830:/ "Yes, we conquered and I feel proud of such a noble victory"), but he is annoyed that Imogene is not celebrating too. He asks her if she has found out who the shipwrecked men are, telling her that he expects to question the hermit and the man who is described by the hermit as their leader: Itulbo. Itulbo describes himself as being from Liguria and, upon questioning him, Ernesto recognises by his dress and accent that he is not from the local area. He continues to press Itulbo on the whereabouts of Gualtiero, knowing that pirates have come from Ligurian shores; he is reluctant to accept the group until they can provide greater proof of who they are. Meanwhile, they must remain as prisoners. Beginning with a duet, which initially includes Gualtiero, who declares his readiness to fight, Ernesto somewhat suspicious, Imogene and Adele in anguish, then the hermit (Goffredo) and the women, it extends to include all the principals who express their conflicting emotions, though the hermit manages to restrain Gualtiero from giving his identity away.
756:
872:/ "For us the vast sea / will have a calm port") at the same time as he urges her to come with him to the safety of one of his two ships which have arrived. But she tries to leave, encouraging him to forgive and forget. Their acceptance of the situation alternates with passionate declarations of love, and Ernesto, arriving, conceals himself and overhears the end of their duet. As the couple part, Ernesto reveals himself, but Imogene rushes between them, trying to convince Gualtiero to flee. Defiant, he ignores her, proclaiming to Ernesto that his thirst for his blood has not diminished over ten years. The two men demand blood and, in a trio finale as they exit, they continue in this vein while Imogene pleads that they kill her. The two men depart to fight, and Imogene follows.
368:, to which the young man willingly agreed, especially after he realised that the story "provided several passionate and dramatic situations.. ..that such Romantic characters were then an innovation on the operatic stage." From that time forward, there began a strong professional relationship with Romani; he became Bellini's primary creative partner, providing the librettos for six of Bellini's operas which followed, the result being that "no other Italian opera composer of the time showed such an attachment to a single librettist". Although Romani was known to treat composers poorly, he evidently had great respect for Bellini, even acceding to his requests for revisions. For his part, Bellini admired "the sonorous and elegance of the poet's verses"
329:
415:
59:
857:
848:/ "Stay! You continually avoid me! Now the time has come for me to have you at my side"; then duet.) She defends herself by saying that her continuing love for Gualtiero is based solely on her remembrance of their past encounters. Ernesto is inclined to take her word for it, but, when a message is delivered in which he is told that Gualtiero is being sheltered in his own castle, he is consumed by rage, demands to know where his enemy is, and then storms out. Imogene follows.
452:
although it appears that she acquitted herself very well. By this time, Bellini had begun to achieve international fame. It was back in Milan in the summer of 1829 for 24 performances. Throughout 1830, the opera was given in Venice (January), Vicenza (summer), Bologna (October), and
Trieste in December, then Messina in 1831. When Bellini was in Sicily in February 1832, it was also given in Messina, and thereafter spread rapidly around Italy.
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797:/ "My duty is the compassion / that sends me to the aid of strangers"). From what Itulbo has told her about the pirate ship, she assumes that he is dead. When he comes out of the hut, Gualtiero recognises her, but the hermit makes him re-enter. Imogene is urged to return to the castle, but to herself, she imagines that she sees Gualtiero everywhere she looks. (Cabaletta:
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789:/ "In the fury of the storm / in the slaughter of a pirate's life / that adored image appears in my thoughts"). When the fishermen arrive to inform both men that the noble lady who lives close by is coming to help the shipwrecked men, Gualtiero is urged to hide himself since he will be alone among enemies. He enters Goffredo's hut.
427:
400:
But rehearsals did not progress without some difficulties, as both
Weinstock and Galatopoulos recount: it appears that Bellini found Rubini, while singing beautifully, to be lacking expressiveness: he was urged to "throw yourself with all your soul into the character you are representing" and to use
198:
has been noted. Also, Bellini's recycling of his own music in this opera has been analyzed, as well as his utilizing "a more self-consciously innovative compositional style" and participating more in work on the libretto, as compared with prior efforts where he was more deferential to the librettists
784:
On a stormy sea-shore, fishermen watch a ship foundering in a huge storm. They help the crew come ashore and among the survivors is
Gualtiero, who recognises his old tutor Goffredo, now appearing dressed as a hermit. He explains that he has lost everything. Gualtiero tells him that, in spite of his
447:
The premiere, given on 27 October 1827, was "an immediate and then an increasing, success. By Sunday, December 2, when the season ended, it had been sung to fifteen full houses". For Rubini, "it marked the defining performance for the tenor", and the newspaper reviews which followed all agreed with
809:
At night, Itulbo warns the strangers not to reveal that they are the pirates who have been pursued by
Ernesto. Meanwhile, Imogene is strangely fascinated by the mysterious stranger who enters covered in a cloak. He soon reveals to her who he really is. Gualtiero learns that she had married Ernesto
880:
A funeral march is heard as
Ernesto's knights enter followed by Adele and the ladies. All grieve over Ernesto's death at the hands of "a traitor, a vile pirate". Gualtiero, to the amazement of Ernesto's retainers, gives himself up to the knights and, as he is taken away, he prays that Imogene may
600:
The work was performed in Naples for the first time since 1834 at the Teatro di San Carlo in
January, 2021, with Sondra Radvanovsky as Imogene. Due to Covid-19 restrictions, there was no audience in the theater for this concert performance. The orchestra and chorus were more widely spaced than
451:
After its
Milanese debut, the opera received very successful performances in Vienna in February 1828 and also in Naples three months later. Both productions starred Rubini, Tamburini, andâin the role of ImogeneâRubini's wife, Adelaide Comelli-Rubini, about whom Bellini had initial misgivings,
867:
Gualtiero and Itulbo meet on the terrace at daybreak, the latter encouraging him to flee with all his men. But
Gualtiero stands firm and, as Itulbo leaves, Imogene comes onto the terrace. She urges him to be brief, to leave immediately, but he tries to comfort her before they part (Aria:
893:/ "With the smile of innocence / with the glance of love / pray speak to your father of clemency and pardon"). Meanwhile, from the Council chamber, the Knights condemn Gualtiero to death and, as the scaffold is erected, Imogene is raving: (Finale:
401:
body, "to accompany your singing with gestures", as well as to act with voice. But it seems that
Bellini's exhortations bore fruit, based on his own account of the audience's reactions to the first performance, as well as the reaction of Milan's
843:
Adele tells
Imogene that Gualtiero wishes to see her before he leaves. She is reluctant, but she recognises that she must do it. As she is about to leave, Ernesto arrives and accuses Imogene of being unfaithful to him: (Ernesto, aria:
356:
was in rehearsal. The latter introduced him to Francesco and Marianna Pollini (an older couple, the husband a retired professor of piano, the wife a better-than-amateur musician) who immediately took the young man under their wing.
