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Il turco in Italia

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427:, including the beautiful but unhappy Zaida (mezzo-soprano) and her confidant Albazar (tenor). Perhaps the Gypsies can provide some ideas? Prosdocimo's friend, the obstinate and sometimes foolish Geronio (bass), is looking for a fortune teller to advise him on his marital problems, but the Gypsies tease him. Zaida tells Prosdocimo that she is from a Turkish harem. She and her master, Prince Selim, were in love, but jealous rivals accused her of infidelity and she had to flee for her life, accompanied by Albazar. Nevertheless, she still loves only one man and that man is Selim. Prosdocimo knows that a Turkish prince will shortly be arriving in Italy. Perhaps he can help? Geronio's capricious young wife Fiorilla (soprano) enters singing (in contrast to Zaida) of the joys of free and unfettered love. A Turkish ship arrives and the prince disembarks. It is Selim (bass) himself. Fiorilla is immediately attracted to the handsome Turk, and a romance rapidly develops. Narciso (tenor) appears in her pursuit. He is an ineffectual admirer of Fiorilla posing as a friend of her husband. Geronio follows, horrified to learn that Fiorilla is taking the Turk home to drink his coffee! 459:
them and Selim, so that the Turk will be forced to decide between the two women. In the event he is indecisive, not wishing to lose either of them. Zaida leaves in disgust. Selim and Fiorilla quarrel but are eventually reconciled. As the poet tells Geronio, there is going to be a party. Fiorilla will be there to meet Selim, who will be masked. Geronio should also go - disguised as a Turk! Narciso overhears this, and decides to take advantage of the situation to take Fiorilla himself, in revenge for her former indifference. Geronio laments his destiny, that he should have such a terrible, crazy wife. Albazar passes by holding a costume - for Zaida!
1803: 51: 175:, which was performed at the same theatre shortly before Rossini's work. The strangely harmonized overture, though infrequently recorded, is one of the best examples of Rossini's characteristic style. An unusually long introduction displays an extended, melancholy horn solo with full orchestral accompaniment, before giving way to a lively, purely comic main theme. 1497: 1301: 435:
Fiorilla and Selim are flirting. Geronio enters timidly and Selim is initially impressed by his unexpected meekness, however Narciso noisily scolds Geronio. The domestic menage irritates Selim and he leaves after quietly arranging to meet Fiorilla again by his ship. Geronio tells Fiorilla he will not
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Selim approaches Geronio amicably, offering to buy Fiorilla. That way Geronio can be rid of his problems and also make some money. Geronio refuses. Selim vows to steal her instead. After they leave, Fiorilla and a group of her friends appear, followed by Zaida. Fiorilla has set up a meeting between
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Fiorilla mistakes Narciso for Selim and Narciso leads her away. Meanwhile, Selim enters with Zaida, under the impression that she is Fiorilla. Geronio is in utter despair at finding two couples and two Fiorillas! Narciso and Selim both entreat their partners to leave with them. Confused and angry,
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Selim is waiting for Fiorilla. Instead he meets Zaida. The former lovers are shocked and delighted, and declare once more their mutual love. Narciso re-appears, followed by Fiorilla in disguise, with Geronio in pursuit. Selim confuses the veiled Fiorilla with Zaida and the two women come suddenly
