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356:, who painted his portrait twice in 1861, and the ceramists Bracquemond and Solon, who they met to dinner at the Japanese style. “One always felt when approaching him, a small feeling of fear, because of these rough manners which the artists of his generation often affected as inseparable from a noble independence”, would say Jacques-Émile Blanche, a friend painter of the following generation.
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294:, however, the choice of such a subject wasn't innocent. In the hierarchy of genres enacted by the Academy of Fine Arts since the 17th century, the still life of fruit or flowers was considered a minor category. By ignoring any literary, religious or historical context, supposed to confer value and nobility on the work, he adopted the opposite stance of
420:. This canvas testifies to the links he maintained with the artistic and literary avant-garde of the time and to Manet in particular; it also seems to be an echo of Zola s opinion of Manet: "Around the painter reviled by the public, a common front has been created of painters and writers claiming him as a master".
261:
In 1862, one of his still lifes was exhibited at the Royal
Academy in London. It was the first of a long series, for thereafter he presented several almost every year and which invariably occupied a prominent place in the exhibition building. During his third trip to England, from July to October
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painting was still not very widely there. It was said that his still lifes were "practically unknown in France during his lifetime". Thanks to
Whistler he met his brother-in-law Francis Seymour Haden and the engraver Edwin Edwards, and it was in London that he learned engraving.
190:, Ignace Henri Jean Théodore Fantin-Latour first had drawing lessons with his father Théodore Fantin-Latour (1805-1875), who was a painter. In 1850 he moved to Paris where he enrolled in the small Paris School of Drawing, where he studied with Louis-Alexandre Péron and
499:"Many young women's hands would be incapable of doing what I see there," said the Prince, pointing to Mme de Villeparisis's unfinished watercolours. And he asked her whether she had seen the flower painting by Fantin-Latour which had recently been exhibited. (
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349: : “We form a group and make noise because there are many painters and one is easily forgotten. When we come together... we grow in numbers and become more adventurous. I thought it could last, it was my mistake”.
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Like many painters of his time, he became interested in photography, taking pictures for his work. He was also a big collector of erotic photographs; his estate lists more than 1,400 which are kept in the
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At the start of his career, between 1854 and 1861, he produced a large number of self-portraits in chalk, charcoal and oil. He had one of them refused at the Salon of 1859. He participated again with
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278:, he made several stays in London from 1859 to 1881. In the 1860s, he cultivated the genre of the still life, who would play a capital role in his career. Fantin-Latour would find recognition in
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298:. Edwin and Ruth Edwards, his English patrons and merchants, recommended that he always used simple vases and table tops in order to exhibit his great talent in rendering texture and color.
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at his time. At the Living
Masters Exhibition in Amsterdam, in 1889, one of his still lifes with roses sold by 2,000 guilders, a considerable sum back then. Dutch art dealers from
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regularly sold works by Fantin-Latour well into the 1930s. Many of these works would end in Dutch museums such as the
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inspired by the music of some of the great classical composers. In 1876, Fantin-Latour attended a performance of the
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Nine artworks by Fantin-Latour are listed concerning their Nazi-era provenance on the Lost Art
Foundation website
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at
Bayreuth, which he found particularly moving. He would later publish lithographs inspired by
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After his first Salon submissions were rejected in 1859, he began exhibiting with his friend
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originated, he was, according to
Gustave Kahn, a kind of the link between their painters and
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Fantin renovated the collective portraiture with paintings who served as large manifestos:
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presented a retrospective exhibition of his work in 2016–2017 entitled "À fleur de peau".
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240:. A painting from this period represents him with the painter and caricaturist Oulevay.
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A member of the so-called Cénacle des
Batignolles, or group of 1863, from where from
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In 1867, he was also one of the nine members of the
Japanese Jinglar Society, with
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1818:"The Condition of printmaking: Wagnerism and printmaking in France and Britain"
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451:. He would spend his summers on the country estate of his wife's family at
1874:"A Bed of Roses: Fantin-Latour and the Impressionists at the Bowes Museum"
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In addition to his realistic paintings, Fantin-Latour created imaginative
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1864, he once again painted still lifes there. He had commercial success.
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2275:. Vol. 10 (11th ed.). Cambridge University Press. p. 172.
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Corot to Braque: French
Paintings from the Museum of Fine Arts, Boston
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1859:"Au musée du Luxembourg, les photos licencieuses de Fantin-Latour",
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His first major UK gallery exhibition in 40 years took place at the
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His decision to make still lifes may seem surprising at the time of
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for his compositions of flowers and fruits, at a time when French
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1950:"Fantin-Latour: Independent Artist, Friend of the Impressionists"
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391:(1885), a tribute to musicians and musicologists of his time.