405:
of 2 December which noted that this opera "introduced us to Rubini's dual personality as a singer and actor". The reviewer continued to declare that this duality had never been expressed in other operas in which he had performed.
344:
Bellini spent 1827 to 1833 mostly in Milan, never holding any official position within an opera company and living solely from the income produced from his compositions, for which he was able to ask higher than usual fees.
462:
notes that in many of its presentations throughout Europe and North America, it was the first Bellini opera to be heard. These include the first UK performance in April 1830 and the first in the USA in December 1832.
792:
It is Imogene who arrives to offer hospitality to the shipwrecked strangers, but Gualtiero does not reveal himself. She tells her companion Adele that she dreamed that he had been killed by her husband. (Cavatina:
566:, the company giving its first-ever performances of the opera from late October 2002 into February 2003. A planned revival and HD broadcast of the Met's production scheduled for the spring of 2021, intended to star
755:
818:/ "Ah, you never trembled / for an aged father). When Imogene's ladies bring her son into the room, he is angry and almost removes his dagger from his belt, before handing the boy back. He then leaves.
525:
and, again with Caballé, both in London in concert form in June 1969 and staged in Cincinnati in the following month. The soprano continued to appear in the role in December 1970 at the
3338:
552:. A video recording exists of a performance in Saint-Etienne in May 1993 with Lucia Aliberti. Mariella Devia sang the soprano role at the Teatro delle Muse in Ancona in January 2007.
3328:
885:/ "You will see the unhappy lady / whom I caused so many tears / and tell her if I wronged her / I also knew how to avenge her"). He believes his memory won't be hated forever (
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The collaboration began in May 1827 and, by August, the music was being written. By then, the composer was aware that he was to write music for his favourite tenor
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in Palermo in January 1958, a production which was given a few months later at La Scala and which "became the most notable of modern revivals of
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Weinstock recounts that the opera was given on 1 January 1935 in Rome to commemorate the 100th anniversary of the composer's death. At the
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chosen by the Naples opera management and the corresponding texts. In addition, 19th-century commentary refers to the musical influence of
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814:/ "Pity for your father! But you / were so cruel to me! / And I, deceived and blind, lived, / lived for you alone!"; then Imogene:
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897:/ "Oh sun, veil yourself / in darkest gloom / hide the cruel axe / from my sight"). Her ladies lead Imogene from the courtyard.
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1477:"Sonya Yoncheva and Javier Camarena are brilliant in Bellini's Il pirata at the Teatro Real â Seen and Heard International"
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1627:. Includes a list of critical editions of his works published by Ricordi, on ricordi.it. Retrieved 13 December 2013.
889:/ But it won't always be hated). She appears in a state of anguish and sees visions of her dead husband and her son (
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hatred for his persecutor Ernesto, he drew strength from his continuing love for Imogene. (Cavatina:
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usual and some performers wore masks. The performance was video-recorded and streamed.
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175:. This play was itself based upon a French translation of the five-act verse tragedy
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only because he had threatened her father's life. (Extended duet, first Gualtiero:
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1291:, "In Praise of Convention: Formula and Experiment in Bellini's Self-Borrowings",
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The original play has been compared with Bellini's opera and the influence of
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1960:
1517:
Bel Canto Bully: The Life of the Legendary Opera Impresario Domenico Barbaja
1240:
Variations sur la Cavatine favorite de l'opéra 'Le Pirata' de Bellini op. 26
961:
Recording of a concert performance by the American Opera Society, January)
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in the first performances after the legendary 1958 performances starring
17:
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2201:
2181:
1742:
1644:, Vol. Three, pp. 1017â1018. London: Macmillan Publishers, Inc.
653:
251: in this section. Unsourced material may be challenged and removed.
4419:
1491:"Radvanovsky stars in first revival of Il pirata in Naples since 1834"
4257:
4155:
3134:
3016:
2501:
2196:
2171:
2018:
1572:
Lippmann, Friedrich; McGuire, Simon (1998), "Bellini, Vincenzo", in
765:
594:
498:
In a concert performances, Callas repeated her Imogene at New York's
1752:
759:
Disegno per copertina di libretto, drawing for Il pirata (undated).
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3001:
2941:
2384:
2211:
855:
826:
Ernesto and his men celebrate victory over the pirates (Cavatina:
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671:
433:
425:
413:
335:
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142:
2586:
801:/ "Hapless one, I too am delirious / obsessed by a vain love").
348:
Upon his arrival, he met Antonio Villa of La Scala and composer
1991:
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in the original 1826 production. The strong cast also included
891:
Col sorriso d'innocenza ... Oh sole, ti vela di tenebre oscure
220:
1271:
Stephen A. Willier 1969, "Madness, the Gothic, and Bellini's
458:
was given outside Italy for the first time in February 1828.
