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committed by Titian. His later works are comparatively careless and superficial; and generally he is better in male figures than in female-the latter being somewhat too sturdy-and the composition of his subject-pictures is scarcely on a level with their other merits. Pordenone appears to have been a
275:
is false. It was claimed that
Pordenone's first commission was given him by a grocer in his home town, to try his boast that he could paint a picture as the priest commenced High Mass, and complete it by the time Mass was over; he completed the picture in the required time. The district about
288:
states that "so far as mere flesh-painting is concerned he was barely inferior to Titian in breadth, pulpiness and tone". The two were rivals for a time, and
Giovanni Antonio would sometimes affect to wear arms while he was painting. He excelled in portraits; he was equally at home in
198:
and more clearly on
Tintoretto, who to some extent took over his position as the leading painter of large mural commissions in Venice. Titian and Pordenone were rivals in his last decade and gossip even claimed that his death was suspicious.
193:
His life was as energetic and restless as his art; he married three times, and was accused in court of hiring criminals to kill his brother to avoid sharing their inheritance. He perhaps had some influence on later works by
238:). He ultimately dropped the name of de’ Sacchis, having quarrelled with his brother Bartolomeo, who had wounded him in the hand. He then called himself Regillo, or De Regillo. His signature runs
704:
685:
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154:, he was one of the artists often commissioned to paint the exteriors of buildings; of such work at most a shadow survives after centuries of weather.
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143:. He painted in several cities in northern Italy "with speed, vigor, and deliberate coarseness of expression and execution—intended to shock".
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is said to have approved of one palace facade in 1527; it is now only known from a preparatory drawing. Much of his work was lost when the
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was largely destroyed by fires in 1574 and 1577. A number of fresco cycles survive, for example part of one at
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had been somewhat fertile in capable painters; but
Pordenone is the best known, a vigorous
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214:, Farnese collection in Capodimonte Museum, Naples; originally from the Church of the
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873:. Vol. 22 (11th ed.). Cambridge University Press. pp. 101–102.
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to court; here soon afterwards, in 1539, he died, not without suspicion of
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vehement self-asserting man, to which his style as a painter corresponds.
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and in oil-color. He executed many works in
Pordenone and elsewhere in
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masterpieces, but lacked a good training in anatomical drawing. Like
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This article incorporates text from a publication now in the
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818:, (2nd edn.)1987, Thames & Hudson (US Harry N Abrams),
313:, in the Dome of Pordenone is considered his own portrait.
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St. Catherine disputing with the
Doctors in Alexandria
186:, the main art museum, where he worked with the young
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He appears to have visited Rome, and learnt from its
305:, where one of his most celebrated church pictures,
267:; the popular story that he was a fellow-pupil with
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88:
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66:
43:
21:
470:St Lorenzo Giustiniani and Two Friars with Saints
137:, his main biographer, wrongly identifies him as
787:"Giuditta | Galleria Borghese - Sito ufficiale"
496:Dispute of St Catherine with Pagan Philosophers
400:(1516, North Carolina Museum of Art, Raleigh).
664:Study of the Martyrdom of Saint Peter Martyr.
455:Basilica di Santa Maria di Campagna, Piacenza
174:scenes have a violence hardly repeated until
8:
520:St Gottardo with Saints Sebastian and Rocco
263:, but a leading influence of his style was
585:Hartt, 578-580; Nichols, 30 (Michelangelo)
451:Cupula Frescoes: Scenes from Old Testament
230:, though his family came from Corticelle (
18:
492:(1525, Parish Church, Grandcamp, France).
372:Study of the Martyrdom of St Peter Martyr
259:As a painter, Pordenone was a scholar of
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606:
301:, and Venice; at one time he settled in
569:
490:Enthroned Madonna and Child with Saints
445:Enthroned Madonna and Child with Saints
431:St Lorenzo Giustiniani and Other Saints
414:Enthroned Madonna and Child with Saints
775:ARGOMENTI ARTE & STORIA DELL' ARTE
125:– 14 January 1539), an Italian
7:
635:. New York: Robert Appleton Company.
480:Saints Sebastian, Roch and Catherine
222:His name derives from being born in
346:Three of his principal pupils were
830:Tintoretto: Tradition and Identity
816:History of Italian Renaissance Art
739:The Iconography of Saint Sebastian
626:"Giovanni Antonio Pordenone"
14:
791:galleriaborghese.beniculturali.it
623:Herbermann, Charles, ed. (1913).
