710:
202:
790:/ "O mother, from heaven hear my lament") sudden shouts warn that the crusaders have invaded Antioch. Sofia rushes in to say that both Acciano and Oronte have been killed. Arvino enters with the hermit. Sofia identifies Arvino as the murderer of her husband and son. Giselda is horrified and recoils at her father's attempted embrace. She declares that this crusade was not the will of God. Arvino draws his sword and threatens to kill her for her blasphemy, but he is stopped by the hermit and Sofia. Arvino declares that his daughter has gone mad.
267:, but he states that it did not fare well in Venice the following year and that it received few performances outside of Italy. However, within Italy, the opera was presented in Lucca in the summer of 1843, in Florence and Lucca in the autumn, and during the 1843/44 carnival season it was given in Trieste and Turin, while performances in 1845 were presented in Bologna and later, in the 1845/46 season, in Palermo and Mantua, in Macerata in the summer of 1846 and various other cities well in to the 1850s. Even in the late 1880s, well after
487:
186:
2889:
495:
194:
50:
891:, became extremely and deservedly popular. There is an unusually extended orchestral introduction with solo violin in three sections before the "Baptism" trio "Qual voluttà trascorrere" with the solo violin also prominent in the closing section of that trio. The character of Giselda comes across with striking individuality due to the music Verdi composed for her.
2914:
2568:
225:", since the Archbishop of Milan had heard rumours that the work contained specific elements of Catholic ritual. However, given Verdi's refusal to make any changes to the music, it is fortunate that the result of the police chief's investigations of the archbishops complaints required only very minor alterations.
743:/ "Hail Mary!"). Pirro and Pagano and their assassins storm the palace. Pagano draws his sword and enters Arvino's chambers. He emerges with a bloody sword and with Viclinda in his custody. Arvino suddenly appears and Pagano is shocked to learn that in the darkness he has killed his father, not his brother (
760:
Acciano and representatives from surrounding territories plot their continued resistance to the marauding crusaders. They have captured
Giselda, who is now held captive within Acciano's harem. Sofia, Acciano's head wife and a secret Christian, enters with her son Oronte. Oronte has fallen in love
725:
The two sons of Lord Folco, Pagano and Arvino, are reconciled, having previously feuded over which man would win the hand of
Viclinda. Pagano, who once threatened the life of his brother, has returned from exile. A throng gathers in front of the church of Sant'Ambrogio to celebrate. Viclinda, now
871:
Dying from wounds, the hermit is brought in by
Giselda and Arvino. The hermit reveals that he is really Pagano. In his dying moments, he confesses to Arvino his penitence for their father's murder and begs forgiveness. Arvino embraces his brother, and Pagano asks for a final view of the Holy City.
824:
After a violin prelude, Giselda and Oronte appear. Oronte has been wounded and
Giselda bitterly laments God's cruelty. The hermit appears. He tells Giselda and Oronte that their love is sinful but may be purified by Oronte's conversion and baptism. The hermit completes the baptism, and Giselda
777:
A hermit waits for the arrival of the crusaders. A man appears at the cave and asks the hermit how he may receive forgiveness for his past sins. The man is Pirro, who has become a confidante of
Acciano and now controls the gates of Antioch. The hermit counsels Pirro that he will achieve
803:
The crusaders, joined by
Christian pilgrims, sing of the beauty of Jerusalem and the Holy Land. Giselda has wandered away from her father's camp. Suddenly, Oronte appears! He was merely wounded, not killed, by Arvino's sword. Giselda and Oronte decide to flee together (Duet:
884:
Rousing choruses, vocal ensembles with the varying characters differentiated through the music, and marches with the stage band are a feature of this work. The chorus "O Signore, dal tetto natio", like its counterpart the Chorus of Hebrew Slaves in Verdi's previous opera
778:
forgiveness if he opens the gates to the approaching crusaders. Thereafter, the crusaders, led by Arvino, appear at the cave. The hermit learns that Arvino's daughter has been captured by
Acciano. The hermit assures them that they will succeed in taking Antioch.
726:
Arvino's wife, and their daughter
Giselda are on hand to witness the reconciliation. A crusade to the Holy Land is announced and Arvino is to lead it. Pagano secretly vents his enduring frustration to Pirro, Arvino's squire: he still desires Viclinda (
709:
212:
Grossi's original epic poem had plot complications that required the librettist to make significant changes; the historical characters portrayed in the original do not appear and the story becomes that of a fictional family and its involvement in the
221:'s analysis of the opera's origins notes: "In 1843 any subject where Italians were shown united against a common enemy was dangerous, especially in Austrian Milan. Yet strangely enough it was not the police but the church that took exception to
503:
738:
Viclinda and
Giselda are concerned about Pagano and his supposed reformation. Arvino asks them to watch his elderly father, Lord Folco, who is spending the night in Arvino's chambers. Giselda prays (Aria:
442:
in
Bergamo in late 2001 with Dimitra Theodossiou in the cast. The Teatro Regio di Parma produced it in January 2009, also as part of a complete Verdi cycle. The Parma performance is preserved on a DVD.
862:/ "O Lord, Thou dids't call us"). Giselda rushes in, announcing the discovery of a spring of water. As all rejoice, Arvino assures his crusaders of his confidence that they will now take Jerusalem.
396:'s short-lived (1979 to 1984) summer "Verdi Festival" in June 1979 and it is claimed that this was a West Coast premiere. Over the years, New York audiences have seen the opera presented first by
816:
Arvino rages against his daughter's betrayal. Soldiers arrive to tell him that Pagano has been seen in camp and they call for his capture and death. Arvino swears revenge with no mercy.
842:
As Giselda dreams, Oronte appears to her in a vision and tells her that God has granted his prayer: the crusaders will find strength in the waters of the fountain of Siloam (Aria:
730:/ "Wretched woman! Did you believe that I could forget you..."). As nuns sing in the background, Pirro and a gang of cut-throats agree to help Pagano take Viclinda for himself.
1986:
1970:
747:/ "Horror! Dreadful monster of Hell..."). A throng calls for Pagano's death, but Giselda protests against more bloodshed. So Pagano is once again sent into exile.