3274:
502:
in January 1959, while other concert versions were given by
364:, who proposed the subject of the composer's first project,
1232:
Variations de concert sur la cavatine du Pirate de Bellini
1987:
1675:(The Master Musicians Series), London: J. M. Dent, Ltd.
1659:
The Bel Canto Operas of Rossini, Donizetti, and Bellini
1204:
Orchestra E Coro Del Teatro Massimo Bellini Di Catania
1167:(Recorded at Henry Wood Hall, London March/April 2010)
1503:
Scene descriptions based on Galopoulos 2002, pp. 81â82
562:
in Paris on 16 May 2002 before taking the role to the
536:
staged it in January 1973 and it was presented by the
360:
In addition, Bellini was introduced to the librettist
332:
Vincenzo Bellini, painted by Carlo Arienti before 1827
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1953:
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1625:"Vincenzo Bellini": Outline of his life, in English
1125:(Recording of a performance at the MET, 8 February)
816:
Ah! qui d'un padre antico / tu non tremasti accanto
104:
86:
78:
68:
41:
1463:"Sonya Yoncheva triumphs in Il pirata at la Scala"
870:Per noi tranquillo un porto / l'immenso mare avrĂ
1329:Lippmann and McGuire 1998, in Sadie, pp. 389â390
812:Pietosa al padre! e meco / eri si cruda intanto!
475:in Catania it was staged in November 1951 under
1582:, Vol. One. London: Macmillan Publishers, Inc.
574:, was cancelled due to the COVID-19 pandemic.
63:Rubini as Gualtiero in the premiere production
2003:
1768:
1562:, pp. 47â48. New York: Penguin Putnam.
1293:Journal of the American Musicological Society
839:Scene 1: The entrance to Imogene's apartments
743:Fishermen and women, pirates, knights, ladies
430:Tenor Giovanni Battista Rubini sang Gualtiero
8:
4048:Jim Hawkins and the Curse of Treasure Island
1325:
1323:
1306:The Musical Times and Singing Class Circular
438:Soprano Henriette MĂ©ric-Lalande sang Imogene
1222:Other composers have written variations on
958:American Opera Society Orchestra and Chorus
4280:
3803:
2436:
2229:
2010:
1996:
1988:
1775:
1761:
1753:
1630:Maguire, Simon; Elizabeth Forbes (1998), "
1410:
1408:
1406:
1404:
863:'s set design for act 2, scene 2
57:
38:
30:For the cyclist known as "Il pirata", see
3679:Paris Declaration Respecting Maritime Law
1701:Thiellay, Jean; Thiellay, Jean-Philippe,
780:Scene 1: The seashore near Caldora Castle
311:Learn how and when to remove this message
4306:List of ships attacked by Somali pirates
1691:, New York: Cambridge University Press.
1431:
1429:
1355:
1353:
904:
608:
4415:
1255:
1226:, the aria in the final scene. In 1837
178:Bertram, or The Castle of St. Aldobrand
4486:Adaptations of works by Charles Nodier
1538:Bellini: Life, Times, Music: 1801â1835
1371:review, in Galatopoulos 2002, p. 67â68
589:in the same part, reprising it at the
3465:Capture of John "Calico Jack" Rackham
1721:Vincenzo Bellini: A Guide to Research
1661:, Portland, Oregon: Amadeus Press.
558:sang Imogene in a concert version at
397:, a major bass-baritone of the time.
7:
4207:International Talk Like a Pirate Day
1540:. London, Sanctuary Publishing Ltd.
1440:on operadis-opera-discography.org.uk
876:Scene 3: The courtyard of the Castle
805:Scene 2: The Castle terrace at night
581:revived the piece as Imogene at the
249:adding citations to reliable sources
529:and recorded it in Rome that year.
828:SĂŹ, vincemmo, e il pregio io sento
185:which appeared in London in 1816.
25:
4471:Opera world premieres at La Scala
4097:Silver: Return to Treasure Island
1641:The New Grove Dictionary of Opera
1579:The New Grove Dictionary of Opera
1295:, #53(1), pp. 25â68, Spring, 2000
699:a hermit, once tutor to Gualtiero
153:, which was based on a three-act
4418:
4393:
4392:
4380:
4233:A General History of the Pyrates
4055:Castaways of the Flying Dutchman
3576:Operation Enduring Freedom â HOA
1973:
1972:
1859:
1601:Bellini: His life and His Operas
1519:. London: Haus Publishing, 2013
540:in Martina Franca in July 1987.
225:
1945:Teatro Massimo Bellini, Catania
448:the composer's own assessment.
