284:
Kitosch forcibly stops him, Tracy has an epileptic seizure. Traps tells
Kitosch that she betrayed Tracy because he tortured her, and has scars to show. Tracy returns and promises to leave her alone, if she tells them the whereabouts of Big John. She says that he is at Vulture pass with a band of Mexicans. When they leave Tracy ignites petroleum he has earlier poured out on the floor and she is seen surrounded by flames.
321:
one shot without visible effect, and then draws Tracy's derringer – "Your own little trick" – and shoots him several times, saying that he should have done that the moment they met. Don Jaime leaves him the money, but
Kitosch says he will trade it for a horse. Don Jaime helps Kitosch up in the saddle, and waves his men off. He sees blood on his hand and calls out to Kitosch, but the latter continues riding.
216:
306:
They are let in at night by the servant girl Rubia. She wants
Kitosch to ask Don Jaime for forgiveness and then marry her. He says he will take her with him. Kitosch and Tracy break into Don Jaime's bedroom. Kitosch beats Don Jaime. Rubia enters and tries to stop him. When she calls for help, Tracy
295:
In town Tracy finds
Kitosch spending money on drink and women. Kitosch wants to divide the loot and stay there, ending their partnership. Tracy loads all gold on his horse and goes inside the cantina, where he fingers his gun while he observes Kitosch dancing. When he violently refuses a prostitute
287:
At the pass Tracy and
Kitosch arrive to see the gangs of Big John and Camaro attack a transport of gold. They attack in waves and gradually decimate the escort. The two now get into the fray and uses dynamite and tricks to kill the bandits. When only Big John and Camaro are left Big John shoots the
276:
At night Tracy spreads his black leather jacket over
Kitosch. When a sheriff and his men sneak in to arrest him they are shot by Tracy. When Kitosch protest against being used as a decoy Tracy replies that he didn't ask, and besides, he wouldn't have been so believable if he'd known. Tracy collects
264:
The womaniser
Kitosch takes with good humour the whipping dealt to him by boss Don Jaime after he has fondled the wife of the foreman. When he finds Kitosch in a compromising situation with his own wife the Don brands Kitosch, so "he doesn't forget who is the boss." Kitosch leaves but is caught and
320:
Don Jaime is in the church with the money. He gives his word of honour that they are free to leave. Tracy now points his gun at
Kitosch. He says that the wife goes with him and as for Don Jaime he never leaves a witness. Kitosch provokes Tracy by scorning him for being "a poor epileptic." He takes
272:
When they are overcome by Don Jaime and his men, Tracy trades
Kitosch for the horse of Don Jaime. When they are to hang him Tracy shoots off the rope, and kills a man who draws. When they have left he gives the horse to Kitosch and says goodbye. Kitosch says that he thought they would be together,
283:
They find Traps in a saloon with Big John 's man Slim. Kitosch beats Slim and shoots some
Mexicans that interfere. He counts holes in their forehead, and misses one – the man rises and is shot! Traps have sensitive eyes and wears a blindfold. Tracy tortures her by exposing her eyes to light. When
268:
In town he is arrested on a trumped up charge. The wanted Black Tracy arrives in town on a wagon with a coffin. He is arrested but inside he kills the sheriff and deputy with a hidden derringer. The man who denounced him draws but is killed by a knife throw from Kitosch, who leaves with Tracy.
299:
Afterwards Kitosch is upset and starts a fistfight. When Tracy gets the worst of it he draws his derringer, but has a seizure when he is about to shoot. Kitosch takes the derringer and holds him during the attack, and when he afterwards is to leave Tracy calls out for him.
291:
Tracy catches Big John and drags him through the mud, and proceeds to screw his hands into a door. Kitosch protests and then shoots Big John. He rides off saying "You know where to find me." Tracy cries out "He should have suffered a lot more!" and has another seizure.
273:
and Tracy tells him, "Don't think, it'll damage your brain." Tracy continues and finds that the road ends at a cliff. Kitosch is there waiting under it. He says that Tracy didn't ask about the road. He shows the way to the border, returning the quip about brains.