2082:"White and Pink Mallows in a Vase » Norton Simon Museum"
166:; 14 January 1836 – 25 August 1904) was a French painter and
301:
Fantin-Latour still lifes were also very appreciated in the
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best known for his flower paintings and group portraits of
2007:"Henri Fantin-Latour (French, 1836 - 1904) (Getty Museum)"
575:
Still Life with
Flowers, Fruits, Wineglass and a Tea Cup
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Jean-Louis Roux, "Des pétales au bout du pinceau", in
377:(1872), a homage to the Parnassian poets, including
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1766:, no 4594, 21 September 2012, pp. 132-133 (French)
2281:The art of Henri Fantin-Latour, his life and work
2266:"Fantin-Latour, Ignace Henri Jean Théodore"
2207:"Flowers from Normandy Henri Fantin-Latour, 1887"
1900:"Fantin-Latour, Henri Suche | Lost Art-Datenbank"
447:In 1876, Fantin-Latour married a fellow painter,
2311:, New York: Stewart, Tabori & Chang, 1989.
233:, his own work remained conservative in style.
2232:"Bouquet of Zinnias (Primary Title) - (83.22)"
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236:In 1861, he briefly frequented the studio of
8:
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1177:Art Gallery of the University of Rochester (
2329:96 artworks by or after Henri Fantin-Latour
620:Still Life, primroses, pears and promenates
560:Still Life with a Carafe, Flowers and Fruit
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1133:Learn how and when to remove this message
1799:Jacques-Émile Blanche, "Fantin-Latour",
1047:, pencil, charcoal, and whitening (1860)
274:(1834-1903), whom he met in 1858 at the
205:, in 1854, where he had for classmates,
18:Ignace Henri Jean Théodore Fantin-Latour
1876:. Thebowesmuseum.org.uk. Archived from
1764:Les Affiches de Grenoble et du Dauphiné
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2293:Poulet, Anne L., & Murphy, A. R.,
1776:Boimans van Beuning Museum, Rotterdam
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7:
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1665:University of Michigan Museum of Art
1207:Birmingham Museums & Art Gallery
1115:adding citations to reliable sources
746:Portraits and allegorical paintings
463:, where he died on 25 August 1904.
2057:"Larkspurs - FANTIN-LATOUR, Henri"
1279:Fine Arts Museums of San Francisco
25:
2136:Museo Nacional Thyssen-Bornemisza
662:Vase of Flowers with a Coffee Cup
489:mentions Fantin-Latour's work in
2579:19th-century French male artists
2569:Burials at Montparnasse Cemetery
2544:20th-century French male artists
2341:273 works by Henri Fantin-Latour
2011:The J. Paul Getty in Los Angeles
1834:10.1111/j.1467-8365.2009.00681.x
1737:Poulet & Murphy 1979, p. 73.
1423:Musée des Beaux-Arts de Bordeaux
1374:Los Angeles County Museum of Art
1213:Bristol Museum & Art Gallery
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270:Encouraged by American painter
2574:20th-century French printmakers
1659:Université de Liège Collections
1102:needs additional citations for
736:Mougins Museum of Classical Art
732:Figues, Reine-Claude et abricot
518:A reproduction of the painting
2309:Paintings in the Musée d'Orsay
2236:Virginia Museum of Fine Arts |
2061:Amgueddfa Cymru – Museum Wales
1753:, Paris, Rieder, 1926 (French)
1515:Museo Nacional de Bellas Artes
1319:Harvard University Art Museums
1168:Art Gallery of New South Wales
337:and the future Impressionists
1:
2283:, London, Drane's ltd., 1924.
1472:Musée des Beaux-Arts de Rouen
1334:Indiana University Art Museum
921:Portrait of Charlotte Dubourg
886:The Temptation of St. Anthony
266:The 1860s and his still lifes
2539:20th-century French painters
2529:19th-century French painters
2297:, Boston: The Museum, 1979.
2032:"Henri Fantin-Latour | MoMA"
1863:, 12 September 2016 (French)
1803:, 1906, pp. 289-313 (French)
1685:Virginia Museum of Fine Arts
1429:Musée des Beaux-Arts de Lyon
1396:Montreal Museum of Fine Arts
907:Musée des Beaux-Arts de Lyon
529:Power, Corruption & Lies
371:(1870), a tribute to Manet,
2476:Horace Lecoq de Boisbaudran
2417:A Studio at Les Batignolles
1569:Nelson-Atkins Museum of Art
1539:Museum of Fine Arts, Boston
1435:Musée des beaux-arts de Pau
1385:Manchester City Art Gallery
1248:Williamstown, Massachusetts
1158:Armand Hammer Museum of Art
869:A Studio at Les Batignolles
797:Marie-Yolande de Fitz-James
714:Still Life with Mustard Pot
397:A Studio at Les Batignolles
368:A Studio at Les Batignolles
192:Horace Lecoq de Boisbaudran
2595:
2564:French still life painters
2290:, New York, Rizzoli, 1977.
