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Ikkō Narahara

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Tokyo: Tokyo Metropolitan Museum of Photography, 1991. Exhibition catalogue, text in Japanese and English. Pp. 18–29 show a selection of Narahara's earlier work. (That on p. 23 is upside down, as pointed out in an erratum
186:. He recorded Arbus' speech during these classes. These recordings would become an interesting document of the artist's statements about her own work shortly before she committed suicide. 182:
collective. From 1962 to 1965 he stayed in Paris, and after a time in Tokyo, from 1970 to 1974 in New York City. During this time he took part in a class by the American photographer
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Narahara's work often depicted isolated communities and extreme conditions. He made much use of wide-angle lenses, even hemispherical-coverage ("circular")
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Tokyo: Tokyo Metropolitan Museum of Photography, 1995. Catalogue of an exhibition held in 1995. Also presents work by
411:. Most of the text is in Japanese only, but the captions and an essay by Narahara are in English as well as Japanese. 197: 47: 41: 58: 1211:
Going Where I've Never Been: Photography of Diane Arbus, Masters of Photography, Creative Arts Television, 1972
201: 200:. He won numerous other prizes. From 1999 to 2005, Narahara was a professor at the Graduate School of 156: 1355: 1345: 1110: 1093: 998: 829: 584: 175: 108: 1165: 179: 168: 120: 1081: 970: 1326: 1272: 1065: 1037: 1029: 1014: 942: 934: 903: 891: 809: 785: 763: 737: 711: 686: 660: 620: 607: 593: 578: 567: 541: 515: 489: 426: 404: 174:
In the meantime, Narahara had shown his works in the first (1957) of three exhibitions titled
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bessatsu. Tokyo: Mainichi Shinbunsha, 1982. Pp. 194–99 show nudes by Narahara.
124: 1089: 1077: 1069: 1002: 986: 966: 919: 915: 895: 797: 1339: 1073: 1010: 978: 813: 155:. The exhibition brought instant renown. In his second exhibition, "Domains", at the 982: 190: 16: 1053: 958: 907: 887: 817: 805: 183: 164: 1210: 994: 911: 152: 128: 385:, Ikkō Narahara). Shōwa shashin zenshigoto 9. Tokyo: Asahi Shinbun-sha, 1983. 1085: 1049: 793: 1222: 160: 107:
was a Japanese photographer. His work is held in the collection of the
178:; exhibited in all three, and went on to co-found the short-lived 148: 15: 196:
In 1967 Narahara won the Photographer of the Year Award from the
151:) in 1956. In this Narahara showed Kurokamimura, a village on 26: 127:(graduating in 1954) and, influenced by statues of Buddha at 538:
Marcel Duchamp large glass with Shuzo Takiguchi cigar box.
1187:"Muere a los 88 años el fotógrafo japonés Ikko Narahara" 349:, Arcade of light: Piazza San Marco). Tokyo: Unac, 1981. 933:
New York: International Center of Photography, 1979.
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Japan, a Self-Portrait: Photographs 1945–1964.