1650:
765:/ "Would that I could instill my gladness into her dear heart"). As Oronte sings of his love, Sofia sees Giselda as a means of converting her son to Christianity (
2638:
201:
1491:
2959:
1965:
1959:
2014:
1599:
2032:
1881:
1663:
238:
While the premiere performance was a popular success, critical reactions were less enthusiastic and inevitable comparisons were made with
2836:
2964:
2934:
1947:
1926:
1902:
1859:
1842:
1828:
1811:
1803:
1789:
1756:
1734:
1707:
151:, which was "very much a child of its age; a grand historical novel with a patriotic slant". Its first performance was given at the
2939:
2514:
2460:
1976:
1531:
1477:
Inaugurates La Scala Season; Italy's Famous Lyric Stage Revives Composer's Early Opera in Brilliant and Colorful Presentation",
2864:
2736:
1847:
156:
1576:
2904:
2954:
2857:
2616:
2007:
1025:
2596:
1645:
1107:
463:
405:
324:
2394:
1981:
288:: ".....I will go to London to write an opera" he had written, but in the end, illness prevented him from doing so.
2706:
2358:
1408:
280:", on 3 March 1847 in New York. In the prior year the opera's British premiere had taken place on 12 May 1846 at
2726:
2567:
2238:
1516:
786:
The members of the harem sing of Giselda's luck in attracting the attentions of Oronte. As Giselda prays (Aria:
1495:
159:, who died a few weeks after the premiere. In 1847, the opera was significantly revised to become Verdi's first
2496:
1044:
2403:
281:
2892:
2796:
2631:
2612:
2604:
2505:
2178:
2000:
1744:
846:/ "Through you, Giselda, I am blessed in heaven"). Giselda wakes and sings of her miraculous vision (Aria:
2554:
2442:
1718:
1550:
381:
277:
673:
Villagers of Milan, palace guards, crusaders, pilgrims, nuns, cut-throats, harem women, warriors – Chorus
2716:
2608:
2487:
1603:
1263:
1173:
478:
on April 1, 2022, which marked the first time since 1844 that the opera had been staged at the house.
2944:
2451:
2385:
2288:
2278:
1655:
1145:
984:
467:
2816:
2576:
2469:
1305:
448:
397:
944:
2806:
2776:
2624:
2545:
2478:
2248:
2058:
1585:
1559:
1423:
Andrew Porter, "Traces of Eternal Beauty", in the booklet accompanying the Phillips recording of
1200:
952:
593:
413:
291:
However, with Italy approaching unification in the 1850s and in the decade following it in 1861,
2108:
1890:
1015:
559:
2673:
1943:
1922:
1898:
1877:
1855:
1838:
1824:
1807:
1799:
1785:
1752:
1730:
1703:
1659:
1190:
1151:
1061:
1020:
1010:
554:
524:
471:
417:
389:
371:
367:
347:
164:
152:
144:
107:
63:
1353:
2826:
2786:
2433:
2328:
2258:
1679:
1298:
1181:
1140:
1080:
1004:
970:
939:
439:
359:
351:
336:
486:
474:, and as a result the critical edition instead had its premiere in a new production at the
248:
served to confirm it.". Budden himself disagrees with this contemporary view, noting that "
2949:
2562:
2535:
2138:
1535:
1135:
425:
393:
298:
s call to peoples' patriotic instincts seemed to keep it alive, albeit that, by 1865 when
285:
1528:
416:
premiere on December 2, 1993, as part of its 1993/94 season, a production which starred
185:
2645:
2376:
2128:
2118:
2048:
2023:
1816:
1281:
577:
458:
The first new production of the opera to use a new critical edition created jointly by
444:
256:
is an agglomeration of heterogeneous ideas, some remarkable, some unbelievably banal."
148:
136:
81:
41:
470:
as part of its 2020 Verdi Festival. However, this production was cancelled due to the
2928:
2756:
2687:
2680:
2098:
1870:
1695:
1641:
1572:
1546:
1291:
1207:
1185:
1113:
1084:
976:
929:
858:
The crusaders and pilgrims are despairing that God has abandoned them in the desert (
332:
218:
214:
872:
As Jerusalem appears in the distance, Pagano dies, and the crusaders praise heaven (
2918:
2412:
2367:
2349:
2218:
2188:
2148:
1931:
1907:
1865:
1773:
1637:
1285:
1195:
1177:
1090:
609:
459:
429:
421:
409:
385:
340:
299:
2158:
494:
269:
173:
1723:
2874:
2659:
2652:
2228:
1935:
1048:
934:
616:
452:
355:
193:
168:
160:
49:
1448:
Letter of 7 November 1845 to "a long-time admirer" Baroness Soldati, quoted in
2746:
2666:
2298:
2168:
1492:"Details from Royal Opera House, Covent Garden programme book for 25 May 1976"
1102:
825:
laments as Oronte dies from his wounds, promising to see her in heaven (Trio:
516:
328:
302:
saw a performance, he remarked that the opera was beginning to show its age.
2208:
2198:
698:
475:
375:
455:
as part of a mini-festival of three Verdi operas in October/November 2013.
276:
This "was the first of Verdi's operas to be heard in the United States, at
502:
17:
1066:
Hungarian State Opera Orchestra and Hungarian Radio and Television Chorus
314:
140:
284:
in London, Verdi having been invited there by the theatre's impresario,
2068:
1032:
887:
799:
Scene 1: The valley of Jehoshaphat; Jerusalem is in the distance, 1099.
694:
572:
244:. However, one writer noted: "If created this young man's reputation,
240:
2913:
1921:(1982), New York: Knopf, 1962, Chicago: University of Chicago Press.
721:
Scene 1: A square outside the church of Sant' Ambrogio in Milan, 1095.
2318:
2268:
2088:
363:
708:
690:
538:
501:
493:
485:
200:
192:
184:
129:
1992:
2308:
1996:
1268:(Recording of a performance(s) at the Teatro Regio, January)
716:, set design for I Lombardi alla prima Crociata act 1 (1864).
447:'s "Verdi Cycle" featured the opera during its 2011 season.
808:/ "O Lombard tents, fair to this unhappy girl, farewell!").