1925:"drawing | British Museum"
1680:Victoria and Albert Museum
1599:Philadelphia Museum of Art
1554:National Gallery of Canada
1391:Metropolitan Museum of Art
1191:University of Pennsylvania
27:French painter (1836–1904)
2554:French Symbolist painters
2182:"Exchange: A Victor Hugo"
1644:Thyssen-Bornemisza Museum
1529:Museu Calouste Gulbenkian
1269:Dixon Gallery and Gardens
1264:Detroit Institute of Arts
522:was used as the cover of
476:Cimetière du Montparnasse
163:[ɑ̃ʁifɑ̃tɛ̃latuʁ]
105:Cimetière du Montparnasse
41:
2161:emuseum.toledomuseum.org
2036:The Museum of Modern Art
1559:National Gallery, London
1238:Pittsburgh, Pennsylvania
1185:Art Institute of Chicago
783:Art Institute of Chicago
649:Japanese Anemones (1884)
2425:The Corner of the Table
2339:Henri-Fantin-Latour.org
2272:Encyclopædia Britannica
2186:exchange.umma.umich.edu
1719:Rosenblum 1989, p. 162.
1619:San Diego Museum of Art
1564:National Museum Cardiff
1544:National Gallery of Art
1288:University of Cambridge
1254:Cleveland Museum of Art
993:National Gallery of Art
813:The Corner of the Table
718:National Gallery of Art
474:He was interred in the
374:The Corner of the Table
345:. In 1865, he wrote to
2132:"Fantin-Latour, Henri"
2111:Saint Louis Art Museum
1816:Sloan, Rachel (2009).
1790:, Rizzoli, 1977, p. 13
1614:Saint Louis Art Museum
1381:(Regina, Saskatchewan)
1358:Lady Lever Art Gallery
1329:Honolulu Museum of Art
1304:Foundation E.G. Bührle
1234:Carnegie Museum of Art
505:
492:In Search of Lost Time
272:James McNeill Whistler
2524:Artists from Grenoble
2442:Roses in a Glass Vase
2345:Henri Fantin-Latour,
2286:Lucie-Smith, Edward,
1982:"Art | Hammer Museum"
1628:University of Chicago
1573:Kansas City, Missouri
1379:MacKenzie Art Gallery
1344:Kröller-Müller Museum
1189:Arthur Ross Gallery (
497:
402:Pierre-Auguste Renoir
339:Pierre-Auguste Renoir
319:Kröller-Müller Museum
174:artists and writers.
159:French pronunciation:
2534:French male painters
1846:Edward Lucie-Smith,
1786:Edward Lucie-Smith,
1700:Winnipeg Art Gallery
1649:Toledo Museum of Art
1583:Pasadena, California
1452:Musée des Beaux-Arts
1408:Museum of Modern Art
1339:J. Paul Getty Museum
1259:Dallas Museum of Art
1201:University of Oxford
1148:Aberdeen Art Gallery
1111:improve this article
441:La revue wagnérienne
199:École des Beaux-Arts
123:École des Beaux-Arts
2400:Homage to Delacroix
2385:Henri Fantin-Latour
2307:Rosenblum, Robert,
2288:Henri Fantin-Latour
2157:"Flowers and Fruit"
2086:www.nortonsimon.org
1848:Henri Fantin-Latour
1788:Henri Fantin-Latour
1624:Smart Museum of Art
1589:Old Jail Art Center
1579:Norton Simon Museum
1498:Musée des Ursulines
1244:Clark Art Institute
513:Musée du Luxembourg
362:Homage to Delacroix
155:Henri Fantin-Latour
36:Henri Fantin-Latour
2549:Symbolist painters
2279:Gibson, Frank F.,
2107:"Asters in a Vase"
1929:The British Museum
1690:Wadsworth Atheneum
1402:Museum of Grenoble
1284:Fitzwilliam Museum
1083:Public collections
501:The Guermantes Way
469:Museum of Grenoble
215:Jean-Charles Cazin
53:Museum of Grenoble
2501:
2500:
2317:978-1-55670-099-6
2303:978-0-87846-134-9
1962:on 31 August 2021
1413:Musée de Picardie
1294:Fondation Bemberg
1172:Sydney, Australia
1143:
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702:Other still lifes
590:Flowers and Fruit
520:A Basket of Roses
478:, Paris, France.