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Dyushan dai-garasu to Takiguchi Shūzō shigā bokkusu
926:. Captions and texts in both Japanese and English. 265:, Japanesque). Tokyo: Mainichi Shinbun-sha, 1970. 363:). Tokyo: Kōsakusha, 1981. With Seigow Matsuoka ( 1158:"Japanese photographer Ikko Narahara dies at 88" 869:Innovation in Japanese Photography in the 1960s. 100: 861: 857:Nihon shashin no tenkan: 1960 nendai no hyōgen 843: 752: 726: 700: 675: 649: 635: 556: 530: 504: 478: 464: 441: 419: 393: 379: 365: 357: 343: 329: 315: 291: 273: 259: 241: 227: 94: 8: 1024:Yamagishi, Shoji, and John Szarkowski, eds. 1134:Sometimes "Ikko Narahara" or simply "Ikko". 470:, The memory of stars). Tokyo: Parco, 1987. 249:España: Grand tarde, Fiesta, Vaya con Dios. 159:in 1958, he showed a Trappist monastery in 1371:Recipients of the Medal with Purple Ribbon 1152: 1150: 1113:, New York: 11 prints (as of January 2020) 147:(Human land), at the Matsushima Gallery ( 77:Learn how and when to remove this message 1271:New Haven: Yale University Press, 2003. 233:, Where time has stopped). Kajima, 1967. 135:, from which he received an MA in 1959. 131:, art history at the graduate school of 40:This article includes a list of general 1146: 1127: 641:, Ikkō Narahara). Tokyo: Iwanami, 1997. 1323:328 Outstanding Japanese Photographers 1028:New York: Museum of Modern Art, 1974. 105:, November 3, 1931 – January 19, 2020) 780:Hiraki, Osamu, and Keiichi Takeuchi. 311:Ōkoku: Chinmoku no sono, kabe no naka 7: 1295:, and on his photography in general. 1269:The History of Japanese Photography. 1247:"Narahara Ikko: Houstonscapes #9-1" 143:He had his first solo exhibition, 46:it lacks sufficient corresponding 14: 1164:. 20 January 2020. Archived from 775:Other books with work by Narahara 24:Japanese photographer (1931–2020) 31: 1361:Artists from Fukuoka Prefecture 1044:(paper). Also presents work by 949:paper). Also presents works by 321:). Tokyo: Asahi Sonorama, 1978. 301:Tokyo: Asahi Shinbun-sha, 1975. 198:Japan Photo Critics Association 604:Revised and augmented edition: 1: 1267:Tucker, Anne Wilkes, et al. 488:Tokyo: Ryūkō Tsūshin, 1985. 425:). Tokyo: Shinchōsha, 1985. 1117:Museum of Fine Arts Houston 339:Hikari no kairō: San Maruko 223:Yōroppa: seishi shita jikan 167:), and a women's prison in 101: 1387: 1325:). Kyoto: Tankōsha, 2000. 590:Ikko Narahara: Japanesque. 283:Tokyo: Chūōkoronsha, 1971. 123:, Narahara studied law at 1026:New Japanese photography. 862: 844: 784:Paris: Flammarion, 2004. 753: 736:Tokyo: Shinchōsha, 2004. 734:Mirror of space and time. 727: 701: 676: 650: 636: 557: 531: 505: 479: 465: 442: 420: 394: 380: 366: 358: 344: 335:). Tokyo: Shūeisha, 1979. 330: 316: 292: 274: 260: 242: 228: 95: 1227:The Museum of Modern Art 566:Tokyo: Libroport, 1994. 451:Tokyo: Libroport, 1987. 325:Chikakute haruka na tabi 307:Tokyo : Unac, 1976. 299:Where time has vanished. 