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took power following the war and the monarchy was abolished. As a supporter of the exiled royal family, Despić-Simonović was arrested in June 1945 and spent some time imprisoned in
Sarajevo. A portrait she made at that time of another prisoner, the actor Ante Franjković "Dalmata", has been preserved.
318:, Despić-Simonović stayed on her estate near Sarajevo. Wartime scarcity forced her to buy a cow to support the family. According to her daughter, the family had to hide the cow from soldiers in her atelier, and the distressed animal damaged a number of sculptures.
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She was released soon, but her life changed. She was shunned and found little work, devoting increasingly more time to painting and drawing and less to sculpting. Her most notable works following the Second World War are the busts of poets
290:. Bosnian women at that time were mostly illiterate and took no part in public life, but Despić-Simonović's career flourished and she was well known in society. In a 1937 interview, she complained about the treatment of
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surfaced a few years after her death but were never realized. The house was restored in 2005 by a new owner, and at that time a number of previously unknown plaster busts were found behind hidden basement doors.
294:, saying: "I am under impression that male artists do not value the artistic work of women. They have it easy ... When a male artist's child is ill, he keeps doing his job. When my daughter had
298:, I did not care about sculpting." Despić-Simonović was inspired by motherhood and frequently portrayed her children. She was particularly keen to make a monument to mothers, similar to the
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200:. Despić-Simonović longed for a space of her own. By 1931, the demand for her artwork had grown so much that she could afford to have a summer house built for herself in
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Despić-Simonović had two solo exhibitions, in London and
Belgrade in 1927, receiving favorable criticism. She took part in collective exhibitions in London, Belgrade,
145:, took place when she was still a student. Babić was interested in her romantically and painted a portrait of her. Iva Simonović continued her education in Paris and
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at the royal court in
Belgrade, where she portrayed high-ranking people. Despić-Simonović recalled that her skill became the talk of the court when
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During her sojourn in
Belgrade, Despić-Simonović portrayed the King, the Queen, generals, and other high-ranking people, including
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Despić-Simonović was the first sculptor in modern-day Bosnia and
Herzegovina, and remained the only one throughout the
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near
Sarajevo. Moving too early into the still damp building, she caught a chronic illness that plagued her for years.
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and
Bratislava. Her international success brought her fame in Yugoslavia as well, to the point of being contacted by
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302:, which was becoming widespread across the world. Her idea was not supported, and she claimed that it was
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236:, then a toddler, came into her atelier and recognized the bust she was working on as depicting General
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Iva Despić-Simonović was married twice. Her first marriage, to
Aleksandar Zarevski, was
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176:. The couple married in 1920, and Despić-Simonović moved to her husband's hometown of
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129:, on 15 August 1891. The Simonović family were wealthy. Her father, a general in the
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275:(1927). In her early career, Despić-Simonović was influenced by the ideals of
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Allgemeines Künstlerlexikon: Die bildenden Künstler aller Zeiten und Völker
180:. They had a daughter, Gospava "Cica", and a son, Bato. Her in-laws, the
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The date 18 April 1890 is sometimes stated as well, but is not correct.
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141:. Her first exhibition, part of the solo exhibition of her peer
449:"Priče o bosanskim ženama: Ivana (Iva) Despić-Simonović"
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Despić-Simonović died on 12 July 1961 in her atelier in
349:. Plans to protect her home and turn it into an
259:. Other well-known works include the sculptures
157:artist, and had an exhibition in Paris in 1914.
74:. From 1920 until her death she lived mostly in
188:attitude. This is reflected by a self-portrait
498:(in Serbo-Croatian). Umjetnička galerija BiH.
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86:. She was the first sculptor in modern-day
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244:as well as the sculpting instructor of
54:; 15 August 1891 – 12 July 1961) was a
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164:. She met Aleksandar "Aco" Despić in
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483:(in Serbo-Croatian), Slobodna Bosna
62:, Despić-Simonović was educated in
479:Bašić, Adisa (17 September 2009),
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551:Serbs of Bosnia and Herzegovina
271:(1925), as well as the plaque
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16:Yugoslav sculptor (1891–1961)
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172:, which was followed by the
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494:Damjanović, Danka (1985).
408:(in German), p. 413,
106:Iva Simonović was born in
404:Meissner, Günter (2009),
253:King Ferdinand of Romania
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228:. She had a personal
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566:People from Petrinja
455:(in Serbo-Croatian).
261:Children in the Snow
196:, now housed in the
102:Education and family
46:Ивана "Ива" Деспић,
556:Yugoslav sculptors
234:Crown Prince Peter
58:sculptor. Born in
28:Ivana "Iva" Despić
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51: Симоновић
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512:|work=
336:Osman Đikić
314:During the
273:Consolation
246:Queen Maria
194:Constrained
186:patriarchal
143:Ljubo Babić
111: [
530:Categories
378:References
310:Later life
283:approach.
220:, Prague,
216:, Zagreb,
108:Hrastovica
514:ignored (
504:cite book
496:Skulptura
347:Vasin Han
218:Ljubljana
214:Barcelona
202:Vasin Han
155:medallion
151:plaquette
37:Simonović
263:(1923),
178:Sarajevo
162:annulled
119:Petrinja
84:Belgrade
76:Sarajevo
56:Yugoslav
453:stav.ba
230:atelier
60:Croatia
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340:Mostar
304:copied
296:typhus
208:Career
192:named
166:Zagreb
147:Munich
72:Munich
64:Zagreb
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358:Notes
117:near
115:]
68:Paris
516:help
410:ISBN
334:and
321:The
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