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Prosdocimo meets Geronio. They now know that Selim was with Zaida and guess that Fiorilla was with Narciso. Albazar confirms that Selim will definitely stay with Zaida. Prosdocimo advises Geronio to have his revenge on Fiorilla by pretending to divorce her and threatening to send her back to her
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Selim and Zaida are about to set sail for Turkey, while Fiorilla is looking for a boat to take her back to her home town. Geronio finds and forgives her. They are affectionately reconciled. Both couples are now reunited and Prosdocimo is delighted with his happy ending.
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Having discovered Narciso's deception, Fiorilla tries to find Selim, but he has already left with Zaida. She returns home only to find the divorce letter, and her belongings being removed from the house. She is devastated by shame, and promptly deserted by her friends.
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allow any more Turks - or Italians - in his house. She sweetly undermines his complaints, and then, when he softens, threatens to punish him by enjoying herself even more wildly.
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face to face. Fiorilla accuses Selim of betrayal. Zaida confronts Fiorilla. Geronio tells his wife to go home. There is a stormy finale.
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Geronio attempts to stop both couples, but they eventually escape.
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National Philharmonic Orchestra and the Ambrosian Opera Chorus
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The poet Prosdocimo (baritone) is searching for a plot for a
234:. In 1955 Callas again starred as Fiorilla, this time at the 151:
set as an opera (with the same title) by the German composer
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The Bel Canto Operas of Rossini, Donizetti, and Bellini
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L'occasione fa il ladro, ossia Il cambio della valigia
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The synopsis by Simon Holledge was first published at
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Orchestra and Chorus of the Theatre Maruccino, Chieti
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Il viaggio a Reims, ossia L'albergo del Giglio d'Oro
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Il barbiere di Siviglia, ossia L'inutile precauzione
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Conservatorio Statale di Musica "Gioachino Rossini"
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Audio CD: CBS “Masterworks”/Sony Music Distribution
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256: 255: 249: 247: 245: 241: 237: 233: 229: 225: 221: 217: 213: 209: 208:New York City 205: 201: 197: 193: 189: 185: 178: 176: 174: 173: 168: 163: 159: 154: 150: 146: 145:Felice Romani 142: 138: 134: 130: 126: 125: 120: 116: 115: 103: 89: 85: 81: 77: 74: 73:Felice Romani 71: 67: 63: 59: 52: 47: 44: 40: 36: 31: 19: 1930: 1927:(1835 opera) 1922: 1919:(1814 opera) 1915: 1914: 1906: 1898: 1890: 1882: 1869: 1852: 1786: 1774: 1762: 1737:Prix Rossini 1712: 1704: 1696: 1678: 1658: 1650: 1642: 1634: 1614:(1864, 1867) 1609: 1606:(1831, 1841) 1603:Stabat mater 1601: 1593: 1587:Sacred music 1570:Sombre forĂŞt 1537:Robert Bruce 1535: 1527: 1507:(unfinished) 1502: 1489: 1483:Le comte Ory 1481: 1473: 1465: 1457: 1434: 1426: 1418: 1410: 1402: 1394: 1386: 1378: 1370: 1362: 1354: 1346: 1338: 1330: 1322: 1314: 1306: 1293: 1285: 1277: 