1778:
The Story of Giuseppe Verdi: Oberto to Un Ballo in Maschera
155:
in Milan on 11 February 1843. Verdi dedicated the score to
1895:
Nineteenth-Century Italian Opera: From Rossini to Puccini
1700:
The Operas of Verdi, Volume 1: From Oberto to Rigoletto
1481:. Retrieved 9 April 2013 (subscription or paid access).
1798:. Chicago & London: University of Chicago Press.
2902:
2849:
2768:
2697:
2588:
2526:
2423:
2340:
2039:
412:in April 1986 and this was followed by the opera's
91:
77:
69:
59:
32:
1869:
1751:. London & New York: Oxford University Press.
1722:
335:, New York, on July 12, 1972. Soloists included
1876:. Oxford and New York: Oxford University Press.
1600:"Hamburg State Opera's 2013/14 season offerings"
490:Prosper Dérivis sang Pagano in the 1843 premiere
1680:Recordings on operadis-opera-discography.org.uk
1651:The New Grove Dictionary of Music and Musicians
769:/ "How could Heaven create an angel so pure").
424:(replaced in most of the other performances by
273:had been given, it was presented in Florence.
54:"The departure of the Lombards for the Crusade"
1794:De Van, Gilles (trans. Gilda Roberts) (1998),
1640:(2001). "Lombardi alla prima crociata, I". In
1529:San Diego Opera's performance history for 1979
957:Orchestra Sinfonica e Coro della Rai di Milano
197:Temistocle Solera, the librettist of the opera
2008:
1796:Verdi’s Theater: Creating Drama Through Music
1461:
1449:
1238:Teatro Ponchielli di Cremona, 16,18 November)
773:Scene 2: A cave in the desert outside Antioch
317:in Milan as the season's opening production.
8:
2639:Orchestra Sinfonica di Milano Giuseppe Verdi
1982:OONY website with 2012-13 season productions
1837:(1983), New York: Dodd, Mead and Company.
327:in a concert version under the direction of
1872:The New Grove Guide to Verdi and His Operas
1821:Divas and Scholar: Performing Italian Opera
1589:, 21 January 1986. Retrieved 9 April 2013,
876:/ "We praise Thee, great God of Victory").
756:Scene 1: Acciano's palace in Antioch, 1098.
252:is all of a piece, a unity, however crude;
157:Maria Luigia, the Habsburg Duchess of Parma
2015:
2001:
1993:
48:
29:
1966:International Music Score Library Project
1823:, Chicago: University of Chicago Press.
1302:Orchestra and Chorus Teatro Regio Torino
1232:Orchestra I Pommeriggi Musicali di Milano
466:was to have been a new production at the
898:
509:
498:Erminia Frezzolini, the original Giselda
2909:
1473:Raymond Hall 18 January 1931, "Verdi's
1436:
1392:
1390:
1364:
1362:
1330:
850:/ "A miracle!... It was not a dream").
820:Scene 3: A grotto near the River Jordan
366:-based ABAO company. The cast included
263:enjoyed the same kind of popularity as
1624:
1396:
1381:
1368:
1349:
1337:
1234:and Coro del Circuito Lirico Lombardo,
714:La Vendetta. La piazza di S. Ambrogio
7:
829:/ "What wondrous pleasure I feel").
1563:, 10 April. Retrieved 9 April 2013
1912:Giuseppe Verdi: His Life and Works
1772:Baldini, Gabriele (1970), (trans.
1517:Cast details from 1976 on ABAO.org
259:Budden notes that "for many years
205:Title page of an 1843 libretto of
163:for performances in France at the
25:
2960:Opera world premieres at La Scala
1854:, New York: Da Capo Press, Inc.
1236:(Recorded at performances in the
1110:and Sarah Lawrence College Chorus
506:Carlo Guasco, the original Oronte
126:The Lombards on the First Crusade
86:The Lombards in the First Crusade
2912:
2888:
2887:
2838:Giuseppe Verdi's Rigoletto Story
2566:
1989:on giuseppeverdi.it (in English)
1987:Verdi: "The story" and "History"
1897:, Portland, OR: Amadeus Press.
1835:Verdi: His Music, Life and Times
874:Te lodiamo, gran Dio di vittoria
761:with the captive Giselda (Aria:
750:
362:as well as the same year by the
1784:: Cambridge University Press.
848:Qual prodigio ... Non fu sogno!
838:Scene 1: A cave, near Jerusalem
602:son of Acciano ruler of Antioch
521:Premiere cast, 11 February 1843
346:The opera was presented at the
2079:I Lombardi alla prima crociata
2049:Oberto, Conte di San Bonifacio
1961:I Lombardi alla prima crociata
1940:Verdi: The Man and His Letters
1156:(Recorded at La Scala, April)
121:I Lombardi alla Prima Crociata
1:
1581:, by Verdi, at Carnegie Hall"
1413:reported on librettodopera.it
2858:Casa di Riposo per Musicisti
2603:Theatres named after Verdi (
1729:. New York: Penguin Putnam.
1262:Orchestra and Chorus on the
1150:Orchestra and chorus of the
1119:CD: foyer Laudis srl Milano
1026:Royal Philharmonic Orchestra
854:Scene 2: The Lombards' tents
432:in some of the major roles.
2597:Memorials to Giuseppe Verdi
1977:Arias on aria-database.com
1852:The Complete Opera of Verdi
1725:The New Penguin Opera Guide
1623:List of singers taken from
1271:DVD & Blu-ray: C-Major,
1108:Opera Orchestra of New York
751:Act 2: L'uomo della Caverna
464:University of Chicago Press
408:in a concert version with
406:Opera Orchestra of New York
400:in 1982. Six years later,
325:Opera Orchestra of New York
147:, based on an epic poem by
2981:
2707:Portrait of Giuseppe Verdi
1942:, New York, Vienna House.
918:Opera House and Orchestra
860:O signore, dal tetto natio
728:Sciagurata! hai tu creduto
451:presented a production by
96:11 February 1843
2884:
2727:Verdi, the King of Melody
2555:String Quartet in E minor
2030:
1159:DVD: Warner Music Vision,
806:Oh belle, a questa misera
734:Scene 2: The Folco palace
671:
313:was presented in 1930 at
47:
39:
2965:Operas set in the Levant
2935:Operas by Giuseppe Verdi
2395:Libiamo ne' lieti calici
1745:Phillips-Matz, Mary Jane
1654:(2nd ed.). London:
1241:CD: Dynamic CDS 390/1-2
833:Act 4: Il Santo Sepolcro
827:Qual voluttà trascorrere
782:Scene 3: Acciano's harem
763:La mia letizia infondere
2940:Italian-language operas
2632:Giuseppe Verdi Monument
2359:Bella figlia dell'amore
2179:La battaglia di Legnano
1717:Kimbell, David (2001).
