241:
128:
Promptuarii musici concentus ecclesiasticos CCXXXVI. selectimos, II. III. & IV. vocum. Cum basso continuo & generali, organo applicato, e diversis et praestantissimis
Germaniae Italiae et aliis aliarum terrarum musicis collectos exhibens, pars tertia… Opera et studio Joannis Donfrid, scholae
324:
Koraljka KOS: Vertonungen lateinischer Texte von Schutz und Lukačić. Vergleichende
Analyse / Schutzove i Lukačićeve skladbe na latinske tekstove. Usporedna analiza, in: S. TUKSAR, ed.: The Musical Baroque, Western Slavs, and the Spirit of the European Cultural Communion / Glazbeni barok i zapadni
102:
church in Rome. He returned to Šibenik in 1618 and two years later he moved to Split, where he became prior of the
Franciscan monastery in addition to being director of music at the cathedral, where he lived until his death. While Lukačić's sojourn in Italy is insufficiently documented, his
380:
Note in the birth register of the Šibenik parish says: "D(ie) VII Aprillis (1587) Marchus filius ioannis lucacich baptizatus fuit per me pres(byteru)m mateum bubrigouich in baptiserio divi Jacobi. D(ominus) G. Rabglagnin et d(omina) Filipa uxor D. Nicholai
Semunich levaverunt eum de sacr
320:
Ljudevit MARAČIĆ, ed.: Lukačić. Zbornik radova znanstvenoga skupa održanog u povodu 400. obljetnice rođenja Ivana Marka Lukačića (1585-1985) (Lukačić, a collection of papers from a symposium on the occasion of the 400th anniversary of his birth), Zagreb,
204:
style was already accepted in
Dalmatia, and Split, where composers like T. Cecchini and M. Romano were active, was one of the most important musical center. Lukačić achieved a fine synthesis of the early baroque Venetian church style and local traits.
157:, handed them to the Archbishop of Split. A total of 27 motets were probably written during Lukačić's long stay in Italy. Characteristic of his monodies are clear melodic lines and the simplicity of harmonic flow. Monodic motets such as
120:
Deliciae sacrae musicae… Quas ex lectissimo lectissimorum nostri aevi musicorum penu, quaternis vocibus, cum basso ad organum applicato, suavissime modulandas exprompsit… ac… publice posuit, Ioannes
Reininger
165:, which like the majority of the pieces from the collection resort to biblical texts or liturgical readings, are brilliantly balanced miniatures. Among two-part motets,
132:
123:
298:
Dragan PLAMENAC: Music of the 16th and 17th
Centuries in Dalmatia, in: Papers Read by Members of the American Musicological Society 1939, New York, 1944, 21–51.
459:
398:
317:
Lovro ŽUPANOVIĆ: Umjetnost Ivana Lukačića Šibenčanina (The art of Ivan Lukačić of Šibenik), Radovi
Instituta JAZU u Zadru, 13–14, 1968, 377–400.
63:
Lukačić's exact date of birth is unknown; in 1587 he was baptised in Šibenik where it is believed he was born. Ten years later he entered the
454:
449:
469:
262:
439:
103:
engagement in Split, both as a prior and musician, left quite a record of first-class importance for the musical life of that time in
464:
337:
284:
444:
408:
434:
255:
249:
99:
266:
221:
308:
ID: Tragom Ivana Lukačića i nekih njegovih suvremenika (on the trail of Ivan Lukačić and his contemporaries),
394:
404:
429:
424:
217:
333:
64:
196:
146:
345:"Susret prošlosti i budućnosti u djelu Ivana Lukačića: Povodom 400. obljetnice rođenja"
194:
sections, Gabrielian refrains in a dance-like rhythm, while solo parts are in the new
418:
190:
52:
301:
ID: Music in the
Adriatical Coastal Areas of the Southern Slavs, in: Gustav REESE:
36:
325:
Slaveni u kontekstu europskog kulturnog zajedništva, Zagreb, 1993, 45–61, 197–213.
214:
48:
116:
Sacrae cantiones singulis binis ternis quaternis quinisque vocibus concinendae
32:
310:
174:
104:
72:
44:
332:, Zagreb: Muzički informativni centar Koncertne direkcije Zagreb, 2007.
