83:", and have expressed perplexity over the ambiguous representation of this character as "good". Others have noted that a correct interpretation of the character must take into account Eduardo's pessimistic view on the Italian and Neapolitan judicial system and society, as well as the wide differences between the Neapolitan society described by Eduardo and that of modern Camorra. Barracano moral system is not in direct contrast with the law
87:; rather, he is driven by the belief that while, in theory, "the law is meant for good", nevertheless in practice "men eat each other", and the poor and downtrodden are doomed to be mistreated, rather than protected, by the judicial system. For what concerns the identification of Barracano's alternative moral system with the Camorra honor code, Eduardo denied that Campoluongo/Barracano was a Camorrist; he was rather a
55:. Eduardo commented on the plot saying that it was inspired from a real-life story, and specifically from some "Campoluongo", a furniture-maker who lived in Rione Sanità and was respected by the population as a local authority (i.e., a sort of "Mayor"). Campoluongo was in fact a friend of Eduardo, as well as of a number of other Neapolitan actors, including
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was acclaimed by both the audience and the critics, while raising much controversy for its unusual ethical perspective. The main character
Barracano is in fact depicted both as a criminal (for example, he doesn't hesitate to threaten of death another character) and as sincerely committed to applying
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The original play starring
Eduardo as Barracano was both presented in theatres and aired on Italian television (in 1964). Since then, it has been played on stage by a number of theatrical companies, including that of
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Britannica Book of the Year 2012 - Page 280 1615356185 "Ian McKellen was a
Neapolitan godfather in a touring production of Eduardo De Filippo's The Syndicate, which started at the resurgent Chichester Festival
63:, who reportedly benefited from the "protection" of Campoluongo when filming in Naples. In the play, this character is named "Barracano". Eduardo himself used to play this role on stage.
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in the role of
Barracano; the story differs from the original play in a few respects, most notably for being set in the
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233:"La legge è fatta bene; sono gli uomini che si mangiano tra loro". E. De Filippo,
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justice. Some critics have thus interpreted
Barracano as essentially a
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instead of Naples and for
Barracano being unequivocally depicted as a
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110:, longtime partner of Eduardo. A film adaptation entitled
28:", also "The Syndicate") is a play in three acts by
147:directed a film adaptation of the play, titled
224:, Università di Urbino, Urbino 1969, pp. 78-80
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273:and Camorra are described in more detail by
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277:in his presentation of his version of
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16:Play written by Eduardo De Filippo
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249:, il Messaggero, 8 febbraio 1973
114:was produced in 1996, starring
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222:Il teatro della guerra fredda
171:"Il sindaco del Rione Sanità"
140:as the Neapolitan godfather.
312:Plays by Eduardo De Filippo
247:Il Sindaco del Rione Sanità
195:Il sindaco del rione Sanità
128:Chichester Festival Theatre
72:Il sindaco del Rione Sanità
21:Il sindaco del Rione Sanità
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279:Il sindaco di Rione Sanità
235:Cantata dei giorni dispari
150:The Mayor of Rione Sanità
269:The differences between
67:Reception and discussion
130:revival of the play as
32:screenwriter and actor
126:"Godfather". The 2012
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200:2008-10-06 at the
34:Eduardo De Filippo
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177:on 2014-05-23
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179:. Retrieved
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61:Nino Taranto
49:Rione Sanità
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283:this review
101:Adaptations
79:boss or a "
40:theatre in
317:1960 plays
306:Categories
181:2012-02-20
157:References
30:Neapolitan
295:Theatre."
271:guapperia
259:Il guappo
245:R. Tian,
143:In 2019,
136:featured
112:The Mayor
81:Godfather
198:Archived
77:Camorra
38:Quirino
94:guappo
85:per se
53:Naples
281:(see
124:Mafia
206:Rai1
59:and
57:Totò
42:Rome
204:at
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