236:needs additional citations for
3591:Operation Dawn 8: Gulf of Aden
3586:Operation Dawn of Gulf of Aden
3339:Anti-piracy in the West Indies
1536:Galatopoulos, Stelios (2002),
1423:Kimbell 2001, in Holden, p. 47
510:and by Nelly Miricioiu at the
387:. Both singers had starred in
1:
3447:Blockade of Charleston (Vane)
1451:Met Opera database, 2002â2003
1218:Variations by other composers
1159:London Philharmonic Orchestra
173:Isidore Justin SĂ©verin Taylor
99:Isidore Justin SĂ©verin Taylor
4020:The Pilot: A Tale of the Sea
3270:Pirate battles and incidents
538:Festival della Valle d'Itria
149:with an Italian libretto by
3419:Battle of the Tiger's Mouth
2902:Rahmah ibn Jabir al-Jalhami
1599:Weinstock, Herbert (1971),
1560:The New Penguin Opera Guide
1515:Eisenbeiss, Philip (2013),
1414:Weinstock 1971, pp. 294â295
852:Scene 2: The Castle terrace
822:Scene 3: The Castle grounds
508:Opera Orchestra of New York
4502:
4441:Operas by Vincenzo Bellini
4296:Pirate films and TV series
3736:African Slave Trade Patrol
3304:Action of 11 November 2008
2093:Barbary pirates (corsairs)
1705:, Paris: Actes Sud, 2013,
1338:Cicconetti 1859, pp. 39â40
1304:"Wagner on Bellini" 1886,
1202:Fabrizio Maria Carminati,
1128:Audio CD: Celestial Audio
1087:Audio CD: Berlin Classics
924:Opera house and orchestra
799:Sventurata, anch'io deliro
731:son to Imogene and Ernesto
519:Maggio Musicale Fiorentino
383:and the soprano was to be
29:
4481:Libretti by Felice Romani
4374:
3785:Trans-Saharan slave trade
3384:Battle off Minicoy Island
3359:Battle of Cape Fear River
3329:Anti-piracy in the Aegean
3299:Action of 28 October 2007
3294:Action of 9 November 1822
1969:
1743:Cast of first performance
1398:Weinstock 1971, pp. 43â44
1044:Radiotelevisione Italiana
795:Lo sognai ferito, esangue
741:
109:27 October 1827
56:
48:
27:Opera by Vincenzo Bellini
3780:Indian Ocean slave trade
3669:International piracy law
3606:Pirate attacks in Borneo
3478:Capture of the schooner
3470:Capture of the schooner
3404:Battle of Ocracoke Inlet
3130:Pedro Menéndez de Avilés
1919:Vaga luna, che inargenti
1895:Meco all'altar di Venere
1839:I Capuleti e i Montecchi
1732:and on books.google.com.
1550:Kimbell, David (2001), "
1359:Weinstock 1971, p. 40â41
1347:Galatopoulos 2002, p. 64
1317:Galatopoulos 2002, p. 62
1224:Ma Non Fia Sempre Odiata
1208:Audio CD: Prima Classic
887:Ma non fia sempre odiata
846:Arresta / Ognor mi fuggi
787:Nel furor delle tempeste
667:former Count of Montalto
544:led performances at the
418:Tamburini as Ernesto in
381:Giovanni Battista Rubini
340:Librettist Felice Romani
4446:Italian-language operas
4239:Captain Charles Johnson
3663:1717â1718 Acts of Grace
3374:Battle of Mandab Strait
3354:Battle of Boca Teacapan
3349:Balanguingui Expedition
3314:Action of 23 March 2010
1685:Rosselli, John (1996),
1163:Geoffrey Mitchell Choir
1130:Cat: CA 309 B0000035MR
883:Tu vedrai la sventurata
659:Henriette MĂ©ric-Lalande
548:in September 1992 with
467:20th century and beyond
385:Henriette MĂ©ric-Lalande
192:on Gaetano Donizetti's
3596:Operation Ocean Shield
3424:Battle of Tonkin River
3369:Battle of Doro Passage
3324:Action of 5 April 2010
3319:Action of 1 April 2010
3309:Action of 9 April 2009
3289:1985 Lahad Datu ambush
3279:
3115:Jose Campuzano-Polanco
3100:Duarte Pacheco Pereira
2247:British Virgin Islands
1940:Teatro Bellini, Naples
1913:Composizioni da Camera
1718:Willier, Stephen Ace,
1671:Orrey, Leslie (1973),
1308:, #27 (516), pp. 66â68
1262:Weinstock 1971, p. 293
864:
760:
685:Gualtiero's lieutenant
514:on 20 September 2003.
489:Maria Meneghini Callas
473:Teatro Massimo Bellini
439:
431:
423:
341:
333:
165:Bertram, or The Pirate
4476:Operas based on plays
4212:Pirates versus Ninjas
3639:Slave raid of SuĂ°uroy
3601:Persian Gulf Campaign
3486:Capture of the sloop
3414:Battle of the Leotung
3399:Battle of New Orleans
3278:
3140:Richard Avery Hornsby
2892:Piet Pieterszoon Hein
2852:Moses Cohen Henriques
2822:Manuel Ribeiro Pardal
2567:Christina Anna Skytte
2105:Brethren of the Coast
2088:Baltic Slavic pirates
2035:Ancient Mediterranean
1748:Libretto (in Italian)
1389:Weinstock 1971, p. 42
1369:Gazzetta privilegiata
999:Florence May Festival
861:Alessandro Sanquirico
859:
758:
577:In 2018, the soprano
527:Gran Teatre del Liceu
517:It was staged by the
437:
429:
417:
403:Gazzetta privilegiata
339:
331:
161:Bertram, ou le Pirate
91:Bertram, ou le Pirate
4466:Fiction about piracy
4456:Operas set in Sicily
4134:skull and crossbones
4090:Mistress of the Seas
3772:Capture of the brig
3749:Atlantic slave trade
3510:Falklands Expedition
3364:Battle of Cape Lopez
3284:1582 Cagayan battles
3211:Queen Anne's Revenge
2762:José Joaquim Almeida
2747:John Newland Maffitt
2667:Hayreddin Barbarossa
2507:Bartolomeu PortuguĂȘs
2497:Artemisia I of Caria
2492:Alexandre Exquemelin
2330:Baltic Slavic piracy
2083:Anglo-Turkish piracy
1123:Orchestra and Chorus
1046:Orchestra and Chorus
1039:Gianandrea Gavazzeni
941:Pier Miranda Ferraro
245:improve this article
4151:No purchase, no pay
4119:Davy Jones's locker
4062:The Angel's Command
3906:Guybrush Threepwood
3754:Barbary slave trade
3731:African slave trade
3528:Jiajing wokou raids
3429:Battle of Ty-ho Bay
2652:François l'Olonnais
2512:Bartholomew Roberts
2400:Republic of Pirates
1724:. Routledge, 2002.
