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Iberian schematic art

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223: 251: 22: 306:, that is, a figurative style in which only the basic fragments of each figure are represented (eliminating all the rest); what's more, the representation is so basic that the graphic elements are converted into mere outlines, but without losing the minimal identifying features. In fact, the schematic phenomenon is considered somewhat more precise and problematic, and it is integrated in a wide movement which affects almost all of Europe and the 126: 325:(a figurative representation more or less faithful to nature, with concrete details which allow the easy identification of the figures), stylization (also figurative, but which accentuates certain details considered arbitrarily important, repeating and distorting them until they lose their real shapes), and 332:
Even if one only takes the peninsular ambit into account, schematic art lacks uniformity, it spans quite a wide chronology and its geography is too wide, which makes its study difficult and makes it almost impossible to establish cultural phases or regions.
66:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge. 329:(representations completely unconnected with reality which are associated with a philosophical symbolism and which, although they may unconsciously contain some real elements, such a link is not possible to prove). 52: 342: 313:
It could be said that the schematic phenomenon has global dimensions, although each region, including the Hispanic, has its own, differentiating aspects.
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Content in this edit is translated from the existing Spanish Knowledge article at ]; see its history for attribution.
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is the name given to a series of prehistoric representations (almost always cave paintings) that appear in the
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and surviving marginally in some isolated regions during much later stages.
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to the source of your translation. A model attribution edit summary is
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The Prehistoric Rock Art of Portugal: Symbolising Animals and Things
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Its main characteristic, and that which gives it its name, is the
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Rock Art of the Mediterranean Basin on the Iberian Peninsula
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is still a matter for debate, but it could span from the
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a machine-translated version of the Spanish article.
150:. Unsourced material may be challenged and removed. 317:The schematic phenomenon in the Iberian peninsula 84:accompanying your translation by providing an 46:Click for important translation instructions. 33:expand this article with text translated from 8: 96:{{Translated|es|Arte esquemático ibérico}} 321:Schematics in art is a concept linked to 210:Learn how and when to remove this message 354: 7: 148:adding citations to reliable sources 295:, overlapping, at its start, with 14: 124: 20: 135:needs additional citations for 94:You may also add the template 1: 408: 279:and even the start of the 259:Peña Escrita (Ciudad Real) 58:Machine translation, like 35:the corresponding article 159:"Iberian schematic art" 105:For more guidance, see 365:. Routledge, 2024. 2. 261: 247: 265:Iberian schematic art 253: 225: 107:Knowledge:Translation 78:copyright attribution 144:improve this article 293:first millennium BC 262: 248: 86:interlanguage link 269:Iberian Peninsula 220: 219: 212: 194: 118: 117: 47: 43: 399: 366: 359: 215: 208: 204: 201: 195: 193: 152: 128: 120: 97: 91: 64:Google Translate 45: 41: 24: 23: 16: 407: 406: 402: 401: 400: 398: 397: 396: 387:Neolithic Spain 382:Prehistoric art 372: 371: 370: 369: 360: 356: 351: 339: 319: 216: 205: 199: 196: 153: 151: 141: 129: 114: 113: 112: 95: 89: 48: 25: 21: 12: 11: 5: 405: 403: 395: 394: 389: 384: 374: 373: 368: 367: 361:Garcês, Sara. 353: 352: 350: 347: 346: 345: 338: 335: 318: 315: 232:of Extremadura 218: 217: 132: 130: 123: 116: 115: 111: 110: 103: 92: 70: 67: 56: 49: 42:(October 2009) 30: 29: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 404: 393: 390: 388: 385: 383: 380: 379: 377: 364: 358: 355: 348: 344: 341: 340: 336: 334: 330: 328: 324: 316: 314: 311: 309: 308:Mediterranean 305: 300: 298: 297:Levantine Art 294: 290: 286: 282: 278: 274: 270: 266: 260: 256: 252: 245: 241: 237: 233: 229: 224: 214: 211: 203: 200:February 2024 192: 189: 185: 182: 178: 175: 171: 168: 164: 161: –  160: 156: 155:Find sources: 149: 145: 139: 138: 133:This article 131: 127: 122: 121: 108: 104: 101: 93: 87: 83: 79: 75: 71: 68: 65: 61: 57: 54: 51: 50: 44: 38: 36: 31:You can help 27: 18: 17: 362: 357: 331: 320: 312: 301: 264: 263: 231: 206: 197: 187: 180: 173: 166: 154: 142:Please help 137:verification 134: 82:edit summary 73: 40: 32: 392:Spanish art 327:abstraction 376:Categories 349:References 291:up to the 285:chronology 277:Bronze Age 273:Copper Age 236:Copper Age 170:newspapers 37:in Spanish 304:schematic 100:talk page 337:See also 281:Iron Age 255:Rock art 230:called " 76:provide 323:realism 283:). Its 184:scholar 98:to the 80:in the 39:. 289:fourth 275:, the 244:Madrid 240:M.A.N. 186:  179:  172:  165:  157:  226:Eyed 191:JSTOR 177:books 60:DeepL 228:idol 163:news 74:must 72:You 53:View 257:in 234:" ( 146:by 62:or 378:: 310:. 246:). 242:, 238:, 213:) 207:( 202:) 198:( 188:· 181:· 174:· 167:· 140:. 109:. 102:.

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idol
Copper Age
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Rock art
Peña Escrita (Ciudad Real)
Iberian Peninsula
Copper Age

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