Knowledge (XXG)

It's All Gone Pete Tong

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further degrade his hearing. During a recording session, Frankie confesses the full nature of his hearing loss to Alfonse. He inserts his hearing aid to demonstrate and, overwhelmed by the sudden sound exposure, leans close to one of the monitor speakers. A frustrated Horst then smashes a guitar into an amplifier whose volume Frankie has maximized. The noise is excruciating and the feedback bursts his eardrum, knocking Frankie unconscious and leaving him permanently deaf.
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music scene altogether. In a talking heads sequence, characters speculate on where he is now, if alive. As the film ends, we see Frankie disguised as a homeless street musician, who is met by Penelope carrying their child. They affectionately walk together down a street, unrecognised. Frankie is shown teaching a group of deaf children how to perceive sound and enjoy music.
1151:, yet it "never feels stale". There are plenty of quotable quips, and even Frankie's attempted suicide is "high-larious". She says the film manages to be "uplifting without being preachy or cheesy. There are important life lessons to be learned here, or you could just ignore them and enjoy some clever comedy." 1193:
s Peter Bradshaw gave the film one star, panning it as "breathtakingly charmless and humourless", writing that "Paul Kaye gives a frazzled, one-note performance", while the "appearances by real-life DJs should tip you off that any satire involved is of an essentially celebratory and sycophantic sort;
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around his head, either an attempt at suicide or a drastic way to recover his hearing, but dives into his swimming pool before they ignite. Frankie flushes all his drugs down a toilet and is confronted by a recurring vision of a menacing cocaine badger. When he fights and kills it, he learns that the
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Max convinces Frankie to play live at Pacha as a career comeback, despite Frankie's insistence that he has nothing to prove to his critics. The gig goes exceedingly well, and many claim it shows even greater talent than his early work. After the show, Frankie and Penelope disappear from Max and the
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Without his hearing, Frankie cannot complete his album. He loses his recording contract and his manager Max abandons him. Soon after, his wife Sonya leaves him. Frankie shuts himself into his home, which he has "soundproofed" with pillows in a desperate bid to recover his hearing, and his drug use
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Frankie agrees to see a doctor, who tells him he has lost hearing in one ear and has 20% remaining in the other. Frankie is warned that unless he stops abusing drugs and listening to loud noises, he will soon be completely deaf, and that the use of a hearing aid is for emergencies only as it will
501:) entirely by himself. He delivers it to Max, who is wildly pleased – particularly by the potential of exploiting Frankie's disability to increase record sales. He has Frankie take part in promotions that are increasingly offensive and insensitive to deaf people, of which Penelope disapproves. 456:
match on TV. At this time, Frankie is making his next album with his "two Austrian mates" Alfonse and Horst, but his hearing degrades rapidly and progress stagnates. Frankie refuses to acknowledge his problem until a gig in Amnesia, when he cannot hear the second channel in his headphones and
1177:), but Michael Dowse rescues the film with "a particularly deft transitional montage that begins with Frankie discovering the musical properties of vibration... segues into lead duo's first lovemaking, and goes on as Frankie re-connects with the dance rhythms he’d thought were lost to him". 550:
of Motor Records who has no sympathy for Frankie. He says, "I didn’t want a deaf DJ on the label. I didn’t want the company to be touched with the deaf stamp. Well, business is tough and sometimes you have to make awkward decisions and I’ve made harder decisions than dropping the deaf
133: 489:. They become close, and eventually intimate. He confides his unhappiness at losing music, and she helps him perceive sound through visual and tactile methods instead. Frankie manages to devise a system for mixing songs, in which he watches 624:
for the film. The 'Night' & 'Day' concept for the soundtrack album was conceived and compiled by Ben Cherrill, who was, at the time, A&R manager for Positiva Records/EMI. Additional production and mixing was by James Doman.
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liked the film's "zippy visual style, with sun-dappled primary colours and whirlwind editing to go with the hip pop tunes and block-rockin' beats". He appreciated the fact that Dowse does not milk the many cameos, though the two
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says the film works because of its "heedless comic intensity", chronicling the rise and fall of Frankie Wilde in the film's first two acts "as other directors have dealt with emperors and kings".