29:
363:, about the relationship between an older gunfighter and a younger protagonist, who joins him and later confronts him, and he further traces the root of this type of plot to the play between the younger and the older bounty killer in
316:
The wife convinces Tracy that they should leave together and take the money that she says is hidden at the ranch, but Kitosch stops them. He returns Tracy's gun when he sees fresh horses outside the church.
288:
Mexican, who aims his gun, but is blown up by Kitosch. When the bank clerks venture out of the wagon to extend their thanks they are shot by Tracy, who then pursues Big John while Kitosch kisses the gold.
280:
After burying the coffin – with the corpse of his mother who died while he was in jail, Tracy sets out to avenge himself on his wife Traps and best friend Big John, who turned him in for $ 10.000.
313:
Don Jaime orders his men to attack at dawn. They suffer casualties but take the horses. They withdraw when Tracy takes the wife up in the bell tower, shoots at the bell and threatens to kill her.
303:
Tracy recovers in sickbed by the priest in the parish of Don Jaime. He is about to draw at Kitosch's back when he hears about Don Jaime's cattle business, and suggests that the two rob him.
310:
They take position in the church. The wife comes on to Kitosch, but is rejected. The priest arrives with the ransom, which turns out to be paper. Tracy shoots him.
375:- and several other films in its wake - where the hero's quest for money brings the loss or brutalisation of his woman. Fridlund compares the ending with
296:
there starts a gunfight that develops into a shoot-out with soldiers. The horse carrying the loot cannot be reached, and they escape on other horses.
226:
554:
549:
333:
564:
544:
413:
251:
559:
539:
438:
134:
569:
265:
beaten. Next time he draws a hidden knife and uses it to get a gun, but the horse he also takes is shot from under him.
470:
59:
192:
369:. Also, when Tracy's disgust for women causes the loss of their booty, it is a reversal of the situation in
307:
shoots her. As the cash is deposited in the bank, Kitosch take Don Jaime's wife as a hostage for $ 90.000.
455:
365:
198:
156:
49:
534:
353:
162:
168:
371:
519:
434:
409:
348:
340:
140:
180:
174:
137:
28:
69:
528:
383:
359:
186:
144:
39:
471:"Spaghetti western alla Mostra di Venezia con la benedizione di Quentin Tarantino"
347:, "this dark and twisted tale", basically presents a variation on the stories of
475:
377:
277:
sheriff's stars and they both demonstrate their prowess in shooting at them.
500:. Jefferson, NC and London: McFarland & Company Inc., 2006 pp. 170-71.
513:
332:
was shown as part of a retrospective on Spaghetti Western at the
209:
236:
by removing unnecessary details and making it more concise.
233:
106:
98:
75:
65:
55:
45:
35:
21:
339:In his investigation of narrative structures in
8:
498:The Spaghetti Western. A Thematic Analysis
27:
18:
252:Learn how and when to remove this message
396:
334:64th Venice International Film Festival
453:Probably a reference to an episode in
431:Dizionario del cinema italiano. I film
7:
406:Dizionario del western all'italiana
14:
227:too long or excessively detailed
214:
469:Fulvio Toffoli (26 July 2007).
429:Roberto Poppi, Mario Pecorari.
555:Films scored by Piero Umiliani
550:Films directed by Nando Cicero
381:and also the American Western
1:
165:: Joshua Tracy, the Black one
565:1960s Italian-language films
343:films, Fridlund writes that
223:This article's plot summary
586:
545:1967 Western (genre) films
433:. Gremese Editore, 2007.
26:
193:Maria Grazia Marescalchi
540:Spaghetti Western films
515:Il tempo degli avvoltoi
345:Il tempo degli avvoltoi
330:Il tempo degli avvoltoi
118:Il tempo degli avvoltoi
22:Il tempo degli avvoltoi
456:For a Few Dollars More
366:For a Few Dollars More
560:Films shot in Almería
404:Marco Giusti (2007).
131:No Tears for a Killer
570:1960s Italian films
408:. Mondadori, 2007.
