108:
Through a series of rehearsals, workshops, and masterclasses, all musicians prepare, together, for a set of concerts, open to the public and free of charge, aimed at bringing chamber music to audiences that would have otherwise limited access to it. Both soloists and fellows feed off each other’s
104:
with a deep-rooted social mission. Professional soloists from multiple nationalities converge in a secluded venue in rural Brazil, where they commune and collaborate with a selected group of outstanding young local talents at the start of their professional careers.
366:
217:
All concerts were free of charge and fully attended, with tickets for the final concert being claimed within an hour of being made available. The festival received ample coverage through broadcast and printed media, as well as online, including by
370:
203:
3 concerts were held: The first at the
Serrinha farm, home of the festival in 2016, to an audience consisting of local community members and farm workers. The next one at the central church of
214:, consisting of the festival’s closing concert as well as pop-up concerts throughout the museum and public areas, including the Avenida Paulista, São Paulo’s main thoroughfare.
351:
185:
Alumni from the first edition went on to new professional jobs in classical music, and to be accepted into some of the world’s leading conservatories and music programs.
484:
237:
and the
Minerva Kunststiftung, and fundraisers were held in São Paulo and London to keep operations financially viable. The festival was delivered within budget.
533:
528:
498:
432:
456:
327:
281:
523:
332:
234:
131:
Invited soloists for the first edition included
Cristian Budu, Joseph Conyers, Giovanni Gnocchi, Esther Hoppe and Alexandra Soumm.
518:
241:
240:
Alumni from the second edition were also subsequently admitted into some of the world's leading conservatories, including the
309:
407:
252:
The third edition of the festival is scheduled to be held in from
January 02 to 15, 2017, in the state of São Paulo.
211:
147:
125:
112:
The festival operates on a non-profit basis and relies on donors, sponsors and supporters for financial viability.
41:
297:
207:, the farm's neighboring town, again to a local audience lacking any regular classical music opportunities.
255:
The recruitment process for local young musicians is underway, and applications are being received online.
175:
227:
194:
171:
470:
179:
159:
278:
285:
155:
151:
101:
31:
315:
266:
163:
135:
121:
109:
input, and the experience provides a sizeable professional boost for alumni’s careers.
63:
134:
Concerts were held in São Bento do Sapucaí and Campos do Jordão and included works by
512:
143:
139:
90:
27:
499:"Rede Globo - Fantástico conta a luta de jovem brasileiro para se tornar violinista"
291:
167:
420:
223:
219:
263:
Musicians who have partaken in and been involved in the festival include:
204:
94:
45:
395:
210:
The final performance was an all-day chamber music residency at
303:
272:
74:
200:
All told, 7 international soloists and 20 fellows attended.
100:
The festival combines the objective of producing high-end
485:"Cultura - São Paulo Public Broadcasting Service Article"
367:"São Paulo State Government Article on Music Education"
124:, the festival held its first edition in the city of
193:The second edition of the festival was held in the
69:
59:
51:
37:
23:
18:
328:List of classical music festivals in South America
120:Founded by American violist and artistic director
421:Concerto Magazine Article on Ilumina Festival
408:"Local Newspaper Article on Ilumina Festival"
352:Brazilian Public Broadcasting Service Article
8:
222:, São Paulo's Public Broadcasting Service,
433:"São Paulo Music School Article on Alumni"
344:
15:
7:
391:
389:
387:
361:
359:
269:(USA) – Viola and Artistic Director
534:Music festivals established in 2015
529:Classical music festivals in Brazil
14:
333:List of music festivals in Brazil
471:"MASP - São Paulo Museum of Art"
457:"Catraca Livre - Agenda Gratis"
233:Partnerships were formed with
1:
197:from January 02 to 10, 2016.
550:
148:Heinrich Ignaz Franz Biber
524:Music festivals in Brazil
519:Chamber music festivals
306:(Switzerland) – Violin
176:Ralph Vaughan Williams
288:(USA) – Double Bass
126:São Bento do Sapucaí
42:São Bento do Sapucaí
172:Dmitri Shostakovich
128:, in January 2015.