129:
Neccaro
Rottenburgicae, nec non ad D. Martini ibidem musices moderatoris
201:
40:
186:
178:
154:
220:
performs and has recorded a setting of his motets as part of its "
139:
76:
68:
84:
67:
when he accepted his monastic name Ivan. In 1600 he was sent to
344:
234:
200:
style. At the beginning of the 17th century the new
169:is of exceptional virtuosity, while the three-part
118:, Venezia, A. Gardano, 1620; 1 motet reprinted in
181:, the narrator, and the centurion. The four-part
138:In 1620 Lukačić published his only collection of
145:. According to the title page and dedication,
8:
83:, while on 23 March 1615 he was awarded in
399:International Music Score Library Project
285:Learn how and when to remove this message
248:This article includes a list of general
373:
7:
79:. In 1612 he has signed himself as
254:it lacks sufficient corresponding
14:
98:at the feast of St Jerome in the
460:17th-century classical composers
239:
177:-like dramatic dialogue between
126:1626/2); 5 motets reprinted in
1:
159:Cantabo Domino, Sicut cedrus,
131:, Strasbourg, 1627, vol 3 (=
94:. In 1614 he participated as
455:17th-century Croatian people
450:16th-century Croatian people
409:Choral Public Domain Library
39:, September 20, 1648) was a
470:17th-century male musicians
405:Free scores by Ivan Lukačić
395:Free scores by Ivan Lukačić
153:at the church dei Frari in
486:
440:Croatian Baroque composers
305:, New York, 1959, 757-762.
35:, baptized 7 April 1587 –
354:(in Croatian) (16): 38–44
100:Saint Jerome of the Slavs
465:Male classical composers
343:Škunca, Mirjana (1985).
303:Music in the Renaissance
222:Journey through Dalmatia
269:more precise citations.
122:, Ingolstadt, 1626 (=
29:Fr. Joannes de Sibinico
445:Renaissance composers
218:Ensemble Renaissance
314:, 351, 1969, 63–90.
151:maestro di cappella
96:maestro di cappella
43:-born musician and
435:Croatian musicians
17:Marko Ivan Lukačić
328:Ennio STIPČEVIĆ:
295:
294:
287:
171:Domine, puer meus
92:(master of music)
71:where he studied
477:
382:
378:
363:
361:
359:
352:Kulturna baština
349:
290:
283:
279:
276:
270:
265:this article by
256:inline citations
243:
242:
235:
209:In popular media
167:Da pacem, Domine
143:Sacrae cantiones
89:Magister Musices
65:Franciscan order
485:
484:
480:
479:
478:
476:
475:
474:
415:
414:
391:
386:
385:
379:
375:
370:
357:
355:
347:
342:
291:
280:
274:
271:
261:Please help to
260:
244:
240:
233:
227:
211:
197:seconda pratica
183:Quam pulchra es
149:, at that time
147:Giacomo Finetti
113:
61:
12:
11:
5:
483:
481:
473:
472:
467:
462:
457:
452:
447:
442:
437:
432:
427:
417:
416:
413:
412:
402:
390:
389:External links
387:
384:
383:
372:
371:
369:
366:
365:
364:
340:
326:
322:
318:
315:
306:
299:
293:
292:
247:
245:
238:
232:
229:
210:
207:
112:
109:
87:the degree of
60:
57:
13:
10:
9:
6:
4:
3:
2:
482:
471:
468:
466:
463:
461:
458:
456:
453:
451:
448:
446:
443:
441:
438:
436:
433:
431:
428:
426:
423:
422:
420:
410:
406:
403:
400:
396:
393:
392:
388:
377:
374:
367:
353:
346:
341:
339:
338:9789537129255
335:
331:
327:
323:
319:
316:
313:
312:
307:
304:
300:
297:
296:
289:
286:
278:
268:
264:
258:
257:
251:
246:
237:
236:
230:
228:
225:
223:
219:
216:
208:
206:
203:
199:
198:
193:
192:
191:prima pratica
188:
184:
180:
176:
172:
168:
164:
163:Oscluletur me
160:
156:
152:
148:
144:
141:
136:
134:
130:
125:
121:
117:
110:
108:
106:
101:
97:
93:
90:
86:
82:
78:
74:
70:
66:
58:
56:
54:
50:
46:
42:
38:
34:
30:
26:
22:
18:
411:(ChoralWiki)
376:
356:. Retrieved
351:
330:Ivan Lukačić
329:
309:
302:
281:
272:
253:
231:Bibliography
226:
212:
195:
189:
182:
173:contains an
170:
166:
162:
158:
150:
142:
137:
127:
119:
115:
114:
95:
91:
88:
81:baccalaureus
80:
62:
28:
24:
20:
16:
15:
430:1648 deaths
425:1575 births
267:introducing
224:" program.
215:early music
49:Renaissance
419:Categories
368:References
250:references
51:and early
275:July 2019
135:1627/1).
59:Biography
311:Rad JAZU
175:oratorio
105:Dalmatia
73:theology
45:composer
41:Croatian
21:Lucacich
407:in the
401:(IMSLP)
397:at the
381:fonte".
358:22 June
263:improve
202:baroque
53:Baroque
47:of the
33:Šibenik
25:Lucacih
336:
252:, but
187:choral
179:Christ
155:Venice
140:motets
348:(PDF)
321:1987.
111:Works
77:music
69:Italy
37:Split
360:2020
334:ISBN
213:The
185:has
161:and
133:RISM
124:RISM
85:Rome
75:and
31:) (
23:or
421::
350:.
107:.
55:.
362:.
288:)
282:(
277:)
273:(
259:.
27:,
19:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.