354:Death Rides a Horse
199:Guglielmo Spoletini
177:: Don Jaime Mendoza
123:Last of the Badmen
50:Fulvio Gicca Palli
349:Spaghetti Western
341:Spaghetti Western
262:
261:
254:
143:film directed by
141:spaghetti Western
114:
113:
577:
501:
496:Fridlund, Bert:
494:
488:
487:
485:
483:
466:
460:
451:
445:
444:
426:
420:
419:
401:
257:
250:
246:
243:
237:
218:
217:
210:
171:: Steffy Mendoza
127:Time of Vultures
91:
89:
31:
19:
585:
584:
580:
579:
578:
576:
575:
574:
525:
524:
510:
505:
504:
495:
491:
481:
479:
468:
467:
463:
452:
448:
441:
428:
427:
423:
416:
403:
402:
398:
393:
327:
258:
247:
241:
238:
234:help improve it
231:
219:
215:
208:
181:Franco Balducci
175:Eduardo Fajardo
153:
121:(also known as
94:
87:
85:
78:
17:
12:
11:
5:
583:
581:
573:
572:
567:
562:
557:
552:
547:
542:
537:
527:
526:
523:
522:
509:
508:External links
506:
503:
502:
489:
461:
446:
439:
421:
415:978-8804572770
414:
395:
394:
392:
389:
326:
323:
260:
259:
222:
220:
213:
207:
204:
203:
202:
196:
190:
184:
178:
172:
166:
160:
152:
149:
112:
111:
108:
104:
103:
100:
96:
95:
93:
92:
81:
79:
76:
73:
72:
70:Piero Umiliani
67:
63:
62:
57:
56:Cinematography
53:
52:
47:
43:
42:
37:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
582:
571:
568:
566:
563:
561:
558:
556:
553:
551:
548:
546:
543:
541:
538:
536:
533:
532:
530:
521:
517:
516:
512:
511:
507:
499:
493:
490:
478:
477:
472:
465:
462:
458:
457:
450:
447:
442:
436:
432:
425:
422:
417:
411:
407:
400:
397:
390:
388:
386:
385:
380:
379:
374:
373:
368:
367:
362:
361:
356:
355:
350:
346:
342:
337:
335:
331:
324:
322:
318:
314:
311:
308:
304:
301:
297:
293:
289:
285:
281:
278:
274:
270:
266:
256:
253:
245:
242:February 2015
235:
230:
228:
221:
212:
211:
205:
200:
197:
194:
191:
188:
185:
182:
179:
176:
173:
170:
167:
164:
161:
158:
157:George Hilton
155:
154:
150:
148:
146:
142:
139:
136:
132:
128:
124:
120:
119:
109:
105:
101:
97:
83:
82:
80:
74:
71:
68:
64:
61:
58:
54:
51:
48:
44:
41:
38:
34:
30:
25:
20:
514:
497:
492:
480:. Retrieved
474:
464:
454:
449:
430:
424:
405:
399:
382:
376:
370:
364:
360:Day of Anger
358:
352:
344:
338:
329:
328:
319:
315:
312:
309:
305:
302:
298:
294:
290:
286:
282:
279:
275:
271:
267:
263:
248:
239:
224:
187:Femi Benussi
169:Pamela Tudor
145:Nando Cicero
130:
126:
122:
117:
116:
115:
77:Release date
60:Fausto Rossi
40:Nando Cicero
351:films like
183:: Francisco
163:Frank Wolff
36:Directed by
535:1967 films
529:Categories
476:Il Piccolo
440:8884405033
391:References
378:Chuck Moll
46:Written by
336:in 2007.
325:Reception
159:: Kitosch
16:1967 film
482:18 April
201:: Camaro
107:Language
66:Music by
232:Please
225:may be
195:: Traps
189:: Rubia
138:Italian
133:) is a
110:Italian
99:Country
86: (
437:
412:
372:Django
384:Shane
102:Italy
520:IMDb
484:2013
435:ISBN
410:ISBN
357:and
206:Plot
151:Cast
135:1967
129:and
88:1967
84:1967
518:at
531::
473:.
387:.
147:.
125:,
486:.
459:.
443:.
418:.
255:)
249:(
244:)
240:(
229:.
90:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.