1688:The Life of Bellini
1603:, New York: Knopf.
1380:Eisenbeiss 2013, p.
1277:The Opera Quarterly
1139:Carmen Giannattasio
1112:Tigran Martirossian
715:Imogene's companion
560:Théùtre du Chùtelet
506:on 6 March 1989 by
410:Performance history
217:Composition history
195:Lucia di Lammermoor
4311:Timeline of piracy
4268:Piracy kidnappings
3921:Jacquotte Delahaye
3876:Charlotte de Berry
3866:Captain Sabertooth
3759:Blockade of Africa
3714:Piracy Law of 1820
3644:Turkish Abductions
3581:Operation Atalanta
3515:Great Lakes Patrol
3394:Battle of Nam Quan
3344:Attack on Veracruz
3280:
2862:Nicholas van Hoorn
2847:Michel de Grammont
2712:Jacquotte Delahaye
2697:Hippolyte Bouchard
2617:Elise Eskilsdotter
2557:Charlotte de Berry
2522:Benjamin Hornigold
1905:Other compositions
1198:Antonio Di Matteo
1150:Brindley Sherratt
1121:Metropolitan Opera
1018:Montserrat Caballé
978:Montserrat Caballé
865:
770:Time: 13th century
761:
564:Metropolitan Opera
546:ZĂŒrich Opera House
523:Montserrat Caballé
521:in June 1967 with
440:
432:
424:
350:Saverio Mercadante
342:
334:
4406:
4405:
4387:Piracy portal
4370:
4369:
4347:Fictional pirates
4246:Truce of Ratisbon
4220:
4219:
4181:Walking the plank
4041:On Stranger Tides
3981:Tony Tony Chopper
3871:Captain Stingaree
3808:Fictional pirates
3624:Sack of Baltimore
3619:Raid on Cartagena
3561:Moscow University
3440:Beluga Nomination
3409:Battle of Pianosa
3334:Antelope incident
3225:Marquis of Havana
3163:
3162:
2872:Olivier Levasseur
2812:Louis-Michel Aury
2777:Klaus Störtebeker
2727:Jeanne de Clisson
2647:François Le Clerc
2482:Anne Dieu-le-Veut
2428:
2427:
2345:South China Coast
2309:Strait of Malacca
1985:
1984:
1868:Beatrice di Tenda
1807:Bianca e Fernando
1799:Adelson e Salvini
1711:978-2-330-02377-5
1532:978-1-908323-25-5
1242:for solo guitar.
1236:Pietro Pettoletti
1215:
1214:
1195:Franco Vassallo,
1103:Marcello Giordani
1071:Roberto Frontali,
1056:(Re-issued 2005)
1028:Piero Cappuccilli
997:Orchestra of the
985:Piero Cappuccilli
895:Oh, sole! ti vela
748:
747:
708:Pietro Ansilioni
692:Lorenzo Lombardi
641:Antonio Tamburini
583:Teatro alla Scala
460:Herbert Weinstock
395:Antonio Tamburini
390:Bianca e Fernando
352:whose new opera,
321:
320:
313:
295:
130:
129:
121:Teatro alla Scala
16:(Redirected from
4493:
4423:
4422:
4414:
4396:
4395:
4385:
4384:
4383:
4281:
4083:Pirate Latitudes
4076:Long John Silver
4069:Voyage of Slaves
3936:Long John Silver
3831:Captain Birdseye
3804:
3674:Letter of marque
3634:Salvador Pirates
3629:Sack of Campeche
3452:Chepo Expedition
3434:Battle of Tysami
3389:Battle off Mukah
3379:Battle of Manila
3218:Quedagh Merchant
3176:Adventure Galley
3022:Victual Brothers
3007:Thomas Cavendish
2972:Sayyida al Hurra
2957:Samuel Hall Lord
2937:Roche Braziliano
2922:Robert Culliford
2857:Nathaniel Gordon
2827:Martin Frobisher
2787:Laurens de Graaf
2757:JĂžrgen JĂžrgensen
2692:Henry Strangways
2672:Hendrick Lucifer
2622:Eustace the Monk
2487:AntĂłnio de Faria
2437:
2405:Republic of Salé
2375:Ăle Sainte-Marie
2230:
2207:Victual Brothers
2115:Cilician pirates
2012:
2005:
1998:
1989:
1976:
1975:
1863:
1784:Vincenzo Bellini
1777:
1770:
1763:
1754:
1715:
1655:Osborne, Charles
1504:
1501:
1495:
1494:
1487:
1481:
1480:
1473:
1467:
1466:
1459:
1453:
1448:
1442:
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1387:
1381:
1378:
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1360:
1357:
1348:
1345:
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1336:
1330:
1327:
1318:
1315:
1309:
1302:
1296:
1286:
1280:
1269:
1263:
1260:
1234:for solo piano.