378:, as well as Carreras.
306:20th century and beyond
27:Opera by Giuseppe Verdi
2239:Les vêpres siciliennes
1519:Retrieved 6 April 2013
866:Scene 3: Arvino's tent
812:Scene 2: Arvino's tent
717:
507:
499:
491:
209:
198:
190:
2404:Un dì, felice, eterea
1971:Libretto (in Italian)
1264:Teatro Regio di Parma
1028:and Ambrosian Singers
794:Act 3: La Conversione
767:Come poteva un angelo
712:
505:
497:
489:
468:Teatro Regio di Parma
438:was presented at the
339:, Renata Scotto, and
282:Her Majesty's Theatre
204:
196:
188:
2866:Verdi Transcriptions
2516:Un ballo in maschera
2462:La forza del destino
2289:La forza del destino
2279:Un ballo in maschera
2033:List of compositions
1656:Macmillan Publishers
1255:Dimitra Theodossiou,
1253:Christina Giannelli,
1225:Dimitra Theodossiou,
1203:Orchestra and Chorus
1146:Gianandrea Gavazzeni
1072:Cat: SLPD 12498-500
989:Rome Opera Orchestra
985:Gianandrea Gavazzeni
2955:Operas set in Italy
2698:Cultural depictions
2577:Quattro pezzi sacri
2425:Opera discographies
1973:on giuseppeverdi.it
1702:. London: Cassell.
1464:, pp. 184–186.
1306:Teatro Regio Torino
992:CD: Opera D'oro
788:Oh madre, dal cielo
449:Hamburg State Opera
398:New York City Opera
278:Palmo's Opera House
229:Performance history
181:Composition history
171:under the title of
2625:Milan Conservatory
2546:Inno delle nazioni
2527:Other compositions
2249:I vespri siciliani
2059:Un giorno di regno
1749:Verdi: A Biography
1586:The New York Times
1560:The New York Times
1534:2015-09-25 at the
1479:The New York Times
1462:Phillips-Matz 1993
1450:Phillips-Matz 1993
1399:, pp. 134–135
1371:, pp. 115–117
1260:Daniele Calligari,
1249:Roberto di Biasio,
1223:Graziella Merrino,
1219:Francesco Piccoli,
1201:Metropolitan Opera
953:Manno Wolf-Ferrari
844:In cielo benedetto
718:
705:Act 1: La Vendetta
667:Napoleone Marconi
594:Erminia Frezzolini
586:daughter of Arvino
508:
500:
492:
414:Metropolitan Opera
210:
199:
191:
2900:
2899:
2740:(1982 miniseries)
2737:The Life of Verdi
2674:Verdi, California
2386:La donna è mobile
1914:, New York: Knopf
1883:978-0-19-531314-7
1665:978-1-56159-239-5
1551:"Rita Shane with
1317:
1316:
1230:Tiziano Severini,
1227:Massimo Giordano
1191:Luciano Pavarotti
1161:Cat: 0927 44927 1
1152:Teatro alla Scala
1062:Lamberto Gardelli
1021:Lamberto Gardelli
1011:Cristina Deutekom
1008:Desdemona Malvisi
994:ASIN: B00000FBRS
981:Luciano Pavarotti
960:CD: Warner Fonit
678:
677:
642:Amalia Gandaglia
550:son of Lord Folco
534:son of Lord Folco
525:Eugenio Cavallini
472:COVID-19 pandemic
418:Luciano Pavarotti
404:was given by the
390:Cristina Deutekom
372:Cristina Deutekom
368:Matteo Manuguerra
348:Royal Opera House
323:was given by the
165:Salle Le Peletier
153:Teatro alla Scala
145:Temistocle Solera
117:
116:
108:Teatro alla Scala
64:Temistocle Solera
16:(Redirected from
2972:
2917:
2916:
2908:
2891:
2890:
2877:
2870:
2860:
2850:Related articles
2842:
2832:
2822:
2812:
2802:
2792:
2782:
2769:Film adaptations
2761:
2751:
2741:
2731:
2721:
2711:
2690:
2683:
2676:
2669:
2662:
2655:
2648:
2641:
2634:
2627:
2620:
2599:
2581:
2571:
2570:
2563:Messa da Requiem
2558:
2550:
2540:
2519:
2510:
2501:
2492:
2483:
2474:
2465:
2456:
2447:
2438:
2426:
2416:
2407:
2398:
2389:
2380:
2371:
2362:
2353:
2333:
2323:
2313:
2303:
2293:
2283:
2273:
2263:
2259:Simon Boccanegra
2253:
2243:
2233:
2223:
2213:
2203:
2193:
2183:
2173:
2163:
2153:
2143:
2133:
2123:
2113:
2103:
2093:
2083:
2073:
2063:
2053:
2017:
2010:
2003:
1994:
1964:: Scores at the
1891:Pistone, Danièle
1887:
1875:
1848:Osborne, Charles
1833:Martin, George,
1762:
1740:
1728:
1713:
1682:
1677:
1671:
1669:
1634:
1628:
1621:
1615:
1614:
1612:
1611:
1602:. Archived from
1596:
1590:
1570:
1564:
1544:
1538:
1526:
1520:
1514:
1508:
1507:
1505:
1503:
1494:. Archived from
1488:
1482:
1471:
1465:
1459:
1453:
1446:
1440:
1434:
1428:
1421:
1415:
1409:Performances of
1406:
1400:
1394:
1385:
1378:
1372:
1366:
1357:
1347:
1341:
1335:
1313:Cat: B07HSKMMY6