2191: 1186:, gave the film two stars, noting there were powerful moments in the film, but thought it was "too dark for casual viewers (or fans of Tong), too blunt to succeed as cult viewing". 1065:
The DVD was released on 20 September 2005. The U.S. version of the DVD includes 5.1 Dolby Digital, subtitles and several extras that were part of the online/web marketing campaign:
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memorably demonstrated); it can be exhausting, having a good time, and the relentless pursuit of happiness becomes an effort to recapture remembered bliss from the past.
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Frankie may not be living the most significant life of our times, but tell that to Frankie. There is a kind of desperation in any club scene (as
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amuses and warms hearts with its touching, comic, and candid look at a musician faced with a career-ending handicap." On
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intensifies. He sinks into a heavy depression, repeatedly throwing his body against the walls, and wrapping
399: 2211: 2021: 1776: 1700: 1232: 2181: 1487: 1220: 403: 1482: 1171:, found those first two acts depressing and decidedly not as advertized (the film was hyped as another 79: 1564: 2221: 2201: 2161: 1915: 1455: 1429: 1156: 1141: 888: 736: 525:) is the deaf lip-reading instructor who gives Frankie the tough love he never had and always needed. 453: 263: 2295: 2231: 560:
Several actual professional DJs appear in the film, lending the film a sense of authenticity, like
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noted "resemblances to various hipster films about music, drugs, excess and failure" such as
1057:. It was released in the United States on 15 April 2005 and on 26 May in the United Kingdom. 391:
phrase used in Britain from the 1980s (Pete Tong = "wrong"), referring to the BBC Radio 1 DJ
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Frankie Wilde is a British music producer and DJ based in Ibiza. After years of playing in
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The film made $ 2,226,603, a little under a quarter million above its $ 2 million budget.
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the comedy is leaden, the drama is flat and the attitude to deaf people is Neanderthal".
1592: 1104:, the critical consensus stating, "Part raucous mockumentary, part drama-filled biopic, 600:
and David Lawrence, from Dowse's earlier film, also have cameos as Austrian hangers-on.
1965: 1895: 955: 949: 844: 792: 494: 466: 308: 173: 2289: 1925: 1784: 1724: 1147: 1039: 1004: 971: 917: 834: 819: 753: 696: 668: 388: 246: 146: 1935: 1736: 1597: 1257: 1188: 1114:, it has a score of 56 based on 22 reviews, indicating "mixed or average reviews". 810: 703: 680: 618: 592: 581: 569: 543: 529: 490: 462: 450: 368: 268: 199: 2011: 1692: 1098:
The film has a rating of 76% based on 71 reviews on the review aggregator website
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and Pete Tong himself, who also executive produced the film. Others include
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Frankie finds a deaf organization and meets Penelope, who coaches him in
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Best Overall Sound, Best Sound Editing, Best Feature-Length Drama – 2005
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Toronto International Film Festival Award for Best Canadian Film
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them. When the crowd boos him, he throws the turntable and the
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awards (Grand Jury and Audience). It was filmed on location in
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onto the dance floor, and is forcibly removed from the club.
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actors may have been a bit much. Dennis Harvey, writing for
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Executive album producer – Ben Cherrill for Positiva Records
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Those Who Make Revolution Halfway Only Dig Their Own Graves
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Ibiza locations used in the movie include the music venues
778:"Mirage" – Moroccan Blonde (Ben Cherrill, James Doman and 497:. Using this system, he manages to produce a new mix CD ( 1235:, Best Performance by a Male - Film (Mike Wilmot) – 2005 874:"Good 2 Go" – Juggernaut (Ben Cherrill and James Doman) 1392:"The Untrue-to-Life Adventures of a D.J. Who Goes Deaf" 966:
Songs used in film but not included in the soundtrack:
938:"Need To Feel Loved (Seb Fontaine and Jay P's Mix)" – 631:
It's all gone pete tong: original soundtrack recording
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he loses his hearing, first apparent when he hears a
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and the historic Pike's Hotel and Cala Llonga beach.