212:Debate over Immaculate Conception
847:
522:(Museo Civico d'Arte, Pordenone)
472:(1532, Galleria dell'Accademia,
29:
711:- From National Gallery website
692:- From National Gallery website
1:
903:16th-century Italian painters
460:Saints Martin and Christopher
417:
119:
114:in Italian, is the byname of
51:
16:Italian painter (c.1484–1539)
398:Saints Prosdocimus and Peter
284:and flesh painter. The 1911
178:. Another cycle was at the
116:Giovanni Antonio de’ Sacchis
48:Giovanni Antonio de’ Sacchis
934:
918:Italian Mannerist painters
594:Hartt, 579; Nichols, 31-32
384:(National Gallery, London)
366:Partial anthology of works
309:is located. The figure of
180:Scuola Grande della CaritĂ
514:Annunziata, Cortemaggiore
484:San Giovanni Elemosinario
261:Pellegrino da San Daniele
216:Annunziata, Cortemaggiore
28:
832:, 2015, Reaktion Books,
526:St Catherine and Martyrs
392:National Gallery, London
360:Giovanni Maria Calderari
240:Antonius Portusnaonensis
140:Giovanni Antonio Licinio
129:painter, loosely of the
870:Encyclopædia Britannica
721:Opere Pittoriche Famose
702:Saint Louis of Toulouse
330:He was invited by Duke
246:. He was knighted as a
184:Gallerie dell'Accademia
662:J. Paul Getty Museum.
327:
252:by the Hungarian King
219:
152:Polidoro da Caravaggio
908:Italian male painters
898:People from Pordenone
673:Retrieved 2008-08-27.
632:Catholic Encyclopedia
512:(1530, Church of the
510:Immaculate Conception
435:Santa Maria dell'Orto
433:(1532, originally in
319:
210:
913:Painters from Venice
555:(Judith) (attrib.) (
408:Cathedral of Cremona
388:St Louis of Toulouse
376:J. Paul Getty Museum
325:Cathedral of Cremona
464:Church of San Rocco
182:in Venice, now the
762:2005-12-25 at the
744:2006-03-10 at the
726:2006-02-07 at the
707:2004-08-28 at the
688:2004-08-28 at the
669:2010-07-18 at the
537:Ambrosiana Library
406:(1520–21, fresco,
348:Bernardino Licinio
328:
220:
840:, 9781780234816,
683:Saint Bonaventure
557:Galleria Borghese
547:Treviso Cathedral
528:(Museo Civico di
482:(1535, Church of
423:, Parish church,
354:, his son-in-law
168:Cremona Cathedral
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273:Giovanni Bellini
148:High Renaissance
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170:, where his
156:Michelangelo
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112:Il Pordenone
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109:
893:1539 deaths
421: 1525
123: 1484
110:Pordenone,
79:Nationality
55: 1484
882:Categories
838:1780234813
824:0500235104
806:References
621:quoted in
576:Hartt, 579
530:Conegliano
506:Deposition
462:(1528–29,
427:, Treviso)
286:Britannica
188:Tintoretto
486:, Venice)
466:, Venice)
441:, Venice)
439:Accademia
332:Ercole II
278:Pordenone
265:Giorgione
249:cavaliere
224:Pordenone
203:Biography
133:school.
127:Mannerist
103:Mannerism
60:Pordenone
23:Pordenone
760:Archived
742:Archived
724:Archived
705:Archived
686:Archived
667:Archived
553:Giuditta
500:Piacenza
474:Florence
425:Susegana
404:Golgotha
350:, named
321:Golgotha
311:St. Roch
303:Piacenza
236:Lombardy
131:Venetian
99:Movement
93:Painting
858::
539:, Milan
374:(1526,
336:Ferrara
299:Cremona
232:Brescia
172:Passion
83:Italian
73:Ferrara
852:
836:
822:
447:(1525)
437:, now
358:, and
340:poison
295:Friuli
291:fresco
271:under
269:Titian
228:Friuli
196:Titian
164:Venice
135:Vasari
564:Notes
242:, or
37:Udine
834:ISBN
820:ISBN
543:Magi
508:and
176:Goya
67:Died
44:Born
867:".
334:of
226:in
162:in
884::
814:,
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599:^
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