1299:Michele Mariotti
1251:Michele Pertusi,
1211:Cat: 455 287-2
1182:Patricia Racette
1131:Silvano Carroli,
1116:, July 12, 1972)
1095:Annette Parker,
1045:Giorgio Lamberti
1036:Cat: 000942602
1005:Ruggero Raimondi
1002:Jerome Lo Monaco
971:Ruggero Raimondi
940:Miriam Pirazzini
899:
693:, in and around
621:ruler of Antioch
543:Giovanni Severi
510:
476:Teatro La Fenice
440:Teatro Donizetti
392:appeared in the
360:Nicola Ghiuselev
297:
135:in four acts by
111:
103:
101:
52:
30:
21:
2980:
2979:
2975:
2974:
2973:
2971:
2970:
2969:
2925:
2924:
2923:
2911:
2903:
2901:
2896:
2880:
2873:
2863:
2856:
2845:
2835:
2825:
2815:
2805:
2795:
2785:
2775:
2764:
2754:
2744:
2734:
2724:
2714:
2704:
2693:
2686:
2679:
2672:
2665:
2658:
2651:
2644:
2637:
2630:
2623:
2602:
2595:
2584:
2574:
2561:
2553:
2543:
2536:Suona la tromba
2533:
2522:
2513:
2504:
2495:
2486:
2477:
2468:
2459:
2450:
2441:
2432:
2424:
2419:
2410:
2401:
2392:
2383:
2374:
2365:
2356:
2347:
2336:
2326:
2316:
2306:
2296:
2286:
2276:
2266:
2256:
2252:(December 1855)
2246:
2236:
2226:
2216:
2206:
2196:
2186:
2176:
2166:
2156:
2146:
2136:
2126:
2116:
2109:Giovanna d'Arco
2106:
2096:
2086:
2076:
2066:
2056:
2046:
2035:
2026:
2021:
1956:
1917:Walker, Frank,
1884:
1864:
1817:Gossett, Philip
1769:
1767:Further reading
1759:
1743:
1737:
1716:
1710:
1694:
1686:
1685:
1678:
1674:
1666:
1636:
1635:
1631:
1622:
1618:
1609:
1607:
1598:
1597:
1593:
1571:
1567:
1545:
1541:
1536:Wayback Machine
1527:
1523:
1515:
1511:
1501:
1499:
1498:on 3 March 2016
1490:
1489:
1485:
1472:
1468:
1460:
1456:
1447:
1443:
1435:
1431:
1427:, 1971 and 1998
1422:
1418:
1407:
1403:
1395:
1388:
1379:
1375:
1367:
1360:
1348:
1344:
1336:
1332:
1322:
1312:
1303:
1301:
1294:
1290:
1289:Giuseppe Gipali
1288:
1284:
1272:
1267:
1261:
1257:Francesco Meli
1256:
1254:
1252:
1250:
1237:
1235:
1233:
1231:
1226:
1224:
1222:
1221:Giorgio Surjan,
1220:
1210:
1199:
1189:
1184:
1180:
1176:
1164:
1162:
1160:
1155:
1149:
1139:
1136:Ghena Dimitrova
1134:
1132:
1130:
1121:Cat: 2-CF 2051
1120:
1111:
1106:
1098:
1096:
1094:
1089:
1087:
1083:
1071:
1070:CD: Hungaroton
1067:
1065:
1057:
1055:
1053:
1051:
1047:
1035:
1024:
1016:Plácido Domingo
1014:
1009:
1007:
1003:
993:
988:
980:
975:
973:
969:
956:
948:
943:
938:
933:
917:
912:
910:
908:
906:
897:
882:
868:
835:
796:
753:
707:
683:
661:Prior of Milan
649:Arvino's squire
635:wife of Acciano
560:Prosper Dérivis
548:Pagano/Hermit,
522:
484:
426:Lauren Flanigan
394:San Diego Opera
308:
295:
286:Benjamin Lumley
236:
231:
183:
113:
112:
106:
104:
99:
97:
55:
28:
23:
22:
15:
12:
11:
5:
2978:
2976:
2968:
2967:
2962:
2957:
2952:
2947:
2942:
2937:
2927:
2926:
2922:
2921:
2898:
2897:
2885:
2882:
2881:
2879:
2878:
2871:
2861:
2853:
2851:
2847:
2846:
2844:
2843:
2833:
2823:
2813:
2803:
2793:
2783:
2772:
2770:
2766:
2765:
2763:
2762:
2752:
2742:
2732:
2722:
2717:Giuseppe Verdi
2712:
2701:
2699:
2695:
2694:
2692:
2691:
2684:
2677:
2670:
2663:
2656:
2649:
2646:Verdi (crater)
2642:
2635:
2628:
2621:
2600:
2592:
2590:
2586:
2585:
2583:
2582:
2572:
2559:
2551:
2541:
2530:
2528:
2524:
2523:
2521:
2520:
2511:
2502:
2493:
2484:
2475:
2466:
2457:
2448:
2439:
2429:
2427:
2421:
2420:
2418:
2417:
2408:
2399:
2390:
2381:
2377:Di quella pira
2372:
2363:
2354:
2344:
2342:
2341:Opera excerpts
2338:
2337:
2335:
2334:
2324:
2314:
2304:
2294:
2284:
2274:
2264:
2254:
2244:
2234:
2224:
2214:
2204:
2194:
2184:
2174:
2164:
2154:
2144:
2134:
2124:
2114:
2104:
2094:
2084:
2074:
2064:
2054:
2043:
2041:
2037:
2036:
2031:
2028:
2027:
2024:Giuseppe Verdi
2022:
2020:
2019:
2012:
2005:
1997:
1991:
1990:
1984:
1979:
1974:
1968:
1955:
1954:External links
1952:
1951:
1950:
1929:
1915:
1905:
1888:
1882:
1862:
1845:
1831:
1814:
1792:
1768:
1765:
1764:
1763:
1757:
1741:
1735:
1714:
1708:
1696:Budden, Julian
1684:
1683:
1672:
1664:
1642:Sadie, Stanley
1629:
1616:
1591:
1565:
1539:
1521:
1509:
1483:
1466:
1454:
1441:
1439:, p. 980.
1429:
1416:
1401:
1386:
1373:
1358:
1342:
1340:, p. 115.