1116:Bruno Campanella
1089:Cat: B0000035MR
1084:Berlin Orchestra
1054:Cat: 7243 567121
1033:Ruggero Raimondi
989:Giuseppe Baratti
945:Constantino Ego,
905:
624:(Conductor: â )
609:
534:Wexford Festival
324:Bellini in Milan
316:
309:
305:
302:
296:
294:
253:
229:
221:
210:Das Liebesverbot
147:Vincenzo Bellini
124:
116:
114:
61:
51:Vincenzo Bellini
39:
21:
4501:
4500:
4496:
4495:
4494:
4492:
4491:
4490:
4431:
4430:
4429:
4417:
4409:
4407:
4402:
4381:
4379:
4366:
4332:Barbary pirates
4320:
4316:Women in piracy
4272:
4216:
4185:
4114:Buried treasure
4102:
4034:Facing the Flag
4027:Treasure Island
4000:
3946:Vaas Montenegro
3941:Monkey D. Luffy
3911:Hector Barbossa
3896:Elizabeth Swann
3861:Captain Pugwash
3798:
3796:
3789:
3766:Veloz Passagera
3764:Capture of the
3717:
3648:
3457:Capture of the
3265:
3197:Flying Dutchman
3159:
3125:Miguel EnrĂquez
3077:
3071:
3037:William Dampier
2992:Simon Mascarino
2987:Shirahama Kenki
2967:Samuel Pallache
2932:Roberto CofresĂ
2842:Mary Wolverston
2817:Mansel Alcantra
2792:Lawrence Prince
2472:Albert W. Hicks
2424:
2362:
2354:
2318:
2275:
2221:
2217:Women in piracy
2182:Sindhi corsairs
2135:French corsairs
2125:Cossack pirates
2078:Albanian piracy
2071:Types of pirate
2066:
2021:
2016:
1986:
1981:
1965:
1949:
1928:
1900:
1882:
1786:
1781:
1739:
1713:
1507:
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1346:
1342:
1337:
1333:
1328:
1321:
1316:
1312:
1303:
1299:
1287:
1283:
1279:, #6, pp. 7â23.
1270:
1266:
1261:
1257:
1248:
1220:
1190:Javier Camarena
1175:
1166:
1157:
1149:
1144:
1142:
1129:
1124:
1119:
1111:
1106:
1101:
1088:
1080:
1077:Marcello Viotti
1072:
1070:
1068:
1055:
1053:
1042:
1035:
1031:
1026:
1021:
1009:
1008:Cat: B00000FBRF
1007:
996:
988:
983:
982:Flaviano LabĂČ,
981:
968:
960:
956:
953:Nicola Rescigno
946:
944:
939:
923:
918:
916:
914:
912:
903:
836:
777:
753:
723:Marietta Sacchi
677:Giovanni Rubini
631:Duke of Caldora
623:
622:27 October 1827
621:
607:
568:Javier Camarena
479:as well at the
469:
445:
412:
377:
326:
317:
306:
300:
297:
254:
252:
242:
230:
219:
183:Charles Maturin
145:in two acts by
126:
125:
119:
117:
112:
110:
64:
35:
28:
23:
22:
15:
12:
11:
5:
4499:
4497:
4489:
4488:
4483:
4478:
4473:
4468:
4463:
4458:
4453:
4448:
4443:
4433:
4432:
4428:
4427:
4404:
4403:
4401:
4400:
4390:
4375:
4372:
4371:
4368:
4367:
4365:
4364:
4359:
4357:Piracy by year
4354:
4349:
4344:
4342:Female pirates
4339:
4337:By nationality
4334:
4328:
4326:
4322:
4321:
4319:
4318:
4313:
4308:
4303:
4298:
4293:
4287:
4285:
4278:
4274:
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4270:
4265:
4260:
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4241:
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4199:
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4138:
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4126:
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4110:
4108:
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4100:
4093:
4086:
4079:
4072:
4065:
4058:
4051:
4044:
4037:
4030:
4023:
4016:
4008:
4006:
4002:
4001:
3999:
3998:
3993:
3988:
3983:
3978:
3973:
3968:
3963:
3958:
3953:
3948:
3943:
3938:
3933:
3931:Joshamee Gibbs
3928:
3923:
3918:
3913:
3908:
3903:
3898:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
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3848:
3843:
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3833:
3828:
3823:
3818:
3812:
3810:
3801:
3791:
3790:
3788:
3787:
3782:
3777:
3769:
3761:
3756:
3751:
3746:
3738:
3733:
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3711:
3681:
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3666:
3656:
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3649:
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3641:
3636:
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3616:
3608:
3603:
3598:
3593:
3588:
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3578:
3573:
3565:
3556:
3547:
3538:
3534:Maersk Alabama
3530:
3525:
3517:
3512:
3507:
3499:
3491:
3483:
3475:
3467:
3462:
3454:
3449:
3444:
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3426:
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3396:
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3371:
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3326:
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3306:
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3296:
3291:
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3273:
3271:
3267:
3266:
3264:
3263:
3256:
3249:
3242:
3235:
3228:
3221:
3214:
3207:
3200:
3193:
3186:
3179:
3171:
3169:
3165:
3164:
3161:
3160:
3158:
3157:
3152:
3147:
3145:Robert Maynard
3142:
3137:
3132:
3127:
3122:
3117:
3112:
3107:
3102:
3097:
3092:
3087:
3081:
3079:
3073:
3072:
3070:
3069:
3064:
3059:
3054:
3049:
3044:
3039:
3034:
3029:
3027:Vincenzo Gambi
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2952:Samuel Bellamy
2949:
2944:
2939:
2934:
2929:
2927:Robert Surcouf
2924:
2919:
2917:Richard Glover
2914:
2909:
2904:
2899:
2894:
2889:
2887:Pierre Lafitte
2884:
2879:
2874:
2869:
2864:
2859:
2854:
2849:
2844:
2839:
2834:
2829:
2824:
2819:
2814:
2809:
2804:
2799:
2794:
2789:
2784:
2779:
2774:
2769:
2764:
2759:
2754:
2749:
2744:
2739:
2734:
2729:
2724:
2719:
2714:
2709:
2704:
2699:
2694:
2689:
2684:
2679:
2674:
2669:
2664:
2662:Grace O'Malley
2659:
2654:
2649:
2644:
2639:
2634:
2629:
2624:
2619:
2614:
2609:
2604:
2602:Edward England
2599:
2594:
2589:
2584:
2579:
2574:
2569:
2564:
2562:Cheung Po Tsai
2559:
2554:
2549:
2544:
2539:
2534:
2529:
2524:
2519:
2517:Benito de Soto
2514:
2509:
2504:
2499:
2494:
2489:
2484:
2479:
2474:
2469:
2464:
2462:Abraham Samuel
2459:
2457:Adam Baldridge
2454:
2449:
2443:
2441:
2434:
2430:
2429:
2426:
2425:
2423:
2422:
2417:
2412:
2410:Saint Augustin
2407:
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2324:
2320:
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2306:
2301:
2296:
2295:
2294:
2287:Horn of Africa
