
760:
734:
698:
677:
584:
556:
520:
515:
485:
484:
479:Wayback Machine
469:
465:
457:
453:
443:
442:
438:
428:
427:
423:
413:
412:
408:
401:
388:
387:
383:
373:
372:
359:
354:
350:
340:
339:
332:
323:
322:
318:
309:
307:
298:
297:
293:
283:
281:
273:
272:
268:
263:
214:
146:
117:
99:
41:
39:
35:
32:
27:
24:
22:
20:
19:
17:
12:
11:
5:
958:
956:
948:
947:
937:
936:
930:
929:
926:
925:
923:
922:
916:
911:
905:
903:
899:
898:
896:
895:
890:
884:
882:
875:
874:Archaeological
871:
870:
868:
867:
862:
857:
856:
855:
845:
844:
843:
832:
830:
824:
823:
821:
820:
815:
814:
813:
803:
798:
793:
788:
783:
778:
772:
770:
766:
765:
762:
761:
759:
758:
753:
751:Temple of Isis
748:
742:
740:
736:
735:
733:
732:
727:
722:
720:Suburban Baths
717:
712:
706:
704:
700:
699:
697:
696:
691:
685:
683:
679:
678:
676:
675:
670:
665:
660:
655:
650:
645:
640:
635:
630:
625:
620:
615:
610:
605:
600:
594:
592:
586:
585:
583:
582:
577:
571:
569:
562:
558:
557:
555:
554:
549:
544:
539:
537:Mount Vesuvius
534:
528:
526:
522:
521:
516:
514:
513:
506:
499:
491:
483:
482:
463:
451:
436:
421:
406:
399:
381:
357:
348:
330:
316:
291:
265:
264:
262:
259:
213:
210:
145:
142:
116:
113:
98:
95:
91:Archaeological
15:
13:
10:
9:
6:
4:
3:
2:
957:
946:
943:
942:
940:
920:
917:
915:
912:
910:
907:
906:
904:
900:
894:
891:
889:
886:
885:
883:
879:
876:
872:
866:
863:
861:
858:
854:
853:Villa Poppaea
851:
850:
849:
846:
842:
839:
838:
837:
834:
833:
831:
825:
819:
816:
812:
809:
808:
807:
804:
802:
799:
797:
794:
792:
789:
787:
784:
782:
779:
777:
774:
773:
771:
767:
757:
754:
752:
749:
747:
744:
743:
741:
737:
731:
728:
726:
725:Stabian Baths
723:
721:
718:
716:
713:
711:
708:
707:
705:
701:
695:
692:
690:
687:
686:
684:
680:
674:
671:
669:
666:
664:
661:
659:
656:
654:
651:
649:
646:
644:
641:
639:
636:
634:
631:
629:
626:
624:
621:
619:
616:
614:
611:
609:
606:
604:
601:
599:
596:
595:
593:
591:
587:
581:
578:
576:
573:
572:
570:
566:
563:
559:
553:
550:
548:
545:
543:
540:
538:
535:
533:
530:
529:
527:
523:
519:
512:
507:
505:
500:
498:
493:
492:
489:
480:
476:
473:
467:
464:
461:
455:
452:
447:
440:
437:
432:
425:
422:
417:
410:
407:
402:
396:
392:
385:
382:
377:
370:
368:
366:
364:
362:
358:
352:
349:
344:
337:
335:
331:
326:
320:
317:
306:on 2022-02-04
305:
301:
295:
292:
280:
276:
270:
267:
260:
258:
256:
252:
248:
244:
239:
237:
236:
229:
227:
223:
219:
211:
209:
206:
202:
199:
198:
192:
189:
186:
182:
181:
173:
169:
162:
158:
150:
143:
141:
138:
136:
132:
131:
121:
114:
112:
108:
106:
105:
96:
94:
92:
88:
86:
82:
78:
74:
70:
61:
53:
49:
46:
28:14°29′35.84″E
919:Sator Square
730:Theatre Area
710:Amphitheatre
703:Recreational
689:Aqua Augusta
607:
466:
454:
445:
439:
430:
424:
415:
409:
390:
384:
375:
351:
342:
324:
319:
308:. Retrieved
304:the original
294:
282:. Retrieved
278:
269:
240:
233:
230:
215:
207:
203:
201:waterfalls.
195:
193:
190:
185:Fourth-Style
178:
176:
171:
160:
139:
134:
128:
126:
115:Architecture
109:
102:
100:
89:
72:
68:
66:
25:40°45′6.74″N
18:
836:Herculaneum
212:Excavations
194:The summer
40: /
909:CIL 4.5296
310:2019-09-12
261:References
255:triclinium
197:triclinium
97:Background
902:Artefacts
561:Buildings
327:. Oxford.
247:nymphaeum
939:Category
848:Oplontis
475:Archived
284:12 April
180:tablinum
881:Museums
860:Stabiae
739:Temples
715:Lupanar
525:History
518:Pompeii
235:taberna
135:praedia
77:Pompeii
73:praedia
682:Public
568:Villas
532:Pompei
397:
243:façade
104:insula
590:Domus
130:atria
395:ISBN
286:2022
253:and
67:The
769:Art
941::
360:^
333:^
277:.
510:e
503:t
496:v
403:.
313:.
288:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.