1329:
1328:
1321:
1318:
1315:
1314:
1309:
1296:
1282:Francesco Meli
1279:
1275:
1274:
1269:
1258:
1247:
1243:
1242:
1239:
1228:
1217:
1213:
1212:
1204:
1193:
1171:
1167:
1166:
1157:
1143:
1133:Luisa Vannini,
1127:
1123:
1122:
1117:
1100:
1078:
1074:
1073:
1068:
1059:
1058:Ezio di Cesare
1042:
1038:
1037:
1029:
1018:
1000:
996:
995:
990:
982:
974:Anna di Stasio
968:Umberto Grilli
966:
962:
961:
958:
950:
927:
923:
922:
919:
914:
903:
896:
893:
881:
878:
834:
831:
795:
792:
752:
749:
706:
703:
702:
701:
687:
686:Time: 1095-99.
682:
679:
676:
675:
669:
668:
665:
662:
658:
657:
656:Gaetano Rossi
654:
651:
644:
643:
640:
637:
630:
629:
626:
623:
613:
612:
607:
604:
597:
596:
591:
588:
581:
580:
578:Teresa Ruggeri
575:
570:
568:wife of Arvino
563:
562:
557:
552:
545:
544:
541:
536:
529:
528:
519:
514:
483:
480:
445:Sarasota Opera
382:Carlo Bergonzi
307:
304:
235:
232:
230:
227:
189:Giuseppe Verdi
182:
179:
149:Tommaso Grossi
139:to an Italian
137:Giuseppe Verdi
115:
114:
105:
95:
93:
89:
88:
84:'s epic poem,
82:Tommaso Grossi
79:
75:
74:
71:
67:
66:
61:
57:
56:
53:
45:
44:
42:Giuseppe Verdi
37:
36:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
2977:
2966:
2963:
2961:
2958:
2956:
2953:
2951:
2948:
2946:
2943:
2941:
2938:
2936:
2933:
2932:
2930:
2920:
2915:
2910:
2906:
2895:
2894:
2883:
2876:
2872:
2869:
2867:
2862:
2859:
2855:
2854:
2852:
2848:
2840:
2839:
2834:
2830:
2829:
2824:
2820:
2819:
2814:
2810:
2809:
2804:
2800:
2799:
2794:
2790:
2789:
2784:
2780:
2779:
2774:
2773:
2771:
2767:
2759:
2758:
2757:Risorgimento!
2753:
2749:
2748:
2743:
2739:
2738:
2733:
2729:
2728:
2723:
2719:
2718:
2713:
2709:
2708:
2703:
2702:
2700:
2696:
2689:
2688:Verdi, Nevada
2685:
2682:
2681:Verdi, Kansas
2678:
2675:
2671:
2668:
2664:
2661:
2657:
2654:
2650:
2647:
2643:
2640:
2636:
2633:
2629:
2626:
2622:
2618:
2614:
2610:
2606:
2601:
2598:
2594:
2593:
2591:
2587:
2579:
2578:
2573:
2569:
2564:
2560:
2556:
2552:
2548:
2547:
2542:
2538:
2537:
2532:
2531:
2529:
2525:
2518:
2517:
2512:
2509:
2508:
2503:
2500:
2499:
2494:
2491:
2490:
2485:
2482:
2481:
2476:
2473:
2472:
2467:
2464:
2463:
2458:
2455:
2454:
2449:
2446:
2445:
2440:
2437:
2436:
2431:
2430:
2428:
2422:
2414:
2409:
2405:
2400:
2396:
2391:
2387:
2382:
2378:
2373:
2369:
2364:
2360:
2355:
2351:
2346:
2345:
2343:
2339:
2331:
2330:
2325:
2321:
2320:
2315:
2311:
2310:
2305:
2301:
2300:
2295:
2291:
2290:
2285:
2281:
2280:
2275:
2271:
2270:
2265:
2261:
2260:
2255:
2251:
2250:
2245:
2241:
2240:
2235:
2231:
2230:
2225:
2221:
2220:
2215:
2211:
2210:
2205:
2201:
2200:
2195:
2191:
2190:
2185:
2181:
2180:
2175:
2171:
2170:
2165:
2161:
2160:
2155:
2151:
2150:
2145:
2141:
2140:
2135:
2131:
2130:
2125:
2121:
2120:
2115:
2111:
2110:
2105:
2101:
2100:
2099:I due Foscari
2095:
2091:
2090:
2085:
2081:
2080:
2075:
2071:
2070:
2065:
2061:
2060:
2055:
2051:
2050:
2045:
2044:
2042:
2038:
2034:
2029:
2025:
2018:
2013:
2011:
2006:
2004:
1999:
1998:
1995:
1988:
1985:
1983:
1980:
1978:
1975:
1972:
1969:
1967:
1963:
1962:
1958:
1957:
1953:
1949:
1948:0-8443-0088-8
1945:
1941:
1937:
1933:
1932:Werfel, Franz
1930:
1928:
1927:0-226-87132-0
1924:
1920:
1919:The Man Verdi
1916:
1913:
1909:
1908:Toye, Francis
1906:
1904:
1903:0-931340-82-9
1900:
1896:
1892:
1889:
1885:
1879:
1874:
1873:
1867:
1866:Parker, Roger
1863:
1861:
1860:0-306-80072-1
1857:
1853:
1849:
1846:
1844:
1843:0-396-08196-7
1840:
1836:
1832:
1830:
1829:0-226-30482-5
1826:
1822:
1818:
1815:
1813:
1812:0-226-14370-8
1809:
1805:
1804:0-226-14369-4
1801:
1797:
1793:
1791:
1790:0-521-29712-5
1787:
1783:
1780:. Cambridge,
1779:
1775:
1771:
1770:
1766:
1760:
1758:0-19-313204-4
1754:
1750:
1746:
1742:
1738:
1736:0-14-029312-4
1732:
1727:
1726:
1720:
1719:Amanda Holden
1715:
1711:
1709:0-304-31058-1
1705:
1701:
1697:
1693:
1692:
1691:
1690:
1681:
1676:
1673:
1667:
1661:
1657:
1653:
1652:
1647:
1646:Tyrrell, John
1643:
1639:
1638:Parker, Roger
1633:
1630:
1627:, p. 114
1626:
1620:
1617:
1606:on 2014-02-23
1605:
1601:
1595:
1592:
1588:
1587:
1582:
1580:
1574:
1573:Donal Henahan
1569:
1566:
1562:
1561:
1556:
1554:
1548:
1547:John Rockwell
1543:
1540:
1537:
1533:
1530:
1525:
1522:
1518:
1513:
1510:
1497:
1493:
1487:
1484:
1480:
1476:
1470:
1467:
1463:
1458:
1455:
1452:, p. 183
1451:
1445:
1442:
1438:
1433:
1430:
1426:
1420:
1417:
1414:
1412:
1405:
1402:
1398:
1393:
1391:
1387:
1384:, p. 116
1383:
1377:
1374:
1370:
1365:
1363:
1359:
1355:
1351:
1346:
1343:
1339:
1334:
1331:
1327:
1326:
1319:
1310:
1308:, April 2018)
1307:
1304:(Recorded at
1300:
1297:
1293:
1292:Alex Esposito
1287:
1283:
1280:
1277:
1276:
1270:
1265:
1259:
1248:
1245:
1244:
1240:
1229:
1218:
1215:
1214:
1209:
1205:
1202:
1197:
1194:
1192:
1187:
1186:June Anderson
1183:
1179:
1175:
1174:Richard Leech
1172:
1169:
1168:
1158:
1153:
1147:
1144:
1142:
1141:José Carreras
1137:
1128:
1125:
1124:
1118:
1115:
1114:Carnegie Hall
1112:(Recorded at
1109:
1104:
1101:
1092:
1088:Franco Marini
1086:
1085:Renata Scotto
1082:
1081:José Carreras
1079:
1076:
1075:
1069:
1063:
1060:
1054:Gregor József
1050:
1046:
1043:
1040:
1039:
1034:
1030:
1027:
1022:
1019:
1017:
1012:
1006:
1001:
998:
997:
991:
986:
983:
978:
977:Renata Scotto
972:
967:
964:
963:
959:
954:
951:
949:Gustavo Gallo
946:
941:
936:
931:
930:Aldo Bertocci
928:
925:
924:
920:
915:
905:Cast (Arvino,
904:
901:
900:
894:
892:
890:
889:
879:
877:
875:
869:
867:
863:
861:
856:
855:
851:
849:
845:
840:
839:
832:
830:
828:
822:
821:
817:
814:
813:
809:
807:
801:
800:
793:
791:
789:
784:
783:
779:
775:
774:
770:
768:
764:
758:
757:
748:
746:
742:
736:
735:
731:
729:
723:
722:
715:
711:
704:
700:
696:
692:
688:
685:
684:
680:
674:
670:
666:
663:
660:
659:
655:
652:
650:
646:
645:
641:
638:
636:
632:
631:
627:
624:
622:
618:
615:
614:
611:
608:
605:
603:
599:
598:
595:
592:
589:
587:
583:
582:
579:
576:
574:
571:
569:
565:
564:
561:
558:
556:
553:
551:
547:
546:
542:
540:
537:
535:
531:
530:
526:
520:
518:
515:
512:
511:
504:
496:
488:
481:
479:
477:
473:
469:
465:
461:
456:
454:
450:
446:
441:
437:
433:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
391:
388:, along with
387:
383:
379:
377:
373:
369:
365:
361:
357:
353:
352:José Carreras
350:in 1976 with
349:
344:
342:
338:
337:José Carreras
334:
333:Carnegie Hall
330:
326:
322:
318:
316:
312:
305:
303:
301:
294:
289:
287:
283:
279:
274:
272:
271:
266:
262:
257:
255:
251:
247:
243:
242:
233:
228:
226:
224:
220:
219:Julian Budden
216:
215:First Crusade
208:
203:
195:
187:
180:
178:
176:
175:
170:
166:
162:
158:
154:
150:
146:
142:
138:
134:
133:dramma lirico
131:
127:
123:
122:
109:
94:
90:
87:
83:
80:
76:
72:
68:
65:
62:
58:
51:
46:
43:
38:
35:
31:
19:
2886:
2865:
2837:
2827:
2817:
2807:
2797:
2787:
2777:
2760:(2011 opera)
2755:
2745:
2735:
2725:
2715:
2705:
2589:Recognitions
2575:
2544:
2534:
2515:
2506:
2498:Il trovatore
2497:
2488:
2479:
2470:
2461:
2452:
2443:
2434:
2413:Va, pensiero
2368:Celeste Aida
2350:Anvil Chorus
2327:
2317:
2307:
2297:
2287:
2277:
2267:
2257:
2247:
2237:
2227:
2219:Il trovatore
2217:
2207:
2197:
2189:Luisa Miller
2187:
2177:
2167:
2157:
2149:I masnadieri
2147:
2137:
2127:
2117:
2107:
2097:
2087:
2078:
2077:
2067:
2057:
2047:
1960:
1939:
1936:Stefan, Paul
1918:
1911:
1894:
1871:
1851:
1834:
1820:
1806:(hardback),
1795:
1781:
1777:
1774:Roger Parker
1748:
1724:
1699:
1688:
1687:
1675:
1649:
1632:
1619:
1608:. Retrieved
1604:the original
1594:
1584:
1578:
1568:
1558:
1552:
1542:
1524:
1512:
1500:. Retrieved
1496:the original
1486:
1478:
1474:
1469:
1457:
1444:
1437:Kimbell 2001
1432:
1424:
1419:
1410:
1404:
1376:
1345:
1333:
1324:
1323:
1295:Lavinia Bini
1286:Angela Meade
1273:Cat: 721808
1196:James Levine
1178:Samuel Ramey
1165:Cat: D 2036
1091:Paul Plishka
1052:Kolos Kováts
945:Maria Vitale
886:
883:
873:
870:
865:
864:
859:
857:
853:
852:
847:
843:
841:
837:
836:
826:
823:
819:
818:
815:
811:
810:
805:
802:
798:
797:
787:
785:
781:
780:
776:
772:
771:
766:
762:
759:
755:
754:
744:
740:
737:
733:
732:
727:
724:
720:
719:
713:
672:
648:
634:
628:Luigi Vairo
620:
610:Carlo Guasco
601:
585:
567:
549:
533:
523:(Conductor:
457:
435:
434:
430:Samuel Ramey
422:Aprile Millo
410:Aprile Millo
401:
386:Paul Plishka
380:
345:
341:Paul Plishka
320:
319:
310:
309:
300:Arrigo Boito
292:
290:
275:
268:
264:
260:
258:
253:
249:
245:
239:
237:
234:19th century
222:
211:
206:
172:
132:
125:
120:
119:
118:
85:
33:
2945:1843 operas
2875:Villa Verdi
2798:La Traviata
2750:(1985 play)
2730:(1953 film)
2720:(1938 film)
2660:Verdi Range
2653:Verdi Inlet
2580:(1889–1897)
2507:La traviata
2242:(June 1855)
2229:La traviata
1625:Budden 1984
1397:Budden 1984
1382:Budden 1984
1369:Budden 1984
1350:Parker 2007
1338:Budden 1984
1311:CD: Dynamic
1129:Carlo Bini,
1049:Sylvia Sass
935:Mario Petri
741:Salve Maria
697:, and near
453:David Alden
356:Sylvia Sass
169:Paris Opera
161:grand opera
2929:Categories
2868:(Finnissy)
2747:After Aida
2667:3975 Verdi
2444:Don Carlos
2302:(1867/84)
2299:Don Carlos
2292:(1862/69)
2169:Il corsaro
2142:(1847/65)
1610:2013-11-19
1579:I Lombardi
1553:I Lombardi
1502:17 January
1475:I Lombardi
1425:I Lombardi
1411:I Lombardi
1380:Quoted in
1352:, p.