1269: 1262: 1261: 1253: 1230: 1222: 1214: 1206: 1198: 1190: 1182: 1174: 1166: 1158: 1150: 1054: 1040: 1026: 1019: 1018: 1008: 1002: 989: 980: 971: 970: 960:Cat: 5661-2 942:Marco Vinco, 921:Marzio Conti 886:ZĂĽrich Opera 828:Cat: 458924 801:RamĂłn Vargas 747:RaĂşl GimĂ©nez 694:Samuel Ramey 656:Julius Rudel 641:Donald Gramm 540:Maria Callas 512:Don Narciso, 506:Don Geronio, 488: 484: 483: 479: 475: 471: 470: 466: 462: 461: 457: 453: 452: 443: 439: 438: 434: 430: 429: 420: 418: 414: 413: 388: 375: 359: 343: 342:Prosdocimo, 325: 309: 293: 286:Luigi Pacini 275: 265:(Conductor: 232:Maria Callas 212:Park Theatre 183: 182: 170: 164: 123: 122: 113: 112: 111: 1970:1814 operas 1965:Opera buffa 1935:(1974 film) 1895:(1996 film) 1887:(1992 play) 1872:discography 1717:(1996 film) 1681:(1947 film) 1622:Other works 1451:Later works 1412:Maometto II 1144:Early works 704:Jane BerbiĂ© 646:Henry Price 516:Prosdocimo, 421:drama buffo 260:Voice type 167:opera buffa 156: [ 129:opera buffa 61:Translation 39:Opera buffa 1949:Categories 1879:(doubtful) 1788:Rossiniana 1436:Semiramide 1271:Sigismondo 967:References 521:Conductor, 494:Recordings 292:Fiorilla, 139:-language 95:1814-08-14 69:Librettist 1520:Pastiches 1057:, 1992. 709:Leo Nucci 684:Enzo Dara 675:DVD 5148 485:The beach 477:family. 454:At an inn 374:Albazar, 324:Narciso, 162:in 1788. 1908:La cifra 1807:Category 1652:La Danza 1247:Maturity 1224:Tancredi 1075:Libretto 854:Cat: 53 822:La Scala 772:and the 575:, Milan 518:Albazar 397:Synopsis 349:baritone 310:the Turk 294:his wife 188:La Scala 141:libretto 127:) is an 102:La Scala 87:Premiere 79:Language 1862:Related 1698:Rossini 1529:IvanhoĂ© 1494:(1829) 1428:Zelmira 1380:Ermione 1298:(1816) 1020:Sources 737:Sumi Jo 526:Label 425:Gypsies 358:Zaida, 308:Selim, 299:soprano 210:at the 137:Italian 135:. The 119:English 104:, Milan 93: ( 82:Italian 1975:Operas 1849:Mozart 1655:(1835) 1647:(1835) 1639:(1817) 1631:(1804) 1598:(1820) 1540:(1846) 1532:(1826) 1486:(1828) 1478:(1827) 1470:(1826) 1462:(1825) 1439:(1823) 1431:(1822) 1423:(1821) 1415:(1820) 1407:(1819) 1399:(1819) 1391:(1819) 1383:(1819) 1375:(1818) 1367:(1826) 1359:(1818) 1351:(1817) 1343:(1817) 1340:Armida 1335:(1817) 1327:(1817) 1319:(1816) 1311:(1816) 1290:(1815) 1282:(1815) 1274:(1814) 1266:(1814) 1258:(1813) 1235:(1813) 1227:(1813) 1219:(1813) 1211:(1812) 1203:(1812) 1195:(1812) 1187:(1812) 1179:(1812) 1171:(1811) 1163:(1810) 1155:(1812) 1137:Operas 1061:  1047:  1033:  514:Zaida, 510:Selim, 380:tenor 376:a Turk 360:a Turk 344:a poet 1548:Arias 972:Notes 935:2008 899:2005 859:2002 833:2000 785:1998 731:1991 680:1981 627:1978 585:1958 531:1954 504:Cast: 501:Year 449:Act 2 410:Act 1 331:tenor 314:bass 257:Role 250:Roles 192:Milan 160:] 1892:Cosi 1884:Così 1059:ISBN 1045:ISBN 1031:ISBN 281:bass 228:Rome 202:and 1851:'s 165:An 41:by 1951:: 269:) 246:. 222:, 218:, 190:, 158:de 121:: 1841:e 1834:t 1827:v 1579:" 1575:" 1572:" 1568:" 1565:" 1561:" 1558:" 1554:" 1104:e 1097:t 1090:v 923:, 909:, 882:, 872:, 867:, 818:, 808:, 803:, 798:, 793:, 767:, 759:, 754:, 749:, 744:, 739:, 719:, 711:, 706:, 701:, 696:, 691:, 686:, 658:, 648:, 643:, 638:, 633:, 615:, 601:, 596:, 591:, 569:, 559:, 552:, 547:, 542:, 537:, 117:( 97:) 20:)

Index

Il Turco in Italia
Opera buffa
Gioachino Rossini

Felice Romani
La Scala
English
opera buffa
Gioachino Rossini
Italian
libretto
Felice Romani
Caterino MazzolĂ 
Franz Seydelmann
de
opera buffa
Così fan tutte
La Scala
Milan
His Majesty's Theatre
Giuseppe de Begnis
Giuseppina de Begnis
New York City
Park Theatre
Maria Malibran
Manuel GarcĂ­a Senior
Manuel GarcĂ­a Junior
Rome
Maria Callas
Teatro alla Scala

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