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and the authorities. Satirical notes would be attached anonymously to the base of the statue purporting to come from the
Pasquino himself. Other statues in Rome would be used to fulfill a similar purpose and establish a dialogue. In the 17th century, the Pasquino exchanged correspondence with
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By the 19th century, time had taken its toll on the statue. In 1836, it was restored with funds provided by the civic authorities. The block above the hunchback's head now bears a Latin inscription with the year of the restoration:
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It was also used as the finishing point for a punishment for minor misdemeanours; the guilty party would be stripped naked and made to
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of citizens lining the streets from Piazza San Marco to the Rialto, saving themselves further humiliation by kissing the statue.
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in the 16th century, the statue takes the form of a crouching, naked hunchback supporting a small flight of steps.
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may have been inspired by this traditional symbol of the Rialto.
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The characters of
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Biblioteca italiana: ossia
Notizia, de'libri rari italiani
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208:(in Italian). Venice. pp.
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193:Nicola Francesco Haym (1803).
162:and the writings of Cardinals
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317:16th-century sculptures
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312:Renaissance sculptures
180:The Merchant of Venice
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175:William Shakespeare
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187:References
168:Bellarmino
131:In culture
109:edicendis
51:hunchback
151:Il Gobbo
137:Pasquino
164:Baronio
73:History
42:) is a
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219:Venice
63:Venice
59:Rialto
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44:marble
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