329:Artistic universe
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2450:Around the Piano
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548:Flower paintings
449:Victoria Dubourg
414:Frédéric Bazille
388:Around the Piano
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406:Zacharie Astruc
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238:Gustave Courbet
219:Musée du Louvre
211:Alphonse Legros
197:He entered the
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2014:. Retrieved
2010:
2001:
1989:. Retrieved
1985:
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1964:. Retrieved
1957:the original
1944:
1932:. Retrieved
1928:
1919:
1907:. Retrieved
1903:
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1884:17 September
1882:. Retrieved
1878:the original
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1634:Tate Gallery
1519:Buenos Aires
1219:Bowes Museum
1129:
1120:
1109:Please help
1104:verification
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48:
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2519:1904 deaths
2514:1836 births
2433:The Reading
2408:The Reading
1861:Lefigaro.fr
1822:Art History
1604:Rijksmuseum
1501: [
1446:Pau, France
1438: [
1352:Netherlands
605:White Roses
425:lithographs
311:Rijksmuseum
303:Netherlands
296:academicism
207:Edgar Degas
111:Nationality
2508:Categories
2347:Still Life
2254:References
1909:1 November
1398:, (Canada)
1364:La Piscine
1225:, England)
1162:California
902:La Lecture
410:Emile Zola
317:, and the
258:painting.
245:La Liseuse
178:Early life
66:1836-01-14
2493:Symbolism
2392:Paintings
1669:Ann Arbor
1661:(Belgium)
1608:Amsterdam
1523:Argentina
1511:, France)
1466:Amsterdam
1458:, France)
1419:, France)
1370:, France)
1273:Tennessee
960:(c. 1883)
536:in 1983.
526:'s album
524:New Order
315:Amsterdam
307:Amsterdam
247:in 1861.
137:symbolism
119:Education
2478:(master)
2410:(Lisbon)
2241:12 March
2216:12 March
2191:12 March
2166:12 March
2141:12 March
2116:12 March
2091:12 March
2066:12 March
2041:12 March
2016:12 March
1991:12 March
1966:12 March
1934:12 March
1694:Hartford
1474:(France)
1431:(France)
1425:(France)
1404:(France)
1296:Museum (
1179:New York
1152:Scotland
991:(1890),
923:(1882),
905:(1877),
831:(1878),
781:(1867),
763:(1875),
734:(1864),
716:(1860),
365:(1864),
256:romantic
227:Whistler
184:Grenoble
182:Born in
172:Parisian
129:Movement
95:, France
76:, France
74:Grenoble
51:(1859),
2488:Realism
2469:Related
1368:Roubaix
1348:Otterlo
760:Edwards
677:Peonies
543:Gallery
323:Otterlo
280:England
133:Realism
2484:(wife)
2461:(1885)
2453:(1885)
2445:(1879)
2437:(1877)
2435:(Lyon)
2428:(1872)
2420:(1870)
2412:(1870)
2403:(1864)
2333:Art UK
2315:
2301:
1638:London
1533:Lisbon
1417:Amiens
1308:Zürich
1077:(1861)
1062:(1861)
1032:(1860)
1017:(1859)
945:(1882)
872:(1870)
855:(1867)
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679:(1891)
664:(1885)
637:(1875)
622:(1873)
607:(1871)
592:(1866)
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562:(1865)
482:Legacy
385:, and
276:Louvre
143:Spouse
114:French
1960:(PDF)
1953:(PDF)
1707:Notes
1509:Mâcon
1505:]
1492:Paris
1482:Paris
1456:Reims
1442:]
989:Sonia
974:Danae
925:Paris
852:Cupid
848:Venus
692:Roses
432:cycle
321:, in
313:, in
231:Manet
203:Paris
201:, in
188:Isère
2335:site
2313:ISBN
2299:ISBN
2243:2021
2218:2021
2193:2021
2168:2021
2143:2021
2118:2021
2093:2021
2068:2021
2043:2021
2018:2021
1993:2021
1968:2021
1936:2021
1911:2023
1886:2013
1653:Ohio
1387:(UK)
1360:(UK)
1215:(UK)
1209:(UK)
958:Dawn
850:and
457:Orne
453:Buré
430:Ring
416:and
381:and
341:and
229:and
213:and
93:Buré
82:Died
60:Born
1830:doi
1113:by
532:by
459:in
438:in
394:In
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1808:^
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1503:fr
1440:fr
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