202:Kyushu Sangyo University 115:Early life and education 1311:Interview with Narahara 931:Japan, a self-portrait. 61:more precise citations. 1351:Japanese photographers 1223:"Ikko (Ikko Narahara)" 929:Yamagishi, Shoji, ed. 792:Also presents work by 532:デュシャン大ガラスと瀧口修造シガー・ボックス 403:Tokyo: Iwanami, 1985. 251:Tokyo: Kyūryūdō, 1969. 217:Booklength collections 21: 20:Ikkō Narahara picture. 1319:Nihon shashinka jiten 1290:Narahara comments on 1092:(as Shigeru Tamura), 880:Tokyo/City of Photos. 839:Nihon nūdo meisakushū 708:Stateless Land: 1954. 540:Tokyo: Misuzu, 1992. 237:Supēn: Idai naru gogo 19: 1366:Photography in Italy 1111:Museum of Modern Art 760:En: Circular vision. 592:Milan: Motta, 1994. 585:Giovanni Chiaramonte 401:Venice: Nightscapes. 287:Shōmetsu shita jikan 109:Museum of Modern Art 1162:Mainichi Daily News 876:Shashin toshi Tōkyō 849:, Japanese nudes). 762:Tokyo: Creo, 2004. 710:Tokyo: Creo, 2004. 685:Tokyo: Creo, 2002. 659:Tokyo: Creo, 1997. 619:Tokyo: Mole, 1996. 606:Tokyo: Creo, 1995. 514:Tokyo: Creo, 1991. 474:Venetsia no hikari 22: 1193:. 20 January 2020 1066:Yasuhiro Ishimoto 863:日本写真の転換:1960時代の表現 810:Yasuhiro Ishimoto 281:Man and his land. 212:Works by Narahara 133:Waseda University 87: 86: 79: 1378: 1317: 1309: 1300: 1255: 1254: 1243: 1237: 1236: 1234: 1233: 1219: 1213: 1208: 1202: 1201: 1199: 1198: 1183: 1177: 1176: 1174: 1173: 1154: 1135: 1132: 1062:Tetsuya Ichimura 1019:Hiroshi Yamazaki 991:Kishin Shinoyama 924:Hiroshi Yamazaki 900:Shigeichi Nagano 884:Takanobu Hayashi 866: 865: 864: 848: 847: 846: 837: 826:Takeyoshi Tanuma 822:Shigeichi Nagano 802:Tadahiko Hayashi 757: 756: 755: 731: 730: 729: 705: 704: 703: 680: 679: 678: 654: 653: 652: 640: 639: 638: 617:Tokyo, the '50s. 561: 560: 559: 535: 534: 533: 509: 508: 507: 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437:Ningen no tochi 418: 392: 378: 364: 356: 342: 328: 314: 290: 272: 258: 240: 226: 219: 214: 176:The Eyes of Ten 145:Ningen no tochi 141: 125:Chuo University 117: 92: 83: 72: 66: 63: 53:Please help to 52: 36: 32: 25: 12: 11: 5: 1384: 1382: 1374: 1373: 1368: 1363: 1358: 1353: 1348: 1338: 1337: 1334: 1333: 1313: 1305: 1296: 1285: 1284:External links 1282: 1281: 1280: 1263: 1260: 1257: 1256: 1238: 1214: 1203: 1178: 1145: 1144: 1142: 1139: 1137: 1136: 1126: 1124: 1121: 1120: 1119: 1114: 1106: 1103: 1102: 1101: 1094:Shōmei Tōmatsu 1090:Akihide Tamura 1078:Daidō Moriyama 1070:Bishin Jūmonji 1022: 1015:Gashō Yamamura 1003:Haruo Tomiyama 999:Shōmei Tōmatsu 987:Daidō Moriyama 967:Hiroshi Hamaya 927: 920:Tokuko Ushioda 916:Akihide Tamura 904:Mitsugu Ōnishi 896:Daidō Moriyama 892:Ryūji Miyamoto 878:(写真都市Tokyo) / 873: 854: 833: 830:Shōmei Tōmatsu 798:Hiroshi Hamaya 776: 773: 772: 771: 745: 722:Jikū no kagami 719: 696:Mukokuseki-chi 693: 668: 642: 628: 614: 601: 575: 549: 523: 497: 471: 460:Hoshi no kioku 457: 456: 455: 434: 415:Shōzō no fūkei 412: 386: 372: 350: 336: 322: 308: 302: 284: 266: 252: 234: 218: 215: 213: 210: 