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for Best Feature and Best Actor (Kaye) and swept the
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List of films featuring the deaf and hard of hearing
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Banks 1837: 1708: 1217:, Best Feature, Best Actor (Paul Kaye) – 2005 8: 1025:...And You Will Know Us by the Trail of Dead 1844: 1830: 1822: 1715: 1701: 1693: 922:"Can You Hear Me Now" – Double Funk feat. 849:"Interlude" – Ben Cherrill and James Doman 627: 131: 122: 1223:, Grand Jury Award, Audience Award – 2005 106:Learn how and when to remove this message 1565:"It's All Gone Pete Tong: Michael Dowse" 1449: 1447: 1418: 1416: 1414: 1326: 1324: 1055:2004 Toronto International Film Festival 797:"Need To Feel Loved (Horizontal Mix)" – 493:while resting his feet on the pulsating 1359: 1357: 1355: 1300: 1906:The Outside Chance of Maximilian Glick 613:The film's soundtrack was released by 1251:Method Fest, Best Actor, Best Feature 7: 1956:Kanehsatake: 270 Years of Resistance 1331:Harvey, Dennis (17 September 2004). 1254:BIFA, Best Achievement in Production 1229:, Best British Columbian Film – 2005 997:"I Like It (Sinewave Surfer Mix)" – 44:adding citations to reliable sources 1619:Sharma, Sanjukta (7 October 2011). 1454:De Semlyen, Nick (1 January 2000). 1209:Toronto International Film Festival 1044:"Rock That House Musiq" – Impulsion 1035:"Up & Down (Super Dub)" – Scent 929:"Musak (Steve Lawler Mix)" – Trisco 2341:Deaf culture in the United Kingdom 1886:The Decline of the American Empire 14: 1390:Dargis, Manohla (15 April 2005). 868:"Flashdance (Raul Rincon Mix)" – 1563:Mohaupt, Melissa (1 June 2005). 1483:"It's All Gone Pete Tong (2005)" 1456:"It's All Gone Pete Tong Review" 910:"Plastic Dreams (Radio Edit)" – 827:"Music for a Found Harmonium" – 824:"Four-Four-Four" – Fragile State 775:(Jay & Dylan McHugh Re-Work) 20: 2336:Films directed by Michael Dowse 2331:English-language Canadian films 1591:Bradshaw, Peter (27 May 2005). 815:"How Does It Feel?" – Afterlife 31:needs additional citations for 1946:Requiem for a Handsome Bastard 1211:, Best Canadian Feature – 2004 1053:The film was premiered at the 926:(Ben Cherrill and James Doman) 1: 1986:Long Day's Journey into Night 1227:Vancouver Film Critics Circle 1180:Nick De Semlyen, writing for 1117:Giving the film three stars, 1075:Frankie Wilde: The Redemption 482:badger is, in fact, himself. 2301:2000s English-language films 2346:British Sign Language films 2316:Canadian mockumentary films 2042:Atanarjuat: The Fast Runner 1683:It's All Gone Pete Tong 1423:Eisner, Ken (9 June 2005). 1133:Melissa Mohaupt writing in 976:"Flamenco" – Flamenco Ibiza 809:"Halo (Goldfrapp Remix)" – 367:is a 2004 British-Canadian 284:12 September 2004 2382: 2321:Canadian independent films 1279:and was released in 2011. 1023:"Ritcher Scale Madness" – 940:Reflekt feat. 