1320:References
1103:Eve Queler
1097:Will Roy,
1056:Jász Klári
916:Conductor,
895:Recordings
566:Viclinda,
517:Voice type
436:I Lombardi
402:I Lombardi
329:Eve Queler
321:I Lombardi
311:I Lombardi
293:I Lombardi
261:I Lombardi
254:I Lombardi
246:I Lombardi
223:I Lombardi
207:I Lombardi
100:1843-02-11
60:Librettist
34:I Lombardi
18:I Lombardi
2489:Rigoletto
2262:(1857/81)
2209:Rigoletto
2199:Stiffelio
2159:Jérusalem
1850:(1969),
1776:, 1980),
1099:Yoshi Ito
909:Viclinda,
699:Jerusalem
584:Giselda,
376:Juan Pons
270:Jérusalem
174:Jérusalem
40:Opera by
2893:Category
2613:Florence
2605:Brindisi
2453:Falstaff
2329:Falstaff
1938:(1973),
1910:(1931),
1893:(1995),
1868:(2007).
1819:(2006),
1747:(1993).
1698:(1984).
1648:(eds.).
1577:"Opera:
1532:Archived
1154:, Milan,
913:Oronte)
911:Giselda,
681:Synopsis
639:soprano
600:Oronte,
590:soprano
532:Arvino,
462:and the
315:La Scala
141:libretto
130:operatic
128:) is an
92:Premiere
78:Based on
70:Language
2818:Macbeth
2617:Trieste
2609:Busseto
2565:(1874)
2471:Macbeth
2322:(1887)
2312:(1871)
2282:(1859)
2232:(1853)
2222:(1853)
2212:(1851)
2139:Macbeth
2069:Nabucco
1721:(ed.).
1689:Sources
1163:Kultur,
1033:Philips
907:Pagano,
888:Nabucco
695:Antioch
689:Place:
647:Pirro,
633:Sofia,
617:Acciano
573:soprano
460:Ricordi
428:), and
265:Nabucco
250:Nabucco
241:Nabucco
167:of the
110:, Milan
98: (
73:Italian
2950:Operas
2905:Portal
2841:(2005)
2831:(1987)
2821:(1987)
2811:(1986)
2808:Otello
2801:(1983)
2791:(1953)
2781:(1906)
2778:Otello
2710:(1886)
2557:(1873)
2549:(1862)
2539:(1848)
2480:Otello
2332:(1893)
2319:Otello
2272:(1857)
2269:Aroldo
2202:(1850)
2192:(1849)
2182:(1849)
2172:(1848)
2162:(1847)
2152:(1847)
2132:(1846)
2129:Attila
2122:(1845)
2119:Alzira
2112:(1845)
2102:(1844)
2092:(1844)
2089:Ernani
2082:(1843)
2072:(1842)
2062:(1840)
2052:(1839)
2040:Operas
1946:
1925:
1901:
1880:
1858:
1841:
1827:
1810:
1802:
1788:
1755:
1733:
1706:
1662:
1549:1992,
1206:CD:
921:Label
745:Orror!
664:tenor
606:tenor
364:Bilbao
2919:Opera
1782:et al
1325:Notes
1246:2009
1216:2001
1208:Decca
1126:1984
1031:CD:
902:Year
880:Music
691:Milan
653:bass
625:bass
539:tenor
513:Role
482:Roles
296:'
2828:Aida
2788:Aida
2435:Aida
2309:Aida
1944:ISBN
1934:and
1923:ISBN
1899:ISBN
1878:ISBN
1856:ISBN
1839:ISBN
1825:ISBN
1808:ISBN
1800:ISBN
1786:ISBN
1753:ISBN
1731:ISBN
1704:ISBN
1660:ISBN
1504:2012
1278:2018
1170:1996
1077:1991
1041:1984
999:1971
965:1969
926:1951
555:bass
384:and
358:and
331:at
143:by
2931::
2615:-
2611:-
2607:-
1658:.
1644:;
1583:,
1575:,
1557:,
1389:^
1361:^
1354:67
619:,
527:)
420:,
374:,
370:,
354:,
343:.
217:.
177:.
2907::
2619:)
2415:"
2411:"
2406:"
2402:"
2397:"
2393:"
2388:"
2384:"
2379:"
2375:"
2370:"
2366:"
2361:"
2357:"
2352:"
2348:"
2016:e
2009:t
2002:v
1886:.
1761:.
1739:.
1712:.
1670:
1668:.
1613:.
1555:"
1506:.
1356:.
1266:,
1198:,
1188:,
1148:,
1138:,
1105:,
1093:,
1064:,
1023:,
1013:,
987:,
979:,
955:,
947:,
942:,
937:,
932:,
124:(
102:)
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