2283:
2281:
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2276:
2274:
2273:
2271:Gulf of Guinea
2268:
2267:
2266:
2261:
2260:
2259:
2257:Lake Nicaragua
2249:
2238:
2236:
2234:Atlantic World
2227:
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2222:
2220:
2219:
2214:
2209:
2204:
2199:
2194:
2189:
2184:
2179:
2174:
2169:
2164:
2163:
2162:
2152:
2147:
2142:
2140:Jewish pirates
2137:
2132:
2127:
2122:
2117:
2112:
2107:
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2100:
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2014:
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1967:
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1926:
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1916:
1908:
1906:
1902:
1901:
1899:
1898:
1890:
1888:
1887:Opera excerpts
1884:
1883:
1881:
1880:
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1835:
1827:
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1811:
1803:
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1737:External links
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477:Tullio Serafin
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1636:Stanley Sadie
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550:Mara Zampieri
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487:...headed by
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362:Felice Romani
358:
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315:
312:
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293:
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279:
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272:
269:
265:
262: â
261:
257:
256:Find sources:
250:
246:
240:
239:
234:This section
232:
228:
223:
222:
216:
214:
212:
211:
206:
203:on the early
202:
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151:Felice Romani
148:
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107:
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92:
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85:
81:
77:
74:
73:Felice Romani
71:
67:
60:
55:
52:
47:
44:
40:
37:
33:
32:Marco Pantani
19:
4378:
4251:Pirate Round
4231:
4202:Space pirate
4176:Treasure map
4095:
4088:
4081:
4074:
4067:
4060:
4053:
4046:
4039:
4032:
4025:
4018:
4011:
3966:Roronoa Zoro
3916:Jack Sparrow
3856:Captain Nemo
3851:Captain Hook
3773:
3765:
3741:
3611:
3568:
3560:
3551:
3542:
3533:
3520:
3503:Dai Hong Dan
3502:
3494:
3487:
3479:
3471:
3458:
3439:
3258:
3253:Whydah Gally
3251:
3244:
3237:
3230:
3223:
3216:
3209:
3204:Ganj-i-Sawai
3202:
3195:
3188:
3181:
3174:
3168:Pirate ships
3120:Luis Fajardo
3105:James Brooke
3095:David Porter
3067:Zheng Yi Sao
3042:William Kidd
2997:Stede Bonnet
2982:Shap-ng-tsai
2962:Samuel Mason
2882:Peter Easton
2832:Mary Lindsey
2782:Lai Choi San
2772:Joseph Barss
2767:Joseph Baker
2737:John Hawkins
2732:Johanna HĂ„rd
2722:Jean Lafitte
2717:Jan Janszoon
2707:Israel Hands
2687:Henry Morgan
2677:Henri Caesar
2592:Dirk Chivers
2527:Black Caesar
2452:Abshir Boyah
2323:Other waters
2304:Persian Gulf
2292:Somali Coast
2280:Indian Ocean
2252:Spanish Main
2167:River pirate
2145:Moro pirates
2120:Child pirate
2045:21st century
1971:
1911:
1874:
1866:
1853:
1845:
1837:
1829:
1823:La straniera
1821:
1814:
1813:
1805:
1797:
1720:
1702:
1687:
1672:
1658:
1639:
1631:
1621:Casa Ricordi
1614:
1613:
1600:
1577:
1559:
1551:
1537:
1516:
1509:
1508:
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1249:
1239:
1231:
1223:
1221:
1209:
1203:
1197:
1194:
1188:
1108:Dwayne Croft
1051:EMI Classics
966:EMI Classics
936:Maria Callas
894:
890:
886:
882:
879:
875:
874:
869:
866:
851:
850:
845:
842:
838:
837:
827:
825:
821:
820:
815:
811:
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794:
791:
786:
783:
779:
778:
742:
730:
714:
698:
684:
666:
648:
630:
599:
587:Maria Callas
576:
572:Diana Damrau
554:
531:
516:
504:Aprile Millo
497:
484:
470:
455:
454:
450:
446:
443:19th century
419:
402:
399:
388:
378:
373:
365:
359:
354:Il Montanaro
353:
347:
343:
307:
301:October 2018
298:
288:
281:
274:
267:
255:
243:Please help
238:verification
235:
208:
200:
193:
189:
187:
176:
164:
160:
154:
138:
133:
132:
131:
90:
42:
36:
4461:1827 operas
4166:Pirate code
4141:Keelhauling
4129:Jolly Roger
3991:Will Turner
3926:José Gaspar
3826:Barbe Rouge
3723:Slave trade
2977:Sister Ping
2907:Rachel Wall
2702:Huang Bamei
2682:Henry Every
2637:FĆ«ma KotarĆ
2632:Flying Gang
2547:Calico Jack
2537:Bully Hayes
2340:Falcon Lake
2314:Nosy Boraha
2172:Sea Beggars
2160:Confederate
2130:Filibusters
1714:(in French)
1176:Cat: ORC45
1154:David Parry
1005:Opera d'Oro
665:Gualtiero,
591:Teatro Real
542:Nello Santi
260:"Il pirata"
159:from 1826:
4435:Categories
4325:Categories
4301:Privateers
4263:Matelotage
4197:Air pirate
4161:Pet parrot
4013:The Pirate
3961:Nico Robin
3881:Davy Jones
3821:Tom Ayrton
3795:Pirates in
3684:Piracy Act
3653:Piracy law
3569:North Star
3232:My Revenge
3085:Angelo Emo
3047:Zheng Jing
3012:Thomas Tew
2807:Lo Hon-cho
2627:Flora Burn
2607:Edward Low
2577:Dan Seavey
2572:Chui A-poo
2532:Blackbeard
2477:Anne Bonny
2415:Saint-Malo
2395:Port Royal
2380:Libertatia
2192:Ushkuyniks
2155:Privateers
2150:Narentines
2110:Buccaneers
2040:Golden Age
1876:I puritani
1667:0931340713
1609:0394416562
1525:1908323256
1246:References
1172:Opera Rara
1170:Audio CD:
1143:José Bros,
1049:Audio CD:
1003:Audio CD:
964:Audio CD:
922:Conductor,
919:Goffredo)
915:Gualtiero,
901:Recordings
697:Goffredo,
616:Voice type
420:Il pirata
271:newspapers
139:The Pirate
113:1827-10-27
69:Librettist
4146:Marooning
3774:Brillante
3563:hijacking
3554:hijacking
3545:hijacking
3536:hijacking
2837:Mary Read
2742:John Hoar
2612:Eli Boggs
2582:Diabolito
2363:and bases
2299:Indonesia
2264:Venezuela
2242:Caribbean
1961:Bel canto
1933:Namesakes
1815:Il pirata
1638:, (Ed.),
1632:Il pirata
1576:, (Ed.),
1552:Il pirata
1438:Il pirata
1273:Il pirata
913:(Imogene,
647:Imogene,
629:Ernesto,
597:in 2019.