191:fisheye lenses 140: 137: 116: 113: 85: 84: 39: 37: 30: 23: 13: 10: 9: 6: 4: 3: 2: 1383: 1372: 1369: 1367: 1364: 1362: 1359: 1357: 1354: 1352: 1349: 1347: 1344: 1343: 1341: 1332: 1331:4-473-01750-8 1328: 1324: 1320: 1316:(in Japanese) 1314: 1312: 1308:(in Japanese) 1306: 1303: 1302:Narahara's CV 1299:(in Japanese) 1297: 1294: 1293: 1288: 1287: 1283: 1278: 1277:0-300-09925-8 1274: 1270: 1266: 1265: 1261: 1252: 1248: 1242: 1239: 1228: 1224: 1218: 1215: 1212: 1207: 1204: 1192: 1191:La Vanguardia 1188: 1182: 1179: 1168:on 2020-01-21 1167: 1163: 1159: 1153: 1151: 1147: 1140: 1131: 1128: 1122: 1118: 1115: 1112: 1109: 1108: 1104: 1099: 1095: 1091: 1087: 1083: 1079: 1075: 1074:Kikuji Kawada 1071: 1067: 1063: 1059: 1055: 1051: 1047: 1046:Ryōji Akiyama 1043: 1042:0-87070-503-2 1039: 1035: 1034:0-87070-503-2 1031: 1027: 1023: 1020: 1016: 1012: 1008: 1004: 1000: 996: 992: 988: 984: 980: 979:Kikuji Kawada 976: 972: 968: 964: 960: 956: 952: 951:Ryōji Akiyama 948: 947:0-933642-02-4 944: 940: 939:0-933642-01-6 936: 932: 928: 925: 921: 917: 913: 909: 905: 901: 897: 893: 889: 885: 881: 877: 874: 870: 858: 855: 852: 840: 836:(in Japanese) 834: 831: 827: 823: 819: 815: 814:Kikuji Kawada 811: 807: 803: 799: 795: 791: 790:2-08-030463-1 787: 783: 779: 778: 774: 769: 768:4-87736-102-2 765: 761: 749: 746: 743: 742:4-10-357502-6 739: 735: 723: 720: 717: 716:4-87736-097-2 713: 709: 697: 694: 692: 691:4-87736-078-6 688: 684: 672: 669: 666: 665:4-87736-010-7 662: 658: 657:Pocket Tokyo. 646: 645:Poketto Tōkyō 643: 632: 631:Narahara Ikkō 629: 626: 625:4-938628-21-X 622: 618: 615: 613: 612:4-906371-20-5 609: 605: 602: 599: 598:88-7179-087-1 595: 591: 587: 586: 581: 580: 576: 573: 572:4-8457-0898-1 569: 565: 553: 550: 547: 546:4-622-04242-8 543: 539: 527: 524: 521: 520:4-906371-05-1 517: 513: 501: 498: 495: 494:4-947551-93-3 491: 487: 475: 472: 461: 458: 454:Fukkan, 2017. 453: 452: 450: 438: 435: 432: 431:4-10-357501-8 428: 416: 413: 410: 409:4-00-008027-X 406: 402: 390: 387: 376: 375:Narahara Ikkō 373: 354: 351: 340: 337: 326: 323: 312: 309: 306: 303: 300: 288: 285: 282: 270: 267: 256: 253: 250: 238: 235: 224: 221: 220: 216: 211: 209: 207: 203: 199: 194: 192: 187: 185: 181: 177: 172: 170: 166: 162: 158: 154: 150: 146: 138: 136: 134: 130: 126: 122: 114: 112: 111:in New York. 110: 103: 102:Narahara Ikkō 91: 90:Ikkō Narahara 81: 78: 70: 60: 56: 50: 49: 43: 38: 29: 28: 18: 1322: 1321:(『日本写真家事典』, 1318: 1304:at Fuji Film 1291: 1268: 1250: 1241: 1230:. 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Index


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Museum of Modern Art
Fukuoka
Chuo University
Nara
Waseda University
Ginza
Sakurajima
Fuji Photo Salon
Tobetsu
Hokkaidō
Wakayama
The Eyes of Ten
Vivo
Diane Arbus
fisheye lenses
Japan Photo Critics Association
Kyushu Sangyo University
Fukuoka
ISBN
4-00-008027-X
ISBN
4-10-357501-8
ISBN
4-947551-93-3

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