396:Festival Home Page
318:(France) – Violin
300:(Germany) – Viola
284:2016-03-04 at the
242:Mozarteum Salzburg
228:Estado de S. Paulo
195:State of São Paulo
180:Heitor Villa-Lobos
275:(Brazil) – Piano
235:Cultura Artistica
160:Gioachino Rossini
93:festival held in
83:
82:
541:
503:
502:
495:
489:
488:
481:
475:
474:
467:
461:
460:
453:
447:
446:
444:
443:
429:
423:
418:
412:
411:
404:
398:
393:
382:
381:
379:
378:
369:. Archived from
363:
354:
349:
294:(Italy) – Cello
292:Giovanni Gnocchi
87:Ilumina Festival
79:
76:
19:Ilumina Festival
16:
549:
548:
544:
543:
542:
540:
539:
538:
509:
508:
507:
506:
497:
496:
492:
483:
482:
478:
469:
468:
464:
455:
454:
450:
441:
439:
431:
430:
426:
419:
415:
406:
405:
401:
394:
385:
376:
374:
365:
364:
357:
350:
346:
341:
324:
316:Alexandra Soumm
312:(USA) – Violin
298:Julia Gartemann
286:Wayback Machine
261:
250:
191:
156:Osvaldo Golijov
152:Johannes Brahms
118:
102:classical music
75:iluminafestival
73:
32:classical music
12:
11:
5:
547:
545:
537:
536:
531:
526:
521:
511:
510:
505:
504:
490:
476:
462:
448:
424:
413:
399:
383:
355:
343:
342:
340:
337:
336:
335:
330:
323:
320:
279:Joseph Conyers
267:Jennifer Stumm
260:
257:
249:
246:
190:
187:
164:Franz Schubert
122:Jennifer Stumm
117:
114:
81:
80:
71:
67:
66:
64:Jennifer Stumm
61:
57:
56:
53:
49:
48:
39:
35:
34:
25:
21:
20:
13:
10:
9:
6:
4:
3:
2:
546:
535:
532:
530:
527:
525:
522:
520:
517:
516:
514:
500:
494:
491:
486:
480:
477:
472:
466:
463:
458:
452:
449:
438:
434:
428:
425:
422:
417:
414:
409:
403:
400:
397:
392:
390:
388:
384:
373:on 2015-11-17
372:
368:
362:
360:
356:
353:
348:
345:
338:
334:
331:
329:
326:
325:
321:
319:
317:
313:
311:
307:
305:
301:
299:
295:
293:
289:
287:
283:
280:
276:
274:
273:Cristian Budu
270:
268:
264:
258:
256:
253:
247:
245:
243:
238:
236:
231:
229:
225:
221:
215:
213:
208:
206:
201:
198:
196:
188:
186:
183:
181:
177:
173:
169:
165:
161:
157:
153:
149:
145:
144:Marcos Balter
141:
140:Anton Arensky
137:
132:
129:
127:
123:
115:
113:
110:
106:
103:
98:
96:
92:
91:chamber music
89:is an annual
88:
78:
72:
68:
65:
62:
58:
54:
50:
47:
43:
40:
36:
33:
29:
28:Chamber music
26:
22:
17:
493:
479:
465:
451:
440:. Retrieved
437:emesp.org.br
436:
427:
416:
402:
375:. Retrieved
371:the original
347:
314:
308:
304:Esther Hoppe
302:
296:
290:
277:
271:
265:
262:
254:
251:
248:2017 Edition
239:
232:
216:
209:
202:
199:
192:
189:2016 Edition
184:
168:Bright Sheng
133:
130:
119:
111:
107:
99:
86:
84:
55:2015-present
52:Years active
136:Thomas Adès
38:Location(s)
513:Categories
442:2015-10-17
377:2015-10-17
339:References
310:Tai Murray
224:Rede Globo
259:Musicians
322:See also
282:Archived
205:Piracaia
60:Founders
220:Cultura
116:History
70:Website
95:Brazil
46:Brazil
24:Genre
226:and
212:MASP
178:and
85:The
77:.org
515::
435:.
386:^
358:^
244:.
230:.
182:.
174:,
170:,
166:,
162:,
158:,
154:,
150:,
146:,
142:,
138:,
97:.
44:,
30:,
501:.
487:.
473:.
459:.
445:.
410:.
380:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.