485:Il pirata
456:Il pirata
374:Il pirata
372:Creating
366:Il pirata
201:Il pirata
190:Il pirata
156:mélodrame
134:Il pirata
49:Opera by
43:Il pirata
18:Il Pirata
4398:Category
4124:Eyepatch
3996:Zanzibar
3971:Sandokan
3951:Mr. Smee
3816:Askeladd
3744:Incident
3614:incident
3523:incident
3505:incident
3497:incident
3442:incident
3057:Zheng Yi
3052:Zheng Qi
3032:Wang Zhi
2912:Redbeard
2802:Limahong
2752:John Pro
2657:Gan Ning
2542:Cai Qian
2350:Sulu Sea
2177:Sea Dogs
1978:Category
1657:(1994),
1623:(pub.),
1161:and the
917:Ernesto,
751:Synopsis
719:soprano
683:Itulbo,
649:his wife
636:baritone
141:) is an
105:Premiere
87:Based on
79:Language
4362:Pirates
4291:Pirates
3799:culture
3797:popular
3742:Amistad
3543:Zafirah
3246:Saladin
3078:hunters
2867:Ng Akew
2467:Alfhild
2440:Pirates
2420:Tortuga
2202:Vikings
2098:Algiers
2027:Periods
1954:Related
1858:(1831)
1703:Bellini
1673:Bellini
1558:(Ed.),
764:Place:
735:silent
713:Adele,
654:soprano
285:scholar
123:, Milan
111: (
82:Italian
4451:Operas
4411:Portal
4352:Piracy
4258:Mutiny
4156:Pegleg
4107:Tropes
4005:Novels
3901:Franky
3571:affair
3135:Pompey
3076:Pirate
3017:Veborg
2502:Awilda
2390:Mamora
2197:Uskoks
2019:Piracy
1879:(1835)
1871:(1833)
1850:(1831)
1842:(1830)
1834:(1829)
1826:(1829)
1818:(1827)
1810:(1826)
1802:(1825)
1791:Operas
1728:
1709:
1695:
1679:
1665:
1648:
1607:
1593:
1586:
1566:
1544:
1530:
1523:
1238:wrote
1230:wrote
927:Label
766:Sicily
689:tenor
595:Madrid
287:
280:
273:
266:
258:
207:opera
4425:Opera
4284:Lists
3986:Usopp
3976:Sanji
3612:Quest
3521:Irene
3480:Fancy
3472:Bravo
3190:Fancy
3002:Teuta
2942:Rusla
2385:Lundy
2226:Areas
2212:Wokou
1855:Norma
1831:Zaira
1634:" in
1554:" in
1251:Notes
1181:2021
1135:2012
911:Cast:
908:Year
834:Act 2
775:Act 1
672:tenor
612:Role
605:Roles
292:JSTOR
278:books
167:) by
143:opera
4277:Meta
3956:Nami
3708:1850
3704:1837
3700:1721
3696:1717
3692:1698
3688:1536
3488:Anne
3260:York
2587:Dido
2060:2024
2055:2023
2050:2022
1726:ISBN
1707:ISBN
1693:ISBN
1677:ISBN
1663:ISBN
1646:ISBN
1605:ISBN
1591:ISBN
1584:ISBN
1564:ISBN
1542:ISBN
1528:ISBN
1521:ISBN
1094:2003
1061:1994
1014:1970
974:1967
932:1959
704:bass
570:and
532:The
491:and
422:1827
264:news
171:and
97:and
3559:MV
3550:MT
3541:MT
1275:".
593:of
495:."
247:by
181:by
93:by
4437::
3706:,
3702:,
3698:,
3694:,
3690:,
1428:^
1403:^
1352:^
1322:^
1192:,
1187:,
1118:,
1105:,
1100:,
1079:,
1067:,
980:,
213:.
4413::
3710:)
3686:(
3665:)
3661:(
2011:e
2004:t
1997:v
1897:"
1893:"
1776:e
1769:t
1762:v
1493:.
1479:.
1465:.
1174:,
1165:,
1156:,
1148:,
1141:,
1110:,
1041:,
1030:,
1025:,
1020:,
995:,
987:,
955:,
943:,
938:,
314:)
308:(
303:)
299:(
289:·
282:·
275:·
268:·
241:.
163:(
137:(
115:)
34:.
20:)
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