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Anne 2132:Incendies 2112:Lost Song 1976:Live Bait 1632:22 August 1198:Accolades 1081:Reception 950:Chris Cox 946:Pete Tong 924:Paul Kaye 904:Presents 902:Pete Tong 898:Steve Mac 870:Deep Dish 805:Beta Band 787:Beta Band 773:Pete Tong 741:808 State 677:Chill out 516:Paul Kaye 427:Privilege 393:Pete Tong 381:Paul Kaye 329:Countries 241:companies 222:Edited by 190:Paul Kaye 2222:Antigone 2202:Ravenous 1916:Roadkill 1570:Exclaim! 1283:See also 1136:Exclaim! 1019:DJ Sammy 716:Producer 685:Big beat 647:Released 639: by 596:rockers 562:Carl Cox 495:speakers 454:football 337:Language 266:(Canada) 230:Music by 183:Starring 1966:Exotica 1753:FUBAR 2 1338:Variety 1168:Variety 1049:Release 956:Orbital 862:"Intro" 799:Reflekt 528:Sonya ( 451:Arsenal 423:Amnesia 340:English 301: ( 286: ( 80:scholar 2275:(2024) 2265:(2023) 2255:(2022) 2245:(2021) 2235:(2020) 2225:(2019) 2215:(2018) 2205:(2017) 2195:(2016) 2185:(2015) 2175:(2014) 2165:(2013) 2155:(2012) 2145:(2011) 2135:(2010) 2125:(2009) 2115:(2008) 2105:(2007) 2095:(2006) 2085:(2005) 2075:(2004) 2065:(2003) 2055:(2002) 2052:Spider 2045:(2001) 2035:(2000) 2025:(1999) 2015:(1998) 2005:(1997) 1989:(1996) 1979:(1995) 1969:(1994) 1959:(1993) 1949:(1992) 1939:(1991) 1929:(1990) 1919:(1989) 1909:(1988) 1899:(1987) 1889:(1986) 1879:(1985) 1869:(1984) 1804:(2021) 1796:(2020) 1788:(2019) 1785:Stuber 1780:(2013) 1772:(2011) 1764:(2011) 1756:(2010) 1748:(2004) 1740:(2002) 1461:Empire 1203:Awards 1183:Empire 981:Moguai 912:Jaydee 900:& 689:Techno 681:Trance 570:TiΓ«sto 556:Cameos 345:Budget 307: ( 292: ( 82:  75:  68:  61:  53:  1812:(TBA) 1737:FUBAR 1271:Hindi 1163:Fubar 962:Score 704:Label 665:House 656:Genre 604:Music 593:Fubar 467:mixer 419:Pacha 408:Ibiza 373:drama 87:JSTOR 73:books 2262:Solo 1769:Goon 1677:IMDb 1634:2024 1626:Mint 1606:2020 1578:2020 1550:2020 1523:2020 1496:2020 1469:2020 1438:2020 1405:2020 1377:2020 1346:2020 1073:and 1017:" – 948:and 857:CD 2 843:" – 739:" – 730:CD 1 584:and 551:DJ." 437:Plot 431:DC10 385:deaf 309:U.K. 294:TIFF 59:news 1686:at 1675:at 1260:(8) 709:EMI 615:EMI 548:CEO 42:by 2292:: 2012:NΓ΄ 1999:/ 1623:. 1595:. 1567:. 1539:. 1512:. 1485:. 1458:. 1446:^ 1427:. 1413:^ 1394:. 1368:. 1354:^ 1335:. 1323:^ 1311:. 1145:, 1077:. 1069:, 588:. 580:, 576:, 572:, 564:, 429:, 425:, 421:, 414:. 412:HD 377:DJ 1926:H 1845:e 1838:t 1831:v 1716:e 1709:t 1702:v 1636:. 1608:. 1580:. 1552:. 1525:. 1498:. 1471:. 1440:. 1407:. 1379:. 1348:. 1317:. 1191:' 1013:" 839:" 782:) 758:" 735:" 379:( 371:- 311:) 305:) 296:) 290:) 109:) 103:( 98:) 94:( 84:Β· 77:Β· 70:Β· 63:Β· 36:.

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Michael Dowse
Elizabeth Yake
Paul Kaye
Beatriz Batarda
Kate Magowan
Mike Wilmot
Vertigo Films
Alliance Atlantis
Odeon Films
Redbus Film Distribution
TIFF
U.K.
mockumentary
drama
DJ
Paul Kaye
deaf
rhyming slang

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